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Rumours (2024) – Movie Review

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Rumours (2024) – Movie Review

Rumours, 2024.

Written and Directed by Evan Johnson, Galen Johnson, and Guy Maddin.
Starring Cate Blanchett, Roy Dupuis, Nikki Amuka-Bird, Charles Dance, Takehiro Hira, Denis Ménochet, Rolando Ravello, Zlatko Burić, and Alicia Vikander.

SYNOPSIS:

The leaders of seven wealthy democracies get lost in the woods while drafting a statement on a global crisis, facing danger as they attempt to find their way out.

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Even those not well-versed in film or basic symbolism will get the point Rumours is making and be exhausted long before it’s over. That’s annoying enough, especially since the targets, world leaders getting together for a G7 meeting to collaborate on a statement regarding an unspecified global crisis, are already low-hanging fruit. Then writers/directors Evan Johnson, Galen Johnson, and Guy Maddin go a step further, bordering on insulting the viewers, having these world leaders waxing philosophical about how they are less than human and more stand-ins for various beliefs across the political spectrum, much like we aren’t getting to know characters but more so stand-ins for whatever punchline the script wants to make about each country’s leader.

The numerous jokes quickly run their course. However, making matters worse is that these global leaders don’t actually do much, and not much happens in the film, which is the grand joke here. These influential individuals come together and either vent about their romantic relationships, get sexually involved with each other, rant about things they can’t do anymore, bicker, or generally get caught up in their self-absorbed lives. Roughly halfway in, they are interrupted by reanimated masturbating corpses from thousands of years ago, which is naturally intended to be more funny than frightening but also gets old fast, considering there is no real threat being posed. It’s wacky, irreverent, and inspired, but the point of everything is made so bluntly that the film becomes a frustrating, sluggish watch.

The impressive ensemble, which consists of Cate Blanchett as Germany’s Hilda Orlmann, Charles Dance’s US President Edison Wolcott, France’s Sylvain Broulez (Denis Ménochet), British Prime Minister Cardosa Dewindt (Nikki Amuka-Bird), and others admittedly find some humor in the material and bounce dialogue off of each other well enough, but that also doesn’t salvage a film that goes on forever making a rather obvious point about the effectiveness, honesty, and morals of such world leaders.

Denis Ménochet probably shines the most here, possibly because he gets to work with the strangest material; he first encounters one of the zombies, then is unable to walk due to an inexplicable “leg injury,” and then finds himself locked into a hypnotized writing groove while being pushed around a dark forest in a wheelbarrow. Takehiro Hira’s Japanese leader, Tatsuro Iwasaki, also has amusing exchanges with everyone he interacts with, mostly from some of the uneducated, stupid questions he finds himself answering (there’s a funny one about Japanese fans.) 

Speaking of that forest, there are cheesy fog machines and moody lighting, also playing into the idea that this isn’t meant to be scary and that these global leaders are just terrified cowards incapable of dealing with any major crisis.  There is certainly nothing wrong with the film’s aesthetics or visuals, including a giant brain in the middle of the forest that Alica Vikander’s European leader, Celestine Sproul, has a mysterious connection to, conversing using an unknown language. The unabashed weirdness is welcome, but again, it doesn’t necessarily offset how broad and stale the jokes are at the expense of each country’s leader and the more prominent point being made about their uselessness. Rumours is taking the cheap, easy route for what could have been a terrific and scathing timely satire.

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Flickering Myth Rating – Film: ★ ★ / Movie: ★ ★

Robert Kojder is a member of the Chicago Film Critics Association and the Critics Choice Association. He is also the Flickering Myth Reviews Editor. Check here for new reviews, follow my Twitter or Letterboxd, or email me at MetalGearSolid719@gmail.com

https://www.youtube.com/watch?v=embed/playlist

 

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Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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