Movie Reviews
Paddington In Peru (2024) – Movie Review
Paddington in Peru, 2024.
Directed by Dougal Wilson.
Starring Ben Whishaw, Hugh Bonneville, Emily Mortimer, Samuel Joslin, Madeleine Harris, Antonio Banderas, Olivia Colman, Julie Walters, Jim Broadbent, Carla Tous, Hayley Atwell, Oliver Maltman, Joel Fry, Robbie Gee, Sanjeev Bhaskar, Imelda Staunton, Ben Miller, Jessica Hynes, Ella Dacres, Aloreia Spencer, Nicholas Burns, Ashleigh Reynolds, Amit Shah, Ella Bruccoleri, Carlos Carlín, Simon Farnaby, Emma Sidi, Hugh Grant, and Elizabeth II of the United Kingdom.
SYNOPSIS:
Paddington returns to Peru to visit his beloved Aunt Lucy, who now resides at the Home for Retired Bears. With the Brown family in tow, a thrilling adventure ensues when a mystery plunges them into an unexpected journey.

A beary take on the treasurer of El Dorado, Paddington in Peru trades London fish-out-of-water hijinks and tear-inducing pleas for kindness for a CGI-heavy formulaic Amazonian adventure of peril that, while endearing, never reaches the highs of previous installments. It’s a noticeable step down in quality, often playing like your average family-friendly film, at a certain point mainly going for thrills rather than witty banter and heartwarming lessons in manners. Even the thematic messaging seems like an afterthought this time, reminding what the movie is about moments before the epilogue in a halfhearted, slapdash fashion.
Truthfully, none of this should be surprising. Director Dougal Wilson takes over duties from Paul King (responsible for the first two entries before moving on to his take on Willy Wonka, only contributing to the screen story here), working from a screenplay by Mark Burton, Jon Foster, and James Lamont (with Paddington created by Michael Bond), none of whom have worked on either of the previous movies. The latter two have worked on an animated TV series titled The Adventures of Paddington, which explains why Paddington himself (still voiced by Ben Whishaw with an innocent and polite gentle warmth) feels in character.

However, most of those amusing gags occur early on (a photo booth in London, a hilarious broken floorboard gag when searching for a clue, a struggle climbing into a hammock) and, as already mentioned, fade away once the plot transitions into three groups of characters competing for treasure. To clarify, Paddington is looking for his missing Aunt Lucy (voiced by Imelda Staunton), who had written to her nephew saying she was feeling lonely, only to be gone when he and the Brown family arrive in Peru’s Home for Retired Bears. In charge is the suspicious Mother Reverend (a playful Olivia Colman, also getting a chance to do some equally silly singing), who often blatantly incriminates herself in a running gag of obviously having something to do with the disappearance. All that remains left behind are Aunt Lucy’s glasses and a sacred bracelet connected to El Dorado that might have something to do with where the bear went.
Together with the supportive Brown family, now with grown-up children and becoming increasingly distant, deciding that this vacation is just what they need to reconnect, Paddington and they enlist a boat tour guide named Hunter Cabot (Antonio Banderas) alongside his daughter Gina (Carla Tous) to navigate the waters and into uncharted territory. It is a journey that Gina advises against, but Hunter sympathizes with the emergency and braves the danger. It also turns out he sees literal ancestral ghosts (also funnily played by Antonio Banderas) egging on a family curse and obsession to find the El Dorado treasure.

There are encounters with potentially deadly spiders, treks throughout the jungle, and character betrayals on the path to the treasure. While that might sound tantalizing, ambitious, and refreshing for this series, it’s also somewhat perfunctory and only elevated by the reliable Paddington charm. Even the Brown family (played by Hugh Bonneville and Emily Mortimer stepping into the Sally Hawkins role, now with adult children played by Samuel Joslin and Madeleine Harris) don’t have much to do. The latter two are noticeably silent at times; basically, they are out of obligation for the thread about family the film tries to emotionally tie everything back to.
Technically, Paddington in Peru is something new for the series and does retain the signature delight of the characters, comes with more likability wacky villains, and the wonderful voiceover work from Ben Whishaw also still delivers a moving touch, even if there isn’t much of an emotional pull here this time. It’s solid but no treasure like the previous two films.
Flickering Myth Rating – Film: ★ ★ ★ / Movie: ★ ★ ★
Robert Kojder is a member of the Chicago Film Critics Association, Critics Choice Association, and Online Film Critics Society. He is also the Flickering Myth Reviews Editor. Check here for new reviews and follow my BlueSky or Letterboxd
https://www.youtube.com/watch?v=embed/playlist
Movie Reviews
Ron Brown’s movie reviews: ‘Project Hail Mary’ and more
Lisa Dent
Weekdays 2-6pm
A native of Rockford, Lisa Dent, heard 2 pm to 6 pm weekdays, began her radio career in Fort Atkinson, Wisconsin in 1981. She has worked at stations in Minneapolis, San Diego, Seattle, and Houston. Dent returned to Chicago in 2002. (Click for more.)
