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Hilariously caustic ‘Big Mistakes’ drags Dan Levy into organized crime

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Hilariously caustic ‘Big Mistakes’ drags Dan Levy into organized crime

Dan Levy as Nicky in Big Mistakes.

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Big Mistakes, the new Netflix comedy co-created by Dan Levy (Schitt’s Creek) and Rachel Sennott (I Love LA), opens with Laurie Metcalf yelling at a dying old lady. Episode one, scene one. It’s the proverbial jump, and Laurie Metcalf is already screaming her fool head off.

“Welp,” this critic wrote in his notebook, “I’m in.”

It may help to know that the tank in which I have long found myself, when it comes to the great Laurie Metcalf portraying a woman feeling her feelings, is miles wide and fathoms deep.

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When we meet her, Metcalf’s character Linda is tending to her dying mother, whom she’s convinced is hard of hearing, despite the poor woman’s repeated insistence that she’s not. Linda is in take-charge mode, lovingly(?) hectoring two of her offspring, Nicky (Levy) and Morgan (Taylor Ortega) while heaping praise on her perfect golden child daughter Natalie (Abby Quinn).

In the handful of seconds it takes for this scene to unspool, years of family history reveal themselves in murmured asides and silent glares and frustrated grunts. We quickly learn that Linda is running for mayor of her tiny New Jersey town, and she’s worried about her chances. We learn that she’s disappointed in both Nicky and Morgan, albeit for very different reasons, and that she’s the kind of woman who manages to convince herself that her family is happy and perfect, despite decades of evidence to the contrary.

Nicky, for example, is an uptight pastor who feels compelled to hide his boyfriend (Jacob Gutierrez) from his congregation. Morgan tried to make a go of it as an actor in New York before fizzling out and retreating to her hometown, where she joylessly toils as an elementary school teacher while getting lovebombed by her pathetic lovesick puppy of a high school boyfriend (Jack Innanen).

Taylor Ortega as Morgan and Dan Levy as Nicky.

Taylor Ortega as Morgan and Dan Levy as Nicky.

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Nicky and Morgan are wildly unhappy, so when an improbable set of circumstances drags them into the world of organized crime, you’ll be forgiven for wondering if they’re not better off. That’s the sandbox that Big Mistakes sets out to play in, and it works, mostly.

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Co-creators Levy and Sennott have made a risky calculation, however. They’re betting that viewers will find the characters of Nicky and Morgan, who bicker ceaselessly throughout the season, caustically funny and recognizably fallible.

And there’s certainly precedent — Levy’s previous extended tenure as creator/star was on Schitt’s Creek, where he also played the uptight queer brother to an irresponsible party-girl sister with whom he frequently clashed. But between Schitt’s Creek‘s first and second seasons, the writers strove to sand down its characters’ edges. From then on, David and Alexis Rose might argue, but they always had each other’s backs. It became a TV relationship that you knew could only ever end in a hug.

Not so Nicky and Morgan. Big Mistakes establishes that there is real gulf stretching between the two characters, one filled with resentment and long-nurtured grudges. I was grateful for that, because it meant that the show was forced to honor it and repeatedly account for it — decades of bitterness couldn’t get waved away by a single act of kindness here or a thoughtful word there, a la Schitt’s Creek, because that’s not how families work. (Later in the season, that yawning gulf does get bridged, but it does so only with the aid of illicit substances, in a hilariously artificial and fleeting way.)

As a result, whenever Nicky and Morgan find themselves in extreme circumstances — which, given the show’s crime-centered narrative, is relatively often — their bickering grows venal, spiteful, petty and mean. Me, I find that funny. But I suspect fans looking to this show for some echoes of Schitt’s Creek‘s doggedly determined warmth and cuddlesomeness will be left cold, possibly even angry.

(The black-hearted villains among you might wonder if, perhaps, Levy witnessed the fandom that metastasized around Schitt’s Creek, which became so much larger than the show he made — remember all that squeeing over Patrick and David? — and thought to himself: Yeah, not that. Let’s make sure not to do that again.) (No? Just me?)

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While we’re busting out perfectly unfair comparisons to Schitt’s Creek, let’s close with a biggie. The Laurie Metcalf aspect.

There is a tendency, if you’ve been watching her for decades, to see that Laurie Metcalf’s in a given project and think to yourself, “Well, I mean, it’s Laurie Metcalf. Just wind her up and let her go, and whatever happens will be fun to watch.”

And while that’s true to a certain extent, Metcalf is an actor like any other. She needs to be written for.

Laurie Metcalf as Linda.

Laurie Metcalf as Linda.

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I’d argue that what Levy, Sennott and their team of writers are doing for Metcalf on this show is akin to what Levy and co. did for Catherine O’Hara on Schitt’s Creek: They know the actor, they know what she’s capable of delivering, and they’re writing to that capability by giving her the room she needs to absolutely kill it.

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In the case of Linda, they give her an outer hardness to play, which is very funny. But they also outfit her with something she desperately wants — to become the mayor — and throw countless circumstances at her to frustrate that want. And while that’s all played for laughs, they also take pains to ground it with a brief, late-season monologue about why she’s seeking an elected office, which only makes it resonate even more.

Metcalf’s already earned four golden Emmy statuettes; she doesn’t need yet another. But that doesn’t change the fact that the work she’s putting in on every episode of Big Mistakes is pure comedy gold.

