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Lizzo denies sexual harassment allegations from ex-dancers: 'I did nothing wrong'

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Lizzo denies sexual harassment allegations from ex-dancers: 'I did nothing wrong'

Lizzo is getting frank about how a landmark year in her career has turned into one of its most fraught.

The “About Damn Time” hitmaker was fresh off of her first arena run last summer when three of her former touring dancers filed a sweeping harassment lawsuit against her, her touring company and her dance captain. A month later, fashion designer Asha Daniels, who worked on costumes for Lizzo’s tour dancers, filed a harassment and discrimination lawsuit of her own.

“I was literally living the dream,” Lizzo said Thursday on the “Baby, This is Keke Palmer” podcast — her first interview since the lawsuit news broke. Days later, she was “blindsided” by a slew of allegations she said “came literally out of nowhere.”

The four-time Grammy winner said she was “very hurt” because the dancers who filed the suit “were people that I gave opportunities to,” whom she “liked” and “respected.”

Lizzo said her legal team plans to fight until all claims against her are dismissed.

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In August 2023, dancers Arianna Davis, Crystal Williams and Noelle Rodriguez filed a complaint alleging they were the victims of a hostile work environment and several forms of harassment while employed by Lizzo.

“It’s really hard to believe that somebody that you almost think could do no wrong, did so much wrong,” Williams previously told The Times. “I felt the need to even come forward publicly because this is not only her that does things like this. This is normalized in the entertainment industry in general.”

Among the dancers’ allegations in the ongoing case is that the Yitty founder “pressured Plaintiffs and all her employees to attend outings where nudity and sexuality were a focal point,” according to their complaint. Citing specific anecdotes from burlesque club Crazy Horse Paris and Bananenbar Amsterdam, which calls itself an “erotic bar,” the dancers recalled going along with Lizzo’s invitations to engage with nude club dancers out of fear of losing their jobs.

Lizzo said Thursday that she had merely been enjoying nights out with her team members, with whom she typically maintains friendly relationships. Attending the outings wasn’t “mandatory,” she said, and everything that occurred at them was “consensual.”

“We met the dancers, we laughed, we talked,” she told Palmer about the night at Crazy Horse Paris. “There’s photos and videos of the three girls who are the ex-dancers, who are suing me, in a video with them smiling, having a great time. And we all went back to our hotels. And that is one of the claims of sexual harassment.”

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Lizzo said she used to struggle to understand why her music peers kept such distance from their crew, “but now I see why.”

“I think this experience taught me how to set those kinds of boundaries, not just to protect them, but to protect myself,” she said.

As for Davis’ claim that Lizzo body-shamed her and implied that her weight gain was a sign of her being “less committed” to her work, the “Truth Hurts” singer told Palmer, “Those words never came out of my mouth.”

“More things that just never happened,” according to Lizzo, include the singer “cracking her knuckles, balling her fists” and launching perceived threats after Rodriguez announced her resignation, as the dancer alleged in the lawsuit.

“This is the part of fame that you unknowingly sign up for,” Lizzo said. “People now will just believe anything bad about you.”

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The dancers’ attorney Ron Zambrano addressed Lizzo’s comments Thursday in a statement.

“There is an utter lack of awareness by Lizzo failing to see how these young women on her team who are just starting their careers would feel pressured to accept an invitation from their global celebrity boss who rarely hangs out with them,” Zambrano said.

“There is a power dynamic in the boss-employee context that Lizzo utterly fails to appreciate,” he continued. “We stand by the claims in the lawsuit and are prepared to prove everything in court with Lizzo on the stand under oath before a jury of her peers, not spouting nonsense and lies rationalizing a failure to take accountability on a podcast.”

Separately, Zambrano corrected Lizzo’s statement on the podcast that Daniels’ separate suit had been “dismissed.”

A federal judge earlier this month ruled that Daniels could not sue Lizzo as an individual, but the singer’s touring company remains a defendant in the case, BBC reported. The judge also dropped several claims pertaining to Daniels’ work for Lizzo in Europe, where U.S. labor laws do not apply.

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However, “The lawsuit is still very active and has not been dismissed,” Zambrano said in a statement published by People. “The ruling was not for lack of evidence, but rather on procedural jurisdictional grounds. It by no means absolves Lizzo of the egregious claims that occurred on her watch.”

A hearing in the dancers’ case is scheduled for Jan. 14.

Meanwhile, Lizzo told Palmer she remains someone who uplifts Black women and takes accountability when she makes mistakes.

“I still believe women. I still believe victims. Because this happened to me is not going to change that,” she said. “But people should not be able to just say anything about somebody and put it in the media and ask for money.”

The singer added that she’s been processing the events of the past year as she writes her new album, which has yet to be formally announced. “I’m putting everything in the art. I always have.”

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Times staff writers Alexandra Del Rosario, August Brown and Stacy Perman and former Times staff writer Carlos De Loera contributed to this report.

Movie Reviews

Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

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Movie Review: The Mortuary Assistant – HorrorFuel.com: Reviews, Ratings and Where to Watch the Best Horror Movies & TV Shows

Forget the “video game movie” curse; The Mortuary Assistant is a bone-chilling triumph that stands entirely on its own two feet. Starring Willa Holland (Arrow) as Rebecca Owens, the film follows a newly certified mortician whose “overtime shift” quickly devolves into a grueling battle for her soul.

