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Kilian Jornet Set Out to Summit 72 of America’s Tallest Peaks — in Just One Month

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Kilian Jornet Set Out to Summit 72 of America’s Tallest Peaks — in Just One Month

The Beginning

Kilian Jornet was drenched and tired.

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Mr. Jornet, 37, was just a few days into an ambitious odyssey, a self-designed project he had named “States of Elevation.” His goal was to link, by foot and by bike, the tallest peaks in the contiguous United States — a series of 70-plus publicly accessible mountains in Colorado, California and Washington known as the “14ers” because they are all 14,000 feet or higher (symbolized on the map as ). He estimated it would take him around a month.

But now, in early September, Mr. Jornet wondered whether he could continue.

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It is not often that Mr. Jornet, one of the most accomplished endurance athletes on the planet, seems susceptible to human frailties. In 2017, he reached the summit of Mount Everest twice in one week, without support or supplemental oxygen. In 2023, he climbed the 177 tallest peaks in the Pyrenees in eight days. Last year, he needed just 19 days to tackle the 82 tallest peaks in the Alps.

But now, after a long flight from Norway, where he lives with his wife, Emelie Forsberg, a former skyrunning world champion, and their three young daughters, Mr. Jornet was jet-lagged and struggling to acclimate to the high altitude of the LA Freeway in Colorado, a mountainous traverse along the Continental Divide.

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Figuring out the correct gear was part of the puzzle when Kilian Jornet was planning his “States of Elevation” project.

Nick Danielson

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Making matters worse, a steady rain left him feeling as if he were soaked through to his core.

“I just felt exhausted,” Mr. Jornet recalled in a recent interview. “It felt impossible to do one more week, let alone another month. But then the body switched, and I went from fighting to adapting.”

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Climbing peak after peak in Colorado, he seemed to grow stronger as he moved west, through the Mojave Desert and into the Sierra Nevada, across Northern California and finally into the Cascades.

A small support crew in a recreational vehicle met up with Mr. Jornet periodically while he was hiking, and followed more closely during his long bike rides. He also had a rotating cast of friends and fellow athletes who joined him for parts of the project.

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And, over the course of 31 days and 3,197 miles, he conquered a challenge in which, on any given day, he was completing a feat — or, in some cases, feats — that many climbers would consider a lifetime achievement in and of itself.

Colorado

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16 days | 1,207 miles | 56 peaks

A couple of days before Ryan Hall, the retired Olympic marathoner, was set to meet Mr. Jornet near Crested Butte, Colo., he checked the forecast. An avid climber, Mr. Hall was alarmed enough to send Mr. Jornet a text message asking if they really wanted to tackle the Elks Traverse in a snowstorm. Mr. Jornet was not concerned.

“Yeah,” he replied via text, “we might get a little wet out there.”

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The weather, though, turned out to be pleasant, and Mr. Jornet and Mr. Hall chatted throughout their 12 hours together — about their families, about training and nutrition, and even about “different levels of consciousness,” Mr. Hall said. At one point, Mr. Jornet, who is from Spain, described climbing as an out-of-body experience.

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Mr. Jornet focuses on each step of the journey along the way, rather than talking about the enormity of the project.

Nick Danielson

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Mr. Hall was surprised to learn that Mr. Jornet did not drink coffee. His explanation? He worries caffeine will make him push too hard and hinder his ability to recover. Mr. Hall said Mr. Jornet made no mention of feeling tired or hungry during their time together.

“It was interesting to see how he managed his body and what he was putting it through,” Mr. Hall said, “and how, mentally, it wasn’t taking up any space.”

Mr. Hall also noticed that Mr. Jornet refrained from talking about the project. Instead, he seemed present. The only mountain that mattered was the mountain he was on. Mr. Jornet, Mr. Hall said, was “full of peace” — an impression that was reinforced when they reached Castle Peak, their fifth and final summit together. Not that Mr. Jornet was keeping track.