Movie Reviews
Movie Reviews 2026: Ukrainian and World Premieres
The world of cinema and TV series offers hundreds of premieres every year, but not all of them are worth the time spent. Viewers are increasingly looking not just for entertainment, but for meaning — stories that leave an aftertaste, make them think, or help them experience strong emotions. That is why reviews are becoming an important guide: they help separate truly high-quality content from loud but empty hype. UNN has reviewed the most anticipated premieres and selected films worth watching.
“Kakhovka Object” (war drama)
The film shows war not only as combat operations but also as a test of human dignity, character, and choice. Through the fate of the main character, the viewer sees how difficult it is to make decisions in extreme circumstances when every step can affect the lives of others. The director masterfully combines psychological tension with realistic details, creating an atmosphere of complete immersion. The film is not only about war but also about human responsibility, strength of spirit, and the ability to remain human in the chaos of events.
“Mavka. The True Myth” (romantic fantasy)
The premiere will take place on March 1, 2026. This is a continuation of the Ukrainian fantasy tradition, where national myths and legends come to life on screen. The film reveals Mavka’s inner world, her desire for love and freedom, as well as the conflict between the human and the magical. The animation promises to be bright and detailed, and the story is universal: it touches on the themes of choice, self-discovery, and responsibility for one’s feelings. This film will be a good example of modern Ukrainian animation, capable of captivating both children and adults.
“When Will You Divorce?” (corporate comedy)
A comedy about personal life and work relationships that raises questions about the balance between career and personal feelings. The film humorously shows how easy it is to get confused in one’s own emotions, trying to satisfy the expectations of others. The authors successfully combined light life situations and ironic dialogues, which makes the viewing entertaining but not superficial. This film is for those who appreciate modern humor and recognize themselves or colleagues in the characters.
“Odyssey” (epic adventure drama)
A large-scale adaptation of Odysseus’s travels after the Trojan War. The film shows not only the hero’s physical trials but also his inner transformation: courage, ingenuity, patience, and moral choice in critical moments. The artistic design and the use of modern technologies to create epic landscapes and battle scenes are impressive. The director managed to combine a classic story with a modern cinematic rhythm, which makes “Odyssey” not only spectacular but also emotionally deep.
“Lord of the Universe” (sci-fi, action)
The film transports the viewer into a vibrant magical world where heroes fight for justice, and the line between good and evil constantly shifts. This is a story about courage, self-sacrifice, and responsibility for one’s own destiny and the destiny of others. The combination of special effects, a fantasy world, and an adventure plot makes the film attractive to a wide audience. But the main thing is not the effects, but the internal struggle of the characters, which gives the film depth and meaning.
“Scream 7” (2026)
The return to the famous slasher franchise proved unsuccessful. Despite the direction of series veteran Kevin Williamson and the comeback of Neve Campbell and Courteney Cox, the film received mostly negative reviews from critics.
Thus, 2026 promises to be a landmark year for Ukrainian and world cinema. Even with fewer premieres, there is a tendency towards a deep elaboration of characters, psychological conflicts, and moral issues, which makes modern films and series not only entertainment but also a way of understanding human life and the modern world.
“You Are Space” breaks records: Ukrainian sci-fi attracts over 326,000 viewers10.02.26, 21:04 • 6852 views
Movie Reviews
Movie reviews reveal A Poet and All That’s Left of You dominate March with perfect 100% scores – Art Threat
Show summary Hide summary
Two masterpieces just shattered critical consensus on Rotten Tomatoes. Both A Poet and All That’s Left of You have garnered rare perfect 100% scores from critics, dominating March 2026’s excellence rankings. These dual releases represent a historic moment for international cinema.
🔥 Quick Facts
- A Poet: 100% Rotten Tomatoes score from critics celebrating Simón Mesa Soto‘s Colombian drama
- All That’s Left of You: 100% Certified Fresh multi-generational Palestinian epic by Cherien Dabis
- Release Timeline: Both films expanding dramatically in theaters March 2026 after festival triumphs
- Critical Moment: Rare simultaneous perfect scores elevate international storytelling into mainstream spotlight
A Poet Achieves Unanimous Critical Acclaim
Simón Mesa Soto‘s A Poet stands as one of 2026’s finest achievements. Starring Ubeimar Rios as Oscar Restrepo, a once-promising writer turned tragic failure, the film examines fatherhood’s weight with devastating wit and elegance. The Colombian-Swedish-German co-production premiered at Cannes Film Festival’s Un Certain Regard section last year and has conquered every distribution market since.