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What does freedom actually look like? : It’s Been a Minute

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What does freedom actually look like? : It’s Been a Minute

What freedom looks like today.

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What does freedom mean today?

Happy Juneteenth! For those not in the know, today commemorates when U.S. federal troops arrived in Galveston, Texas in 1865 to take control of the state and ensure that all enslaved people were freed – a full two and a half years after the signing of the Emancipation Proclamation. Since then, Juneteenth has been celebrated all over the country, especially in Texas and across the South, where Juneteenth parades, cookouts, festivals and pageants happen every year. Two weeks from now, the country will celebrate the Fourth of July – and its 250th anniversary. For many Black Americans, there’s always been a tension between these holidays – and their two different ideals for what it means to be free. As voting rights protections are rolled back and Black history is being scrubbed from government websites, what does freedom look like for Black Americans today?

To get into it, Brittany is joined by Dr. Kellie Carter Jackson, chair of Africana Studies at Wellesley College.

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For more episodes about the quality of Black life in America, check out:
Jesse Jackson & the end of the civil rights superhero
Is the economy slowing? Ask Black women.
What to expect when you’re expecting racism

Support Public Media. Join NPR Plus.

Follow Brittany on Instagram: @bmluse

For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.

This episode was produced by Corey Antonio Rose and Liam McBain. It was edited by Neena Pathak. We had engineering support from Josephine Nyounai. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.

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The second life of a classic: ‘Amores Perros’ is remastered and back in theaters

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The second life of a classic: ‘Amores Perros’ is remastered and back in theaters

First released in 2000, the acclaimed film Amores perros, which was produced and directed by Alejandro González Iñárritu and written by Guillermo Arriaga, has been remastered and is returning to theaters.

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Before Amores Perros became widely regarded as a modern classic, it belonged to Mexico. The film premiered at the 53rd Cannes Film Festival in 2000, where it won The Grand Prix, launching a run of international acclaim that has never quite ended. This month, Amores Perros is back in theaters in a fully remastered format from its original Kodak film stocks.

The film’s plot centers on three strangers whose lives intersect at the scene of a car crash. Each story wrestles with overlapping issues of social class disparities, crime and familial betrayal. The release in Mexico coincided with the end of the Institutional Revolutionary Party or PRI’s 71-year hold on power. Amores Perros was followed by a period of original, contemporary films in Latin America that would prove the region’s studios could compete with Hollywood in scope and complexity.

One of the film's lead charachters, Octavio, is played by actor Gael García Bernal.

One of the film’s lead charachters, Octavio, is played by actor Gael García Bernal.

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The film marked the directorial debut of Alejandro González Iñárritu, who would go on to win four Academy Awards including back-to-back best director awards for Birdman (2014) and The Revenant (2015). In a recent interview with NPR, Gael García Bernal, a lead actor in Amores Perros, called the film’s launch “a new geography in cinema.”

González Iñárritu and García Bernal spoke with Morning Edition’s A Martinez about their early collaboration and the film’s continued resonance with new audiences.

Listen to the interview by clicking on the blue play button above.

The broadcast version of this story was produced by Margaux Bauerlein.

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What — and who — will be at the Great American State Fair? Here’s a primer

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What — and who — will be at the Great American State Fair? Here’s a primer

Preparations underway for the Great American State Fair, as seen on Washington, D.C.’s National Mall last week.

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A lot is changing these days in Washington, D.C., with even more on the horizon: 10 city blocks of the National Mall will soon transform into a multi-week state fair spectacle, complete with a Ferris wheel, in honor of the country’s 250th birthday.

The “Great American State Fair” will run from June 25 through July 10, promising to bring state-themed pavilions, movie screenings, musical performances, military flyovers, nostalgic snacks, a daily rodeo — and potentially scores of tourists — to the nation’s capital.

It will feature more than 150 exhibits, with full participation across the United States and several U.S. territories, as well as “businesses, innovators and civic organizations,” according to Freedom250, the White House-backed campaign that is organizing the fair in addition to other semiquincentennial events.

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“A master-planned celebration will unfold along the National Mall from the Capitol to the Washington Monument, featuring vibrant pavilions representing every U.S. state and territory,” says the White House website, adding that the beaux-arts style tents will also highlight national themes like agriculture, the arts, faith and family.

Workers started setting up the fair, in view of the U.S. Capitol, in late May.

Workers started setting up the fair, in view of the U.S. Capitol, in late May.

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However, not all states are sending official government delegations to the fair. Officials in more than half a dozen states — including Connecticut, Hawaii, Illinois, Maine, Massachusetts, North Carolina, Oregon, Rhode Island and Washington — confirmed to NPR that they are not participating directly. Most cited financial considerations and a desire to prioritize celebrations in their own communities, though others voiced political concerns.

Rachel Reisner, a spokesperson for Freedom250, emphasized in an email that there is “a vast majority participating” among the states. Additionally, others are being represented by local businesses and organizations — such as two companies from North Carolina and a museum from Illinois.

“Whether represented by a governor’s office, a tourism board, or a beloved state company or organization, every community will be celebrated, and every American will see themselves in this once-in-a-generation event,” Reisner said.

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The state fair is one in a series of patriotic anniversary events planned for D.C. this summer, including the UFC fight night outside the White House last Sunday and a fireworks-heavy July Fourth celebration that President Trump rebranded as a political rally in a Truth Social post on Monday.

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