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“The peaks don’t really mean anything to me,” he told Mr. Hall. “The peaks are just an excuse to be out here.”

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The journey included 16 days in Colorado.

Bjarne Salén

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Dakota Jones, an elite trail and mountain runner, joined Mr. Jornet for his final two days of climbing in Colorado, which started with an ascent of Mount Sneffels and a 25-mile traverse through the early hours of the night.

When Mr. Jornet awoke the next morning, he rode his bicycle several hours to the next trailhead. Mr. Jones followed Mr. Jornet’s crew in his Toyota Tacoma and prepared for the day by consuming a burrito, several doughnuts and lots of coffee.

“He’s so far beyond what the rest of us can do,” Mr. Jones said of Mr. Jornet.

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At around noon, they embarked on a nearly 14-hour run through the Weminuche Wilderness, a remote area of the San Juan National Forest. By the time they reached their final peak of the day, Mr. Jornet had run out of food.

“He never said a word,” Mr. Jones said. “He just kept going. That’s Kilian.”

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Mr. Jornet spent a total of 16 days in Colorado, where he made 56 summits while covering more than 1,200 miles.

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Mr. Jornet’s climbing partners in Colorado struggled to keep up with him, even though he did not catch rides in his support vehicle, or ingest caffeine.

Nick Danielson

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Desert Ride

5 days | 877 miles

Up close, there was nothing inherently sexy about Mr. Jornet’s quest. Day after day, hour after hour, minute after minute, he was simply putting one foot in front of the other, or pedaling one stroke at a time. Mr. Hall likened him to a “metronome,” his rhythmic movements never hurried or rushed.

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Mr. Jones approached Mr. Jornet as if he were part of an anthropological study: What was he capable of doing next?

“He has both the physiology to be great and the infinite discipline and focus to make the most of what he has,” Mr. Jones said. “And that’s a really rare combination.”

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After completing his climbs in Colorado, Mr. Jornet spent five days biking nearly 900 miles across the Mojave Desert.

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Nick Danielson

Mr. Jornet’s discipline was clear when, after conquering Colorado, he spent five days biking nearly 900 miles across vast expanses of the Mojave Desert. He averaged about 14 hours a day in the saddle.

He was accompanied for portions of the trip by athletes like Chris Myers, a trail runner, and Gemma Arró Ribot, a former teammate on the Spanish ski mountaineer team. But Mr. Jornet also spent a great deal of time alone, and he battled boredom, fatigue and the heat by listening to music and audiobooks.

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Mostly, though, he biked as a mode of transport, as a means to an end.

California

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7 days | 593 miles | 15 peaks

One of Mr. Jornet’s early challenges in California was Norman’s 13, a winding, 100-mile route that links all 13 of the 14,000-foot peaks in the Sierra Nevada. In search of some expertise, Mr. Jornet recruited Olivia Amber, a world-class trail runner who, about two weeks earlier, had done the route on her own.

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Some context: Ms. Amber, 30, described Norman’s 13 as a “dream project” that she had pieced together over several years. For even the most accomplished adventurers, the route is serious business. And when Ms. Amber completed it in 89 hours (which included four hours of sleep), she became the fourth person to ever do so — and the first woman.

And then there was Mr. Jornet, fresh off hundreds of miles of bicycling through the desert, who intended to move through Norman’s 13 as just one part of a much larger project. It was difficult for Ms. Amber to comprehend.

“He’s rewriting what’s possible in the mountains,” she said, “especially with endurance feats.”

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In California, Mr. Jornet took on Normals 13, a route that covers 13 separate 14,000-foot peaks.

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Andy Cochrane

On Sept. 25, Ms. Amber was set to meet Mr. Jornet at the junction of the Taboose Pass Trail and the John Muir Trail, before their shared trek up Split Mountain. To reach him, she had to jog 12 miles while ascending 6,000 feet — and she had to do it in a hurry after receiving word that he was moving quickly.

