Entertainment
'Beyond Utopia' tracks desperate North Koreans trying to escape to freedom
“Beyond Utopia,” an eye-opening thriller that captures a family’s desperate and dangerous escape from North Korea, is one of the year’s most acclaimed documentaries, winning an audience prize after its January premiere at the Sundance Film Festival, and recently earning a spot among the 15 shortlisted titles for consideration in the documentary feature Oscar race. Yet, at the beginning, it was a hard sell to its director, Madeleine Gavin.
“My initial feeling was one of great hesitation,” the New York-based filmmaker said. “I didn’t understand why I would be the right person to do this. I said to them, ‘Wouldn’t you want to talk to Korean directors or somebody who has more of a connection to the subject?’” But her producers — Rachel Cohen, Jana Edelbaum and Sue Mi Terry — with whom she had worked previously as an editor, persisted.
“They gave me a huge amount of latitude,” recalled Gavin, whose 2016 film “City of Joy” focused on a women’s refugee center in eastern Democratic Republic of Congo. She took her time exploring the subject and source materials. Those included the 2015 memoir “The Girl With Seven Names,” by Hyeonseo Lee, a North Korean defector and activist who appears in the film, which provided an early impetus for the production.
Digging deep into the internet, “almost into the dark web,” Gavin discovered a secret world of hidden camera footage that made graphic the harsh realities of life under the totalitarian regime of Kim Jong Un. “North Koreans themselves have been shooting [this] since the ‘90s, with flip phones,” she said. “Really risking their lives, risking their families’ lives to get the truth of their country out. They’re shooting literally out of holes in paper bags, out of their pockets and sleeves.” The filmmaker recognized a vast disparity between what she saw “and the absence of North Korean people in our media and in our world.”
That’s when she knew. “This film had to be made, and there was no one making it,” she said. “Beyond Utopia” leans into the ragged aesthetic of this guerrilla-style found footage, deftly reassembled by the filmmaker (who also acted as editor) to not only show why North Korean defectors would risk death to escape the country but also how they manage their getaways: utilizing an “underground railroad” of brokers and safe houses to navigate a grueling trek through China and multiple Southeast Asian countries to reach South Korea. “I wanted to do something that was as experiential as possible,” said Gavin, who pointedly avoided one of the most common nonfiction workarounds, the re-creation.
South Korean pastor Seungeun Kim and his Caleb Mission has, since 2000, guided more than 1,000 defectors out of North Korea.
(Roadside Attractions)
Her key was a South Korean pastor named Seungeun Kim, whose Caleb Mission has, since 2000, guided more than 1,000 defectors out of North Korea. Pastor Kim’s mission acts as the heart of the film, and also its pivot, as Gavin tracks two different defection attempts engineered through a multinational network. One is the five-member Roh family, whose number complicates the transit. The other is the teenage son of a successful defector named Soyeon Lee, who longs to reunite with her child.
Both endeavors are tense and torturous, with dramatically opposite outcomes.
Even if someone makes it across the Yalu River, which borders China across 800 miles and is overseen by ramped-up North Korean security forces with “shoot to kill” orders, the risks are intense and forbidding. If caught by Chinese officials, a defector will be returned to North Korea and face torture and imprisonment, possibly death. Brokers, paid to safeguard the defectors but typically with no higher motivation, might instead consign them to the organ trade or sell them to sex traffickers.
Remarkably, Kim himself meets the defectors en route, although he can no longer enter China. “He was warned in 2009 that he could be kidnapped into North Korea,” Gavin said. In the film, Kim confides that although he looks fine on the outside, his body is a wreck from all the injuries he’s sustained. “He prepares himself for death every time he does one of these escapes,” Gavin said. “He always tells himself, this is going to be the last one, and then he finds himself doing it again. He’s in constant pain … and he’s in a lot of fear.” Yet there he is with the Roh family, including two children, and their elderly grandmother, making a rugged marathon trek through a jungle in Thailand.
“The journey through the jungle is so physically and mentally difficult that it is hard to describe in words,” Kim said, via email, citing his faith in God to help him overcome fear. “While I am in the jungle, I try to focus on the freedom that North Korean defectors will find at the end of their journey. That’s how I get through the experience.”
Entertainment
Reality star Matt Brown of ‘Alaskan Bush People’ is found dead, family confirms
Matt Brown, who starred with his family in the Discovery reality television show “Alaskan Bush People,” was found dead in the Okanogan River in Washington state, law enforcement officials said Sunday.
Brown’s body was discovered Saturday by a group of private citizens who were conducting a search, the Okanogan County Sheriff’s Office said in a statement.
Brown’s brother, Bear Brown, said in a video posted Saturday on social media that fellow brother Noah had been with the search team, helped pull the body out of the river and identified him.
The official cause and manner of death is still to be determined by the coroner, the sheriff’s office said. But the Brown family believes Matt Brown died by suicide, Bear Brown said in the video.
Witnesses said they saw Matt Brown in or near the river and that he “took his own life,” Bear Brown said on social media.
“I would have never suspected he would hurt himself, honestly,” Bear Brown said in the emotional video. “He struggled for a long time.”
Bear Brown said his brother had battled with alcohol and drugs and that Matt Brown told him in their last conversation that he had “fallen off the wagon.”
The Brown family and their life in the Alaskan wilderness were the subject of the reality TV show “Alaskan Bush People,” which ran on the Discovery Channel from 2014 to 2022.
