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John Mulaney's 'Everybody's in L.A.': A guide to the hyperlocal references

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John Mulaney's 'Everybody's in L.A.': A guide to the hyperlocal references

John Mulaney, a Chicago native and former New Yorker, is a recent transplant to L.A. In his latest project with Netflix, “Everybody’s in L.A.,” the stand-up comedian explores the city he describes as a place that simultaneously “confuses and fascinates” him.

The show, which has a pseudo-late night format and features actor and comedian Richard Kind as the announcer, began May 3 as part of the Netflix Is a Joke Festival. It streamed live and ended Friday (all six episodes are available to watch). Mulaney also performed at the Hollywood Bowl on Saturday in one of the festival’s most anticipated shows.

The show calls on the aesthetics of a ’70s living room for its set, the sketch humor of “Saturday Night Live” and the production chaos of Netflix’s recent ventures into the livestreaming space. Mulaney enlists comedians in town for the festival and L.A.-based experts to “try to figure out just what the hell is going on here.”

John Mulaney in a scene from Episode 1 of “Everybody’s in L.A.”

(ADAM ROSE/Adam Rose/NETFLIX)

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With a number of topics specific to Southern California setting the tone and theme for each episode, some humor might be lost on the crowd of non-Angelenos tuning in. Here is a guide to some of the L.A. people, places and things discussed in each episode of “Everybody’s in L.A.”

Ongoing

Saymo delivery bot

A delivery robot rolling onstage.

The Saymo delivery bot has rolled through the show each night, bringing guests snacks and ginger ale.

(Adam Rose / Netflix)

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Based on the many food delivery robots that roll through the streets of L.A., Mulaney and company created the Saymo, perhaps a play on the Waymo self-driving cars that are permeating the city. The robot has appeared in each episode, providing snacks and beverages — ginger ale in particular (Mulaney: “It’s not just for sick”) — to guests on the show. Jon Stewart, who mentioned frequently that he is not from L.A. (“The Daily Show” host is from New Jersey), jumped up as the bot approached the stage in the second episode and called it a “rolling toilet” after remarking that he had never seen a robot like that before.

Episode 6

La Brea Tar Pits
Paleontologist Emily Lindsey, the associate curator and excavation site director of the La Brea Tar Pits, was one of Mulaney’s guests on Friday’s final episode. She described the pits as “the most important Ice Age fossil site in the world,” but tar pits is a misnomer — it’s actually asphalt that bubbles up through the site. That asphalt is what trapped many prehistoric animals, like saber-toothed cats, mammoths and giant sloths, whose excavated remains are now on display at the site’s museum. Located in Mid-City, the site is home to more than 100 pits where fossil excavations, which began in the early 1900s, continue to this day.

Mayor Karen Bass
The episode’s topic was the future of L.A., and the city’s leader called into the show to weigh in. Bass, the 43rd mayor of Los Angeles, said, “The future of L.A. is incredible.” Mulaney interjected, “Yeah, but you’re the mayor.” She didn’t give specific details about the city’s future, but instead emphasized its diverse culture and said L.A. was the “entertainment capital of the world.” Comedian Mike Birbiglia, a guest (and New Yorker, as Mulaney noted), asked the mayor if “we’re supposed to eat almonds or not,” which she replied by saying “we eat healthy.” Fellow comedian and guest Hannah Gadsby said she didn’t share the mayor’s optimism about L.A.: “From the outside, it doesn’t look like a healthy place.” Bass, however, was undeterred.

John Carpenter

John Carpenter holding up his hands as he sits next to John Mulaney.

John Carpenter, left, with John Mulaney in the final episode of “Everybody’s in L.A.”

