Connect with us

Entertainment

Kamala Harris to appear on 'The Late Show With Stephen Colbert,' 'Call Her Daddy' and 'Howard Stern'

Published

on

Kamala Harris to appear on 'The Late Show With Stephen Colbert,' 'Call Her Daddy' and 'Howard Stern'

As she heads into the final stretch of the presidential campaign, Vice President Kamala Harris will make a flurry of media appearances this week.

On Tuesday, she will visit “The Late Show With Stephen Colbert,” marking her first late-night appearance since President Biden dropped out of the race and she secured the Democratic nomination.

It will be her seventh overall visit to “The Late Show” and is one of many interviews she will be giving this week in both traditional and more unconventional forums.

Harris also recently sat down with the hugely popular podcaster Alex Cooper for an episode of “Call Her Daddy,” which is expected to be released Sunday. Topics of the conversation are said to include reproductive rights and other issues important to women voters, according to the Washington Post. The show has gained a vast following, particularly with young women drawn to Cooper’s take on sex, dating and relationships, but it also tackles current events and features interviews with people in the news.

On Monday, Harris will also appear on “60 Minutes,” broadcast TV’s most-watched news program, along with her running mate, Minnesota Gov. Tim Walz. They will speak to correspondent Bill Whitaker from the campaign trail for a special episode of the CBS news magazine. According to CBS, Her Republican rival, Donald Trump, and his running mate, Ohio Sen. JD Vance, initially accepted an invitation to speak with Scott Pelley in the “60 Minutes” special but then backed out last week.

Advertisement

On Tuesday, Harris will also appear live on “The View” on ABC and will visit “The Howard Stern Show.” She will also take part in a town hall for Univision on Thursday.

Walz, meanwhile, will visit “Jimmy Kimmel Live” on Monday.

Former President Obama was known for making frequent late-night appearances and for trying to reach younger voters through unusual channels — once making the case for the Affordable Care Act on the spoof web series “Between Two Ferns.”

Both Harris and Trump have increasingly sought to mobilize specific voting blocs through targeted appearances on podcasts and social media platforms, rather than traditional journalistic outlets. Last week Harris appeared on “All the Smoke,” a podcast hosted by retired NBA players Matt Barnes and Stephen Jackson. Trump has focused on influencers popular with young men, including Adin Ross.

Advertisement

Continue Reading
Advertisement
Click to comment

Leave a Reply

Your email address will not be published. Required fields are marked *

This site uses Akismet to reduce spam. Learn how your comment data is processed.

Movie Reviews

Film Review: Psychosis is an absurd Aussie experiment that defies categorization – The AU Review

Published

on

Film Review: Psychosis is an absurd Aussie experiment that defies categorization – The AU Review

A film like Psychosis is a difficult one to review.  Whilst there’s never a shortage of features that prove wildly divisive (the Joker sequel says hello), Pirie Martin‘s ambitious debut defies categorization as it blends technique and genre, submitting to an extreme eccentricity that, as off-putting it may be to some, is difficult to not be impressed by.

An Australian experiment of sorts, this no-budget, square aspect-ratioed, black-and-white absurdist mystery is a noirish nightmare – complete with BBC-like narrator – about a criminal fixer, Cliff Van Aarle (Derryn Amoroso), who, thanks to a psychological condition, has a multitude of voices in his head fighting for prominence as he goes about cleaning up the many criminal world messes he’s assigned to.

A difficult film to follow (perhaps intentionally so), Psychosis adds even more obscure flames to its fire by introducing the notion of potential zombies, which a duo of amateur drug dealers claim they were attacked by; this ultimately explained by the fact that a drug lord is doping up his lackeys to the point of near-hypnosis.  With the voices continually conversing in Cliff’s head, as well as the constant narration, Psychosis does run the risk of being over-explained to the point that any of the film’s intended mystery is underwhelming, but such is the charm of Martin’s clear love of all the genres this film touches on, the surreal flourishes of it all become oddly enamoring.

Not unlike what Rian Johnson accomplished with Brick, mixed with another of this year’s black-and-white farcicalities, Hundreds of Beavers, it’s the pure cheek of Martin that pushes Psychosis past the point of audience detachment.  It can’t be stressed enough that this film has been made with a very specific target viewership in mind, and it’s mainly earning points here for the sheer fact that Martin had the gall to create such a film that takes glee in pushing against the usual grain.

Advertisement

It can’t always escape its amateurish mentality, but Psychosis‘ retro-midnight-movie-madness personality will indeed win it the attention and respect it deserves from the type of audience who find glory in the gonzo.

TWO AND A HALF STARS (OUT OF FIVE)

Psychosis is now available to rent and/or buy digitally through Prime Video in Australia.  It’s now available on Tubi in the United States.



Peter Gray

Seasoned film critic. Gives a great interview. Penchant for horror. Unashamed fan of Michelle Pfeiffer and Jason Momoa.

Advertisement
Continue Reading

Movie Reviews

V/H/S/Beyond (2024) – Movie Review

Published

on

V/H/S/Beyond (2024) – Movie Review

V/H/S/Beyond, 2024.

Directed by Jay Cheel, Jordan Downey, Christian Long and Justin Long, Justin Martinez, Virat Pal, Kate Siegel.
Starring Trevor Dow, Jolene Anderson, Namrata Sheth, Skip Howland, Libby Letlow, Alanah Pearce.

