Culture
Mykhailo Mudryk doping test ‘a dagger to the heart of Ukrainian football’
It was only six months into Russia’s invasion of Ukraine when, on a balmy September evening in eastern Germany, I came across Mykhailo Mudryk shortly after midnight.
This was September 2022 and Mudryk was by then an emerging talent for the Ukrainian champions, Shakhtar Donetsk. He scored and was the team’s major attacking threat in a shock 4-1 victory for Shakhtar in the opening match of their Champions League campaign against German team RB Leipzig.
For Mudryk and his team-mates, the Champions League offered respite from the horrors of home. When Russian bombs landed in Ukraine in February 2022, many of Shakhtar’s foreign players took emergency refuge in a windowless room of a Kyiv hotel, before interventions from multiple national embassies, football federations and UEFA, the European football governing body, hatched an escape plan.
Shakhtar had, at that time, more than a dozen Brazilian players on their books, but many left for safer climes when the Ukrainian season ceased and did not return. Football did resume in Ukraine for the 2022-23 season and Shakhtar, who were first uprooted from their home in Donetsk in 2014 following Russian-backed incursions, were playing home matches in the relatively safer city of Lviv, in Ukraine’s west — though games were still frequently paused by air raid sirens.
Shakhtar’s squad was a shell of its former self, including only one player bought for more than £2million ($2.51m at current rates). This squad was largely comprised of young and inexperienced men. When they played against Real Madrid the following month, their starting team included 10 Ukrainian players, eight who had been produced by the club’s youth system and seven were aged 23 or below.
Mudryk, only 21, all of a sudden became the poster boy of a team whose indomitable spirit and improbable resistance appeared to encapsulate the Ukrainian struggle.
On that evening in Germany, The Athletic was embedded with the Ukrainian side to produce a documentary about their attempts to play on in the midst of war. I briefly spoke to Mudryk and his midfield team-mate and best friend Georgiy Sudakov as they headed out of their hotel in Leipzig in the early hours of the morning. Their heads were spinning after an unlikely victory, the adrenalin coursing through their veins. But, they explained, they also wanted to walk freely in the night, in a place where there were no shelters, no screams, no air raid sirens to force them rapidly underground, to remind themselves of normal life. For half an hour, they did that, before returning to their rooms.
At that point, Mudryk’s star was only just beginning to shine. He was raw, in the extreme, and had it not been for the untimely exodus of Brazilian players, it is unlikely he would have become risen to prominence so rapidly.
This was a player who only debuted for his national team in June 2022 yet by January 2023, following a handful of impressive performances in the Champions League, including against Real Madrid, Mudryk became the most expensive Ukrainian footballer in history. He signed for Premier League side Chelsea, who committed an initial £62m, plus £26.5m in potential additional payments dependent on his and Chelsea’s success.
This week’s news that Mudryk has tested positive for the banned substance meldonium is a dagger to the heart of Ukrainian football and leaves the player in a fight to salvage his career. The extent of the damage will hinge on the result of Mudryk’s ‘B’ sample, which is yet to be revealed, as the adverse finding relates to his ‘A’ sample, but he has been provisionally suspended by the English Football Association.
Ukraine’s Euro 2024 campaign turned into an emotional symbol of national pride (Andrzej Iwanczuk / NurPhoto via Getty Images)
Chelsea’s commitment to acquiring the player was significant, tying him to a seven-and-a-half-year contract, with the option of another year. Even in the middle of the invasion, Shakhtar managed to attract a bidding war, such was the interest. He had previously been pursued by Germany’s Bayer Leverkusen, as well as Newcastle United, Brentford and Everton in the Premier League, but it came down to a fight between Arsenal and Chelsea.
At the time, Shakhtar’s director of football Dario Srna told The Athletic: “If somebody wants to buy Mudryk, they must pay huge, huge, huge money. Otherwise the president of the club (Rinat Akhmetov) will not sell him. All the clubs must respect the president, respect Shakhtar and in the end they must respect Mykhaylo Mudryk, who is one of the best players I saw. The price is so big.”
Srna said he rated Mudryk as being only behind Kylian Mbappe and Vinicius Junior in his wide forward position and insisted big money would be required, considering Manchester United signed Antony from Ajax in a £86m deal and Jadon Sancho from Borussia Dortmund £73m, while Manchester City bought Jack Grealish for £100m.