What Makes It Work

The film expertly balances the stomach-churning procedural work of embalming with a spiraling demonic nightmare. Alongside a mysterious mentor played by Paul Sparks (Boardwalk Empire), Rebecca is forced to confront both ancient evils and her own buried traumas. And boy, does she have a lot of them.

Thanks to a full-scale, practical River Fields Mortuary set, the film drips with realism, like you can almost smell the rot and bloat of the bodies through the screen.

The skin effects are hauntingly accurate. The way the flesh moves during surgical scenes is so visceral. I’ve seen a lot of flesh wounds in horror films and in real life, and the bodies, skin, and organs. The Mortuary Assistant (especially in the opening scene) looks so real that I skipped supper after watching it. And that’s saying something. Your girl likes to eat.

Co-written by the game’s creator, Brian Clarke, the movie dives deeper into the demonic mythology. Whether you’ve seen every ending or don’t know a scalpel from a trocar, the story is perfectly self-contained. If you’ve never played the game, or played it a hundred times, the film works equally well, which is hard to do when it comes to game adaptations.

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Nailed It

This film does a lot of things right, but the isolation of the night shift is suffocating. Between the darkness of the hallways and the “residents” that refuse to stay still, the film delivers a relentlessly immersive experience. And thankfully, although this movie is filled with dark rooms and shadows, it’s easy to see every little thing. Don’t you hate it when a movie is so dark that you can’t see what’s happening? It’s one of my pet peeves.

The oh-so-awesome Jeremiah Kipp directs the film and has made something absolutely nightmare-inducing. Kipp recently joined us for an interview, took us inside the film, discussed its details and the game’s lore, and so much more. I urge you to check out our interview. He’s awesome!

The Verdict

This isn’t just a cash-grab; it’s a high-effort adaptation that respects the source material while elevating the horror genre. With incredible special effects and a powerhouse cast, it’s the kind of movie that will make you rethink working late ever again. Dropping on Friday the 13th, this is a must-watch for horror fans. It’s grisly, intelligent, and genuinely terrifying.

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

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Former Live Nation executive says he was fired after raising ‘financial misconduct’ concerns

A former executive at Live Nation, the world’s largest live entertainment company, is suing the company, alleging that he was wrongfully terminated after he raised concerns about alleged financial misconduct and improper accounting practices.

Nicholas Rumanes alleges he was “fraudulently induced” in 2022 to leave a lucrative position as head of strategic development at a real estate investment trust to create a new role as executive vice president of development and business practice at Beverly Hills-based Live Nation.

In his new position, Rumanes said, he raised “serious and legitimate alarm” over the the company’s business practices.

As a result, he says, he was “unlawfully terminated,” according to the lawsuit filed Thursday in Los Angeles County Superior Court.

“Rumanes was, simply put, promised one job and forced to accept another. And then he was cut loose for insisting on doing that lesser job with integrity and honesty,” according to the lawsuit.

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He is seeking $35 million in damages.

Representatives for Live Nation were not immediately available for comment.

The lawsuit comes a week after a federal jury in Manhattan found that Live Nation and its Ticketmaster subsidiary had operated a monopoly over major concert venues, controlling 86% of the concert market.

Rumanes’ lawsuit describes a “culture of deception” at Live Nation, saying its “basic business model was to misstate and exaggerate financial figures in efforts to solicit and secure business.”

Such practices “spanned a wide spectrum of projects in what appeared to be a company-wide pattern of financial misrepresentation and misleading disclosures,” the lawsuit states.

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Rumanes says he received materials and documents that showed that the company inflated projected revenues across multiple venue development projects.

Additionally, Rumanes contends that the company violated a federal law that requires independent financial auditing and transparency and instead ran Live Nation “through a centralized, opaque structure” that enables it to “bypass oversight and internal checks and balances.”

In 2010, as a condition of the Live Nation-Ticketmaster merger, the newly formed company agreed to a consent decree with the government that prohibited the firm from threatening venues to use Ticketmaster. In 2019 the Justice Department found that the company had repeatedly breached the agreement, and it extended the decree.

Rumanes contends that he brought his concerns to the attention of the company’s management, but his warnings were “repeatedly ignored.”

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Movie Reviews

‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

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‘Madhuvidhu’ movie review: A light-hearted film that squanders a promising conflict

At the centre of Madhuvidhu directed by Vishnu Aravind is a house where only men reside, three generations of them living in harmony. Unlike the Anjooran household in Godfather, this is not a house where entry is banned to women, but just that women don’t choose to come here. For Amrithraj alias Ammu (Sharafudheen), the protagonist, 28 marriage proposals have already fallen through although he was not lacking in interest.

When a not-so-cordial first meeting with Sneha (Kalyani Panicker) inevitably turns into mutual attraction, things appear about to change. But some unexpected hiccups are waiting for them, their different religions being one of them. Writers Jai Vishnu and Bipin Mohan do not seem to have any major ambitions with Madhuvidhu, but they seem rather content to aim for the middle space of a feel-good entertainer. Only that they end up hitting further lower.

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