SYNOPSIS:

Six tales directed and created by different filmmakers make up a sci-fi horror-inspired collection of short films.

Advertisement

The V/H/S/ series has been going for a heck of a long time (since 2012, in fact) and has covered seven films and two spin-off releases as well as a Snapchat-based miniseries of shorts. This latest release from the hardy portmanteau series of chillers has a space horror inspiration. That is, there’s a kind of sci-fi monster sheen to the chaotic goings on.

Ever since the first release, the V/H/S/ team have done a good job in sourcing talent to write and direct the various chapters in the stories, which often have a found footage style about them – hence the V/H/S/ tapes that give the series its title. It is also telling of a love of retro horror that has been in full force for even longer that this series.

As with all the V/H/S/ releases, and portmanteau film in general, this release is a mixed collection. The framing story Abduction/Adduction is presented as a documentary. It also purports to let the audience in on the tricks and effects scammers use. Unfortunately the mocumentary gets it almost too right, and we are left in not part curly exciting cable TV ‘the truth about aliens’ territory.

Next up is ‘Stork’ that plays around with a video-game first person shooter style to some effect, It grates after a while, and it could have been half the length. Perhaps chopped in half, with the admittedly entertaining chainsaw section. The monster is quite a sight too, it’s true, a freaky bird/ant-eater thing. But really, this is just carnage and effects.

Next is the best of the bunch to my mind. Virat Pal’s Dream Girl takes us to Mumbai, where a Bollywood leading lady is rumoured to be a witch. A journalist gets more than he bargained for when trying to uncover the truth. The entertaining song and dance sequences effectively parody Indian film’s hugely popular musical segments, while the catchy lyrics offer clues to the star’s true nature.

Advertisement

Next on the roll call after another interlude – that details the importance of Whitley Streiber’s book Communion, turned into a super-weird and brilliant late 1980s film starring Christopher Walken – is Live and Let Dive. Basically its a sky dive where the divers are intercepted by a UFO. Those that manage to land have to try and stay alive again in the face of gribbly aliens rampaging. It sounds more fun than it is.

Next is another good one, the excellent Misery tinged Fur Babies. Libby Letlow channels Kathy Bates in a bleakly funny effort directed by the Long brothers. Two animal rights protestors go undercover to try and discover the truth about Letlow’s business of ‘Doggy Dreamhouse’, which offers grotesque taxidermy which goes from grim to worse.

The last film follows a UFO enthusiast looking for aliens in the Mojave desert played by Alanah Pierce, bringing frazzled belief to the performance. Unfortunately, the story takes ages to get going and when it does it just fizzles out a bit.

Overall, then it’s a familiar picture from V/H/S/. Fans of different styles will have their favourites. Overall, though, it’s an above-average collection in my view and tries out a few new things in the process.

Flickering Myth Rating – Film: ★ ★ Movie: ★ ★ ★

Advertisement

Robert W Monk

https://www.youtube.com/watch?v=embed/playlist

 

Continue Reading

Entertainment

Madonna's brother, artist Christopher Ciccone, dies at 63

Published

on

Madonna's brother, artist Christopher Ciccone, dies at 63

Christopher Ciccone, an artist and interior decorator who worked closely with his older sister, Madonna, during her rise to global superstardom in the ’80s and ’90s, died Friday. He was 63. The cause of death was cancer.

According to a statement from his family, Ciccone died peacefully, surrounded by his loved ones, including his husband, British actor Ray Thacker.

On Instagram Sunday, Madonna paid tribute to her brother with a post that celebrated their close bond and acknowledged the sometimes turbulent nature of their relationship.

“He was the closest human to me for so long,” wrote the pop star. “It’s hard to describe our bond. But it grew out of an understanding that we were different and society was going to give us a hard time for not following the status quo. We took each other’s hands and we danced through the madness of our childhood.”

Advertisement

Ciccone was the fifth child and third son born to Silvio and Madonna Ciccone and was raised in Rochester, Mich., where both his personal and creative identities bloomed to reveal an expansively artistic soul,” according to his family.

After studying dance in college, he moved in 1982 to New York where Madonna, two years his senior, was already making a name for herself in the downtown art and music scene. He was a backup dancer in the video for her single, “Lucky Star,” and played an important role behind the scenes on her blockbuster tours.

Ciccone started as a dresser, helping Madonna make quick costume changes between numbers, but he worked his way up to serving as art director of the provocative Blonde Ambition tour in 1990, chronicled in the documentary “Truth or Dare.” He was also the tour director on the Girlie Show tour in 1993. Ciccone decorated several of Madonna’s homes and pivoted to a career as an interior designer. He was one of several gay men who had a formative influence on Madonna’s aesthetic and pop persona.

The siblings’ relationship cooled sometime in the late ‘90s. Ciccone published a memoir, “Life With My Sister Madonna,” in 2008, in which he claimed that their relationship was strained over creative and financial differences and because of her marriage to British filmmaker, Guy Ritchie. But by 2012, Ciccone said he was back on good terms with his sister.

In more recent years, he’d moved back to Michigan, where his family operates a vineyard, and continued to work as a painter and interior designer.

Advertisement

Ciccone’s death arrives just two weeks after his stepmother, Joan Ciccone, died of cancer. His older brother, Anthony, died last year. His mother died of breast cancer shortly after his birth in 1963.

Ciccone is survived by his sister Madonna, husband Ray Thacker and father Silvio Ciccone.

Continue Reading

Trending