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12 beautiful plants and flowers to enjoy in Southern California in 2025

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12 beautiful plants and flowers to enjoy in Southern California in 2025

Clearly, there’s no shortage of flowers in Southern California. As I write this near the end of 2024, roses, iris and California fuchsia are still blooming in my Ventura garden, and hummingbirds are darting among tall orange whorls of lion’s tail (Leonotis leonurus) and fat magenta stalks of hummingbird sage.

colorful, sparkly text saying "your 2025 joy calendar"

New adventures are calling, one for every month of the year.

That’s likely why it’s easy to take our blooms for granted in SoCal. So this year, let me help you make a plan. I’ve compiled a list of 12 lovely buds and their optimum bloom times in Southern California.

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Please note, this is a limited and highly subjective list not intended to encompass the vast number of spectacular flowers in our region. Also note that these listed bloom times are meant as guides, not absolutes, so before you plan an outing, always check ahead to ensure your favorites are actually in flower.

For floral joy throughout the year, set reminders now to take some time in the coming months to literally stop and smell the roses … or lilacs.

Illustration of a camiellia flower

January: Camellias

Camellia shrubs, with their glossy dark green leaves, soared in popularity in the mid-1900s, which is why they’re ubiquitous in established SoCal landscapes, and the leaves of some varieties — Camellia sinensis, for instance — give us black tea. But it’s the flowers, with their variety of shapes, colors and fragrance, that really inspire anyone with an eye for beauty.

One of the world’s premier collections is at Descanso Gardens in La Cañada Flintridge. Descanso’s extraordinary camellia forest was created by former Los Angeles Daily News publisher and camellia collector E. Manchester Boddy under unhappy circumstances. According to the history on Descanso’s website, Boddy amassed many exquisite varieties from at least three Japanese American nurseries whose camellia breeding owners were forced to sell their inventory at a fraction of its value before they were incarcerated during World War II because of their Japanese heritage.

The legacy of camellia growers such as F.M. Uyematsu lives on at the gardens, but Southern California still has one other internationally famous nursery devoted to camellias and azaleas in Altadena. Nuccio’s Nurseries offers more than 500 varieties of camellias, many created by cross-pollinating bees and then nurtured by the owners. Visit in January and February to delight in the many choices, and take one home — they grow in pots too. And visit this year, because family members are trying to sell the property, so this opportunity won’t last forever.

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Illustration of a bulb for a flower

February: Bulbs (daffodils, tulips, etc.)

Bulbs are defiant harbingers of spring in colder climes, sometimes pushing up through the snow in their zeal to greet the sun and spread a little color on a bleak landscape of slushy grays. We don’t face that problem much in SoCal, of course, but our last two winters were so damp and gray that I nearly wept with joy last February when the first daffodils burst forth in my soggy garden.

Twin Peaks, a tiny town near Lake Arrowhead, has planted thousands of daffodil bulbs as part of the Julie Greer Daffodil Project. Greer, a resident of Twin Peaks’ Strawberry Flat neighborhood, loved daffodils and began planting hundreds of the bulbs around her community in 1999 with the help of her husband, Tom, and close friend Julie Hale. After Greer died from breast cancer in 2001, residents planted thousands more bulbs in her honor in their yards and along State Highway 189, creating a beautiful spring display.

Tulips usually start blooming a few weeks later in SoCal. Several botanic gardens, such as South Coast Botanic Gardens in Rolling Hills Estates and the Huntington Library, Art Museum, and Botanical Gardens in San Marino, have tulip and bulb gardens — the Huntington plants them in its famous rose garden to create filler color after the roses are pruned. But for an awe-inspring display, visit Descanso Gardens in La Cañada Flintridge, which plants 30,000 tulip bulbs every January for early spring blooms. (This is weather-dependent — check out the handy “What’s in Bloom” guide for more information.)

Illustration of a California poppy

March: California poppies and wildflowers

Fields full of wildflowers are breathtaking. They seem to create a kind of joyful delirium, which is why every spring experts get the same exasperating question: Will there be a superbloom? The query is especially important to SoCal residents, as we live relatively close to big bloom areas like Walker Canyon in Lake Elsinore, Carrizo Plain National Monument near Santa Margarita and numerous state parks such as Antelope Valley California Poppy Reserve, Anza-Borrego Desert State Park and Chino Hills State Park.

