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Why Anne Hathaway and other women are saying enough to the haters | CNN

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Why Anne Hathaway and other women are saying enough to the haters | CNN

Some popular culture moments, as they age, really feel an increasing number of like bouts of collective insanity. Why did everybody hate Anne Hathaway all of these years in the past? Round 2013, regardless of profitable a slew of awards for her position in “Les Miserables,” it appeared the actress couldn’t catch a break. Regardless of an absence of scandal or outright offensive habits, she was “the star we like to detest,” ” the unhealthy sort of theater child,” “the kind of person who inexplicably bugs people.”

Since then, the criticism has all however pale from public consciousness, a half-remembered Hollywood fever dream akin to the time everybody ragged on Taylor Swift for writing about her exes or that one 2009 live performance when everybody physique shamed Jessica Simpson.

Hathaway hasn’t forgotten, although, and he or she’s not the one one reminding those who ruthless superstar criticism – a treasured and profitable Hollywood pastime – isn’t as trendy because it as soon as was.

At Elle’s 2022 Girls in Hollywood occasion this week, Hathway commented on the bygone “Hathahate” with painful intimacy, saying the outward hatred solely elevated her internal hatred of herself.

“When your self-inflicted ache is all of a sudden amplified again at you, it’s a factor,” she stated. The expertise taught her to not “maintain house” for such language, for herself or anybody else. She additionally urged others to do the identical.

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“You’ll be able to choose habits. You’ll be able to forgive habits or not,” she stated. “However you do not need the proper to guage – and particularly not hate – somebody for present.”

Hathaway’s dialogue of psychological well being highlights a comparatively new addition to the dialog. Stars have been talking out in opposition to bullying for fairly a while, nevertheless it has solely been up to now few years that we have now seen ample conversations about how fame impacts their psychological well being.

In her new memoir “Making a Scene,” actress Constance Wu writes about struggling along with her identification, and balancing the particular person she is with the particular person she thought she needed to be to make it within the leisure enterprise.

“I write about eager to be the cool lady in my 20s, not eager to make a scene,” she instructed Shondaland. “As a result of I believed that’s what would make me cool and liked and valued. Nevertheless it doesn’t work as a result of it’s not genuine.”

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Wu additionally writes concerning the sexual harassment she endured on her sitcom “Recent Off the Boat.”

“I endured all this sexual harassment and intimidation and abuse the primary two years of the present, however then as soon as it was a hit, I not talked to my abuser, and I used to be in a position to proceed my job professionally and even joyfully,” she says. “So, I believed I dealt with it. However I noticed that repressed abuse and emotions don’t go away simply because you’ll them to.”

Whereas the particulars of being a star could also be distant to most individuals, working by trauma and contending with damaging expectations are common experiences. By discussing these points head-on, girls like Hathaway and Wu are indicating a sea change in superstar tradition.

In fact, ruthless superstar gossip isn’t only a favourite pastime of the lots. It’s a profitable cog within the Hollywood machine. Whole franchises, like Bravo’s “Actual Housewives” sequence, are constructed across the sport of pitting girls in opposition to one another in rivalries each actual and imagined. However in the identical means that some stars are pulling the curtain again on the actual results of bullying and criticism, others are severing these traditions nearer to the foundation.

Hailey Bieber and Selena Gomez defused longstanding rumors and hate by posing together at the 2022 Academy Museum Gala.

Social media had a minor meltdown just lately when Selena Gomez and Hailey Bieber posed collectively for the primary time on the Academy Museum Gala. To these outdoors the sphere of Hollywood gossip, this implies completely nothing. However to these within the know – people who know Gomez is the longtime ex of Bieber’s husband, Justin Bieber, the second was near iconic.

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The 2 girls have lengthy been pitted in opposition to one another by followers, with Gomez solid because the one which obtained away and Bieber because the usurping, second-best spouse. They’ve each used their platforms to warn in opposition to on-line hate and harassment, however the proxy feud fueled by their followers has been insistent.

To see them collectively, then, was as monumental as a photograph op with, say, Jennifer Aniston and Angelina Jolie would have been within the early 2000s, when everybody was “Workforce Aniston” or “Workforce Jolie” following the previous’s divorce from Brad Pitt.

Within the current media surroundings, it isn’t essentially uncommon for well-known girls to point out some solidarity with one another, or get private concerning the damaging results of fame. What’s exceptional is seeing followers so looking forward to and receptive to those developments.

The feedback on photographer Tyrell Hampton’s Instagram publish of Gomez and Bieber paint a transparent image of this:

“Is that this what world peace seems like?”

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“Everybody desires them to hate one another so badly, and for what?”

“I’m pleased with them.”

They’re not dissimilar to the social media reactions that adopted Hathaway’s latest feedback.

“Why did everybody hate Anne Hathaway for no purpose?”

“They had been simply being haters.”

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It’s one factor for stars to disclose how merciless the churn of superstar gossip might be. Extra typically, we’re seeing followers hear and agree, interrogating their very own position in these obsessions. Collectively, either side of the display are trying to find a extra constructive relationship with fame.

