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‘Bridget Jones: Mad About the Boy’ movie review: Renée Zellweger returns as our favourite singleton in a film that’s strictly for fans

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‘Bridget Jones: Mad About the Boy’ movie review: Renée Zellweger returns as our favourite singleton in a film that’s strictly for fans

Renée Zellweger in a scene from ‘Bridget Jones: Mad About the Boy’
| Photo Credit: JAY MAIDMENT

One thing Bridget Jones: Mad About the Boy, taught me was that some clothes were indestructible. Bridget’s (Renée Zellweger) closet still has the red, printed pyjamas, the see-through top and granny underwear from the first movie, Bridget Jones’s Diary (2001). You could say yay for Bridget’s environmental consciousness while wondering about hygiene.

Though director Michael Morris and Zellweger said they have carefully introduced the callbacks to the earlier movie so that it appears organic to the story, that does not seem to be the case. Scenes and bits of dialogue and characters have been bunged in willy-nilly, usually dragging one out of the movie.

Bridget Jones: Mad About the Boy (English)

Director: Michael Morris

Cast: Renée Zellweger, Chiwetel Ejiofor, Leo Woodall, Colin Firth, Hugh Grant

Runtime: 125 minutes

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Storyline: Four years after Mark Darcy’s death, Bridget plunges once more into the world of dating

Among all these hit-and-miss callbacks, is one that is hugely welcome — Bridget’s former boss and lover, the roguishly charming Daniel Cleaver (Hugh Grant). The movie starts with Daniel listening to a beauteous Geminita (Elena Rivers) spouting rather alarming poetry when Bridget calls. His conversation on the phone while explaining to the disapproving crowd that it is his mum on the line, is hilarious and undiluted Daniel. 

It is four years since the death of her beloved husband, human rights lawyer, Mark Darcy (Colin Firth) in Sudan. Bridget is now a 50-something single mother with two children, Billy (Casper Knopf) and Mabel (Mila Jankovic). Bridget is encouraged by her family and friends, including Shazzer (Sally Phillips), Jude (Shirley Henderson) and Tom (James Callis) to start dating again. Daniel is now a family friend called upon to babysit Billy and Mabel.

Bridget’s adventures in dating in the time of dating apps are mildly amusing and being a single parent in the face of terrifyingly efficient tiger mums is somewhat amusing. This time around the beautiful toy boy Roxster (Leo Woodall) and the gruff science teacher Mr. Wallaker (Chiwetel Ejiofor) form the two sides of Bridget’s love triangle. There is a Christmas concert, a heartfelt song, camping and conversations over blue drinks with friends.

Hugh Grant, left, and Renée Zellweger in a scene from ‘Bridget Jones: Mad About the Boy’

Hugh Grant, left, and Renée Zellweger in a scene from ‘Bridget Jones: Mad About the Boy’
| Photo Credit:
UNIVERSAL PICTURES

Bridget suffers a double dose of grief as her father, Colin (Jim Broadbent) is no more. Her mum, Pamela (Gemma Jones) lives in a care home with her best friend, Una (Celia Imrie) and still calls Bridget at inopportune moments. Bridget returns to work at the television studio where her former boss, Richard Finch (Neil Pearson) makes her feel welcome.

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Based on Helen Fielding’s 2013 novel of the same name, Bridget Jones: Mad About the Boy does not have the warmth, wit, energy or singular vocabulary of the first movie. All the cast seems just that one beat out of step, which ends up in a disjointed movie experience. Nothing, including Wallaker’s switch from grumpy science teacher to hopeless romantic, feels organic. And just in case one did not get all the callbacks, the end credits feature stills from the first movie. It is only the scenes with Grant’s Daniel that sparkle, and those are the ones that help us overlook the shortcomings of the rest of the movie.

Bridget Jones: Mad About the Boy is currently running in theatres

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Movie Reviews

It’s Not My Film review – relationship-crisis movie takes the long road through the Baltics

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It’s Not My Film review – relationship-crisis movie takes the long road through the Baltics

The endgame of a relationship – or maybe the crisis from which the relationship will emerge reinvigorated – is the subject of this likable, low-key two-hander from Polish film-maker Maria Zbaska. A couple is in crisis; one half is musician Zofia Chabiera who is making her confident acting debut as Wanda, bored and aimless, feeling those first intimations of mortality as people in their late 30s tend to; her unused and thwarted passion is beginning to curdle within her.

Wanda is in a stagnant relationship with Jan, played by Marcin Sztabinski, a heavy-set guy who maybe wasn’t quite as heavy-set when they first got together; he runs a bike repair shop, a situation to which he has dwindled having once dreamed of biking around the world. Wanda is irritated beyond endurance at the way Jan does nothing but doom scroll. (Rather shrewdly, she points out that people who spend their time knitting at least have a scarf to show for it.)

But it is Jan who has had the imagination to dream up a plan to challenge them both: they will hike along the remote and icy Baltic coastline, sleeping in a tent and generally braving the terrible cold. If they stay the course, they will stay together – but if either loses heart and leaves the sandy shore, then they are finished as a couple.

Well, perhaps there are no prizes for guessing whether they have cathartic rows and revelations and quirky serendipitous encounters with unusual people along the way. But the relationship between Jan and Wanda looks very real as they trudge along the vast and freezing seascape, like an ice-cold version of David Lean’s desert. And what does it all add up to? Perhaps not all that much: but it’s a charming and plausible relationship drama featuring people who look as if they might actually be in a relationship.