Please note that “superblooms,” when hillsides are blanketed with color like bright quilts lying against the ground, are relatively rare. But we usually get some lovely wildflower displays every year, easy to spot on hikes in the desert or nearby mountains, or even along the hills that line our freeways. Rule of thumb: Wildflower blooms are triggered by warming temperatures, so desert areas will see blooms earlier than higher elevations. Check the Theodore Payne Foundation’s Wild Flower Hotline, which provides updates every Friday about the best viewing spots for wildflowers from March through June. Note: It’s always a bad idea to park your car on a freeway shoulder so you can dash up a hill and trample some wildflowers in your quest for a colorful selfie. Admire carefully, without destroying or picking.

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Illustration of a rose

April: Roses

Almost every SoCal botanic garden worth its salt has some space devoted to the genus Rosa, along with a few public parks and ranchos, such as Dominguez Rancho Adobe Museum in Rancho Dominguez, Rancho Los Alamitos in Long Beach and Exposition Park in South L.A. But probably the most extraordinary is the rose garden at the Huntington Library, Art Museum, and Botanical Gardens. Lucky for us, Arabella Huntington loved roses, because the botanic garden she and her husband left behind features more than 1,300 varieties, tended by famed rose breeder Tom Carruth, who left his job creating new rose varieties at Weeks Roses to become the Huntington’s rose garden curator.

Roses are tougher than you’d think — during the drought I spied many residential yards with dead lawns and an old rose bush still valiantly blooming despite neglect and lack of water. April is the month most varieties enter full bloom, but these plants like Southern California, so expect to see roses blooming well into late fall.

Illustration of lilacs

May: Lilacs

I see your eyebrows arching … lilacs? In Southern California? Well, yes, and I don’t just mean the native ceanothus shrubs, a.k.a. California lilacs, that start coloring (and perfuming) our wild hills and many native habitat gardens as early as March. Varieties such as Joyce Coulter (Ceanothus ‘Joyce Coulter’) look very much like the traditional lilacs (i.e., Syringa vulgaris) that require freezing winter temperatures to profusely bloom.

Descanso Gardens has developed heat-tolerant hybrids for its garden, and there’s also a low-chill variety known as Beach Party. Or you can grow them in mountain areas, such as Idyllwild, where Gary Parton, a retired college art teacher, has nurtured 165 varieties in his Idyllwild Lilac Gardens.

For 20 years, Parton has opened his lilac garden to the public for free every spring, but 2025 will be the last time. You can visit every Friday, Saturday and Sunday from the last weekend of April through May from 9 a.m. to 4 p.m. After that, Parton, 86, is putting his home and near acre of land up for sale to move to warmer climes.

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Illustration of lavender

June: Lavender

What is it about lavender that makes people want to don gauzy clothes and wander the fields, fingers trailing through the fragrant flowers? (There must be a Hallmark movie in here somewhere.) These Mediterranean native flowers have a scent that keeps giving, even if you strip all the little buds off the upright stalks and put them in a container.

Southern California has several lavender fields near L.A. to satisfy your day-trip, lavender-field cravings. If you do an online search for “lavender farms Southern California,” you’ll get a good-sized list for farms north of Los Angeles, such as Frog Creek Farm in Ojai, Foxen Canyon Farms in Solvang, Lavender Fields Forever in Buellton and Clairmont Farms in Los Olivos. To the east, you’ll find 123 Farm in Cherry Valley, the Fork & Plow Lavender Farm in Aguanga (19 miles east of Temecula) and Ross Lake Lavender Farm in Fallbrook.

Illustration of a sunflower

July: Sunflowers

If you have even a scrap of sunny ground for planting, definitely push a sunflower seed into the ground this winter and stand back — it’s not exactly like Jack and the Beanstalk, but the way sunflowers grow is truly miraculous. In just a few months, that little seed can grow twice as tall as the average American male (5-foot-9), with a stalk as thick as his arm and flowers far bigger than a human head.

Sunflowers come in all sizes, shapes and colors, from gigantic to knee-highs designed to fill a vase with happy flowers. We even have the California native sunflower (Helianthus annuus) decorating our wild hills, an annual reseeder that Bruce Schwartz of the L.A. Native Plant Source calls “a living bird feeder” because of the safe perches and food the plant provides.

