Education
Video: Opinion | America First? Not When It Comes to Your Health.
This is Camila. She’s trying to figure out how cancer spreads across the body. David here is trying to cure H.I.V. And Rachael, she’s trying to find new treatments for childhood brain cancer. Or at least they were. “The Trump administration has so far terminated more than $1 billion in grants for the National Institutes of Health.” “It has fired over 1,300 employees.” “1,700 canceled awards.” “Wow.” Thousands of scientists have been forced to freeze their lifesaving research. “We’ve had all of our cancer-related research grants terminated.” “I don’t even know if my lab is going to exist next year. I don’t know. And you and the people you love will suffer the consequences in the years to come. “Ultimately, it’s people who will get cancer in 10, 20 or 30 years who will really pay the price for these cuts.” “We’re going to get to the cure for cancer and Alzheimer’s and so many other things. We’re so close to doing something great.” We were close. But with these brutal cuts, Trump just pushed us further away. Because here’s the thing. So many new drugs originate from U.S. government research, not Big Pharma, including those made overseas. Do you know someone with diabetes? “Type 2 diabetes? Discover the Ozempic Tri-Zone.” Prostate cancer? “Xtandi is a prescription medicine used to treat men with prostate cancer.” H.I.V.? “Descovy for PrEP is a once-daily prescription medicine that helps protect against H.I.V.” America is the world champion at inventing new drugs. Our government spends more on medical research than any other country. The result: More than half of all new drugs are developed in the United States, which means American patients get them first. “We developed better therapies for treating H.I.V./AIDS in 1996, and the American patients benefited from them in 1996. The Chinese patients did not benefit from them until 2002.” For decades, we attracted the best scientists, gained early access to cutting-edge clinical trials, and most importantly, saved lives at incredible value for money. “It’s incredibly cheap to do research at a university because — I shouldn’t say this, but our graduate students and our postdocs, they’re really underpaid. Research at a university is a steal.” And despite all of that, Sebastian’s studies to map the human brain have been frozen. “Think about Alzheimer’s and Parkinson’s disease. Think about schizophrenia and autism. The dollar cost of these diseases is huge, and the emotional cost of these diseases is even huger. Can we wait?” Apparently, Trump thinks we can. “Just listen to some of the appalling waste we have already identified.” His cuts have been broad, blunt and politically motivated. “No reason was provided other than the fact that we work at Columbia University.” And sometimes, just plain stupid. “$8 million for making mice transgender.” “There’s no such thing as transgender mice. We study mice that have transgenic mutations in them.” “Everybody can understand the idea of downsizing —” “But we are facing a 40 percent budget cut.” “That’s more like butchery.” “There’s no Plan B.” The pharmaceutical industry isn’t motivated to invest in the risky long-term research that produces the greatest breakthroughs. “Government-funded research is often in the precommercial stage. You can’t make money off of it yet. Once we know that something is going to work, then, of course, the private sector can work on it and make big profits.” And the damage from these cuts cannot be easily undone. “It’s as if you took your baseball team and you not only quit the game but you basically got rid of all your players and then two years later, you decide that you want to get back in the game. You need to build a team all over again.” “Why are we tearing that down? I simply do not understand that.” Long after Trump is gone, we’ll all still be facing the tragic reality he has created. “You’ll start to see other places will have therapies, will have technologies that we will not.” “It will make a difference if your child or grandchild gets cancer.” “Are you willing for them to have to wait or perhaps die because the therapy for them is delayed?” “The ideas and the technologies that are being destroyed today, in this moment, some of them irreversibly, those are the cures that would have been present 20 years from now. And now we won’t even know what we’ve lost.” [MUSIC PLAYING]
Education
Opinion | 13 George Washington Interpreters on Embodying an Icon
In our national memory, George Washington is a mythic figure, cast in metal, carved in stone. His leadership, first as general, then as president, is so intertwined with the roots of this country that it is sometimes hard to separate the man from the idea of America. How does one imagine the living presence of such an icon, much less embody him?
There is a small fraternity of men bold enough to try. At historical parks and commemorations from Virginia to Seattle, these interpreters (their preferred term) transform themselves into Washington. Each has his own approach, but what all their representations seek to capture is a legacy that has endured from his time to ours. If America, at least in part, is an idea, then our national project becomes, like theirs, an act of interpretation, an imperfect attempt to translate some idealized vision into the messy reality of our own time.