Shakhtar, conscious of the power of sport in steering the narrative around the war, also announced upon completion of the transfer that their own owner, Rinat Akhmetov, would donate $25m to the war effort, to support in particular the defence of Mariupol and the families of those who have lost loved ones. The agreement with Chelsea also included a clause that said Shakhtar would play a future friendly against Chelsea in Donetsk, when and if that area of Ukraine is no longer occupied by Russian forces.
“It is written into the contract,” Sergei Palkin, the Shakhtar chief executive, told The Athletic in January 2023. “But actually, we did not even need to read it in the contract because Behdad Eghbali (the Chelsea co-owner) spoke with our president. Behdad supports Ukraine a lot because he is American and it is an English club, so this is a positive triangle. When you say England and Ukraine, it is important for our war support.
“It was Behdad who proposed (the friendly), because he said he wanted to help Ukraine, to help Ukrainian refugees and to support Ukrainian people. This match (in Donetsk) would be like a miracle (having not played in their home city since 2014). We would have this match every weekend if we could.”
When Mudryk was unveiled at Stamford Bridge, he did so wrapped in a flag of Ukraine. The player was born and raised in the city of Krasnohrad, close to Kharkiv, one of the most brutally hit areas of the country. “Since the the beginning of the full-scale war, my city has been bombarded with missiles day and night,” Mudryk said, speaking in a powerful video of 13 Ukrainian players talking about the impact of the war on their hometowns, released by the Ukrainian Football Association before the European Championship in the summer of 2024.
Mudryk (left) competes with Arsenal’s Martin Odegaard last month (Ryan Pierse / Getty Images)
He is a more reserved figure than his Ukrainian compatriot Oleksandr Zinchenko, who has been at the forefront of media initiatives to promote solidarity with Ukraine. He appears to be a devoutly religious figure, a follower of the orthodox Christian faith, who carries religious icons with him to games. On his chest, he has a tattoo that reads: “Dear god — if today I lose my hope, please remind me that your plans are better than my dreams”.
For his national team, the speaking has more often been done on the field, most notably when he scored the winner in a victory over Iceland to take his country to Euro 2024. Ukraine exited that tournament at the group stage and Mudryk did not score, although his nation went out only on goal difference with all four teams in Group E tied on four points after three games.
For club and country, he is yet to fulfil his potential. He has scored only five goals and recorded four assists in 53 Premier League appearances for Chelsea. This week’s sample revelation cast doubt on his ability to play at all, meldonium being a drug that previously saw the tennis star Maria Sharapova barred from competing.
GO DEEPER
Explaining Mudryk’s drugs ban: What is meldonium – and possible punishments
The adverse test was reported during a routine urine test, according to a Chelsea statement. The club added that Mudryk “has confirmed categorically that he has never knowingly used any banned substances”.
Writing on Instagram, Mudryk said the result “has come as a complete shock as I have never knowingly used any banned substances or broken any rules”.
He added: “I am working closely with my team to investigate how this could have happened.
“I know that I have not done anything wrong and remain hopeful that I will be back on the pitch soon. I cannot say any more now due to the confidentiality of the process, but I will as soon as I can.”
The English Football Association’s (FA) anti-doping regulations state that any breaches will be dealt with as strict liability violations. For example, a player will be found guilty of a violation if a prohibited substance is found in that player’s body. It is not necessary to demonstrate intent. A player’s alleged lack of intent or knowledge is not a valid defence to a charge.
A violation of the FA’s anti-doping regulations carries a maximum penalty of a four-year suspension, although mitigating factors can reduce that from anywhere from two years to just a month. The B sample will be key.
Shakhtar’s Georgiy Sudakov voiced support for his friend Mudryk (Christof Koepsel / Getty Images)
As Mudryk’s career hangs in the balance, the Ukrainian football establishment appears to be rallying behind him. Multiple sources in Ukraine, who remain anonymous because they did not have permission to speak, have indicated to The Athletic that the player suspects he may have been sabotaged while he was away with his country’s national team this season — a claim we have seen no evidence to support — but which is being taken seriously in his own country.
On Instagram, the Shakhtar midfielder Sudakov posted a message of support, urging his friend to “stay strong”.
The Shakhtar CEO Palkin, meanwhile, wrote that Mudryk is a “high-profile professional athlete”, adding that he has complete trust that the player “did not use any banned substance”.
Palkin said: “I am confident that he will prove his innocence.” Time will tell whether their faith is warranted.
(Top photo: Etsuo Hara/Getty Images; design: Dan Goldfarb)
Culture
Do You Recognize These Snappy Lines From Popular Crime Novels?