A few farms in Southern California grow fields of sunflowers for wandering and picking, with flowers blooming from summer into fall, including Tanaka Farms’ Hana Field in Costa Mesa, the Pumpkin Station in Rancho Bernardo (near Escondido — call ahead to see when flowers are ready for picking) and Carlsbad Strawberry Co. in Carlsbad, which typically has a sunflower maze for photos (no picking) in the fall.

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Illustration of California buckwheat

August: California buckwheat

Come midsummer, it’s easy to spot native California buckwheat (Eriogonum fasciculatum) shrubs growing in the wild areas of central and Southern California, especially in Los Angeles, Orange and San Diego counties. The large spreading shrubs are covered with flowers that grow in thick bunches, like cream-colored bouquets dotted with pink in the spring. Late in the year, the flowers turn a handsome copper color, but in August, they are mid-change, so from a distance, the shrubs look speckled with cream and rust.

Up close, you immediately understand why these shrubs are considered a keystone species — one of SoCal’s most important habitat plants — because the flowers are alive with bees, butterflies and a multitude of other nectar-loving bugs, not to mention the birds who happily dine at this insect buffet.

You can see buckwheats at the California Botanic Garden in Claremont, the state’s largest garden devoted to California native plants, as well as at the Theodore Payne Foundation in Sun Valley and Tree of Life Nursery in San Juan Capistrano.

Illustration of Crape Myrtles

September: Crape myrtle

Hear that rumbling? That’s the sound of shade tree advocates unhappy that I’m mentioning crape myrtles in this list. But my mom loved these showy trees with the colorful crepe-papery flowers, as did my grandmother, and about a billion-jillion other SoCal residents who have planted them in yards, around businesses and along many city streets. These trees are a triple threat, said Los Angeles County Arboretum arborist Frank McDonough: beautiful bloomers in late summer with clouds of frilly flowers in purples, pinks, fuchsia and white; dramatic red and gold leaves in the fall; and sculptural bark that makes the bare tree lovely in winter.

So why the grumbling? Crape myrtles are so popular they’ve become the prominent trees in some cities, which means those cities could lose much of their urban forest if the trees were attacked by a disease or insect. And while crape myrtles are lovely to behold and require little water once they’re established, they don’t provide much in the way of shade, a problem when you’re trying to reduce urban heat levels.

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Despite these concerns, these eastern Asian natives are still lovely when they’re blooming in the late summer and early fall, and unlike the much loved and much despised jacaranda, their magnificent flowers don’t leave a slippery purple mess on cars and sidewalks. The Arboretum has one of the largest collections outside of city streets, McDonough said, but you can also see them at the San Diego Zoo, Descanso Gardens and the Japanese Garden at the Huntington Library, Art Museum, and Botanical Gardens. But for the sake of diversity and our increasing need for shade, consider planting something else around your business or home.

Illustration of a chrysanthemum

October: Chrysanthemums

Come October, it’s impossible to walk into a supermarket or hardware store without seeing an army of potted chrysanthemums in many sizes and colors. But those retail displays, mostly meant for decorating front porches and patios, are just the tip of the iceberg.

One of the country’s premier chrysanthemum growers, Sunnyslope Gardens, operated in San Gabriel for some 70 years, but the nursery closed more than a decade ago. Now ardent chrysanthemum growers in Southern California trade with each other, said George MacDonald, outgoing president of the San Gabriel Valley Chrysanthemum Society, or buy online from King’s Mums in Oklahoma, which offers 130 cultivars as well as publications for people who want to grow their own.

The Earl Burns Miller Japanese Garden at California State University Long Beach hosts a Chrysanthemum Festival (scheduled for Nov. 8 in 2025), but probably the best way to see this flower’s many faces is at the two annual shows sponsored by the San Gabriel Valley Chrysanthemum Society, usually the first weekend of November at the Los Angeles County Arboretum in Arcadia, and the Orange County Chrysanthemum Society, usually the last weekend in October, at Sherman Library & Gardens at Corona del Mar.

Illustration of a poinsettia

November: Poinsettias

By November, poinsettias start crowding mums out of retail displays, and yes, I know the plant’s showy red “petals” aren’t actually flowers but leaves — the plant’s flowers are actually the small yellow centers — and these days, cultivars come in many other colors, including cream, pink, white, pale green, orange and speckled.