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“I honestly thought he was going to beat me there,” she said. “It was crazy.”

From the start, Ms. Amber could sense Mr. Jornet was egoless. He seemed genuinely grateful for her help. With rough weather approaching, he agreed when she suggested that he take a quick nap before leaving camp.

“I wasn’t totally sure if he was committed to sleeping,” Ms. Amber recalled.

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Each section of Mr. Jornet’s journey would be considered a major accomplishment for most climbers.

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Andy Cochrane

They set out before dusk, and as they began to move through the night, heavy snow blanketed them. It was Ms. Amber’s sixth time up Split Mountain, and Mr. Jornet’s first. It hardly mattered.

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“He had this feel for where we were and for the terrain even though he had never been there before,” said Ms. Amber, who accompanied Mr. Jornet for 25 snow-filled miles. “I could just feel that energy from him — a confidence that came from a place of deep understanding of how to move in that kind of environment and in those conditions.”

Of course, Mr. Jornet made it look easy, even when it was not. Later, after biking another 390 miles over two days into the Cascades of Northern California, he reached Mount Shasta — the 71st and penultimate peak of his project — where he was buffeted by an Arctic wind. He had to crawl the final 1,000 feet to the summit.

“You need to laugh in those situations and find the way to pass through,” Mr. Jornet said.

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Mount Shasta in California was Mr. Jornet’s 71st peak of the project.

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Nick Danielson

Oregon Ride

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3 days | 489 miles

A few hours after summiting Mount Shasta, Mr. Jornet was on two wheels once again. He was joined by the triathlete Ian Murray for a 60-mile ride on crushed volcanic gravel before they slept just south of the Oregon border.

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Mr. Jornet was by himself for the next two days as he rode 430 miles to the foot of Mount Rainier in Washington. The end was near.

When he was planning the project, Mr. Jornet worried about being hit by a car or a truck while biking. “A lot of people were telling me it would be very dangerous,” he recalled.

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Mr. Jornet rode through much of Oregon with the triathlete Ian Murray.

Nick Danielson

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He and his team worked hard to locate the safest roads with the widest shoulders, and he found, to his surprise, that most drivers gave him ample space. He also was grateful for the company of his friends, new and old.

“He clearly could have done every inch of this on his own and he would have been totally fine and totally happy,” Ms. Amber said. “But he had this deeper appreciation that people showed up for him and were willing to help him.”

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Mr. Jornet wanted to share the experience with those who joined him for portions of it — and with the wider world. Mr. Hall, for example, laughed whenever Mr. Jornet broke out his selfie stick. It was important to Mr. Jornet that he and his team use social media — Mr. Jornet has nearly two million followers on Instagram — to convey the beauty of the natural world and the importance of protecting it.

During his travels, Mr. Jornet saw moose, coyotes, goats, eagles, snakes and even a couple of bears from a distance. None bothered him, he said.

“We would look at each other,” Mr. Jornet said, “and say: ‘Hey, guys! How are you doing?’ And just continue.”

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Mount Rainier Finale

Mr. Jornet started up Mount Rainier at dawn on Oct. 3, and it was a final test worthy of the project — a 29-mile haul up 14,320 vertical feet before he reached the summit. About 17 hours after he had set out that morning, he returned to the trailhead where his support team was waiting with celebratory slices of pizza and pickle juice shots.

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After 31 days and 72 summits, Mr. Jornet’s objectively absurd project was complete. He covered 629 miles on foot and biked an additional 2,568 miles, which outdistanced this year’s Tour de France by more than 400 miles. And he did all that while amassing 403,691 feet of elevation gain.

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Mr. Jornet closed out the project with one final test: a 29-mile climb up Mount Rainier that involved 14,320 feet of elevation gain.

