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The Venture Bros.’ Movie is a Welcome Return and Bittersweet End

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The Venture Bros.’ Movie is a Welcome Return and Bittersweet End

Adult Swim’s The Venture Bros. had an eventful life up to and including its sudden cancellation in 2018. For as long as gaps between seasons could get, it was just one of those shows that came to define the late night Cartoon Network block and also released at just the right moment. The years changed and the world changed with it, but when those seasons hit, they were something special. You could always rely on the now 20-year-old show to give you a hilarious, frequently meta time.

The newly released (and incredibly named) Venture Bros.: Radiant is the Blood of the Baboon Heart feels as special as the show it’s spun off from. It very much functions like an eighth season and picks up right where things left off—Hank Venture (Chris McCulloch) went on the run after twin brother Dean (Michael Sinterniklaas) slept with his girlfriend, while at the same time, the Monarch (McCulloch) discovered he and Rusty Venture (James Urbaniak) are brothers—and assumes you’ve either rewatched or remember those earlier events. This is a movie that understands its purpose isn’t to bring in new audiences, but to serve as a series finale for a show that very well almost didn’t have one. It only came about because then-HBO Max head Andy Forsell worked to make it happen in response to the show’s passionate fanbase, and in that regard, Radiant is the Blood of the Baboon Heart is a satisfying end for characters that have been around (and loved) for two decades.

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Image: Adult Swim

Despite the indicators that come with an animated series getting boosted to movie status (see: characters having shadows and a bigger-than-average scale), Radiant is playing in a similar space as one of the show’s best episodes, All This & Gargantua-2. There were several 44-minute long specials released when the show was airing, but Gargantua-2 is the best of that bunch, and felt like the testing ground for a film. (Fittingly, it also felt like a series finale in its own way, in that the characters subsequently transferred to New York for its final two seasons.) It’s best to have that special in mind while watching, as Radiant’s scope is similarly big enough to provide some good movie-length spectacle, but not so big that it feels alien or betrays the show’s television roots.

This isn’t The Bob’s Burgers Movie where it becomes a full-on musical, nor is it a Spongebob Squarepants film where live-action is suddenly incorporated. You could easily watch Radiant like it’s a set of previously unaired episodes and it would make complete sense. Even so, it can’t help but feel different. Sequences like Hank interacting with his various personas talking to him (and them bickering with each other) or a fight scene between Jefferson Twilight (Charles Parnell) against a gang of blaculas feel like flexes, in their own way. Key creatives Jackson Publick (McCulloch’s alias) and Doc Hammer (who voices Dr. Mrs. The Monarch and Henchman 21) are clearly taking advantage of the extra runtime and budget provided to them. It isn’t just that the pair give ample time to let the characters just exist in their world, and by extension get to pepper in more jokes; there are some interesting swings taken that may not have been fully realized on TV.

Publick and Hammer nailed the show’s winning formula ages ago, so the real fun has been seeing how characters bounce off each other or react to a strange new factor into their already odd lives. Outside of classic characters like Brock Samson (Patrick Warburton) and the always delightful Doctor Orpheus (Steven Rattazzi), Radiant gives most of its supporting cast enough time to charm you again—Clancy Brown’s Red Death is as delightful here as when he first showed up in season six—and succeeds in making its handful of new characters equally memorable. The standout newcomer is a Nina Arianda’s supervillain Mantilla, who feels like such a natural addition to the show’s cast almost instantly when she shows up looking to recruit Monarch and 21 into her scheme. Within minutes, it’s very easy to get back on the show’s wavelength and be reminded why Venture was so beloved in the first place. It’s a credit to the show’s longevity (and the duo’s writing) that Radiant manages to feel so comfortably familiar while still managing to surprise with the character beats it goes to.

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Image: Adult Swim

Over the years, there’ve been plenty of legacy films, each with their own varying levels of success. At their worst, these types of films can feel too in love with their subject material. But Venture Bros. has always been a little bit mean-spirited toward its characters by design, even as some of that edge was sanded down so characters could get to win. It’s always been endearing to see how much the Ventures and their entourage get shown as idiots who don’t really belong in their line of work. But it’s never been clearer than with Radiant that Publick and Hammer love these characters to death, and why the show was worth fighting for in the first place.

