Lifestyle
Nikki Glaser’s Monologue and Other Moments From the 2025 Globes
The bar wasn’t set very high for the Golden Globes on Sunday night. After last year’s host, Jo Koy, memorably bombed, the emcee this year, Nikki Glaser, could hardly do worse. But she wasn’t content to merely do better. After workshopping her opening monologue in dozens of club appearances over the holidays, she killed when it counted, cracking up the stars on hand at the Beverly Hilton in Beverly Hills, Calif., and winning over viewers on social media. The rest of the night went more or less smoothly, with a mix of expected and surprise winners. But it wouldn’t be an awards ceremony if there weren’t some truly off-kilter moments. Here are the highs and lows as we saw them.
Best Host: Nikki Glaser
When Glaser began putting together her Golden Globes monologue in early December, she told her writing staff, “Don’t be scared to be weird.”
You saw evidence of this in her stellar monologue on Sunday, which included the kind of hard punchlines she is known for, including a good insult of Paramount+ and a joke about the effect of Sean Combs’s arrest on the after-party. But there was also an impression of Adam Sandler pronouncing Timothée Chalamet’s name that was just pure silliness — Sandler even joined in. Glaser doesn’t usually do impressions, but she committed and it went over really well, adding to the celebratory, fun tone to kick the night off.
If there was a joke that crushed in every test run, it was probably when she mentioned a few nominees: “‘Wicked,’ ‘Queer,’ ‘Nightbitch,’” then added “Not just things Ben Affleck yells after sex.” On Sunday, it killed again. — Jason Zinoman
Glaser’s night started on the red carpet with a billowing strapless gold ball gown. For her first onstage appearance, she changed into a sequined silver sleeveless gown. By 8:30, she was on her third dress of the night. An hour into the ceremony, she was on Dress No. 5 (a sequined pink sleeveless stunner). By the end of the night, she had donned what seemed like 47 more. All that was missing? We’d have loved to see a dupe of Demi Moore’s viral yellow “Substance” coat. — Sarah Bahr
Most Refreshing Development: Unexpected Winners
Thus far, it’s been an excitingly unpredictable awards season, and though the Globes certainly gave a lot of hardware to already-strong contenders like “Emilia Pérez” and “The Brutalist,” it still feels like a wide open field. In the acting races, unexpected wins for the likes of Demi Moore, Fernanda Torres and Sebastian Stan produced some of the most heartfelt speeches of the night and made already competitive Oscar categories even harder to predict. And a total shutout of “Anora,” which went into Sunday flying high, means that little is decided this season, a fun development after several years in which the ultimate Oscar winners seemed a foregone conclusion long before the Globes weighed in. — Kyle Buchanan
Least Refreshing Development: Retro Red-Carpet Looks
Given that Hollywood awards shows celebrate the art of playing a role, perhaps it shouldn’t have been a big surprise that the dominant trend of the 2025 Globes red carpet was … retro role-playing. Ariana Grande did her best Audrey Hepburn impression in 1966 Givenchy couture; Selena Gomez channeled Jackie Kennedy in ice-blue Prada and a stylized bob; and Nicole Kidman and Margaret Qualley sported enormous Catherine Deneuve bouffants — all in a sea of mostly traditional tuxedos.
You can call it a return to classicism, or a retreat to the past, or the legacy of Joan Rivers, who instilled the fear of mockery in celebrities everywhere. But by the time Elle Fanning and Monica Barbaro had arrived in their newfangled Balmain and Dior versions of oldfangled 1950s ball gowns, it was hard not to wish that the stylists and designers working behind the scenes would start facing forward rather than back, and convince their clients to take a few more (unscripted) risks. — Vanessa Friedman
Read more about the red carpet looks.
Most Rousing Speech: Demi Moore
While the Globes have no direct bearing on Oscar nominations, academy members are surely paying attention, and Demi Moore, who won for “The Substance,” may have landed herself a spot in the best actress category with her rousing speech. Both poignant and relatable, Moore spoke movingly about her career struggles over more than 30 years, including being told she was a “popcorn actress.” She added that she had received the “bonkers” script for “The Substance” when she was at a low point in her career, thinking she was done.