The ensemble cast includes Rebeca Andrade, Guillermo Cardona, and Humberto Restrepo, delivering layered performances that anchor the film’s four-chapter structure. Critics hailed the film as a triumph of tone, mixing tragicomic observation with genuine emotional devastation. The New York Times called it “The Romance of Misery”, recognizing its ability to find beauty in human failure. The film’s philosophical depth and formal precision explain its unprecedented critical consensus.
| Title | A Poet (Un Poeta) |
| Director | Simón Mesa Soto |
| Lead Actor | Ubeimar Rios as Oscar Restrepo |
| Rotten Tomatoes | 100% Certified Fresh |
| Theatrical Status | Expanding in March 2026 |
All That’s Left of You Shatters Records as Palestinian Saga
Cherien Dabis wrote, directed, and starred in All That’s Left of You, a sweeping three-generational epic set in the Occupied West Bank spanning decades of family trauma and resilience. Featuring Saleh Bakri, Mohammad Bakri, Adam Bakri, and Maria Zreik, the film follows a teenage boy swept into a pivotal protest with consequences that ripple through his family’s future.
Produced by Watermelon Pictures, the film premiered at Sundance Film Festival 2025, where it immediately earned Certified Fresh status and near-universal praise. Filming relocated to Cyprus, Greece, and Jordan after production complications, yet the result feels seamlessly authentic. Critics point to Dabis’s multi-media mastery (she directs, performs, and produces) as essential to the film’s emotional authority. The film’s scope rivals the greatest epics while maintaining intimate character work that defines recent international cinema.
All That’s Left of You arrived in selected theaters on January 9, 2026 and steadily expanded throughout early March. The film’s 100% Rotten Tomatoes score reflects not just critical respect but genuine reverence for Dabis’s artistic vision. This achievement represents Palestinian cinema reaching its greatest artistic and commercial moment.
Why These Two Films Dominate March 2026’s Conversation
Rarity defines these simultaneous perfect scores. A Poet and All That’s Left of You occupy the rare 100% Tomatometer tier reserved for films of historic excellence. The 2026 FilmFare recognized both as front-runners for major awards, acknowledging how they’ve elevated the expectations for drama itself. Industry observers note that achieving perfect critical consensus in today’s fractious landscape represents not consensus but unanimous recognition of artistic achievement.
Both films reflect cinema’s global moment. Simón Mesa Soto‘s Colombian vision and Cherien Dabis‘ Palestinian perspective prove that international storytelling now commands the cultural conversation. Rotten Tomatoes‘ Official Rankings place both films in its exclusive Certified Fresh top tier. March 2026 becomes the month cinema decided: universal critical acclaim belongs to filmmakers willing to transcend borders.
“All That’s Left of You is a sweeping multigenerational epic that captures the thematic breadth of great cinema while exploring what it means to endure generational trauma.”
— Rotten Tomatoes Critics Consensus, Officials
The Future of International Cinema Starts Now
Both films expand to more theaters through March 2026 and beyond. A Poet hits streaming services and digital platforms simultaneously, making it accessible to audiences beyond Select Release cities. All That’s Left of You continues rolling out across regional markets, having already secured international distribution. Industry observers expect both to capture major festival awards at upcoming spring cinema celebrations.
These perfect scores matter beyond accolades. They signal to studios, streamers, and investors that audiences hunger for international voices and authentic storytelling. March 2026 becomes a watershed moment where Colombian drama and Palestinian cinema proved they belong in the conversation with any major market release. The critical paths of A Poet and All That’s Left of You forecast how cinema itself will evolve toward greater global representation.
Where Can Film Lovers Watch These Perfect-Score Masterpieces?
Both films remain available in theatrical releases across the United States and expanding internationally. A Poet plays select theaters with plans to widen release through spring 2026, while All That’s Left of You continues broader theatrical circulation. Check major ticketing platforms for showtimes and streaming availability. International audiences should consult local cinema schedules for release dates and language availability. These 100% Rotten Tomatoes achievements deserve the big screen experience both directors envisioned.
Sources
- Rotten Tomatoes – Official Tomatometer scores and Critics Consensus for both films
- The New York Times – Critical analysis and reviews of A Poet’s artistic achievement
- Watermelon Pictures – Official distribution and production information for All That’s Left of You
Give your feedback
★★★★★
Be the first to rate this post
or leave a detailed review
-
Detroit, MI1 week agoDrummer Brian Pastoria, longtime Detroit music advocate, dies at 68
-
Movie Reviews1 week ago‘Youth’ Twitter review: Ken Karunaas impresses audiences; Suraj Venjaramoodu adds charm; music wins praise | – The Times of India
-
Sports7 days agoIOC addresses execution of 19-year-old Iranian wrestler Saleh Mohammadi
-
New Mexico5 days agoClovis shooting leaves one dead, four injured
-
Business1 week agoDisney’s new CEO says his focus is on storytelling and creativity
-
Tennessee5 days agoTennessee Police Investigating Alleged Assault Involving ‘Reacher’ Star Alan Ritchson
-
Technology6 days agoYouTube job scam text: How to spot it fast
-
Texas1 week agoHow to buy Houston vs. Texas A&M 2026 March Madness tickets