Venture Bros.: Radiant is the Blood of the Baboon Heart is out now digitally and will release July 25 on physical formats. Both Hulu and Max have the complete seven-season Venture Bros. series, and it’s also available on DVD.


Want more io9 news? Check out when to expect the latest Marvel, Star Wars, and Star Trek releases, what’s next for the DC Universe on film and TV, and everything you need to know about the future of Doctor Who.

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Movie Reviews

Prasanna Vadanam Movie Review – Gulte

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Prasanna Vadanam Movie Review – Gulte

2.75/5


2 Hr 26 Mins   |   Thriller   |   03-05-2024


Cast – Suhas, Payal Radhakrishna, Rashi Singh, Viva Harsha, Nitin Prasanna and others

Director – Arjun Y K

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Producer – Manikanta J S, Prasad Reddy T R

Banner – Arha Media, Little Thoughts Cinemas

Music – Vijai Bulganin

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Suhas has become one of the bankable actors in Tollywood. He is now out with his latest film, Prasanna Vadanam, based on a man with face blindness. Directed by Arjun YK, let’s review the film here.

Plot

Surya(Suhas), a Radio RJ meets with a terrible accident and ends up with a rare disease named Prosopagnosia. Due to this, he gets face blindness and cannot identify the faces of people around him. One fine day, he witnesses the brutal murder of a young girl. He informs the cops but instead gets embroiled in the case. Left with no choice; he approaches top cop Vaidehi(Rashi Singh) for assistance. But things turn on its head and multiple cases are now filed on Surya. The rest of the story is about how Surya proves his innocence with the help of his girlfriend Adhya(Payal Radhakrishna).

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Performances

Suhas is known for his versatile characters gets a tailor-made role in Prasanna Vadanam. As he has a unique disease, the scope for him to perform uniquely is high in the film, and Suhas lives up to all the expectations. His performance in the second half is highly impressive and arrests you till the end. Nithin Prasanna, who was last seen in Ambajipeta Marriage Band, delivers yet another bankable performance. The various shades he showcased in his performance were impressive. Rashi Singh, who played the top cop, was decent, but she should have worked more on the expressions in the latter part of the film. Viva Harsha was okay, and so was Payal Radhakrishna.

Technicalities

Vijay Bulganin composed the music for the film, and his songs are quite ordinary. None of the songs register with the audience, but the background score is quite impressive. The sound design neatly elevates the proceedings and is composed in a stylish manner. The camera work is so-so and one cannot complain keeping the budget in mind. The production values are also okay, and there is nothing much to rave about. The editing is perfect as the narrative is crisp and to the point.

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Suhas
Interval twist

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Lag in the second half
Songs
Flashback

Analysis

Making thrillers is one of the biggest tasks for any writer-director. But newcomer Arjun YK has chosen a story with face blindness which is something new for Telugu cinema. So, this itself makes things interesting for Prasanna Vadanam. Prasanna Vadanam starts on a very interesting note, and the best part is that director Arjun does not waste any time entering the conflict point in the film.

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Once the heroine is introduced, the love track gets a bit boring, but that too passes, and things become interesting for the audience. Once the crime is committed, the concentration shifts towards the cops and how they will deal with the case. But the way director Arjun brings in the half-time twist is superb and unexpected. As the director reveals the man behind the murder, things become a bit difficult for the director to handle the proceedings.

This is when the proceedings become slow and a bit dull. Also, the reason behind the motive of the murderer is not showcased convincingly. Also, the way Suhas behaves in the second half looks a bit odd. As he has face blindness, the director could have added more drama and played with the effects, but that does not happen, and things move slowly until the pre-climax.

Director Arjun has potential and narrates the film well for the most part. However, way too many cinematic liberties and a lack of hold on emotions are some of the drawbacks. Prasanna Vadanam has decent moments that hold your attention. However, one needs to prepare for the pace and lack of depth in the proceedings as well.

Bottom Line – Passable Thriller

Rating: 2.75/5

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Sabari Movie Review: Varalaxmi Proves She Can Do Female Centric Roles

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Sabari Movie Review: Varalaxmi Proves She Can Do Female Centric Roles

Sabari, starring Varalaxmi Sarathkumar and directed by Anil Katz. The film hit theatres today.