But at 62, Moore has had a reversal of fortune and the stars in the room cheered her on, some even giving her a standing ovation. Thinking of “those moments when we don’t think we’re smart enough, or pretty enough, or skinny enough, or successful enough, or basically just not enough,” Moore said, a woman told her, “Just put down the measuring stick.” — Nicole Sperling
Most Sincere Speech: Tadanobu Asano
Many Golden Globe nominees have been to the Beverly Hilton before. And although the Globes are now a more serious operation than they once were, actors still treat wins with varying levels of reverence. That made Tadanobu Asano’s acceptance speech for “Shogun” stand out. It was his first win, on his first nomination, and it showed. “Maybe you don’t know me,” he began. “I’m an actor from Japan. My name is Tadanobu Asano. Wow!” His peers stood and cheered him on. And as he grinned and clutched his award, he added: “This is a very big present for me!” He sure seemed like he meant it. — Matt Stevens
Weirdest Honor: Box Office Achievement
The award for “cinematic and box office achievement” debuted in 2024, and this year it was, unsurprisingly, given to “Wicked.” The official criteria is that it is the “most acclaimed, highest-earning and/or most viewed” feature, which basically describes every nominated film. But it also must have made $150 million worldwide, with at least $100 million domestically, which is pretty much the dictionary definition of a blockbuster. (“Wicked” finished 2024 with well over $680 million worldwide.)
This is a weird award to give out, and its presenter Vin Diesel made it even weirder by contrasting, in his preamble, his own “Fast and Furious” series and the work of Steven Spielberg (who invented the summer blockbuster with “Jaws” in 1975). But it’s also just a tad participation trophy-ish to hand out a golden statue to celebrate a movie making bank at the box office, no matter how fun the movie is. To quote Don Draper: “That’s what the money’s for.” — Alissa Wilkinson
Biggest Lesson Not Learned
Amid an onslaught of commercials for weight loss injections and various pharmaceutical creams, pills, drops and supplements, Nikki Glaser took some of the usual potshots at Hollywood’s penchant for plastic surgery. “I love where you put your cheekbones!” she riffed to the audience in her opening monologue.
But unlike other hosts, she acknowledged that she had been getting her tweaks on, too. Claiming, with air quotes, that she had started healthy habits like “drinking more water,” she said: “I love how meditating removes your eyelids” — aka the common tuck known as an upper bleph. “I learned nothing from ‘The Substance,’” she added.
That that movie, a feminist body horror tale, won Demi Moore her first Globe for playing an aging star who finds a grotesque way to youthify herself, only added to the evening’s hall of mirrors. — Melena Ryzik
Best and Worst Innovation: Telecast Fun Facts
Hey, did you know that Mindy Kaling was named after the TV show “Mork & Mindy?” Or that Zoe Saldaña’s go-to karaoke song is “Piece of My Heart”? The Golden Globes went all “Pop-Up Video” during the telecast, sharing these “facts” about winners and presenters via onscreen text. At first, the addition seemed semi-clever, but it all became too much when the announcer shared more facts on top of the ones we had to read. Even if you’re celebrity-obsessed, this turned out to be T.M.I. — Mekado Murphy
I found the trivia at the Golden Globes to be refreshingly weird. Awards season fun-facts can feel so canned: who spent time with who to prepare for a role, when was the last big win for a nominee. T.M.I. or not, my night was greatly improved by learning that Demi Moore is an avid doll collector with a separate residence to house her more than 2,000 vintage dolls. — Annie Aguiar
Wisest Advice: ‘Hacks’
The Globes are a notoriously boozy affair, but after “Hacks” won for best television comedy, Paul W. Downs, a co-creator of the series, warned against giving his star a celebratory drink. The show is currently in production on its fourth season, and a 6 a.m. call time awaited the cast and crew the next morning.
