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‘Dìdi’ movie review: Sean Wang’s snapshot of 2008 teenage life is intimate and effective

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‘Dìdi’ movie review: Sean Wang’s snapshot of 2008 teenage life is intimate and effective

A still from ‘Dìdi’
| Photo Credit: Focus Features/YouTube

It is the stuff of horrors, mostly, to look back at your teenage years. Not just reminisce over the carefree days but really look at the awkward growing pains. Sean Wang’s semi-autobiographical film Dìdi is a similarly unflinching and jarringly specific teenage snapshot capturing the final years of the aughts.

Set in 2008 Fremont, California — a city defined by its proximity to Silicon Valley — Dìdi is quick and eager to throw us into the deep end of early social media. 14-year-old Chris Wang (Izaac Wang) rapidly switches from one tab to the next on his computer as he pores through YouTube videos and replies to messages on AOL. Later, we see him in his basement, through the hazy lens of a camcorder, recording amateur skateboarding tricks. Sean Wang directs his film within the vast confines of the burgeoning internet age, as Chris and his friends “poke” each other on Facebook and learn about their crushes’ interests through Myspace pages.

In his script Sean Wang, whose documentary short Nǎi Nai & Wài Pó was nominated at the 96th Academy Awards, balances the universality of a life marked by social media with the unique circumstances faced by a Taiwanese-American teenager. Chris steals his sister’s band T-shirts to impress his crush, sneaks out to a party and then samples a cigarette to fit in with his older friends. When around his friends, he is boisterous, careless, and a menace. At home, Chris is weighed down by the absence of his father, while he deals with his grandmother (Chang Li Hua), and a quiet but concerned mother (Joan Chen). At home, he is not the Wang-Wang who carries a dead squirrel in the backpack to show his friends, but instead “dìdi” as his mother and grandmother call him, which translates to “little brother” in Mandarin.

Dìdi (Mandarin, English)

Director: Sean Wang

Cast: Izaac Wang, Joan Chen, Shirley Chen, and others

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Run-time: 91 minutes

Storyline: In this coming-of-age set in 2008, a Taiwanese-American teenager juggles his life with friends and his life at home.

Wang punctuates the eruptions in teenage boys with quiet inward contemplations. When Chris sees his mother using a knife and fork at McDonald’s, he chides her by saying, “You’re so Asian”. Later in the film, we see him leave behind his school friends to go film skateboarding tricks with some older kids, to whom he lies and claims that he is only “half-Asian”. The script, which at times may feel like Sean Wang has filled in with his own personal diary entries, doesn’t concern itself with picking through Chris’ individual problems. To him, all this seems like a jumbled mess that he can’t make sense of. So, when the script in a similar fashion is seamless in its chaos, Dìdi emerges to be a standout coming-of-age film.

The film is underscored by Izaac Wang and Joan Chen’s performance who take turns to individually anchor the script’s pathos. Joan Chen plays Chungsing Wang, a reserved painter, as a caring but cheeky mom, whose scenes with Chris embody a range of emotions.

In Dìdi, Sean Wang pulls from his memory, and from the public memory, the experience of being a teenager in 2008. It is a tightly shot, intimate, yet sweeping affair that conjures personal memories.

Dìdi is available for streaming on JioCinema

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Movie Reviews

Primate

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Primate
Every horror fan deserves the occasional (decent) fix, andin the midst of one of the bleakest movie months of the year, Primatedelivers. There’s nothing terribly original about Johannes Roberts’ rabidchimpanzee tale, but that’s kind of the …
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Movie Reviews

1986 Movie Reviews – Black Moon Rising | The Nerdy

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1986 Movie Reviews – Black Moon Rising | The Nerdy
by Sean P. Aune | January 10, 2026January 10, 2026 10:30 am EST

Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.

We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.

Yes, we’re insane, but 1986 was that great of a year for film.

The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.

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This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.

Black Moon Rising

What was the obsession in the 1980s with super vehicles?

Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.

Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.

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The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.

1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.


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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

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‘Song Sung Blue’ movie review: Hugh Jackman and Kate Hudson sing their hearts out in a lovely musical biopic

A still from ‘Song Sung Blue’.
| Photo Credit: Focus Features/YouTube

There is something unputdownable about Mike Sardina (Hugh Jackman) from the first moment one sees him at an Alcoholics Anonymous meeting celebrating his 20th sober birthday. He encourages the group to sing the famous Neil Diamond number, ‘Song Sung Blue,’ with him, and we are carried along on a wave of his enthusiasm.

Song Sung Blue (English)

Director: Craig Brewer

Cast: Hugh Jackman, Kate Hudson, Michael Imperioli, Ella Anderson, Mustafa Shakir, Fisher Stevens, Jim Belushi

Runtime: 132 minutes

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Storyline: Mike and Claire find and rescue each other from the slings and arrows of mediocrity when they form a Neil Diamond tribute band

We learn that Mike is a music impersonator who refuses to come on stage as anyone but himself, Lightning, at the Wisconsin State Fair. At the fair, he meets Claire (Kate Hudson), who is performing as Patsy Cline. Sparks fly between the two, and Claire suggests Mike perform a Neil Diamond tribute.

Claire and Mike start a relationship and a Neil Diamond tribute band, called Lightning and Thunder. They marry and after some initial hesitation, Claire’s children from her first marriage, Rachel (Ella Anderson) and Dayna (Hudson Hensley), and Mike’s daughter from an earlier marriage, Angelina (King Princess), become friends. 

Members from Mike’s old band join the group, including Mark Shurilla (Michael Imperioli), a Buddy Holly impersonator and Sex Machine (Mustafa Shakir), who sings as James Brown. His dentist/manager, Dave Watson (Fisher Stevens), believes in him, even fixing his tooth with a little lightning bolt!

The tribute band meets with success, including opening for Pearl Jam, with the front man for the grunge band, Eddie Vedder (John Beckwith), joining Lightning and Thunder for a rendition of ‘Forever in Blue Jeans’ at the 1995 Pearl Jam concert in Milwaukee.

There is heartbreak, anger, addiction, and the rise again before the final tragedy. Song Sung Blue, based on Greg Kohs’ eponymous documentary, is a gentle look into a musician’s life. When Mike says, “I’m not a songwriter. I’m not a sex symbol. But I am an entertainer,” he shows that dreams do not have to die. Mike and Claire reveal that even if you do not conquer the world like a rock god, you can achieve success doing what makes you happy.

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ALSO READ: ‘Run Away’ series review: Perfect pulp to kick off the New Year

Song Sung Blue is a validation for all the regular folk with modest dreams, but dreams nevertheless. As the poet said, “there’s no success like failure, and failure’s no success at all.” Hudson and Jackman power through the songs and tears like champs, leaving us laughing, tapping our feet, and wiping away the errant tears all at once.

The period detail is spot on (never mind the distracting wigs). The chance to hear a generous catalogue of Diamond’s music in arena-quality sound is not to be missed, in a movie that offers a satisfying catharsis. Music is most definitely the food of love, so may we all please have a second and third helping?

Song Sung Blue is currently running in theatres 

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