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It was SoCal nurseryman Paul Ecke Sr. who took a little-known, spindly outdoor plant from Central America in the early 1920s and bred it into a hardy potted plant “whose tapering red leaves have been synonymous with the Yuletide season for more than 70 years,” according to his obituary in 1991. Ecke started growing and selling his poinsettias in a field on Sunset Boulevard but moved to Encinitas around 1923, where Ecke Ranch became the largest poinsettia producer in the world.

The family business was sold in 2012, and the company’s poinsettias are primarily grown in Guatemala now. But it’s still possible to see greenhouses filled with poinsettias in Encinitas. Weidner’s Gardens, a locally owned, 50-year-old nursery, grows 30 varieties, according to co-owner Kalim Owens, and offers free tours of the greenhouses every year at 10 a.m. and 2 p.m. on the Friday and Saturday before Thanksgiving.

Illustration of toyon berries

December: Toyon berries

OK, toyon berries are not flowers, but they are so bright and festive, and native to Southern California, so they seemed a fitting end to this floral calendar. This time of year, you can see these tall, bushy shrubs covered with berries throughout Southern California, from the native plant trail at Rio de Los Angeles State Park in Glassell Park to Walnut Canyon Road leading to the Oak Canyon Nature Center in Anaheim Hills, to Griffith Park and many of the other wild areas that frame our SoCal cities.

Or, visit the Natural History Museum of Los Angeles County, which has a grove of about 25 tall toyon in its native plant garden. This time of year, its toyon are ablaze with berries, until they’re picked clean by hungry birds, reports museum educator Lila Higgins in a delightful article titled “California Holly: How Hollywood Didn’t Get its Name,” in which she debunks the romantic and oft-repeated myth that Hollywood got its name from the toyon plant, which resembles English holly.

Instead, Higgins writes, the name came from Daeida Wilcox, wife of Harvey Henderson Wilcox, a rich businessman from Kansas who, in 1886, bought 120 acres of fig and apricot groves near Cahuenga Pass for about $18,000 and discovered he could make good money subdividing the land and selling lots for $1,000 each. Initially it was called the Wilcox subdivision, until Daeida met a wealthy traveler on a train “who owned a fine estate in Illinois” named Hollywood. Daeida so loved the name that on Feb. 1, 1887, her husband filed a subdivision map in the Los Angeles County Recorder’s office with the name “Hollywood.” And thus, a star was born, thanks to a chance encounter on a train, which is a pretty romantic Hollywood ending in itself.

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Don’t Call It a Gym. It’s a Sporting Club.

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Don’t Call It a Gym. It’s a Sporting Club.

When the five-star Gleneagles Hotel in Scotland set out to design a fitness center that would appeal to its next generation of guests, its designers didn’t look to the future. Instead, they turned to the past — specifically, a Slim Aarons photograph titled “Tennis in the Bahamas, 1957.” The result is the Gleneagles Sporting Club, a retro, luxurious sports facility with ample courts, equestrian stables and a courtside lounge space.

Inspired by the iconic tennis and sporting clubs of the late 1800s and mid-1900s, spaces that were meant just as much for socializing as they were for exercise, the Gleneagles Sporting Club is part of a new wave of fitness centers that combine aspects of members clubs and gymnasiums under one roof.

Playing on the nostalgia for country clubs and Ivy League-coded preppiness, these athletic spaces are sharply veering away from the sleek aesthetics pioneered by fitness chains like Equinox.

For some, the shift is as subtle as a font change and some new merchandise. Last month, Blink Fitness, a budget gym chain, released a sweatshirt with 1980s-style script and “club” added to the end of its name. Others have gone further, building entire brands meant to evoke a vintage feel and even investing in period-era equipment.

“I wanted to bring in the spirit of the old gymnasiums, because I loved the type of equipment that they had and their focus on the actual design and how intricate it was,” said Lev Glazman, a co-founder of the Maker Gymnasium, a 2,700-square-foot gym attached to the Maker Hotel in Hudson, N.Y.

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The gym opened in 2020 with a cork checkerboard floor and European gym equipment from 1920s and ’30s, including a pommel horse and circus rings from Austria.

“When you bring historical elements to a space and there’s an element of curiosity, it makes your experience so much better,” he said. “All of our customers who come to the gym say, ‘I feel like I’m in such a different place.’”

The more recent past has been a source of inspiration for other athletic club owners, as films like “Challengers” and “King Richard” have spurred a renewed interest in tennis and other racket sports.