“So if Jean Smart asks you for a shot, please do not give it to her, OK?” Downs said. “Kate Winslet, I’m looking at you, wherever you are. Give her water.” The camera cut to Winslet, who shook a finger at Downs. Downs relinquished, “Just a little shot. Maybe one.” — Esther Zuckerman
Most Supportive Presenter: Elton John
Elton John reacted like a proud parent when he announced that Trent Reznor and Atticus Ross had won best original score for “Challengers,” yelping with utter, seemingly genuine delight. He was a good stand-in for those of us in the audience who were thrilled to see a win for that thumping, propulsive music. When Reznor and Ross took the stage, John could be seen grinning eagerly behind them, as if he had just won himself. — Kellina Moore
Strangest Camera Work
For an ostensibly glamorous ceremony, the show itself looked terrible onscreen. Presenters were filmed awfully close up, giving everything a harsh and casual vibe. The swirling camera work during some of the acceptance speeches felt like the red carpet slo-mo booth had broken out of its enclosure. And presenters did not face the entire theater, but rather turned directly to a camera off to one side. Seth Rogen called it out, saying “It’s inelegant. It’s strange. This whole half of the room can see my bald spot. I would have filled that in. I said no, but I regret that now.” — Margaret Lyons
Lifestyle
This Pride month, teen flicks are recasting familiar tropes with a queer sensibility
Stacy Clausen and Joe Bird in Leviticus.
NEON
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NEON
Summer movies aimed at high-schoolers — comedies, romances, horror flicks — have been a tradition for ages. Think Fast Times at Ridgemont High, Dirty Dancing and the original Friday the 13th, which all drew hot-weather crowds back in the 1980s.
This summer, the movies are queer — not just in casting, but in method and purpose. These three teen flicks transform familiar movie styles by bringing them an LGBTQ sensibility.
A raunchy comedy: She’s the He
YouTube
You know the drill: a bonkers lose-my-virginity plan is hatched by inseparable high-school best buds who are so eager to get girls to notice them, they can hardly think straight.
So, they don’t think … straight. For reasons that could only make sense to horny 17-year-olds, Ethan and Alex decide the way to catch the attention of the school’s hottest girls is to pretend to be trans.
Filmmaker Siobhan McCarthy uses that premise to tell a sweet story about Ethan (who realizes mid-scam that she really is trans), while also mocking some of the more ridiculous transphobic notions — “bathroom scare,” anyone? — that have been politically weaponized recently.
When the whole football team decides that donning women’s attire is a small price to pay to get access to the girls’ locker room, McCarthy prompts boisterous laughs while also establishing how idiotic and unlikely this scenario would be in real life. Casting trans men — say, team captain played by Emmett Preciado — as the cis male characters allows McCarthy to further poke at conservative anxieties.
As leads Alex and Ethan, Nico Carney (a sharp trans comic whose read on toxic masculinity proves hilarious), and Misha Osherovich (sweetly affecting as Ethan discovers her true self) head a terrific, mostly trans and non-binary cast. And a similarly queer team behind the camera helps make She’s the He a raucous, touching, seriously fun charmer — think Some Like It Hot meets American Pie with a Heartstopper vibe.
The romance: Girls Like Girls
YouTube
This gentle teen love story sprang from a hit song Hayley Kiyoko released in 2015. The music video that accompanied the song pictured a budding lesbian romance and has since racked up over 160 million YouTube views. In 2023, Kiyoko penned a young adult book version, which debuted at the top of bestseller lists. Now, she’s brought all of those elements together in a movie about Coley (Maya da Costa) and Sonya (Myra Molloy), two 17-year-old girls navigating a summer romance that takes both of them by surprise.
First-time filmmaker Kiyoko seems content to honor teen romance conventions in a more or less by-the-book tale of first love that has been through enough permutations to feel vaguely workshopped. Still, she’s gotten engaging performances from her leads, as well as from a supporting cast that includes Zach Braff as a loving dad, and Levon Hawke (son of Ethan Hawke and Uma Thurman) as Sonya’s jealous boyfriend.
