Thank God for hotel security cameras.

Last week, CNN obtained and broadcast footage of music mogul Sean “Diddy” Combs brutally assaulting a young woman in the hallway of a posh Los Angeles hotel in 2016.

As the video begins, a barefoot young woman is seen fleeing down a corridor toward elevators, stopping to hurriedly put on her shoes. Moments later, Combs emerges from a room wearing only socks and a white towel wrapped around his waist. He chases the woman down, throws her to the ground, kicks her, punches her, drags her by her hoodie and hurls a vase at her.

All while deftly managing to keep his towel in place.

The victim is R&B singer Cassie, whose real name is Casandra Ventura. In November, she filed a 35-page federal lawsuit against Combs and his label, Bad Boy Records, alleging that he had physically and sexually abused her for years and frequently forced her into encounters with male prostitutes that he watched and recorded.

The lawsuit, which left me feeling ill, lays out a disturbing narrative of extreme abuse, coerced drug use and sexual perversion over the course of the pair’s 13-year relationship, which began in 2005. When they met, she was a 19-year-old aspiring singer, while he was a 37-year-old rap icon and record label executive. He held her future in his hands, and she describes being trapped in a classic cycle of abuse.

For more than a decade after he signed Ventura to his label, the suit alleges, Combs orchestrated most aspects of her life, regularly hiding her away in hotels — she alleges one such three-week stay in Hawaii — so the black eyes and split lips he inflicted would heal.

Naturally, Combs’ attorney Ben Brafman feigned outrage at the idea that his client was an abuser:

“Mr. Combs vehemently denies these offensive and outrageous allegations,” he told the New York Times. “For the past six months, Mr. Combs has been subjected to Ms. Ventura’s persistent demand of $30 million, under the threat of writing a damaging book about their relationship, which was unequivocally rejected as blatant blackmail.”

Au contraire, retorted Ventura’s attorney Douglas Wigdor: “Mr. Combs offered Ms. Ventura eight figures to silence her and prevent the filing of this lawsuit. She rejected his efforts.”

It took tremendous courage for Ventura to file her lawsuit, which was made possible by New York’s Adult Survivors’ Act. The law gave victims a one-year window to file lawsuits for sexual misconduct alleged to have happened before 2019 for which the statute of limitations had expired. About 3,000 lawsuits were filed before the window closed in November, including, most famously, by E. Jean Carroll, who claimed that Donald Trump had raped her in a department store dressing room in 1996. A jury found Trump liable for defamation and sexual assault, which the presiding judge said was rape by another name.

Strangely enough given Combs’ professions of innocence and victimhood, Ventura’s lawsuit was settled confidentially less than two days after it was filed. At the time, his lawyer emphasized that the settlement in no way implied that Combs was guilty.

Except, come on now. The explosive video perfectly matches many of the allegations made in Ventura’s lawsuit; she doesn’t appear to have been making it up.

The lawsuit alleges that people in Combs’ orbit — his attorney, the president of his record label — pressured her to return to him when she tried to escape. “Each time Ms. Ventura tried to run away,” the lawsuit alleges, “Mr. Combs and his powerful network would force her back to him.”

On Sunday, all too predictably, a teary Combs posted a video on Instagram.

“I was f—ed up,” he says. “I hit rock bottom. I got into going to therapy, going to rehab. I had to ask God for his mercy and grace. I’m so sorry.”

Me, me, me, me. Not a word about the hell he put Ventura through nor even a mention of her name. And anyway, when, exactly, did he hit rock bottom and have his epiphany?

After all, Ventura alleges that in September 2018, more than two years after the hotel hallway incident, he raped her at her home after they met for dinner in Malibu to discuss the end of their relationship.

Within months of Ventura‘s lawsuit, four other lawsuits were filed accusing him of sexual assault and other offenses, including one by a woman who was in college when she alleges that Combs drugged and assaulted her, and another by a woman who was a high school junior when she alleges she was sex trafficked and gang raped by Combs and the longtime president of his record label.

It’s unfortunate that Combs cannot be prosecuted for what he did to Ventura in that hallway. The Los Angeles County district attorney’s office said it is powerless to act because the statute of limitations has expired.

