Lifestyle
Don’t Call It a Gym. It’s a Sporting Club.
When the five-star Gleneagles Hotel in Scotland set out to design a fitness center that would appeal to its next generation of guests, its designers didn’t look to the future. Instead, they turned to the past — specifically, a Slim Aarons photograph titled “Tennis in the Bahamas, 1957.” The result is the Gleneagles Sporting Club, a retro, luxurious sports facility with ample courts, equestrian stables and a courtside lounge space.
Inspired by the iconic tennis and sporting clubs of the late 1800s and mid-1900s, spaces that were meant just as much for socializing as they were for exercise, the Gleneagles Sporting Club is part of a new wave of fitness centers that combine aspects of members clubs and gymnasiums under one roof.
Playing on the nostalgia for country clubs and Ivy League-coded preppiness, these athletic spaces are sharply veering away from the sleek aesthetics pioneered by fitness chains like Equinox.
For some, the shift is as subtle as a font change and some new merchandise. Last month, Blink Fitness, a budget gym chain, released a sweatshirt with 1980s-style script and “club” added to the end of its name. Others have gone further, building entire brands meant to evoke a vintage feel and even investing in period-era equipment.
“I wanted to bring in the spirit of the old gymnasiums, because I loved the type of equipment that they had and their focus on the actual design and how intricate it was,” said Lev Glazman, a co-founder of the Maker Gymnasium, a 2,700-square-foot gym attached to the Maker Hotel in Hudson, N.Y.
The gym opened in 2020 with a cork checkerboard floor and European gym equipment from 1920s and ’30s, including a pommel horse and circus rings from Austria.
“When you bring historical elements to a space and there’s an element of curiosity, it makes your experience so much better,” he said. “All of our customers who come to the gym say, ‘I feel like I’m in such a different place.’”
The more recent past has been a source of inspiration for other athletic club owners, as films like “Challengers” and “King Richard” have spurred a renewed interest in tennis and other racket sports.
“We wanted Reserve to be simple, elegant, luxurious clubs that would be the foundation for growth of padel in the U.S.,” said Wayne Boich, the founder of Reserve Padel, referring to the racket sport that is a blend of squash and tennis and is taking off in New York City.
A former college tennis player, he looked to the legacy of racket sports and to the tennis clubs of his childhood in the 1980s to develop the ethos for his venture.
“The Reserve green is a bit of a homage to the Wimbledon look and feel,” he said.
The trend extends beyond the East Coast. In Nashville, Forza Pilates Athletic Co. has a crest and green and navy heritage-inspired merchandise.
“My inspiration for the branding was country clubs, tennis clubs and racket clubs,” said Sydney Dumler, the founder of Forza. “It felt more timeless to me than just leaning into the Pilates aesthetic,” which tends to be more minimalist. She added she was also tired of the “industrial vibe.”
Emily Oberg, the founder of the brand Sporty & Rich, was an early purveyor of this aesthetic resurgence. In 2014, she started an Instagram account where she curated an aspirational moodboard of vintage sport and style imagery. It later grew to include a print magazine and a multimillion-dollar lifestyle and clothing brand with a SoHo flagship store.
“The brand is very much rooted in this aesthetic of country clubs and ’80s sports clubs and gyms,” said Ms. Oberg, noting that the New York Health and Racquet Club, which was founded in 1973, inspired her logo.
She said the nostalgia Sporty & Rich tapped into seemed to be about more than just interior design.
“Over the past 15 to 20 years, gyms have become solely focused on the fitness aspect, rather than the cultural or social aspect they used to have,” she said. “I think there’s a specific culture around them that we’ve lost.”
It is that culture and sense of belonging that this new crop of athletic clubs is hoping to recreate.
“As there is more awareness of the epidemic of loneliness, and especially as we emerge from the pandemic, there’s certainly an emphasis on socializing and coming together in embodied, real ways with other people,” said Natalia Mehlman Petrzela, a professor of history at the New School and the author of “Fit Nation: The Gains and Pains of America’s Exercise Obsession.”
Reserve Padel, Mr. Boich said, has made some strides in creating more of a social space. “People want to come here and hang out,” he added.
The current generation of sports clubs is hardly inexpensive — monthly memberships at Forza run from $140 to $440 per month, a month at Maker Gymnasium costs $140, and Reserve memberships start at $500 at the Hudson Yards location. But with drop-in options and open camps, some have tried to move away from the members-only exclusivity that was once standard.
“The democratization of luxury experiences is something we’ve seen in the consumer marketplace for the last couple of decades,” Ms. Mehlman Petrzela said. “Uber gave you your own private driver. Now, you can join a country club without the $100,000 initiation fee or going through a super complicated board of approval.”
The recent makeover for gyms may also owe to the simple idea that after years of the same look, people are ready to see something else.
“People want to get away from something that is standard,” said Mr. Glazman, the co-founder of Maker Gymnasium. “Particularly in gyms, I think there’s definitely going to be more movement to create environments that are more interesting and not just about functionality.”
Lifestyle
Did you know? Alan Greenspan and Ayn Rand were close friends
Alan Greenspan and Ayn Rand are pictured in the Oval Office on Sept. 4, 1974, after Greenspan’s swearing in as Chairman of the Council of Economic Advisors.
David Hume Kennerly/Getty Images/Hulton Archive
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David Hume Kennerly/Getty Images/Hulton Archive
One of the most important intellectual relationships in the life of Alan Greenspan, the prominent former central banker who died Monday, was with author Ayn Rand, whose 1957 novel Atlas Shrugged has become a perennial favorite among conservatives and which the Library of Congress named as one of the books that has shaped America.
The two first met when he was in his mid-twenties and she was in her forties, and already well-established via her 1943 novel The Fountainhead, which had been a best-seller. They were introduced through Greenspan’s then-wife, the Canadian art historian Joan Mitchell. Mitchell was a close friend of the wife of Nathaniel Branden. Branden was Rand’s protege and longtime lover.
Greenspan and Mitchell wed in 1952, but divorced within a year. By contrast, Greenspan’s relationship with Rand was far more lasting: they remained friends until her death in 1982.