The horror thriller: Leviticus
YouTube
First-time feature writer/director Adrian Chiarella uses horror conventions in this Australian thriller to explore the trauma caused by a particularly callous strain of homophobic cruelty. The story is centered in a small mill town where high school boys Naim (Joe Bird) and Ryan (Stacy Clausen) fall for each other, only to run afoul of the conservative teachings of their religious community.
Chiarella imagines a Christian sect that has put conversion therapy on steroids, curbing queer desire with a scare-away-the-gay ritual that conjures supernatural demons. The boys smirk as church leaders conduct the ritual, but later discover that when they’re left alone, they’re attacked by murderous entities that take the form of the person they love — each other. Soon, reaching out to — even just seeing each other in school hallways fills them with anxiety. This is, of course, the design: the church leaders want them to be scared. And it will never end.
It’s a conversion therapy metaphor as apt for gay kids as the metaphor in Jordan Peele’s thriller Get Out was for victims of racial bigotry.
Breathtakingly well-crafted, Leviticus clearly has queer teen audiences in mind — all three of these films do — but not exclusively. Yes, Leviticus fills a representation gap. It’s also freakin’ scary.


Lifestyle
L.A. Affairs: Would taking a trip with this new guy finally push us out of the ‘polite’ phase?
Sometimes compatibility unfolds over long conversations at coffee shops or even on the dance floor. Mine and Fernando’s became apparent on our seventh date, standing on a dark corner in downtown L.A. After a short flight, a day at Venice Beach and the fastest glow-up ever for a mom of three, my date opened his hands, sighed and canceled the glorious evening I’d planned. It was supposed to start with a jazz club and end with a tour of late-night sushi bars, until Fernando said, “I feel like a bummer.”
I hooked my arm through the crook of his, turning back toward the empty streets and our stuffy Airbnb.
A few weeks before, on one of our first dates, I’d told Fernando I was presenting at a conference in L.A. “You should join me,” I said, half joking.
“Really?” he asked. “You don’t know me at all.”
He was right. We were in the polite phase. We bonded over being transplants to Seattle — him from the Dominican Republic, me from Florida, but we were still figuring out the basics. I hadn’t learned yet that he never touches coffee but totally loves cake, my least favorite treat. And for me, espresso is a daily requirement.
Fernando didn’t say yes to my invitation right away. We continued to date, playing the questions game. “What’s your favorite snack?” he asked me.
“Mole tacos,” I said. “What’s your biggest flaw?”
“Follow through,” he said. “Yours?”
“I’m annoyingly persistent.”
“Perfect match,” he said.
The more we talked, the more we realized that our shortcomings, which made us look like exact opposites, came from the same root. His father had been barely present during childhood, and my father had died when I was a teenager. We both wrestled with trying to find agency inside of moments in our adult lives that felt like abandonment. Although we’d each been in therapy for years before we met, we also struggled to deal with disappointment.
“Maybe we should go on this wild trip together,” he said.
“Make-it-or-break-it style,” I said.
When we stepped through the door of our downtown L.A. Airbnb after a long, hot day walking the boardwalk, we had our first chance to manage a letdown, together.
“I think people actually live here,” he said.
“Like it’s 2015,” I said.
We’d made a commitment before we flew out to keep things light. If one of us complained, the other was supposed to say something fun. But the apartment was muggy, the surfaces covered in dust. We made exaggerated, positive comments about the vintage decor as I waited for the water to warm in a huge, clawfoot tub.
Fernando said something about getting in while the shower was still cold, so we could preserve water for the good people of California. I noted the fatherly tone — and realized I probably seemed wasteful for resisting the chilly stream during a drought.
While I bathed, he shaved. Then we switched. “I feel shy but not shy,” Fernando said, and I agreed. I wondered if this would be the first of many small, sweet moments — or if it was the only time we’d ever share this kind of intimacy.