Nick Danielson

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Throughout the project, Mr. Jornet wore a smartwatch that tracked his heart rate, his mileage, his sleep totals (he averaged about six hours a night) and even something called his “recovery score,” which registered zero — yes, zero — for 17 consecutive days. (At one point, he broke his cellphone, and members of his team questioned whether he had done it on purpose.)

Mr. Jornet estimated that he had burned about 9,000 calories a day, but he managed not to lose any weight. One of his secret weapons: flasks of olive oil that he guzzled raw. By the end of his journey, he was looking forward to homegrown produce from his garden and thick slices of his wife’s sourdough bread.

The day after summiting Mount Rainier, Mr. Jornet awoke feeling disoriented. His first instinct, he said, was to reach for his bike: Didn’t he have more miles ahead of him? No, he realized, it was over. He slept more peacefully the next night.

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His trek through the Alps last summer, while less physically demanding, had left him mentally drained because so many of the climbs were so challenging. His jaunt through the American West was a comparative breeze.

“It was just fun,” he said. “It was nice to ride and to run and to see the things and just to enjoy those places. And I could have gone on. I was happy to finish and go home, but physically it felt like my body was ready to continue.”

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For now, Mr. Jornet plans to take a break and spend time with his family.

“But I know myself,” he said, “and I know in a couple of months that I will start to think of something else.”

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Lifestyle

Kennedy Center removes Trump’s name from the building

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Kennedy Center removes Trump’s name from the building

A tarp covers the facade of the John F. Kennedy Memorial Center for the Performing Arts in Washington, DC, on June 13, 2026. Workers removed President Donald Trump’s name from the facade of the building.

Alex Wroblewski/AFP via Getty Images


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Alex Wroblewski/AFP via Getty Images

WASHINGTON – Workers have taken down President Donald Trump’s name from the Kennedy Center, hours after a court-ordered Friday deadline to remove it from the building, and less than six months after it was first affixed to the iconic performing arts venue. The removal of the more than a dozen bronze letters followed a judge’s ruling that the Center could not be renamed without Congressional approval.

In a court filing, Kennedy Center Executive Director and Chief Operating Officer Charles Matthew Floca confirmed that President Trump’s name has been removed from the building façade, despite what Floca said were weather-related delays. References to Trump on the center’s website are also gone.

Just a month into his second term, Trump ousted the Kennedy Center’s president, board chair and board members, then replaced them with a group of trustees that soon named Trump as chairman. Soon after, the president’s name was added to the building, so that it became, “The Donald J. Trump and the John F. Kennedy Memorial Center for the Performing Arts.”

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The administration had on Friday asked a higher court to stay the ruling as it argued that Trump’s name on the building had helped attract donors and was crucial to raising funds for the Kennedy Center’s renovation.

“Without the name, “Trump” on the Building, our fundraising will not only come to a halt,” the administration wrote in a court filing, “but any and all monies raised or committed would be obligated to be returned, refunded or terminated.”

An appeals court denied that request Friday night. Workers erected scaffolding on Friday around the section of the building where Trump’s name had been added in December 2025. Then, in a pre-dawn operation, the laborers draped the scaffolding in tarpaulin, before removing the giant metallic letters. The Kennedy Center had asked a judge to briefly extend the deadline for this removal —because of Friday night thunderstorms forecast for Washington D.C.

Finally, with the scaffolding up, and tarpaulin covering their efforts, workers began to remove Trump’s name. Hundreds of people braved the rain and thunderstorms overnight to document the take-down. Some heckled those involved for hiding the removal using tarpaulin – with shouts of “Cover up!” and “Cowards!”

Among the onlookers watching proceedings was Krystal Brewer, 40, who works for a social justice advocacy group. She said removing Trump’s name was a way to enforce accountability, maintain government checks and balances, and reclaim a piece of Washington from a president who she said has tried to impose his stamp on the nation’s capital. It’s about just not being able to do something just because you think you’re the most powerful person and you can defy the courts,” Brewer said.