Through the Branden connection, Greenspan joined Rand’s “Collective,” a small group of friends and thinkers who would gather regularly at Rand’s midtown Manhattan apartment to discuss politics, world events and ideas. He became a Collective regular.
According to Greenspan’s 2007 memoir, The Age of Turbulence: Adventures in a New World, Rand nicknamed Greenspan “the undertaker” early on in their friendship, thanks to his penchant for dark suits and his sober demeanor.
His dour reputation was at odds with his early artistic pursuits. He was a talented musician. Before pursuing an economics degree at New York University, he enrolled at Juilliard to study clarinet, and as a teenager played in a swing band alongside jazz legend-to-be Stan Getz. His musical tastes were just as conservative as his politics, however: in his memoir, he dismissed almost every form of post-big band popular music as “on the edge of noise.”

Greenspan wrote for Rand’s magazine, The Objectivist, including contributing an influential essay on the gold standard in 1966 that was later reprinted in her book Capitalism: The Unknown Ideal. When he was sworn in as chairman of the Council of Economic Advisers during the Ford administration, it was Rand who stood with him, along with Rand’s husband, Frank O’Connor, and Greenspan’s mother Rose Goldsmith.
“Ayn Rand became a stabilizing force in my life,” he wrote in his memoir. “She was a wholly original thinker, sharply analytical, strong-willed, highly principled, and very insistent on rationality as the highest value. In that regard, our values were congruent – we agreed on the importance of mathematics and intellectual rigor.”

Lifestyle
Frame: From Scandal to $300 Million in Sales
Lifestyle
Laverne Cox wrote her memoir because ‘one more human story out there can help’
Laverne Cox says that even from a young age, there was “always music in my head.” Her new memoir is called Transcendent. She’s shown above in New York in April 2026.
Dimitrios Kambouris/Getty Images
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Dimitrios Kambouris/Getty Images
For more than a decade, Laverne Cox has been one of the most visible trans women in America. But the Orange Is the New Black star says she spent most of her childhood in Mobile, Ala., keeping herself hidden.
A turning point came when she was in third grade, on a church field trip to Six Flags. She bought a paper fan to cool herself, and caught the attention of her teacher.
“I was having a Scarlett O’Hara moment, fanning myself,” Cox says. “And then later that day, my mother comes in and tells me she had gotten a call from the school … and [my teacher] said that I would end up in New Orleans wearing a dress if we didn’t get me into therapy right away.”