(Adam Rose/Netflix)

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The renowned director and master of horror arrived midway through the episode, and he turned out to be L.A.’s biggest hype man. Carpenter spoke about arriving in Los Angeles from Kentucky to attend USC, explaining that he quickly fell for the city. “The weather, the people — L.A. for me was paradise. I’ve lived here ever since and I love it. Love every inch of it.” But what does he think the future holds for the city? Carpenter predicts Mexico will take over the city and then later the “long-awaited Doobie Brothers prophecy takes place: California breaks off into the sea.”

Episode 5

Earthquakes
The penultimate episode’s theme was to be expected — a show about life in L.A. wouldn’t be complete without discussing earthquakes. When Mulaney introduced the theme, the audience roared, to which he said, “Hey, don’t clap too hard, we’ll start one.” Mulaney then discussed the frequency of earthquakes in Southern California because of its location between the Pacific Plate and the North American Plate. He also noted that this year marked the 30th anniversary of the Northridge earthquake, which caused $40 billion in damage.

One of the prerecorded segments featured an interview with an L.A. woman whose home video showing her family during an earthquake — which captured her panicked husband running out of the shower naked — won a cash prize on “America’s Funniest Home Videos.”

Lucy Jones
Renowned seismologist Dr. Lucy Jones, who has been called the “Beyoncé of earthquakes,” joined the show to add some expertise . She told viewers that if they are in Los Angeles, they are within a few miles of an earthquake fault line. She answered questions from inquisitive fellow panelists and live callers. She also said the advice to stand in a door frame during an earthquake is dated guidance — she recommends getting under a hard surface like a desk or table. Jones also mentioned how the recent earthquake in New Jersey “ruined” her day because she had to make several TV appearances.

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Los Lobos

A rock band playing on a lighted stage.

Los Lobos perform on “Everybody’s in L.A.”

(Adam Rose / Netflix)

The Mexican American rock band was the evening’s musical guest, performing hit song “La Bamba.” The band originated in East Los Angeles in the 1970s and reached international fame in 1987 when their rendition of the song topped the charts, thanks to the Ritchie Valens biopic named after “La Bamba.” Founding band members David Hidalgo and Louie Perez met at Garfield High School in East L.A., where the group recently performed a concert commemorating the band’s 50th anniversary in November.

Episode 4

The Paranormal

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Cassandra Peterson laughs, seated on a brown leather couch

Cassandra Peterson, best known as Elvira, Mistress of the Dark, on Episode 4 of Netflix’s “Everybody’s in L.A.”

(Adam Rose/Netflix)

Mulaney promised the paranormal-themed fourth episode would be full of “a lot of spooky s—,” which is also a phrase he used to describe L.A. after saying that many people have reported paranormal experiences and haunted houses in the city. He then mentioned the large population of Angelenos who are into “amulets and candles and oils and incense.” After satirizing the horoscope-reading population, he said, “Sometimes the witchy s— gets so intense that they basically become Catholic.”

The spooky theme remained the focus of conversations with live callers and of the episode’s guests, including horror royalty Cassandra Peterson, better known as Elvira, Mistress of the Dark. Peterson described experiencing paranormal activity in her L.A. home many years ago, saying the situation became so dire she had to call in an exorcist.

Kerry Gaynor

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Kerry Gaynor and John Mulaney seated next to each other on a TV show's set.

Kerry Gaynor, left, helped John Mulaney to quit smoking.

(Ryan West / Netflix)

Over his 40-year career, Kerry Gaynor developed a method of hypnotherapy that has helped many people, including A-list celebrities, to quit smoking, drinking and using drugs, or kick other bad habits. Mulaney said that he visited Gaynor in 2021, skeptical that the therapist could help him drop his 26-year smoking habit. After two sessions together, Mulaney said he quit cold turkey and has not used any nicotine since. Other celebrities who have used Gaynor’s services include Martin Sheen, Heather Locklear, Aaron Eckhart and Emily Procter. Gaynor said his method of hypnotherapy is successful because he taps into the subconscious mind to help clients fully understand how their addiction could be killing them. He also said that many of his clients don’t experience withdrawal or cravings.