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Protestors wave a U.S. and signs as workers prepare to remove President Donald Trump's name from the John F. Kennedy Center for the Performing Arts in Washington, Saturday, June 13, 2026.

Protestors wave a U.S. and signs as workers prepare to remove President Donald Trump’s name from the John F. Kennedy Center for the Performing Arts in Washington, Saturday, June 13, 2026.

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Trump has recently overseen the controversial demolition of the White House’s East Wing in favor of a giant ballroom, and ordered large banners of his face to hang from several federal buildings during his second term. I wanted to see us get a part of our city back,” said Brewer. “With all the things that he’s trying to destroy and corrupt and taint and alter, it’s nice to see a piece of it being restored.”

Also among those gathered on the Center’s plaza Friday was Rep. Joyce Beatty of Ohio, who initiated the lawsuit to remove Trump’s name from the building. She wrote on social media that she had stood outside to watch, writing “No more stalling. It’s time for Trump to obey the law.”

Watching the tarps go up a little before 2 a.m., Saturday, another onlooker, 60-year-old nurse Mary Foltz, said it was a metaphor for the Trump administration.

I think there’s a lack of transparency — and that’s just the epitome of it,” Foltz said. “This is a meme.”

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One of L.A.’s most personal theater experiences is disguised as a tarot reading

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One of L.A.’s most personal theater experiences is disguised as a tarot reading

There’s a sense of quiet mystery in tarot. That’s why during my reading last week, it was more peculiar than disruptive when a dancer hopped on a table to lay at a 90-degree angle and jet her feet in the air.

Despite said activity, the tone was contemplative, and moments later, as I was being asked to describe the colors and mood of a Ten of Swords card, I was tapped on the shoulder. After a gesture to follow, I was handed a lantern.

The way I swayed the light would now dictate the performer’s movements. We may not have been dancing, but it was close. Melancholic and intimate, the performer (Haylee Nichele) silently guided me to become comfortable in my discomfort, to sit with the evening’s themes of longing, loss, confusion and impending grief.

Sam Alper’s Bill, foreground, and Haylee Nichele’s Constance in Koryn Wicks’ “You Must Be Here for the Reading,” an immersive tarot show.

(Daniel Kleen)

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“You Must Be Here for the Reading,” running through June 20 at North Hollywood’s After Hours Theatre, is part theatrical and dance performance, part tarot reading and part cocktail hour. It’s also personal, led by two actors who encourage the attendees to open up, to complete poems and to generally tune into their vulnerability.

The 60-minute show, partly scripted and partly improvised, comes from the mind of Koryn Wicks. Trained in dance and choreography, Wicks’ day job is in themed entertainment while her personal projects explore the immersive space. They’re theatrical works that experiment with audience interaction. “You Must Be Here for the Reading” is no different.

The setup: Collectively, our group of eight has arrived at a tarot reading, only the famed reader we are there to work with, Constance, performed by Nichele on the night I saw, never arrives for her assigned role. We know her fate, but her partner, Sam Alper’s Bill, who nervously attempts to carry on with the performance in her absence, does not.

From there, “You Must be Here for the Reading” becomes a show heavy on audience participation. There are scripted, story-specific beats, but the cards pulled — and the tales they tell — is, of course, randomized.

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A group gathered around a tarot reader.

Sam Alper as Bill, an unsuspecting tarot card reader in Koryn Wicks’ “You Must Be Here for the Reading.”

(Daniel Kleen)

“I knew that I wanted the audience to be the primary drivers of the tarot reading,” Wicks says. “I knew that I wanted the host to not be a tarot reader and there to be some sort of event that made it so the audience would have to take the reins and read the tarot.”

In turn, “You Must Be Here for the Reading” works for both those who are novices to the space as well as those who are more experienced. During the pre-show, guests can explore tarot books and uncover slips of paper hidden in them that prompt us to answer questions or complete poems — the latter will figure into the performance. A worksheet given to us asks us to interpret some core tenets, as well as to enter the reading with a question we would like to explore.

