Lifestyle
Hollywood pushes OpenAI for consent
Figures from the entertainment industry — including the late Fred Rogers, Tupac Shakur, and Robin Williams — have been digitally recreated using OpenAI’s Sora technology. The app’s ability to do so with ease left many in the industry deeply concerned.
Sora/Open AI/Annotation by NPR
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Sora/Open AI/Annotation by NPR
OpenAI says it has released new policies for an artificial intelligence tool called Sora 2, in response to concerns from Hollywood studios, unions and talent agencies.
The tool allows users to create realistic, high-quality audio and video, using text prompts and images.
“It’s about creating new possibilities,” OpenAI promised in a promotional video for Sora 2. “You can view the power to step into any world or scene, and letting your friends cast you in theirs.”
But with Sora 2, some creators have also made fake AI-generated videos of historical figures doing things they never did. For example, Martin Luther King, Jr. changing his “I Have a Dream” speech, Michael Jackson, rapping and stealing someone’s chicken nuggets, or Mr. Rogers greeting rapper Tupac Shakur to his neighborhood.
Some videos reimagined the late Robin Williams talking on a park bench and in other locations. His daughter Zelda begged fans to stop sending her such AI-generated content, calling it “horrible slop.”
“You’re not making art,” she wrote on Instagram, “You’re making disgusting, over-processed hotdogs out of the lives of human beings.”
Actress Chaley Rose is one of many in the entertainment industry worried about OpenAI’s video-generating technology.
Karolina Turek/Chaley Rose
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Karolina Turek/Chaley Rose
“It’s kind of cool, it’s kind of scary,” says actress Chaley Rose, who’s best known for her role in the TV series Nashville. “People can borrow from actors, our vulnerability and our art to teach the characters they create how to do what we do. I would hate to have my image out there and not have given permission or to actually be the one doing the acting and having control over the performance.”
Hollywood’s top talent agencies first sounded the alarm.
“There is no substitute for human talent in our business, and we will continue to fight tirelessly for our clients to ensure that they are protected,” United Talent Agency wrote in a statement last week. “When it comes to OpenAI’s Sora or any other platform that seeks to profit from our clients’ intellectual property and likeness, we stand with artists. The future of industries based on creative expression and artistry relies on controls, protections, and rightful compensation. The use of such property without consent, credit or compensation is exploitation, not innovation.”
Creative Artists Agency issued a similar warning last week.
Last year, California’s governor Gavin Newsom signed a bill requiring the consent of actors and performers to use their digital replicas.
Now, the talent agencies and SAG-AFTRA (which also represents many NPR employees) announced they and OpenAI are supporting similar federal legislation, called the “NO FAKES” Act.
Until now, some of the videos created using Sora 2 have relied on copyrighted material. For instance, there’s a video that shows the animated character SpongeBob Squarepants cooking up illicit drugs.
An unauthorized AI-generated video depicts SpongeBob SquarePants preparing illicit drugs.
Sora/Open AI/Annotation by NPR
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Sora/Open AI/Annotation by NPR
The Motion Picture Association, which represents major Hollywood studios, said in a statement that since Sora 2’s release, “videos that infringe our members’ films, shows, and characters have proliferated on OpenAI’s service and across social media.”

Duncan Crabtree-Ireland, the national executive director of the union SAG-AFTRA told NPR last week that it wasn’t feasible for rightsholders to find every possible use of their material.
“It’s a moment of real concern and danger for everyone in the entertainment industry. And it should be for all Americans, all of us, really,” says Crabtree-Ireland.
SAG-AFTRA says actor Bryan Cranston alerted the union to possible abuses. Now, the union and talent agencies say they’re grateful OpenAI listened to such concerns.
The company has announced an “opt-in” policy allowing all artists, performers, and individuals the right to determine how and whether they can be simulated. OpenAI says it will block the generation of well-known characters on its public feed and will take down any existing material not in compliance.
Last week, OpenAI agreed to take down phony videos of Martin Luther King, Jr., after his estate complained about the “disrespectful depictions” of the late civil rights leader.
Lifestyle
The 11 most challenged books of 2025, according to the American Library Association
The American Library Association’s list of the most frequently challenged books of 2025 includes Sold by Patricia McCormick, The Perks of Being a Wallflower by Stephen Chbosky and Maia Kobabe’s Gender Queer: A Memoir.
American Library Association
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American Library Association
The American Library Association has released its annual list of the most commonly challenged books at libraries across the United States.
According to the ALA, the 11 most frequently targeted books include several tied titles. They are:
1. Sold by Patricia McCormick
2. The Perks of Being a Wallflower by Stephen Chbosky
3. Gender Queer: A Memoir by Maia Kobabe
4. Empire of Storms by Sarah J. Maas
5. (tie) Last Night at the Telegraph Club by Malinda Lo
5. (tie) Tricks by Ellen Hopkins
7. A Court of Thorns and Roses by Sarah J. Maas
8. (tie) A Clockwork Orange by Anthony Burgess
8. (tie) Identical by Ellen Hopkins
8. (tie) Looking for Alaska by John Green
8. (tie) Storm and Fury by Jennifer L. Armentrout
Many of these individual titles also appear on a 2024-25 report issued last October by PEN America, a separate group dedicated to free expression, which looked at book challenges and bans specifically within public schools.
The ALA says that it documented 4,235 unique titles being challenged in 2025 – the second-highest year on record for library challenges. (The highest ever was in 2023, with 4,240 challenges documented – only five more than in this most recent year.)
According to the ALA, 40% of the materials challenged in 2025 were representations of LGBTQ+ people and those of people of color.

In all, the ALA documented 713 attempts across the United States in 2025 to censor library materials and services; 487 of those challenges targeted books.
According to the ALA, 92% of all book challenges to libraries came from “pressure groups,” government officials and local decision makers. While 20.8% came from pressure groups such as Moms for Liberty (as the ALA cited in an email to NPR), 70.9% of challenges originated with government officials and other “decision makers,” such as local board officials or administrators.
In a more detailed breakdown, the ALA notes that 31% of challenges came from elected government officials and and 40% from board members or administrators. In its full report, the ALA states that only 2.7% of such challenges originated with parents, and 1.4% with individual library users.
Fifty-one percent of challenges were attempted at public libraries, and 37% involved school libraries. The remaining challenges of 2025 targeted school curriculums and higher education.

The ALA defines a book “ban” as the removal of materials, including books, from a library. A “challenge,” in this organization’s definition, is an attempt to have a library resource removed, or access to it restricted.
The ALA is a non-partisan, nonprofit organization dedicated to American libraries and librarians.
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Promo image with Phil Pritchard, Alzo Slade, and Peter Sagal
Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR
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Bruce Bennett, Arnold Turner, NPR/Getty Images, NPR
This week, Phil Pritchard, NHL’s Keeper of the Stanley Cup, joins us to about taking the cup jet-skiing and panelists Alonzo Bodden, Adam Burke, and Dulcé Sloan beef with the Pope and get misdiagnosed.
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