Plaque marking the center of L.A.
In one of the many random prerecorded segments that Mulaney’s show plays between live segments, the camera pans in on an unassuming plaque in a grassy area, marking the exact center of the city. It reads in haphazardly hand-stamped letters: “Exact center, point of balance of the plane of the City of Los Angeles,” and is situated near the parking lot of Franklin Canyon Park, between the San Fernando Valley and Beverly Hills. Allan E. Edwards, a former U.S. Geologic Survey employee, determined the point in December 1990, even if on a map it doesn’t appear to be the city’s center.

Episode 3

Helicopters
Mulaney cracked several one-liners about the episode’s aviation theme, calling a chopper circling an STD billboard “the official bird of Los Angeles.” As he introduced the theme, he said: “They’re everywhere in L.A., they hover and they give you a headache. No, I’m not talking about actors,” before Kind interrupted with an emphatic “F— actors!” In addition to helicopter journalist Zoey Tur, Mulaney hosted comedian Nate Bargatze, who said his 2021 special filmed at Universal Studios was interrupted by a helicopter police chase. “That’s just L.A.,” Bargatze said before Mulaney interjected, “That’s just what happens when you film at Universal CityWalk.” To cap off the discussion, Mulaney took live calls from at-home viewers, as he has done throughout the show’s run, and one caller pointed out that Disney parks, including Disneyland in Anaheim, are no-fly zones, which Tur confirmed. Unfortunately for Bargatze, Universal is fair game.

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Zoey Tur

Two people sitting on a TV show set, both wearing dark sunglasses

Zoey Tur and John Mulaney on the set of “Everybody’s in LA.”

(Ryan West / Netflix)

The L.A.-based journalist known for pioneering live reporting from a helicopter was the expert guest for Tuesday’s episode. Tur, who was identified as a “helicopter queen,” said her career materialized when she grew frustrated working as a journalist in L.A. because she couldn’t get to timely stories fast enough thanks to the city’s infamous traffic. She said she bought a helicopter in 1977 and learned how to fly with the help of off-duty L.A. Fire Department pilots. Tur has covered global news stories, from O.J. Simpson’s white Bronco chase to the 1992 Los Angeles riots and other major local watershed moments, during her storied career.

Old punks
Mulaney introduced a prerecorded segment featuring L.A. punk musicians from the 1970s and ’80s by calling the city home to some of the “best punk bands ever.” Fred Armisen was tasked with interviewing L.A.’s punk elders in a focus group, where he spoke with such musical legends as Lee Ving of Fear, Mike Watt of the Minutemen and Exene Cervenka of X. He asked them about their glory days, and Don Bolles of the Germs noted that the group of 11 prolific punk musicians probably had never been assembled together before.

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Armisen also showed them a series of photos and asked them to react — a shot of Ronald Reagan elicited a chorus of boos, and Kid Congo Powers called him a “f— monster.” The group’s final activity was to create a theme song for the L.A. tourist board. Titles like “Please Don’t Move Here” and “You’ll Be Famous for a Minute” ultimately were shot down in favor of “Ghosty Ghost Place Superstar,” an anthem the group improvised together to close out the segment.

Episode 2

Palm trees
In a monologue, Mulaney did a deep dive on the picturesque trees that line L.A.’s streets. He noted that they are not native plants and that they were brought in to beautify the city about 100 years ago, which is roughly their lifespan, meaning that many of the area’s palm trees will die soon. He also added that the trees use a lot of water and don’t improve air quality, saying they are “gorgeous but useless, like the fountain at the Grove or Gavin Newsom.” Amanda Begley, a senior leader at nonprofit TreePeople, came on to confirm the facts from Mulaney’s monologue and said palm trees are technically a type of grass.

Warren G

A photo of Warren G performing on "John Mulaney Presents: Everybody's in L.A."

Warren G brought the house down with a performance of his hit “Regulate.”