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It’s Not My Film is at Hull Independent Cinema on 20 March, then tours, as part of the Kinoteka Polish film festival, and on Klassiki from 21 March

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Ponman Movie Telugu Review And Rating, OTT Movie Review

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Ponman Movie Telugu Review And Rating, OTT Movie Review
Movie Name : Ponman

Release Date : 14 March, 2025
123telugu.com Rating : 3/5
Starring : Basil Joseph, Sajin Gopu, Lijomol Jose ,Deepak Parambol, Anand Manmadhan, Sandhya Rajendran, Rajesh Sharma, Kiran Peethambaran, Reju Sivadas, Jaya Kurupp, Midhun Venugopal, Thankam Mohan, Shylaja P Ambu
Director : Jothish Shankar
Producer : Vinayaka Ajith
Music Director : Justin Varghese
Cinematographer : Sanu John Varghese
Editor : Nidhin Raj Arol
Related Links : Trailer

Ponman, the latest Malayalam film starring Basil Joseph, has made its way to OTT and is now available in Telugu as well. Here’s our take on this dark comedy-drama.

Story:

PP Ajesh (Basil Joseph) has an unusual profession – he lends gold to families in need during weddings, helping them meet societal expectations. When he lends 25 sovereigns of gold to Steffi (Lijomol Jose), he expects an equivalent amount of money to be paid the day after the wedding. However, she refuses and moves to Kollam, her ruthless husband Mariyano’s (Sajin Gopu) hometown. Determined to reclaim what is rightfully his, Ajesh embarks on a risky journey. What challenges does he face? Why did he choose such a precarious profession? Was Mariyano aware of the deal? How does Steffi respond? The film unravels these answers intriguingly.

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Plus Points:

Basil Joseph once again proves his knack for picking unique roles. Venturing into dark comedy with a socially relevant backdrop adds an interesting dimension to the film. His performance is compelling, effortlessly balancing humour and emotion.

Sajin Gopu delivers a powerful act as Mariyano, embodying an unpredictable and ruthless character. After making an impression in Aavesham, he surprises with a completely different persona, keeping the audience engaged.

Lijomol Jose makes a mark despite her limited screen presence, portraying Steffi with conviction. The supporting cast, including Anand Manmadhan and Sandhya Rajendran, adds depth to the narrative. The comedy woven into serious moments is a strong highlight of the film.

Minus Points:

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While the first half lays a strong foundation, the second half falters in pacing, making the film feel sluggish. The writing loses its grip, leading to sequences that lack the intended impact.

Basil Joseph delivers a solid act, but given his track record in comedic roles, audiences might find it difficult to accept him in a serious setting. The character could have been better suited to an actor with a more intense screen presence.

Certain characters, especially Anand Manmadhan’s, start off well but eventually fade into the background. A more defined character arc would have enhanced their impact on the story.

The climax, which should have been a high point, instead feels abrupt and underwhelming. The final confrontation lacks intensity, and the resolution could have been more gripping.

Technical Aspects:

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Director Jothish Shankar presents a decent effort, but a more refined screenplay and stronger character development could have elevated the film. Justin Varghese’s music is functional but doesn’t leave a lasting impression. Sanu John Varghese’s cinematography effectively captures the film’s setting, while Nidhin Raj Arol’s editing could have been sharper to maintain a tighter narrative. The production values are decent.

Verdict:

On the whole, Ponman presents a decent premise with a mix of dark comedy and social commentary. While Basil Joseph delivers a commendable performance, the film is weighed down by a slow second half, underdeveloped characters, and an abrupt climax. Despite its flaws, it offers a few engaging moments, making it a passable one-time watch for those who enjoy offbeat dramas.

123telugu.com Rating: 3/5

Reviewed by 123telugu Team 

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Be Happy movie review: Abhishek is ‘extraordinary’, says Amitabh Bachchan; check what others are saying | Mint

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Be Happy movie review: Abhishek is ‘extraordinary’, says Amitabh Bachchan; check what others are saying | Mint

Amitabh Bachchan calls Be Happy, Abhishek Bachchan’s latest movie, “extraordinary”. The dance-drama, directed by Remo D’Souza, premiered on Amazon Prime Video on March 14.

“…what an honour for you Abhishek .. proud of you .. and today saw BE HAPPY .. such an extraordinary performance .. love you,” Big B wrote on Twitter (now X).

As a father, Amitabh Bachchan loved his son’s performance in the movie. But, what about others? Let’s find out.

“BE HAPPY is truly an amazing film! I watched it today with my Maa, and it was such a heart-touching experience. Incredible performances—more power to Jr. Bachchan!” wrote one social media user.

“it’s a gripping movie, Brilliant performance by Abhishek,” wrote another user.

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“Just watched ‘Be Happy’ and I’m still reeling from Abhishek Sir’s incredible performance.. Abhishek Sir! You’re one of the most talented actors of our time. Your acting is always top-notch, but this performance was something special. Keep shining, AB!” came from another user.

“A tender, heartwarming portrayal of a father-daughter bond. His quiet, nuanced, and emotionally guarded role as a single parent really suited him,” reacted one user.

Be Happy movie reviews

“The script gets something right in the father-daughter bond but doesn’t excavate the depth and complexities of single parenting, grief and trauma. In focusing on the drama, D’Souza takes his eye off his core competence—dance,” Udita Jhunjhunwala wrote on Livemint.

“A direct-to-OTT release is a smart choice, freeing it from box office pressures and allowing viewers to discover it on their own time. Despite its flaws, Be Happy leaves you with a smile,” Rishabh Suri wrote on Hindustan Times.

“Abhishek Bachchan literally shines as the struggling single father…But even his honest and sincere effort cannot save this ship that starts sinking in the second half!” wrote Trisha Gaur on Koimoi while calling actress Inayat Verma a “show-stealer”.

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“Verma is a sparkler, lighting up the screen. And Bachchan, who did such a solid job being a dad-to-a-daughter in ‘I Want To Talk’, comes off more stolid here,” commented Shubhra Gupta on Indian Express.

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