Culture

Why isn't Olympics medalist Gabby Williams in the WNBA? It's complicated

Published

1 year ago

August 20, 2024

Why isn't Olympics medalist Gabby Williams in the WNBA? It's complicated

Why isn’t Gabby Williams playing in the WNBA?

It’s a question that Williams has had to reckon with too many times over the past four years, and one that is once again at the forefront after the former UConn guard’s dominant showing at the Paris Olympics. As Williams debates a return to the league she has played 135 games in since 2018, the barriers to her re-entry raise important questions about player agency in the WNBA and what changes the players union should prioritize as they decide whether to opt out of the current collective bargaining agreement at the end of 2024.

Williams, who led France to a silver medal and averaged 15.5 points, 4.8 assists, and 2.8 steals per game during the Olympics, entered the 2024 WNBA offseason as an unrestricted free agent. She has been an ace perimeter defender throughout her professional career and has improved her ballhandling and shot creation while playing in Europe and could immediately step into a guard rotation for a contender.

But Williams has been an intermittent member of the WNBA since 2021. She couldn’t play that entire season and has dealt with prioritization challenges each of the last two years. The players union has a variety of priorities to address in a new CBA, including salaries, maternity protections (of particular importance after the Dearica Hamby lawsuit) and revenue sharing. The experience of Williams also shines a light on player agency and autonomy, and what sort of freedoms the players have earned after helping to build the league.

BEST of Xi’an 👑
Gabby Williams helped France 🇫🇷 sweep #FIBAOQT in Xi’an, while averaging 16.3 PTS, 4.0 REB, 2.7 STL and 19.3 EFF and claiming TISSOT MVP honours ⚙️ pic.twitter.com/UALfRCwPCe
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— FIBA (@FIBA) February 12, 2024

During the 2024 offseason, rather than sign with a team, Williams opted to spend the first half of the season preparing for the Olympics. Since she retained her status as a free agent and finished her European club season before May 1, Williams isn’t restricted by the WNBA’s prioritization clause, which requires players competing internationally to report at the start of the WNBA calendar (even if their overseas team is still playing) or else be suspended for the season. She could choose to play out the remainder of the season stateside provided a team has a roster spot and cap space available. Even with the WNBA trade deadline on Tuesday, Williams is likely the most impactful addition a team could make before the end of the regular season.

However, as originally reported by Rachel Galligan on X and confirmed by The Athletic, Williams is considering whether to return to the WNBA this season because of how that decision would impact her options in 2025. If Williams simply elects to eschew the WNBA in 2024 (she already has a contract to play for Turkish powerhouse Fenerbahçe for 2024-25), she will once again be an unrestricted free agent in the 2025 offseason and have full control over where she plays in the league next year. However, if she signs for the rest of the season, that team would have the opportunity to core Williams and thus retain her exclusive negotiating rights for 2025.

WNBA teams have the opportunity to designate a free agent as a core player during the offseason. The player can subsequently only negotiate with said team as a free agent and is guaranteed a one-year, supermax contract unless the two parties agree on a deal with different terms or a trade.

The purpose of the core provision was to give teams the ability to protect their investment in a player. After drafting, developing and investing in a player, the core gives franchises another mechanism to keep top talent in their organizations. However, it also by definition reduces player freedom, which has inadvertently been the story of Williams’ WNBA career.

In 2021, Williams was set to miss part of the season to compete in EuroBasket and the Tokyo Olympics for France. Although she anticipated being able to return stateside once her international commitments were complete, the Chicago Sky suspended her for the full season, meaning she wasn’t paid her WNBA contract. In 2023, the prioritization clause would have prevented Williams from suiting up for the Seattle Storm because her French season ended after the start of the WNBA calendar. She only ended up being able to play for the Storm because of an unexpected coincidence; she got a concussion in France, thus prematurely bringing her European season to a close and clearing her to be available for Seattle.

GO DEEPER

Why is Gabby Williams the first test case for WNBA’s prioritization rule?

Now, Williams finds her autonomy threatened by another CBA provision: the core.

Williams’ case challenges the theory of the core provision. She isn’t a franchise player. If she returns to the WNBA, it will be to a team that didn’t draft her and hasn’t given her any marketing money because she’s always overseas during the offseason. A team’s only investment in her would be the $20,000 or so it will pay her for about a dozen regular-season games to close out the season. And for that limited stretch, a team would be able to control where she plays in 2025.

As the WNBA increases in scale, bringing in more revenue, the CBA still exists to protect the teams’ interests, not the players. Mechanisms like restricted free agency, a hard cap and the core depress players’ markets and ability to seek out situations of their choosing.

As a result, players are called upon to make tough decisions that often disincentivize their participation in the WNBA. Prioritization forces a choice between playing overseas and in the U.S., and overseas contracts often outpace what the best players can earn stateside. Elena Delle Donne was cored this offseason by the Washington Mystics, and the veteran is now sitting out despite reportedly expressing an interest to play elsewhere, so the WNBA is missing out on one of the final healthy seasons of a two-time MVP.

Williams could stay in France and bask in the glory of her silver medal for a month before reporting to Turkey. Instead, the decision to help a team chase a WNBA title could handcuff her, once again putting her WNBA career in the hands of an outside actor. The professional experience should be prioritizing players, not forcing them to rely on the promises and goodwill of organizations. The reason Williams isn’t playing in the WNBA is because she is trying to control her career, and the league’s CBA is trying to control her.

(Photo: Jean Catuffe / Getty Images)

Culture

Video: 250 Years of Jane Austen, in Objects

Published

1 hour ago

December 18, 2025

Press Room

Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

Culture

Try This Quiz and See How Much You Know About Jane Austen

Published

2 days ago

December 16, 2025

Press Room

Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

Culture

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

Published

3 days ago

December 16, 2025

Press Room

Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

By ‘A Lady’

Jane Austen’s House, Chawton, England

Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

An Iconic Accessory

Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

A Lady Unmasked

Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

Tony Cenicola/The New York Times

It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

Aunt Jane

Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

Steve Parsons/Associated Press

In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

The Austen Industrial Complex

Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

Tony Cenicola/The New York Times

In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

Peter Flude for The New York Times

For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

Austen 101

Tony Cenicola/The New York Times

Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”