Movie Reviews

They Call Him OG Movie Review: Action-packed yet narratively uneven gangster drama

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They Call Him OG Movie Review: Action-packed yet narratively uneven gangster drama
0

The Times of India

TNN, Sep 25, 2025, 6:12 PM IST

3.0

Story: Set in the gritty underworld of 1940s Japan, this action-packed saga follows OG (Ojas Gambheera), the lone survivor of a brutal samurai gang war. He escapes to Mumbai with the visionary Satya Dada, where they set out to build a port. By the 1970s, Satya Dada (Prakash Raj) and Geetha (Sriya Reddy) are locked in conflict with the powerful Mirajkar family over the port and a mysterious container. A shocking incident forces Ojas into exile, creating a power vacuum and heightening tensions. Years later, as darkness looms over Mumbai, the question remains: will Ojas return to reclaim his legacy and protect his allies from the looming threat?Review:Pawan Kalyan commands the screen with charisma and intensity as OG. His action sequences combine martial arts, swordplay and gritty gunfights, bringing back memories of his performances in Johnny and Badri. Emraan Hashmi makes a strong impact as the menacing Omi, though his character could have used more depth. It still works as a promising debut in this space.Japanese actor Kazuki Kitamura’s brief but memorable cameo hints at bigger things ahead, keeping fans curious for the sequel. Sriya Reddy delivers a solid performance, while Priyanka Arul Mohan’s Kanmani feels underwritten. Prakash Raj, as Satya Dada, brings authority and intensity, especially in his dynamic with OG. Arjun Das too leaves an impression.Director Sujeeth leans heavily on star power, often at the cost of layered storytelling and character arcs. Several subplots are undercooked, and familiar tropes such as the wife’s murder and the daughter’s kidnapping feel formulaic. Thaman’s rousing soundtrack, however, injects energy into the action sequences.The film has its shortcomings in emotional depth and narrative finesse, but it still succeeds as a stylish action drama with flair.– Divya Shree

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OG Movie Review: Pawan Kalyan’s Action Crime Drama Wins Mixed Overseas Reactions

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OG Movie Review: Pawan Kalyan’s Action Crime Drama Wins Mixed Overseas Reactions

OG movie review is trending after the film’s overseas premiere on September 24, 2025. The Pawan Kalyan starrer, directed by Sujeeth, opened with early screenings in the United States before its global release on September 25. The Telugu action crime drama is backed by DVV Entertainment and stars Pawan Kalyan in a powerful gangster role.

Audiences abroad have shared first reactions on social media platforms like X, giving a glimpse of the film’s tone and pacing. These responses highlight both praise for action sequences and criticism for certain story elements. The mixed feedback is shaping initial discussions around one of the year’s most anticipated Telugu films.

OG Movie Review: What Early Reactions Reveal

Set in the 1990s, OG follows Ojas Gambheera, a gangster returning to Bombay after a decade to confront his old rival Omi Bhau. The film features Emraan Hashmi, Priyanka Arul Mohan, Arjun Das, Sriya Reddy, and Prakash Raj in key roles. With music by Thaman S and visuals by Ravi K. Chandran and Manoj Paramahamsa, the film promises a cinematic experience with heavy action and period drama elements.

Overseas audiences who watched the premiere at 12:30 p.m. EST praised the large-scale action choreography. Action directors like Peter Hein, Dhilip Subbarayan, and Stunt Silva contributed to intense sequences. Viewers appreciated Pawan Kalyan’s screen presence, calling his performance “vintage power star.” Some fans, however, felt the screenplay slowed in the second half, with mixed opinions about the climax.

International reports note strong advance booking in the U.S., where pre-release sales outperformed Pawan Kalyan’s previous films. Trade trackers predict a significant opening weekend, though reviews suggest word-of-mouth will play a big role in long-term performance.

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og movie review

Global Buzz and Industry Impact

OG’s early reviews reveal how international audiences perceive Telugu cinema’s growing scale. Positive reactions highlight the film’s technical quality, particularly cinematography and sound design. Critics abroad noted the film’s attempt to blend gangster drama with mass action spectacle.

However, some responses flagged predictable plot elements and lengthy runtime as drawbacks. This may affect repeat viewership in overseas markets, where audiences often prefer tighter narratives. Despite this, the film has already generated strong buzz, ensuring high turnout for its worldwide release on September 25.

In summary, OG movie review reactions show Pawan Kalyan’s charisma continues to draw fans globally. While the action and style impressed many, story execution divided opinion. The coming days will decide how the film performs at the global box office.

FYI (keeping you in the loop)-

Q1: What is OG movie review about?

It covers overseas audience reactions to Pawan Kalyan’s new film. The reviews praise action but criticize pacing.

Q2: When was OG released overseas?

The film premiered in the U.S. on September 24, 2025, ahead of its global release on September 25.

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Q3: Who stars in OG?