(Adam Rose / Netflix)

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From Long Beach, rapper, record producer and DJ Warren G was the musical guest on the second episode. After his performance of “Regulate,” comedian and guest Gabriel Iglesias gave the rapper a standing ovation. Mulaney also noted that Stewart, another guest on the panel, had Warren G as a guest on his show 30 years ago, where he sang the same song. The rapper is an instrumental figure in the rise of the West Coast rap scene in the ’90s, working with the likes of Snoop Dogg, Nate Dogg and Dr. Dre.

James Goldstein

A photo of Andy Samberg playing James Goldstein in "John Mulaney Presents: Everybody's in L.A."

Andy Samberg took on the role of L.A. pseudo-celebrity James Goldstein, who is known for sitting courtside at Lakers and Clippers games.

(Adam Rose / Netflix)

Mulaney enlisted friend Andy Samberg to take on the role of James Goldstein, an L.A. businessman known for sitting courtside at Lakers and Clippers games. Mulaney introduced the bit by saying that his show, just like a Lakers game, attracts well-known guests in the front row and hinted at more cameos in coming episodes. Samberg sported a long white wig and a sequined jacket with a cowboy hat, mimicking Goldstein’s singular style. During the segment, Stewart called Goldstein a “robber baron,” saying that he made his fortune off the high rent he charges at the mobile home parks he owns.

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Episode 1

Coyotes
Coyotes, the wolf-adjacent animals that are prevalent in the Greater L.A. area, are not particularly well liked by Angelenos, especially those who have dogs and fear the animals will attack their pets. Mulaney made the animal the topic of his first episode, which featured a coyote expert and local callers sharing stories about their encounters with them. Tony Tucci, chair and co-founder of Citizens for Los Angeles Wildlife, came on to share what to do if you see a coyote in the wild, saying that it’s important to make yourself “larger than life” and generate a lot of noise. Jerry Seinfeld, a fellow guest on the show, mocked Tucci’s suggestions, which included traveling with an air horn tied around your neck.

Ray J
Mulaney brought R&B singer and television personality Ray J onto the show and described him as a “Black Forrest Gump,” noting that he had been a part of several cultural touchstones of the 21st century — though no mention of Kim Kardashian. During his interview on the show, Ray J discussed how he is in the process of divorcing his wife, Princess Love, to whom he has been married since 2016. The couple previously announced they were divorcing three times but called it off each time, until his wife in February said they had separated and were pursuing a divorce. “She was mad,” Ray J said after saying that he is heading to Africa to find his “queen.”

Lou Adler

Will Ferrell in character as Lou Adler in "John Mulaney Presents: Everybody's in L.A."

Will Ferrell transformed into L.A. personality Lou Adler in a segment highlighting a VIP audience member.

(Adam Rose / Netflix)

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Will Ferrell appeared as Lou Adler, the record and film producer and co-owner of the Roxy Theatre in West Hollywood. Adler has worked with music legends like the Mamas & the Papas and Carole King and produced films including Cheech and Chong’s “Up in Smoke” and “The Rocky Horror Picture Show.” Ferrell donned Adler’s famous look — a beret and colored sunglasses — and tried to cajole Mulaney into partying with him in a hilarious bit.

Movie Reviews

Karthi’s Annagaru Vostaru OTT Movie Review and Rating

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Karthi’s Annagaru Vostaru OTT Movie Review and Rating

Movie Name :  Annagaru Vostaru
Streaming Date : Jan 28, 2026
Streaming Platform : Amazon Prime Video
123telugu.com Rating : 2.5/5
Starring : Karthi, Krithi Shetty, Sathyaraj, Rajkiran, Anand Raj, Shilpa Manjunath and Others
Director : Nalan Kumarasamy
Producer : K.E.Gnanavelraja
Music Director : Santhosh Narayanan
Cinematographer  : George C. Williams Isc
Editor : Vetre Krishnan

Related Links : Trailer

Karthi’s Pongal release Vaa Vaathiyaar has shockingly arrived on Amazon Prime Video within two weeks of its theatrical release. What’s even more startling is that the Telugu dubbed version, Annagaru Vostaru, skipped the theatrical release and headed to OTT directly. Let’s see how the movie is.