Suicide prevention and crisis counseling resources
If you or someone you know is struggling with suicidal thoughts, seek help from a professional or call 988. The nationwide three-digit mental health crisis hotline will connect callers with trained mental health counselors. Or text “HOME” to 741741 in the U.S. and Canada to reach the Crisis Text Line.
Movie Reviews
Film Review: “Pressure” – MediaMikes
- PRESSURE
- Starring: Brendan Fraser, Andrew Scott and Kerry Condon
- Directed by: Anthony Maras
- Rated: R
- Running time: 1 hr 40 mins
- Focus Features
Our score: 3.5 out of 5
On the most recent episode of our “Back in the Day” podcast the crew and I took a look at some of the greatest war movies ever made. In doing my research I learned that there have been more then 5,000 feature films dealing with World War II alone. 5,000!! Some of them are regarded as some of the best films ever made (The Best Years of Our Lives, Patton, Schindler’s List, Saving Private Ryan) while others I’d never seen. As Memorial Day rolls along this year we are treated to another one: Pressure.
The film opens on the aftermath of what can only be called a horrible tragedy. Overlooking the carnage, General Dwight D. Eisenhower (Fraser) can only curse.

Jump ahead six months where we meet British meteorologist James Stagg (Scott). Awaiting the birth of his child, he is summoned to meet with Eisenhower and his staff to forecast the weather conditions that will be taking place during an operation they are calling “D-Day.” Stagg continually butts heads with Colonel Krick (Chris Messina), whose method of predicting future weather from past events is not a practice Stagg embraces. The two continually clash, much to the chagrin of an increasingly agitated Eisenhower. Doing her best to keep the peace is Lieutenant Kay Summersby (Condon), Eisenhower’s aide and buffer. It’s not an easy job.
Well presented with an outstanding attention to detail, Pressure could be looked at as the prequel to Saving Private Ryan, which opens with the invasion of Normandy, while this film looks at the events leading up to that day. The cast is strong, with Fraser at his best when going head to head with British General Bernard Montgomery (Damian Lewis), whose “gung – ho” attitude robs Ike the wrong way. It doesn’t help that “Monty” keeps referencing that, unlike others, he has battlefield experience. He also throws “Exercise Tiger,” easily Eisenhower’s worse military chapter, out when it suits him. (NOTE: For those unaware, Exercise Tiger was basically a practice run for D-Day, with young soldiers taking place in a military exercise. However, due to poor communications, live ammunition was used and nearly 1,000 soldiers and seamen were killed.)
The film has it’s dramatic moments but it’s also anti-climactic because, while they continually stress that the invasion will take place on June 5th, anyone with any knowledge of history knows D-Day was June 6th. So when Ike asks if everything is good for June 5th, you want to shake your head and tell him “no, sir.”
That doesn’t mean I didn’t enjoy the film. I did. When I was born, Eisenhower was president – JFK would be elected two months later. And it was a genuine treat to be sitting in the theatre with some of Eisenhower’s great grandchildren. It lent a nice historical aspect to the screening.
On a scale of zero fo five, Pressure receives ★★★ ½
Entertainment
Olivia Rodrigo’s babydoll dress is for the punks, not the freaks who ‘normalize pedophilia’
Some are calling the controversy over Olivia Rodrigo’s recent outfit choices babydoll-dress-gate, Olivia Rodrigo calls it “weird.”
The dress debacle kicked up in early May when Rodrigo released the music video for “Drop Dead,” in which she runs through the Palace of Versailles wearing a pink-and-blue ruffled babydoll set while singing about the intensity of a crush. Then on May 8, she wore a cottage-core pink-and-white floral babydoll dress with knee-high Dr. Martens during a live performance in Barcelona.
Rodrigo was drawing from subversive feminist and punk fashion of yore, but internet critics were quick to slam the “deja vu” singer, saying the ensemble was sexualizing child-like imagery. In an hour-and-a-half interview with the New York Times Popcast that dropped on Thursday, Rodrigo staunchly defended the dress and called the criticism disturbing.
“I have worn outfits that are maybe revealing on stage, like I’ve been on stage in a sparkly bra and little shorts — which is my right — that’s fun,” she said. “I felt cool and comfortable in that, and that wasn’t inappropriate, but me fully covered up in a dress that people deemed to be, like, childlike was inappropriate, and I think it shows how we really normalize pedophilia in our culture.”
Rodrigo further decried the criticism as rhetoric that girls are fed from a young age, “which is ‘don’t wear that, because then a man is going to sexualize your body, and it’s your fault’ — it’s so weird.”
Rodrigo said she didn’t think she looked “sexy” in the babydoll dress; she was going for a cool look à la Kathleen Hannah or like Courtney Love, musicians whom the pop star said are her heroes. Love appeared to defend Rodrigo on social media by resharing posts defending the singer-songwriter in since-expired Instagram stories.
“I just think if we start dressing in a way that’s like, ‘Oh, I don’t want some f— freak to think that I am sexy like a baby’ or some crazy thing like that, I think it’s losing the plot a little bit,” she said. “I’m very protective of younger women and girls, and I don’t ever want them to be fed that rhetoric. You shouldn’t be responsible for some guy sexualizing you in a way that was never your intention.”
Rodrigo’s third studio album, “You Seem Pretty Sad for a Girl So in Love,” which features hit singles “Drop Dead” and “The Cure,” will be released June 12.
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