Welcome to Literary Quotable Quotes, a quiz that tests your recognition of classic lines. This week’s installment celebrates lines from popular crime novels. (As a hint, the correct books are all “firsts” in one category or another.) In the five multiple-choice questions below, tap or click on the answer you think is correct. After the last question, you’ll find links to the novels if you’re intrigued and inspired to read more.
Culture
Xia De-hong, 94, Dies; Persecuted in China, She Starred in Daughter’s Memoir
Xia De-hong, who survived persecution and torture as an official in Mao Zedong’s China and was later the central figure in her daughter’s best-selling 1991 memoir, “Wild Swans: Three Daughters of China,” died on April 15 in Chengdu, China. She was 94.
Ms. Xia’s death, in a hospital, was confirmed by her daughter Jung Chang.
Ms. Chang’s memoir, which was banned in China, was a groundbreaking, intimate account of the country’s turbulent 20th century and the iron grip of Mao’s Communist Party, told through the lives of three generations of women: herself, her mother and her grandmother. An epic of imprisonment, suffering and family loyalty, it sold over 15 million copies in 40 languages.
The story of Ms. Chang’s stoic mother holding the family together while battling on behalf of her husband, a functionary who was tortured and imprisoned during Mao’s regime, was the focus of “Wild Swans,” which emerged out of hours of recordings that Ms. Chang made when Ms. Xia visited her in London in 1988.
Ms. Xia was inspired as a teenager to become an ardent Communist revolutionary because of the mistreatment of women in the Republic of China, as well as the corruption of the Kuomintang nationalists in power. (Her own mother had been forced into concubinage at 15 by a powerful warlord.)
In 1947, in Ms. Xia’s home city of Jinzhou, the Communists were waging guerrilla war against the government. She joined the struggle by distributing pamphlets for Mao, rolling them up inside green peppers after they had been smuggled into the city in bundles of sorghum stalks.
Captured by the Kuomintang, she was forced to listen to “the screams of people being tortured in the rooms nearby,” her daughter later wrote. But that only stiffened her resolve.
She married Chang Shou-yu, an up-and-coming Communist civil servant and acolyte of Mao, in 1949.
It was then that disillusionment began to set in, according to her daughter. The newlyweds were ordered to travel a thousand miles to Sichuan, her husband’s home province. Because of Mr. Chang’s rank, he was allowed to ride in a jeep, but she had to walk, even though she was pregnant, and suffered a miscarriage as a result.
“She was vomiting all the time,” her daughter wrote. “Could he not let her travel in his jeep occasionally? He said he could not, because it would be taken as favoritism since my mother was not entitled to the car.”
That was the first of many times that her husband would insist she bow to the rigid dictates of the party, despite the immense suffering it caused.
When she was a party official in the mid-1950s, Ms. Xia was investigated for her “bourgeois” background and imprisoned for months. She received little support from Mr. Chang.
“As my mother was leaving for detention,” Ms. Chang wrote, “my father advised her: ‘Be completely honest with the party, and have complete trust in it. It will give you the right verdict.’ A wave of aversion swept over her.”
Upon her release in 1957, she told her husband, “You are a good Communist, but a rotten husband.” Mr. Chang could only nod in agreement.
He became one of the top officials in Sichuan, entitled to a life of privilege. But by the late 1960s, he had become outraged by the injustices of the Cultural Revolution, Mao’s blood-soaked purge, and was determined to register a formal complaint.
Ms. Xia was in despair; she knew what became of families who spoke out. “Why do you want to be a moth that throws itself into the fire?” she asked.
Mr. Chang’s career was over, and both he and his wife were subjected to physical abuse and imprisoned. Ms. Xia’s position was lower profile; she was in charge of resolving personal problems, such as housing, transfers and pensions, for people in her district. But that did not save her from brutal treatment.
Ms. Xia was made to kneel on broken glass; paraded through the streets of Chengdu wearing a dunce’s cap and a heavy placard with her name crossed out; and forced to bow to jeering crowds.
Still, she resisted pressure from the party to denounce her husband. And unlike many other women in her position, she refused to divorce him.
Twice she journeyed to Beijing to seek his release, the second time securing a meeting with the prime minister, Zhou Enlai, who was considered a moderate. Ms. Xia was “one of the very few spouses of victims who had the courage to go and appeal in Peking,” her daughter wrote in “Wild Swans.”
But Ms. Xia and her husband never criticized the Cultural Revolution in front of their children, checked by the party’s absolute power and the fear it inspired.
“My parents never said anything to me or my siblings,” Ms. Chang wrote. “The restraints which had kept them silent about politics before still prevented them from opening their minds to us.”