But Combs’ troubles may be just beginning. In March, his homes in Miami and Los Angeles were raided by agents of the Department of Homeland Security, who seized computers, hard drives and guns, according to news reports, which said the raids were part of a sexual assault and sex trafficking investigation of Combs, a father of seven. He has not been charged with a crime.

Someone leaked photos of the aftermath of the Holmby Hills raid to TMZ. The rooms looked as if a tornado had swept through — papers, clothing, children’s shoes and stuffed animals strewn all over. News video showed two of Combs’ adult children in handcuffs outside.

It was sad, yes, but an apt visual metaphor for the mess Combs has made.

@robinkabcarian

It’s been four years since the end of season 4 of “Haikyuu!!,” the super-popular sports anime about a young high school volleyball team, and now fans will finally get to watch the beginning of the end of the story created by Haruichi Furudate, thanks to the feature film “Haikyuu!! THE MOVIE: Decisive Battle at the Garbage Dump.” Much like last year’s exquisite “The First Slam Dunk,” the movie takes place during a single match, which becomes the epicenter of a clash of ideals and personalities. Unlike that movie, though, this match is rushed, unnecessarily short, and lacking in context.

The problems with “Decisive Battle at the Garbage Dump” begin with its adaptation, which takes about 33 chapters of the manga and compresses them into a single 85-minute movie (compared to the anime’s usual pacing of about 5 chapters per 22-minute episode). Where “Attack on Titan” famously squeezed its final arc over 4 years and many comically-titled seasons, “Haikyuu!!” makes this climactic moment come across as rushed. Due to the short running time and amount of story to cover, this movie is not for newcomers at all. 

Much like “Demon Slayer: Mugen Train,” “Decisive Battle at the Garbage Dump” picks up the story from the anime right where it left off, without much concern for either newcomers or established fans who have forgotten where things ended last season — considering it aired in 2020, it feels like a lifetime ago. The movie fully expects the audience to be intimately familiar with the first four seasons of the anime, the character arcs and relationships, and even Karasuno’s team history, because it provides none of that here.

The plot concerns the titular Battle at the Garbage Dump between long-time rivals Karasuno High and Nekoma High, who have faced each other numerous times in practice matches. Now, they’re playing one another in the Nationals Tournament, giving protagonist Shoyo Hinata a chance to play a real match with stakes against friend-rival Kenma Konzume. For Shoyo, the match is not just an important step in winning the whole tournament, but a battle for the soul of Kenma and whether or not he’ll ever learn to enjoy volleyball — which leads to many a tear-inducing moment. 

Much of the “Haikyuu!!” anime is about love of the sport, about opening your mind to new experiences, and waiting for the moment when you find your passion even if you weren’t initially expecting it. Particularly, the film highlights Kei Tsukishima’s growing appreciation for the sport, while mostly focusing on Kenma’s reluctance to enjoy playing. Indeed, while the primary characters are clearly the Karasuno players, Kenma is our main character, as we get several flashbacks showcasing his history with volleyball. As for the volleyball and the match itself, “Decisive Battle at the Garbage Dump” looks and feels designed to turn movie theaters into sports arenas filled with cheers and chants, calls for “chance ball” and insults to the ref. 

Sports anime tend to fall into one of two categories — superhero stories or character dramas. The former treats skills as inhuman feats of strength, like “Blue Lock,” while the latter tend to be more grounded and actually teach about the sport, portraying real moves and plays, like “Slam Dunk” and “Hajime no Ippo.” When it comes to “Haikyuu!!,” the anime and manga credited for a rise in high school volleyball players in Japan, the story has long served as a rather good introduction to the mechanics and psychology of volleyball. The anime not only explains terms and rules, but also how every little thing impacts a match, from the opposite team’s cheer squad to the role a televised match’s gym lights have on player attention. 

The movie continues this, with an exhilarating POV sequence showing everything a setter has to think about when doing a play, an entire subplot about how singling out a player and blocking his attacks demoralizes the entire team, down to simple things like how sweat can ruin a whole play. We see this in Kenma’s arc throughout the film.

Though already a fantastic player in the anime, the movie shows him getting increasingly invested in the sport and the match, and the more he cares, the better he plays — and the more dangerous he becomes to Karasuno. At times, Kenma is portrayed as a proper mustache-twirling villain, a Hannibal Lecter-type genius who is ahead of everyone, and with a cruel sense of humor, while the mentor-mentee relationship between several players across both teams makes for even higher personal stakes than other matches in the anime.