The show then focuses on how each attendee’s desires, concerns or lived experiences shape the perception of the reading.

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“What’s drawn me to tarot is the way it’s built on symbolism and the way that symbolism is embedded in the collective unconscious,” Wicks says. “I think it’s really fascinating that we have this artifact that has this ability to give us insight into a lot of shared experiences. When I’ve read different books about tarot, or had my cards read by different people, there is an openness to interpenetration.

“The assignment I gave myself for this piece,” Wicks continues, “was to create an experience in which you had a group of people coming together and going through the process of defining the symbolism and meaning of the cards in real time.”

And yet the show also pulls from Wicks’ background in dance. While Constance never shows for the reading, her presence is still felt, often hovering or circling around the table with movements designed to interpret the tone of the reading. She’s a ghostly presence, the gracefulness heightening the somber emotions of the night. Though she and Bill never interact directly, much of the dance seeks to explore their unseen bond. At times, Constance may call on various audience members to act as a dance partner.

Artist Koryn Wicks

Koryn Wicks, creator of “You Must Be Here for the Reading,” an immersive tarot performance in which audiences are tasked with deciphering their own cards while a melancholic story unfolds around them.

(Kayla Bartkowski / Los Angeles Times)

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“I really believe that one of the most beautiful things art does for us is remind us that we are not alone,” Wicks says.

Immersive art allows for a sense of participation, which Wicks hopes will increase one’s appreciation of dance.

“Dance is an embodied art form,” Wicks says. “There is science that shows that some of the enjoyment from watching dance comes from imagining yourself moving. In North America, a lot of people haven’t had an experience or education with dance, especially not concert dance. Then we ask them to sit in a dark auditorium in a small chair and not move to enjoy it. I found through my research, both practical and academic, there is something to inviting audiences to participate in dance that allows them to derive meaning from it.”

‘You Must Be Here for the Reading’

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While there isn’t enough time in the show for everyone to have a one-on-one experience with the dancer, watching an audience and cast member attempt to get in sync with each other underlines the night’s themes of connecting. Ultimately, that’s the space where the show resides. “You Must Be Here for the Reading” uses tarot as a means to bring some structure to our often disconnected lives.

“It stands in contradiction to our current historical moment,” Wicks says of the show. “It’s very anti-AI. It’s asking people to sit with books and to find little seeds and not necessarily pursue solutions or puzzles. It’s asking us to connect, sometimes with strangers.”

I kept my question that I brought to the reading secret, but I found the show provided a hopeful answer. Not because the cards offered a solution. Instead, they provided a community.

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Sunday Puzzle: World Capitals

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Sunday Puzzle: World Capitals

Sunday Puzzle

NPR


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NPR

Sunday Puzzle

On-air challenge

Every answer is the six-letter name of a world capital, in which I’ve changed the first and last letters. You name the capitals.

Ex. VASSAL  –>  NASSAU (capital of the Bahamas)

1. CONDOR

2. ROSCOE

3. PUBLIC

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4. SAVANT

5. ZANILY

6. DRAG UP

7. ETHENE

8. TARSAL

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9. TUSCAN

10. NONACT

11. I AGREE

12. [7 letters:] CALLING

Last week’s challenge

Rearrange the letters of NECESSARY MISPRINT to spell a familiar phrase.

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Answer: Sic semper tyrannis.

Winner:

Judy Alexander of South Burlington, Vermont.

This week’s challenge

This week’s challenge comes from listener Michael Pickard. Name something in 10 letters that’s found in a kitchen. Drop its sixth letter to name something on a keyboard. Then drop the new word’s fifth letter to name something no one wants to get. What words are these?

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If you know the answer to the challenge, submit it here by Thursday, June 18 at 3 p.m. ET. Listeners whose answers are selected win a chance to play the on-air puzzle. Important: include a phone number where we can reach you.

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