“We wanted Reserve to be simple, elegant, luxurious clubs that would be the foundation for growth of padel in the U.S.,” said Wayne Boich, the founder of Reserve Padel, referring to the racket sport that is a blend of squash and tennis and is taking off in New York City.

A former college tennis player, he looked to the legacy of racket sports and to the tennis clubs of his childhood in the 1980s to develop the ethos for his venture.

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“The Reserve green is a bit of a homage to the Wimbledon look and feel,” he said.

The trend extends beyond the East Coast. In Nashville, Forza Pilates Athletic Co. has a crest and green and navy heritage-inspired merchandise.

“My inspiration for the branding was country clubs, tennis clubs and racket clubs,” said Sydney Dumler, the founder of Forza. “It felt more timeless to me than just leaning into the Pilates aesthetic,” which tends to be more minimalist. She added she was also tired of the “industrial vibe.”

Emily Oberg, the founder of the brand Sporty & Rich, was an early purveyor of this aesthetic resurgence. In 2014, she started an Instagram account where she curated an aspirational moodboard of vintage sport and style imagery. It later grew to include a print magazine and a multimillion-dollar lifestyle and clothing brand with a SoHo flagship store.

“The brand is very much rooted in this aesthetic of country clubs and ’80s sports clubs and gyms,” said Ms. Oberg, noting that the New York Health and Racquet Club, which was founded in 1973, inspired her logo.

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She said the nostalgia Sporty & Rich tapped into seemed to be about more than just interior design.

“Over the past 15 to 20 years, gyms have become solely focused on the fitness aspect, rather than the cultural or social aspect they used to have,” she said. “I think there’s a specific culture around them that we’ve lost.”

It is that culture and sense of belonging that this new crop of athletic clubs is hoping to recreate.

“As there is more awareness of the epidemic of loneliness, and especially as we emerge from the pandemic, there’s certainly an emphasis on socializing and coming together in embodied, real ways with other people,” said Natalia Mehlman Petrzela, a professor of history at the New School and the author of “Fit Nation: The Gains and Pains of America’s Exercise Obsession.”

Reserve Padel, Mr. Boich said, has made some strides in creating more of a social space. “People want to come here and hang out,” he added.

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The current generation of sports clubs is hardly inexpensive — monthly memberships at Forza run from $140 to $440 per month, a month at Maker Gymnasium costs $140, and Reserve memberships start at $500 at the Hudson Yards location. But with drop-in options and open camps, some have tried to move away from the members-only exclusivity that was once standard.

“The democratization of luxury experiences is something we’ve seen in the consumer marketplace for the last couple of decades,” Ms. Mehlman Petrzela said. “Uber gave you your own private driver. Now, you can join a country club without the $100,000 initiation fee or going through a super complicated board of approval.”

The recent makeover for gyms may also owe to the simple idea that after years of the same look, people are ready to see something else.

“People want to get away from something that is standard,” said Mr. Glazman, the co-founder of Maker Gymnasium. “Particularly in gyms, I think there’s definitely going to be more movement to create environments that are more interesting and not just about functionality.”

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L.A.'s most intimate theater experience? You're the only guest at this thrilling show

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L.A.'s most intimate theater experience? You're the only guest at this thrilling show

Last summer I had a chance to strike a deal with the devil.

I sat, contemplating my choice — what I could live without to acquire the one thing I most desired. This was no arbitrary crossroads. Over the past 40 or so minutes I had confessed long-held goals and romantic yearnings while revealing details of my most intimate relationships. They were now being weighed against me. All, I was told, could be mine, minus what I would sacrifice. The contract would be binding, necessitating a drop of blood.

I was left alone, a tiny lancet sitting before me. The barely audible cackle of candle kept me company in a stark warehouse room, a setting that felt illicit while the small flame’s fragility reminded me that I needed to make a decision.

I was here because I had booked a session with Yannick Trapman-O’Brien’s “Undersigned,” a show he bills as a “psychological thriller for one.” Each production is personal, and highly individualized to its participant — plot points detailed here may not unveil for every guest. Know, however, there is no talk of dooming oneself to a fantastical afterlife. “Undersigned” is grounded in our reality, a conversation we have over our wants and needs, and, at least for me, what aspects of my personality or social circle I would forgo to achieve them. Love and various relationships were on the table as I fiddled with the lancet and considered puncturing my finger.