As fast-paced and energetic as the match itself is, however, it is bogged down by the pacing. It is already hard to make what is essentially season 5 of “Haikyuu!!” into a feature film that can stand alone while also be a good continuation of the ongoing story, but the short running time means the film ends up being mostly a series of highlights rather than a properly flowing narrative. There are big emotional pay-offs during the match, sure, but by the time the final whistle is blown, it’s kind of shocking to think they actually played three full sets in so little time. This has more in common with the previous “Haikyuu!!” movies, which were just compilations of the greatest moments of each season, rather than a story made for the big screen first.

This comes at the cost of the characters, too, as the focus on Kenma and Shoyo’s relationship means the film glosses over the rest of the cast. Though everyone gets a moment to shine, the film relies heavily on the audience filling in the gaps of the other individual rivalries and even the history between the two teams (the title itself never gets properly explained in the film, so you’ll have to remember the scene in which it was explained, way back in Season 1). What is supposed to be Karasuno’s biggest match ever ends up being the shortest in the entire series.

If the plot of “Decisive Battle at the Garbage Dump” suffers from its transition from TV to film, the animation at least gets a big glow-up. Though the characters look just as they do in the anime, the big budget allows for characters’ facial expressions and subtle body movements to get as much attention as the big volleyball plays and the spikes. Though there is some 3D used, it is to give more impact and flexibility to the 2D, rather than replace it. A POV sequence from Kenma’s perspective in which the action speeds up to showcase the adrenaline and rush of the sport, before slowing down in a climactic moment, is a definitive highlight of the film and almost justifies this entire endeavor.  

“‘Haikyuu!! THE MOVIE: Decisive Battle at the Garbage Dump” has enough moments of volleyball thrill to satisfy fans who have waited four years for the return of Karasuno, but when the credits start rolling, and it becomes clear just how much story is left to tell. Mostly, it’s unclear what exactly was won by avoiding a fifth season and rushing through the climax of this entire story.  

Score: C+

Crunchyroll will release “Haikyuu!! The Movie: Decisive Battle at the Garbage Dump” in theaters on Friday, May 31.

Nina Dobrev was hospitalized for an injury after riding an e-bike for the first — and apparently final — time

“I’m ok but it’s going to be a long road of recovery ahead,” she wrote Monday on her Instagram stories, adding in another update, “I think it’s safe to say my first time on a dirt bike will also be my last lol.” .

The 35-year-old “The Vampire Diaries” alum also had a “How it started vs how it’s going” post on her main grid, showing her grinning astride an e-bike in the first image and grimacing in dismay, hooked up to monitors with an IV in one arm in the second. In the latter, she was clad in a blue hospital gown, with braces around her neck and one leg .

Dobrev didn’t say where or when the accident occurred or whether the injury would affect her work. Her most recent role was in the action-thriller “The Bricklayer,” released in January in the United States, alongside actor Aaron Eckhart.

Dobrev’s publicists did not respond immediately Tuesday to The Times’ requests for comment.

The e-bike that Dobrev was pictured sitting on was identified by website Autoevolution as E Ride Pro’s Pro-SS, an electric motorcycle. The 2024 model can accelerate from 0 to 30 mph in less than three seconds, according to its manufacturer.

The celebrity, also known for her roles in the romantic comedies “Dog Days” and “Love Hard,” is no stranger to off-road adventures and extreme sports. Her Instagram features her riding horses and helicopters as well as surfing and snowboarding. Since 2020, the actor has been dating three-time Olympic gold-medal winning snowboarder Shaun White. Together they’ve ventured all over the world, including a trip to Antarctica in early 2023.

Dobrev is seen in one summer 2022 Instagram post riding an ATV that’s almost perpendicular to the ground and casually flashing the “hang loose” sign as White runs toward her with a look of concern on his face. “[H]e always one ups me,” the caption says. “it was my turn.”

White posted a shot of Dobrev, seemingly well enough to travel, a few hours after her posts went up. Her injured leg was propped up on pillows on what appeared to be a private plane as her border collie-Australian shepherd mix, Maverick, lounged next to her.