When she was 8 or 9, Cox was sent to conversion therapy, where, she says, a therapist suggested injecting her with testosterone. “The idea was that that was supposed to make me more masculine,” she says. “My mother, thank God, said no to that.” But Cox knew she needed to leave Mobile.
In her new memoir, Transcendent, Cox writes about her journey from Mobile to show business. She remembers being bullied mercilessly by other children at school — a situation made worse by her mother’s reaction: “My mother … instead of having an impulse to protect me or care for me or ask if I was OK, she made it my fault,” she says.
In the 1990s, she moved to New York City and began auditioning for roles, first as a dancer and then as an actor. She also started experimenting with gender norms; she began her medical transition in 1998, at the age of 26.

For Cox, writing her memoir is an act of resistance and healing: “After 2023, it became very clear to me that we, that trans people had lost the culture,” she says. “I knew this was the beginning of a disaster in terms of policy. … The dehumanization was so clear to me, and so I think I also thought maybe one more human story out there can help.”
Interview highlights
On the anger she still feels about being bullied as a child
As an adult, I’m angry at the boys. I am angry at my mother. I want to protect that little child. I’m just so angry. I’m so hurt. … There’s also like the anger [about] all the kids that I’ve met who are trans or queer who are still experiencing this, and the anger of knowing that in states that have passed anti-trans laws that the percentage of bullying has skyrocketed in those states. … There’s the rhetorical piece that happens in the media that is dehumanizing and stigmatizing trans people. And it creates a permission structure. If, like your governor and your state legislators are doing [it], if your teachers and pundits on TV are doing it, then of course kids are emboldened to do it. And that makes me so angry.
On beginning to wear skirts and dresses in college
I had internalized so much transphobia. Like, ending up “in New Orleans wearing a dress” was presented to me as the absolute worst thing that could happen to me. In my young mind I imagined I would be on the street and I would be homeless and a person who needed to like do unfortunate things to survive. So it just was presented as something that was the absolute opposite of the straight A student that I was, the human being that I was, who was determined to be successful. So I didn’t wear skirts and dresses until college … but I did start wearing girls’ clothes that I would purchase from the thrift stores in Mobile and in Birmingham. And it was such a fun, wonderful exploration. … In high school I read about Oscar Wilde. He talked about creating yourself as a work of art, and I loved that as a concept.
On being drawn to show business

There was always music in my head, which is such a wonderful gift. From the second I was walking, I was dancing, and I danced everywhere. And it just took me away. … [It was] like a character. There was a person that I could play. So I was in a character and then I was in a new setting. And so all the times we would be at the supermarket in the grocery store, I just loved pushing the grocery cart and then dancing with the grocery cart as if it was like a partner. … Finally in third grade, I got to start studying dance. And that really, that was the best thing ever for me.
On growing up with a twin brother

There’s a closeness now. It’s healthier now than it’s ever been with my brother. But … we were not a touchy feely family. We weren’t a family that said, “I love you.” We weren’t a family that hugged. There was no affection. So my brother and I, so we didn’t do that. … But we bonded most around music, art. There were periods when I would be in dance class and he would come and watch and critique and he’d give me his notes.
On her twin brother playing her pre-transition character in Orange Is the New Black
It was my character’s back story. And the initial idea was that they needed to hire another actor to play me pre-transition. … [And I] asked my brother if he’d be open to it. And he said, “How much does it pay?” And then he ended up going in for the audition, but he had an advantage because he kind of looks a little bit like me. … So he booked it and did it and he had regrets about it for a while because he has his own work and his own life and he wants to be defined by his work and not mine.
Ann Marie Baldonado and Susan Nyakundi produced and edited this interview for broadcast. Bridget Bentz, Molly Seavy-Nesper and Beth Novey adapted it for the web.



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