This was not a decision I would make lightly. Trapman-O’Brien’s performance, after all, had created an atmosphere of damning seriousness. And I hadn’t even seen him.

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For most of the show I was blindfolded as he sat across from me, and he had left the space while I raced through my life and the future I was starting to imagine for myself. It’s rare to partake in “Undersigned” — after bringing it to L.A. last August, when I experienced it, Philadelphia-based Trapman-O’Brien is back with a smattering of dates this month. Limited tickets, at the time of writing, remain.

Despite being comfortable with vulnerability and having a tendency at times to overshare, I went in to “Undersigned” with trepidation. No topic, unless specifically requested, is off limits. Our relationship to money, sex, religion, love, power and more are all fair game, and the subjects are discussed in a setting that nods to the occult. Yet “Undersigned” ultimately became something akin to a therapy session, as I was prompted to analyze my strengths and weaknesses in matters of romance and faith.

Trapman-O’Brien, 32, has a unique ability to improvise, to quickly twist my words and use them against me. There were no cards or magic tricks here. “Undersigned” is purely a meeting of the minds, and those who treat it seriously will find it most revealing.

My session was a tug-of-war between empathetic and selfish tendencies; I wanted no deal, I said, unless all those potentially affected were happy, but such a request necessitated taking a figurative scalpel to other areas of contentment. Thus it became a work of self-examination. If rewriting history and one’s life were possible, how much could I accept while still looking at myself in the mirror?

Only everything started to become twisted. I had gone in expecting to share some of my professional and romantic dreams. As the show progressed, however, a fear that I would never achieve them set in.

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“There is an enormous act of care in providing people a place where they can be confronted by themselves,” Trapman-O’Brien says. “For all that the themes and origins of this story are rooted in traditions and in things that are bad and sinister, I actually find it to be an incredibly affirming piece to do. I am gobsmacked by people’s generosity, and courage to stare down a scary thing. I’ve had people say something and then immediately say, ‘Oh, I don’t like that that’s true.’”

Trapman-O’Brien is careful with his words. A promise of “Undersigned” is that what is spoken of during the performance will never again be discussed. He will reveal, only broadly, the topics that have been broached. A veteran of the East Coast participatory theater scene, Trapman-O’Brien’s prior show, “The Telelibrary,” was born out of the COVID-19 pandemic, a whimsical yet open-hearted telephone-based performance in which vocal prompts led us either to literary reflections or to recollections left behind by other callers.

“Undersigned” started in 2019 as a commission for a patron’s Halloween party. Trapman-O’Brien balked, not wanting to create a horror-themed show, but then became intrigued by exploring the concept of making a deal with the devil. “Undersigned” only works because the choices don’t feel like an arbitrary thought experiment; that is, it’s not a game of accepting, say, untold billions by giving up a pet or a limb. Throughout, the blindfolded conversation with Trapman-O’Brien dials in on our emotional wants and needs, and then needles away at them in search of their root.

Yannick Trapman-O’Brien has performed “Undersigned” about 300 times, each time asking guests to potentially offer up a personal and emotional sacrifice. The abstracted bargains of past guests are on display for participants.

(Todd Martens / Los Angeles Times)

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The goal? To emotionally disarm guests by creating, in Trapman-O’Brien’s words, a “nonjudgmental space.”

“One of the problems is the second you open up the idea of a deal with the devil, people expect that they’re going to get screwed,” Trapman-O’Brien says. “I find people negotiate against themselves. One of the most impactful things of the piece is talking to people about why they keep accepting less than they want. Like, ‘I don’t need my dream job. I just need a good job.’ But I told you that you could have anything you want. Have your dream.”

The vulnerability inherent in the show extends to its payment structure. An “Undersigned” performance asks for a “down payment” of $100, with slightly cheaper options for students and creative professionals. At the end of the show, guests are presented with a notebook to write something personal to leave behind for others to read, and an envelope containing 30% of their initial investment in cash — a recognition, reads “Undersigned’s” fine print, of “the gamble” guests are taking with such an openly revealing, potentially unnerving show.