— Ezekiel Kweku
“By some strange quirk
of genetics, I have
Washington’s exact
dimensions. Where my
sleeves fall on my wrist,
the size of my chest, the
size of my thighs, where
the breeches fall to my
knees, are all identical.”
John Koopman, 67, often performs
while riding his horse, Bear. He
has portrayed Washington for 20 years.
James Fryer, 70, wears a replica of a general’s uniform that Washington designed himself. He recently completed training to portray Washington for the nonprofit Historic Philadelphia.
“Some people portray George as a marble statue. I don’t do a marble George. I am interested in talking to everyone, even those who yell at me because George was a slave owner. I want to respect them, try to educate them, or maybe even inspire them.”
Vern Frykholm, 77, was moved to bring his interpretation of Washington to Washington State, where he lives, after seeing a 2011 performance in Pennsylvania.
Dean Malissa, 73, signs his personal
correspondence, including emails,
as Washington did: “Your Most Humble
and Obedient Servant.” He became
the Official George Washington
at Mount Vernon in 2004, and held
that role for nearly 20 years.
“I describe him sometimes as just a dude. I look at him and think, I could see myself in the same world, making similar bad decisions or similar good decisions.”
Daniel Cross, 39, portrayed a young Washington at Virginia’s Colonial Williamsburg until last year. He now works with organizations around the country.
Curt Radabaugh, 62, has 13,000 history books in his personal library, including several hundred about Washington. He is a veteran of the U.S. Marines and a retired police officer.
“He’s a mentor, a father
figure, and not only in the
sense that he’s a patriarch
of the country. Because
I grew up without a
father, he kind of became
my surrogate father.”
Brian Hilton, 58, says he researches
Washington’s era every morning before
his children get up and at night after
they go to bed. He is a high school history
teacher near Richmond, Va.
Daniel Shippey, 57, partners on interpretations with his wife, Kelly, who portrays Martha Washington. Kelly researched 18th-century hair techniques to create her husband’s costume hairstyle. They live in Virginia.
“You’re playing the myth of George Washington as well as the historical figure. I make his voice a little firmer and deeper than it probably was in real life. I play him a little funnier than he probably was. In reality, if you came to see him, he probably wouldn’t talk to you as much as I do.”
Doug Thomas, 53, is Washington’s second cousin nine times removed.
John Godzieba, 67, has reenacted
the crossing of the Delaware as
Washington every Christmas for the
past 16 years at Pennsylvania’s
Washington Crossing Historic Park.
“In many ways I don’t look like him. My eye color is wrong. My nose is wrong. My hair color is wrong. I wouldn’t have cast myself in this role.”
Ron Carnegie, 64, has portrayed Washington at Colonial Williamsburg for 20 years.
Ryan Williams, 37, is a veteran who specializes in playing a young Washington during the French and Indian War. He lives in Virginia.
“Some people portray
Washington almost
like a superhero.
I like to bring out that
he has faults. He’s a
person like you or me.”
Michael Grillo, 64, is a historical
tailor who hand-sews his own clothes
for reenactments. He also makes
period props, including two American
battle flags and pewter mugs
engraved with Washington’s crest.
Martin Schoeller is a photographer and director known for his close-up portraits of everyone from world leaders and celebrities to female bodybuilders. For this project, he used a large format camera to photograph 13 historical interpreters of George Washington — many of whom arrived in full uniform — over three days in Virginia and New York City.
Additional reporting by Tenzin D. Tsagong. Interviews have been edited and condensed for length and clarity. Top quotes from Brian Hilton, Daniel Shippey and Daniel Cross.
Produced by Sara Barrett, Danny DeBelius and Sam Whitney. Additional production by Olivia James.
Education
This Little Robot Cleans Windows
One task the robots can take from us? Cleaning. Especially hard-to-access windows. So when writers Caroline Mullen and Evan Dent found this little guy — whose government name is “EcoVacs Winbot Mini” — they were intrigued. Could he clean the uncleanable? Caroline and Evan put their robot friend to the test at both the Wirecutter office and a high-rise apartment. Is a robo-window cleaner more effective than scrubbing yourself?
Education
Video: School Year Cut Short and Aid Delivery Slowed Amid Fuel Crisis in Cuba
new video loaded: School Year Cut Short and Aid Delivery Slowed Amid Fuel Crisis in Cuba
By McKinnon de Kuyper
June 22, 2026
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