Story:

Set in a fictional place, Ramarao (Karthi) is born at the exact time of Sr. NTR’s death. His grandfather (Rajkiran), a devoted fan of Sr. NTR, firmly believes Ramarao to be his idol’s reincarnation and raises him with strong moral values.

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However, as Ramarao grows up and becomes a cop, he chooses the opposite path. Ramarao gets suspended after threatening a movie producer for a bribe. One day, his grandfather learns about Ramarao’s true nature, leading to a life-changing situation for the protagonist. What happens next forms the crux of the story.

Plus Points:

The movie has a very interesting idea that instantly grabs our attention. What if an iconic star, worshipped by people like a demigod, comes back to deal with evil forces and becomes the saviour of the masses? This is the core idea on which Annagaru Vostaru is based.

Karthi is one of those rare actors who never goes wrong with his performances, even when the films themselves aren’t entirely satisfactory. He performs to the tee and tries his best to hold the film together with his charismatic screen presence. Some moments in the first half are engaging, and the interval episode leaves a fairly good impact.

Minus Points:

A good concept alone isn’t enough to make a successful film. There needs to be a gripping screenplay to keep the audience hooked, and this is where Annagaru Vostaru falters. The narration is largely underwhelming due to the lack of a proper structure. The characters, especially the antagonists and the female lead, aren’t introduced properly.

As a result, it becomes difficult to connect with the proceedings, despite Karthi giving it his all. The second half, in particular, leaves a lot to be desired. The narrative turns repetitive and predictable, and by the time the film reaches the climax, it runs out of steam. Apart from Karthi, the rest of the cast doesn’t get scope to shine.

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Additionally, there is very little chance for the film to work with Telugu audiences. OTT platforms lately have been releasing only a single version of multilingual films, swapping audio tracks for the same visual file. While this strategy may work for some films, it defeats the very purpose of movies like Vaa Vaathiyaar/Annagaru Vostaru.

We are told about NTR in the dialogues, but what we see on screen is MGR, clearly meant for Tamil audiences, making the overall experience underwhelming. It is surprising that a platform like Prime Video did not consider this crucial aspect.

Technical Aspects:

Music composed by Santosh Narayanan turns out to be one of the weakest links of Annagaru Vostaru. Not even a single song is catchy, and the background score, which was expected to be quirky, largely misses the mark. George C. Williams’ cinematography is good, and the production values are neat. However, the editing could have been much better.

Director Nalan Kumarasamy, who earlier delivered an impressive film like Soodhu Kavvum, comes up with a fascinating idea for Annagaru Vostaru, but his screenplay is ineffective and uneven. It is disappointing to see a good idea not reach its full potential, and Annagaru Vostaru unfortunately falls into that category.

Verdict:

On the whole, Annagaru Vostaru (Vaa Vaathiyaar) has an interesting premise, but due to its underwhelming screenplay, the film fails to leave the desired impact. Karthi shines as Ramarao, brilliantly portraying a cinematic, Robin Hood–esque superhero, but the narration by director Nalan Kumarasamy doesn’t pack a punch. While a few moments in the first half are decent, the second half turns tiresome due to repetition. Hence, Annagaru Vostaru ends up being far from satisfactory.

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123telugu.com Rating: 2.5/5
Reviewed by 123telugu Team 

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Melissa Gilbert speaks out after Timothy Busfield’s release from jail: ‘One step at a time’

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Melissa Gilbert speaks out after Timothy Busfield’s release from jail: ‘One step at a time’

Melissa Gilbert has returned to social media to some extent amid an “extraordinarily difficult time” stemming from the child sex abuse case involving her husband Timothy Busfield.