“I think the best way to ask for something is to invite,” Trapman-O’Brien says. “And the best way to invite people into vulnerability is with vulnerability of your own. We’ve talked about how heavy the show is. And I believe a big part of what makes people willing to share is that I try to find as many places as possible to stick my neck out. “

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Trapman-O’Brien says he regularly hears from those who participate, sometimes months later, with updates on their agreement. For me, I sat in the warehouse’s lobby — the show is run out of Hatch Escapes in Arlington Heights — for a good 45 to 50 minutes, contemplating how easily I was willing to offer up professional ambitions and personal connections for something I believed would make me happy.

“There’s a non-zero number of participants,” Trapman-O’Brien says, “who will reach out and say, ‘I know I’m not supposed to discuss it, but it did happen.’ Well, those rules are about your safety and mine, so I can say, ‘I don’t know what you’re talking about.’ But that to me is what it means to do a piece in which you say things that you need. Some of them might surprise you.”

Arguably, the biggest revelation for me with “Undersigned” is how true it all felt. About six months after I partook in the production, there are moments I’ll catch myself thinking about the show and the choice I was presented with. Should that future I imagined for myself ever become a reality, a not insignificant part of me will wonder what other forces were at play.

For when I departed “Undersigned,” I also left a part of me behind: a drop of blood, and a signed deal with the devil.

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Portraits of the Golden Globe Winners, From Backstage

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Portraits of the Golden Globe Winners, From Backstage

The Los Angeles-based photographer Chantal Anderson was backstage at the Beverly Hilton Hotel on Sunday, where she photographed Golden Globes winners for The Times.


Best Performance by an Actress in a Motion Picture, Musical or Comedy

“I had a woman say to me, ‘Just know you will never be enough, but you can know the value of your worth if you just put down the measuring stick.’ And so today I celebrate this as a marker of my wholeness and of the love that is driving me, and for the gift of doing something I love.” Demi Moore in her acceptance speech.


Best Performance by an Actor in a Motion Picture, Musical or Comedy

“Our ignorance and discomfort around disability and disfigurement has to end now.” — Sebastian Stan in his acceptance speech.

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Best Television Series, Drama


Best Motion Picture, Non-English Language and Best Motion Picture, Musical or Comedy

“In these troubled times, I hope ‘Emilia Pérez’ will be a beacon of light.” — Director and writer Jacques Audiard in one of his acceptance speeches about “Emilia Pérez.”


Best Performance by AN ACTRESS in a TELEVISION Supporting Role

“‘Baby Reindeer’ has changed my life in ways I can’t even explain, so thank you for everything. I can’t believe this is happening to me, and I know that 8-year-old me wouldn’t, either.” — Jessica Gunning in her acceptance speech.

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Best Performance by AN ACTRESS in a Television Series, Drama

“Thank you to the voters for voting for me — even though I would vote for Kathy Bates any day.” — Anna Sawai in her acceptance speech.


Best Performance by an Actor in a Motion Picture, Drama

Best Performance by an Actress in a Motion Picture, Drama


Best Motion Picture, Animated

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“This is the first time a film from Latvia has been here, so this is huge for us.” — Gints Zilbalodis, the director of “Flow,” in his acceptance speech.


Best Screenplay, Motion Picture


Best Performance by an Actor In A Television Series, Drama

“I’d like to say, for the young actors and creators in the world: Please be yourself, believe yourself, and never give up. Good luck.” — Hiroyuki Sanada in his acceptance speech.


Best Performance by AN Actor in a Television Supporting Role

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“So maybe you don’t know me: I’m an actor from Japan. My name is Tadanobu Asano. Wow!” — Tadanobu Asano in his acceptance speech.


Best Performance by an Actress in a Supporting Role in any Motion Picture


Best Limited Series, Anthology Series or A Motion Picture Made for Television

“A lot of people sometimes ask me why ‘Baby Reindeer,’ why a show this dark, has gone on to be the success that it’s had, and I think, in a lot of ways, people were crying out for something that kind of spoke to kind of the painful inconsistencies of being human.” — Richard Gadd, creator and star of “Baby Reindeer,” in his acceptance speech.


Cinematic and Box Office Achievement

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“My parents came to this country and loved ‘The Wizard of Oz.’ They told us about the yellow brick road and the rainbow, a place over the rainbow, all your dreams come true if you dare to dream it. So when I’m up here looking at you, living the dream and looking at this beautiful, beautiful cast — it is more beautiful than I ever thought it could be.” — Jon M. Chu, the director of “Wicked,” in his acceptance speech

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