She was held at Xichiang prison camp from 1969 to 1971 as a “class enemy,” made to do heavy labor and endure denunciation meetings.
The camp, though less harsh than her husband’s, was a bitter experience. “She reflected with remorse on the pointlessness of her devotion,” her daughter wrote. “She found she missed her children with a pain which was almost unbearable.”
Xia De-hong was born on May 4, 1931, in Yixian, the daughter of Yang Yu-fang and Gen. Xue Zhi-heng, the inspector general of the metropolitan police in the nationalist government.
When she was an infant, her mother fled the house of the general, who was dying, and returned to her parents, eventually marrying a rich Manchurian doctor, Xia Rui-tang.
Ms. Xia grew up in Jinzhou, Manchuria, where she attended school before joining the Communist underground.
In the 1950s, when she began to have doubts about the Communist Party, she considered abandoning it and pursuing her dream of studying medicine, her daughter said. But the idea terrified her husband, Ms. Chang said in an interview, because it would have meant disavowing the Communists.
By the late 1950s, during the Mao-induced Great Famine that killed tens of millions, both of her parents had become “totally disillusioned,” Ms. Chang said, and “could no longer find excuses to forgive their party.”
Mr. Chang died in 1975, broken by years of imprisonment and ill treatment. Ms. Xia retired from her government service, as deputy head of the People’s Congress of the Eastern District of Chengdu, in 1983.
Besides Ms. Chang, Ms. Xia is survived by another daughter, Xiao-hong Chang; three sons, Jin-ming, Xiao-hei and Xiao-fang; and two grandchildren.
Jung Chang saw her mother for the last time in 2018. Ms. Chang’s criticism of the regime, in her memoir and a subsequent biography, made returning to China unthinkable. She told the BBC in a recent interview that she never knew whether her mother had read “Wild Swans.”
But the advice her mother gave her and her brother Xiao-hei, a journalist who also lives in London, was firm: “She only wanted us to write truthfully, and accurately.”
Culture
Why Is Everyone Obsessed With Bogs?
In prehistoric northern Europe, peatlands — areas of waterlogged soil rich with decaying plant matter — were considered spiritual sites. Since then, swords, jewelry and even human bodies have been found fossilized in their sludgy depths. More recently, however, many of these bogs have been depleted by overharvesting, neglect and development. But as awareness of their important role in removing carbon dioxide from the atmosphere grows, more wetlands are being restored, while also serving as unlikely creative inspiration. Here’s how bogs are showing up in the culture.
Fashion
At fall 2026 Paris Fashion Week, several houses — including Louis Vuitton (above left) and Hermès — staged shows amid mossy sets featuring spongy green structures and mounds of vegetation. And the Danish fashion brand Solitude Studios is distressing its eerie, grungy looks (above right) by submerging them in a local peat bog.
Contemporary Art
For her exhibition at California’s San José Museum of Art, on view through October, the Chalon Nation artist Christine Howard Sandoval is presenting sculptures, drawings and plant-dyed works (above) exploring how the state’s wetlands were once sites of Indigenous resistance and community. This month, at Storm King Art Center in New York’s Hudson Valley, the conceptual artist Anicka Yi will unveil an outdoor installation featuring six-foot-tall transparent columns holding algae-rich ecosystems cultivated from nearby pond water and soil.
Architecture and Design
The Bog Bothy (above), a mobile design project by the Dublin-based architecture practice 12th Field in collaboration with the Irish Architecture Foundation, was inspired by the makeshift huts once used by peat cutters who harvested the material for fuel. After debuting in the Irish Midlands last year, it’ll tour the region again this summer. In Edinburgh, the designer Oisín Gallagher is making doorstops from subfossilized bog-oak scraps carbon-dated to 3300 B.C.
Fine Dining
At La Grenouillère on France’s north coast, the chef Alexandre Gauthier reflects the restaurant’s reedy, frog-filled river valley landscape with dishes like a “marsh bubble” of herbs encased in hardened sugar. This spring, Aponiente — the chef Ángel León’s restaurant inside a 19th-century tidal mill on Spain’s Bay of Cádiz — added an outdoor dining area on a pier above the neighboring marshland, serving local sea grasses and salt marsh flowers alongside seafood (above) from the estuary.
Literature
The Irish British writer Maggie O’Farrell’s forthcoming novel, “Land,” about an Irish cartographer and his son surveying the island in 1865 after the Great Famine, depicts haunting encounters with the verdant landscape, including its plentiful oozing bogs.
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