The “Little House on the Prairie” alumna, 61, spoke out on Monday, issuing a statement of gratitude and reflection to the Instagram page of her lifestyle brand, Modern Prairie. She made her Instagram comeback after seemingly deactivating her personal account earlier this month, when allegations against her husband became public.

“This season has reminded me, very clearly, how important it is to slow down, prioritize what truly matters, and allow ourselves moments of rest,” she captioned a photo of herself sitting pensively on a couch. “Stepping back from the noise, the news, and even our daily responsibilities from time to time gives us space to recharge, reflect and find our center again.”

Earlier this month, a New Mexico judge issued a warrant for Emmy winner Busfield, 68, on two felony counts of criminal sexual contact with a minor and a single count of child abuse. An affidavit accuses Busfield of inappropriately touching two child actors, who are brothers, during his time as an actor, director and producer on the Fox drama “The Cleaning Lady.”

According to the complaint, one child actor said Busfield first touched his “private areas” multiple times on set when he was 7 years old. The actor said that, when he was 8 years old, Busfield touched him inappropriately again several times, according to the affidavit. The complaint also detailed a police interview with Busfield in which he suggested that the boys’ mother might have sought “revenge” on the director for “not bringing her kids back for the final season.”

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Amid the allegations against Busfield, Gilbert’s Modern Prairie issued a statement on Instagram distancing itself from the disturbing claims. “Modern Prairie unequivocally condemns abuse in all forms and remains committed to values of safety, integrity, and respect.” the statement said.

Busfield turned himself in to law enforcement on Jan. 13, denying the “horrible” allegations and asserting: “I did not do anything to those little boys.” A publicist for Gilbert at the time said the actor would not comment on her husband’s case, denounced “any purported statements” and said that she was focused on caring for her and Busfield’s family. Busfield has three adult children from two previous marriages and is the stepfather to Gilbert’s two adult sons from her two previous marriages.

Busfield, known for his roles on “The West Wing” and “Thirtysomething,” was jailed at the Metropolitan Detention Center in Albuquerque but was granted release on his own recognizance on Jan. 20. At the hearing, to determine whether Busfield would be released pending trial, Gilbert could be seen crying and saying, “Thank you, God” upon the judge’s decision.

Gilbert thanked her Modern Prairie community for their patience and “for helping me feel safer, more grounded, and deeply held,” amid the scrutiny surrounding her family.

“I’ll be easing back into things thoughtfully and with care — moving forward one step at a time,” she said. “More to come and so much gratitude always.”

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‘See You When I See You’ Review: Cooper Raiff Gives a Deeply Felt Lead Turn in a Tragicomedy That’s Sad for the Wrong Reasons

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‘See You When I See You’ Review: Cooper Raiff Gives a Deeply Felt Lead Turn in a Tragicomedy That’s Sad for the Wrong Reasons

After a 14-year hiatus during which he focused on directing television and acting, Jay Duplass made a welcome return to features in 2025 with The Baltimorons, a gentle May-December romance with an After Hours vibe and an unassuming charm that sneaks up on you like a surprise hug. I wish See You When I See You had a similar effect, but despite its sincerity and the raw pain of shattering real-life experience that infuses it, this feels like a knockoff struck from the template of a thousand bittersweet, funny-sad indie grief dramas branded with the old-school Sundance stamp.

Dysfunctional family whose members seem to have forgotten how to communicate? Check. Belabored metaphor that never adds up to much (in this case a sage grouse at risk of extinction)? Check. Surreally stylized flourishes that are both awkwardly realized and inorganic to the prevailing mood and style? Check. Random nostalgic nods to ‘90s bands? Check. Treasured childhood memory tarnished by soul-crushing trauma? Check. Tinkly piano score poised to underline every emotional beat? Check. The list could go on.

See You When I See You

The Bottom Line

Not if I see you first.