The film features Pawan Kalyan, Emraan Hashmi, Priyanka Arul Mohan, Arjun Das, Sriya Reddy, and Prakash Raj.

Q4: How is OG performing at the box office?

Advance booking in the U.S. was strong. Trade experts expect big opening numbers worldwide.

Q5: Who directed OG?

OG was directed by Sujeeth and produced by DVV Danayya under DVV Entertainment.

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The week’s bestselling books, Sept. 28

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The week’s bestselling books, Sept. 28

Hardcover fiction

1. The Secret of Secrets by Dan Brown (Doubleday: $38) Symbologist Robert Langdon takes on a mystery involving human consciousness and ancient mythology.

2. My Friends by Fredrik Backman (Atria Books: $30) The bond between a group of teenagers 25 years earlier has a powerful effect on a budding artist.

3. Katabasis by R. F. Kuang (Harper Voyager: $35) The deluxe limited edition of a dark academia fantasy about two rival graduate students’ descent into hell.

4. The Academy by Elin Hilderbrand and Shelby Cunningham (Little, Brown &. Co.: $30) Scandal and drama unfold at a New England boarding school.

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5. Culpability by Bruce Holsinger (Spiegel & Grau: $30) A suspenseful family drama about moral responsibility in the age of artificial intelligence.

6. Among the Burning Flowers by Samantha Shannon (Bloomsbury Publishing: $30) Long-slumbering dragons awaken in a prequel to fantasy bestseller “The Priory of The Orange Tree.”

7. Clown Town by Mick Herron (Soho Crime: $30) The disgraced spies of Slough House are caught between MI5’s secret past and its murky future.

8. The Shattering Peace by John Scalzi (Tor Books: $30) A return to the galaxy of the Old Man’s War series.

9. Wild Dark Shore by Charlotte McConaghy (Flatiron Books: $29) As sea levels rise, a family on a remote island rescues a mysterious woman.

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10. The Emperor of Gladness by Ocean Vuong (Penguin Press: $30) An unlikely pair develops a life-altering bond.

Hardcover nonfiction

1. All the Way to the River by Elizabeth Gilbert (Riverhead Books: $35) The bestselling author’s memoir about an intense and ultimately tragic love.

2. The Book of Sheen by Charlie Sheen (Gallery Books: $35) The movie and TV star reflects on his turbulent life.

3. Good Things by Samin Nosrat (Random House: $45) The celebrated chef shares 125 meticulously tested recipes.

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4. We the People by Jill Lepore (Liveright: $40) The historian offers a wholly new history of the Constitution.

5. Art Work by Sally Mann (Abrams Press: $35) The artist explores the challenges and pleasures of the creative process.

6. The Let Them Theory by Mel Robbins (Hay House: $30) How to stop wasting energy on things you can’t control.

7. Night People by Mark Ronson (Grand Central Publishing: $29) The Grammy-winning record producer chronicles his early DJ days.

8. Mother Mary Comes to Me by Arundhati Roy (Scribner: $30) The acclaimed novelist’s first memoir takes on the complex relationship with her mother.

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9. Coming Up Short by Robert B. Reich (Knopf: $30) A memoir by the political commentator of growing up in a baby-boom America.

10. Poems & Prayers by Matthew McConaughey (Crown: $29) The Oscar-winning actor shares his writings and reflections.

Paperback fiction

1. The Ministry of Time by Kaliane Bradley (Avid Reader Press/Simon & Schuster: $19)

2. Project Hail Mary by Andy Weir (Ballantine: $20)

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3. The Frozen River by Ariel Lawhon (Vintage: $18)

4. The City and Its Uncertain Walls by Haruki Murakami (Vintage: $19)

5. Tell Me Everything by Elizabeth Strout (Random House Trade Paperbacks: $18)

6. The Safekeep by Yael van der Wouden (Avid Reader Press/Simon & Schuster: $19)

7. Martyr! by Kaveh Akbar (Vintage: $18)

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8. Red Rising by Pierce Brown (Del Rey: $18)

9. The Lion Women of Tehran by Marjan Kamali (Gallery Books: $19)

10. Starter Villain by John Scalzi (Tor Books: $19)

Paperback nonfiction

1. All the Beauty in the World by Patrick Bringley (Simon & Schuster: $19)

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2. On Tyranny by Timothy Snyder (Crown: $12)

3. Nexus by Yuval Noah Harari (Random House Trade Paperbacks: $25)

4. The Art Thief by Michael Finkel (Vintage: $18)

5. Autocracy, Inc. by Anne Applebaum (Vintage: $18)

6. The Friday Afternoon Club by Griffin Dunne (Penguin Books: $21)

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7. Catching the Big Fish by David Lynch (Tarcher: $20)

8. Braiding Sweetgrass by Robin Wall Kimmerer (Milkweed Editions: $22)

9. The Wager by David Grann (Vintage: $21)

10. How to Dream by Thich Nhat Hanh (Parallax Press: $11)

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