We were finally ready for our night on the town, but we only walked six blocks before Fernando turned to me and told me that he was too tired to keep going.
“I owe you,” he said, as we walked back, but I was wiped too and relieved he said it first.
“What if we do something different and call it exciting?” I asked.
We talked about the absolute thrill of ordering takeout in a city that was 30 degrees warmer than the one where we both lived, listing every little thing that was totally amazing around us. All those closed-down garages that would open in the morning selling fabric? Gorgeous.
The dark streetlights on one side of the road that made the shadows look like a modern noir film? Fabulous.
The fact that we were about to fall asleep in the same city as dozens of celebrities we both adored? Relatively meaningless but still badass.
As we ate our to-go sushi in downtown L.A., I realized I wasn’t disappointed at all. My drive to follow through was all about the mission, and our mission had changed. Instead of wooing my new date with a super swanky night on the town, I had the opportunity to connect with him in a real way.
Our trip to L.A. had become a kind of test, way more intense than agreeing on a sofa or building an IKEA shelf. We were stuck spending time with each other without performing, in a strange city, for days.
After I presented at the conference the next morning, Fernando and I moved to a new rental in the Hollywood Hills, where we found our way to endless taco stands and two speakeasies, Good Times at Davey Wayne’s and Adults Only. The only landmark we saw was Muscle Beach, and the only quintessential L.A. thing we did was accidentally find ourselves in front of the Last Bookstore an hour before we needed to head to the airport, so we spent that hour walking around inside.
“Let’s keep traveling,” we said to each other on the way home.
Seven years and dozens of trips later, I engraved “I will travel with you” on the inside of our wedding rings. The night before our wedding, we stood together in a tiny bathroom in his sister’s house in the Dominican Republic, washing our faces. I looked at him in the mirror. He turned and looked at me. “I’m really glad you invited me to Los Angeles,” he said.
“It was a risk,” I said, “and the best trip ever.”
The city isn’t ours, but it made us who we are, together.
The author is a journalist and illustrator working on a memoir about Florida. She splits her time between her Seattle, L.A. and the Deep South. Her Instagram is @adjsbb and website is AshaDore.net.
L.A. Affairs chronicles the search for romantic love in all its glorious expressions in the L.A. area, and we want to hear your true story. We pay $400 for a published essay. Email LAAffairs@latimes.com. You can find submission guidelines here. You can find past columns here.
Lifestyle
What does freedom actually look like? : It’s Been a Minute
What freedom looks like today.
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What does freedom mean today?
Happy Juneteenth! For those not in the know, today commemorates when U.S. federal troops arrived in Galveston, Texas in 1865 to take control of the state and ensure that all enslaved people were freed – a full two and a half years after the signing of the Emancipation Proclamation. Since then, Juneteenth has been celebrated all over the country, especially in Texas and across the South, where Juneteenth parades, cookouts, festivals and pageants happen every year. Two weeks from now, the country will celebrate the Fourth of July – and its 250th anniversary. For many Black Americans, there’s always been a tension between these holidays – and their two different ideals for what it means to be free. As voting rights protections are rolled back and Black history is being scrubbed from government websites, what does freedom look like for Black Americans today?
To get into it, Brittany is joined by Dr. Kellie Carter Jackson, chair of Africana Studies at Wellesley College.
For more episodes about the quality of Black life in America, check out:
Jesse Jackson & the end of the civil rights superhero
Is the economy slowing? Ask Black women.
What to expect when you’re expecting racism
Support Public Media. Join NPR Plus.
Follow Brittany on Instagram: @bmluse
For handpicked podcast recommendations every week, subscribe to NPR’s Pod Club newsletter at npr.org/podclub.
This episode was produced by Corey Antonio Rose and Liam McBain. It was edited by Neena Pathak. We had engineering support from Josephine Nyounai. Our Supervising Producer is Cher Vincent. Our Executive Producer is Barton Girdwood. Our VP of Programming is Yolanda Sangweni.
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