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Venue: Sundance Film Festival (Premieres)
Cast: Cooper Raiff, Hope Davis, Lucy Boynton, Ariela Barer, Kumail Nanjiani, Poorna Jagannathan, David Duchovny, Kaitlyn Dever
Director: Jay Duplass
Screenwriter: Adam Cayton-Holland, based on his book, Tragedy Plus Time: A Tragi-Comic Memoir

1 hour 42 minutes

All this is a shame since first-time screenwriter Adam Cayton-Holland, adapting his 2018 memoir Tragedy Plus Time, is clearly drawing from a very personal well in depicting with candor the spiraling chaos of a young comedy writer as he struggles to move forward after his beloved younger sister’s suicide. The authenticity of the writer-protagonist’s feelings is undermined by the banal familiarity of a specific indie-film model.

It’s doubly regrettable because Cooper Raiff pours a ton of heart and humor, along with PTSD, into the author’s stand-in, Aaron Whistler. He’s likable and funny, and even when the character is pushing people away like a flailing mess, he never forfeits the audience’s compassion.

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Duplass could not have wished for better preparation for material of this nature than his work as producer and director of six episodes — including the pilot — of HBO’s sublime Bridget Everett series Somebody Somewhere. That series started from a similar place, with a central character trying to regain her footing after the shattering loss of a sibling and tending to deflect her sorrow with humor. Every single member of the ensemble felt fully lived-in and relatable, something that can be said for only some of the principal roles here.

It’s been two months since Leah (Kaitlyn Dever) took her own life and her devastated family has still not been able to agree on funeral arrangements — if they are to have one at all. The urn containing her ashes sits conspicuously on the mantlepiece in her parents’ loveless bedroom.

Leah’s mother Page (Hope Davis) has become closed-off and sour, doing her best to ignore her own grave health situation; her husband Robert (David Duchovny) pours himself into his work as a civil rights attorney, avoiding the subject of Leah; their other daughter Emily (Lucy Boynton), who has her own young son to care for, urges Aaron to see a therapist and goes from impatience to anger at the extent to which his grief has hijacked everyone else’s loss. Aaron and Leah were always members of a private club from which Emily felt excluded.

A big part of Aaron’s trauma is that he was the one who found his little sister’s body; when he is forced, after a DUI charge, to sign up for a mental health diversion program, he’s uncooperative and hostile with the therapist, who tells him nothing he didn’t already know. Later, when he finds an empathetic therapist with whom he connects (Poorna Jagannathan), Aaron initially remains blocked, only able to revisit the night he found Leah dead up to a point.

Raiff is very good in these scenes, which makes it frustrating that the memory flashes throughout of time spent with Leah are so clunky and obvious. Dever is always a compelling presence, but Leah seems more like a bundle of exposed nerve endings than a real person — the dangerous, out-of-control highs, the precipitous lows, the psych ward stints. The worst part, though, is a thuddingly literal device so poorly handled it yanks you out of the movie every time — a hole opens up in the ceiling or sky at a certain point in Aaron’s recollections, and Leah is sucked up into the atmosphere.

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There are sweet interludes when Aaron reconnects with his girlfriend Camila (Ariela Barer), who is furious about him ghosting her for months until she learns the reason. Still, it’s clear to her that Aaron is not OK, causing her to pull away again.

The scenes that work less well and seem virtually superfluous are those with Kumail Nanjiani as Adeel, an environmental activist who drags Aaron along with him to break into a fracking site that is disturbing the breeding ground of…the sage grouse.

Duplass can’t be accused of lacking sensitivity as a director, and in the moments when See You When I See You works best, the movie has an infectious warmth. Until it turns into treacly cliché. The performances mostly are better than the material deserves — Raiff in particular, but also Davis and Boynton. No one enjoys beating up on a film in which the writer has invested so much of himself and his pain. But Cayton-Holland and Duplass have somehow made an authentic tragedy feel phony and unaffecting.

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