What is it about?

The film follows Sanjana (Varalaxmi Sarathkumar), a single mother whose world is turned upside down when a horrifying truth comes to light: the child she raised is not her biological daughter.

Plot:

The story begins with a twisted past, revealing a villain, Mime Gopi, who escaped a mental asylum with an obsession—finding the daughter he believes was swapped. This sets him on a violent collision course with Sanjana, who will stop at nothing to protect the child she has loved and raised as her own.

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Sabari showcases the unwavering bond between a mother and child. As a single parent navigating the challenges of a broken marriage, Sanjana embodies strength and determination.

The movie appears like a psychological horror- thriller at first. While watching the first half, the film comes across a female led emotional thriller where the single parent appears to be going through hardships. Everything goes for a toss in the second half. It is in the second half that the film becomes an irreparable mess. The plot turns are created or arranged in a way that seems unrealistic and artificial.

Verdict: The screenplay of Sabari is far-fetched and the climax is so old that you will not believe this is a film made in 2024. However, Varalaxmi Sarathkumar has delivered a terrific performance.

Rating: 2.75/5

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Movie Review: The Fall Guy – CinemaNerdz

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Movie Review: The Fall Guy – CinemaNerdz

Based on the television show of the same name that ran for five seasons from 1981-86 and starred Lee Majors and Heather Thomas, director David Leitch’s new film, The Fall Guy, employs the same combination of action and sexual tension that fueled the show (albeit not necessarily between the two main characters). This approach makes for an entertaining and somewhat nostalgic aura around a film that, if approached a different way, could have resulted in another disappointing cinematic adaptation of a popular television property.

Colt Seavers (Ryan Gosling) is a stuntman at the top of his game. He is performing death-defying stunts alongside his wannabe director girlfriend Jody (Emily Blunt) until one stunt goes awry and a severely injured Colt all but retires from the profession. That is, until his services are requested on the film that his now ex-girlfriend Jody is making her directorial debut with. The prospect of making peace with her entices him to take up the mantle of stuntman again. When he gets on set however, he quickly learns that there is more to his emerging from retirement than simply performing a few stunts as the star of Jody’s film (played by Aaron Taylor-Johnson) has disappeared and the film’s producer Gail Meyer (Hannah Waddingham) enlists Colt to track him down and bring him back to set. Of course, this is easier said than done and Colt soon finds himself embroiled in a conspiracy that could derail not only his reconciliation with Jody, but her career as well.

"The Fall Guy" poster

Like he has done with films like Bullet Train (2022) and Deadpool 2 (2018), director David Leitch shows off his ability to deliver action sequences that invigorate a rather tepid plot (as in the case of Bullet Train), but also showcase a well-written story centered around a likable character played by a charismatic actor (i.e. Deadpool 2). Working from a script by Drew Pearce (whom he collaborated last with making 2019’s Fast & Furious Presents: Hobbs & Shaw), Leitch embraces the entertainment value of the original property without resorting to a camp approach as have many other television adaptations. What emerges is an action/adventure piece with a legitimate mystery for the hero to solve while simultaneously trying to get his life back on track.

As Colt, Gosling does a fine job of blending the character’s natural suave demeanor with the uncertainty he is facing during this crossroads moment of his life path. Likewise, Blunt is equally capable as the talented filmmaker who is unsure exactly why her former flame has shown up on her set after so much time away. Taylor-Johnson embraces the bombastic nature of his character as a spoiled star too used to getting his way.

Ryan Gosling in "The Fall Guy."Ryan Gosling in "The Fall Guy."

Ryan Gosling in “The Fall Guy.”

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Nods to the original television show, courtesy of David Scheunemann’s production design, including Colt’s iconic truck, prove a welcome and non-distracting homage to the series. Along with Leitch’s use of movement to capture the action sequences, the editing provided by Elísabet Ronaldsdóttir allows the film’s action sequences to move along at a brisk and well-paced speed.

The nostalgic and non-ironic adaptation of the television series The Fall Guy allows the film to stand on its own apart from its namesake property (although there is a cameo at the end of the credits featuring original stars of the series) and exist as its own successful action/adventure film.

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