Lifestyle
Open-air ‘mall parks’ are on the rise in SoCal — and exhausted parents are loving it
As the sun peeked out from behind the clouds at 9:30 a.m. on the day after a rainy Saturday, the strollers at Runway Playa Vista rolled in. Giggles echoed in a nearby play area where children twisted knobs and spun a wheel in a car-like play structure. Toddlers whizzed by on scooters as parents chatted about the struggles of parenting during a rare L.A. storm.
Their solution to kids with pent-up energy wasn’t to head to any park — it was to come to a mall park. Or rather, the turf fairway and play structures that sit just outside storefronts at this southwest Los Angeles “shopping center.”
“My older daughter does dance right here, so this is a Sunday routine for us,” said Daniel LaBare, who sat with his Whole Foods shopping bags by the play car with his younger daughter, 2-year-old Ellie. “She goes to dance, and we hang out and play.”
With the rise of e-commerce, it’s no secret that retail developers have had to get creative to keep attracting customers. One method that seems to be working? Catering to families by making green turf and other kid-friendly spaces a mall centerpiece.
Some of these areas are just patches of turf with Adirondack chairs — popular with exploration-minded toddlers, or kids with a ball. But there are also shopping centers with more elaborate play structures, such as Rancho Cucamonga’s Victoria Gardens “Orchard Play Area” (“near Shake Shack and Silverlake Ramen,” according to the website). The lawns often serve as activity centers where malls hold kid concerts, adult exercise classes and Christmas tree lighting events.
A child plays on playground equipment, conveniently located near Shake Shack, at Victoria Gardens in Rancho Cucamonga.
(Brookfield Properties)
“More and more centers are moving away from just transactional spaces, and they’re moving towards community destinations,” said Paul Chase, president of JLL Lifestyle Property Management, a commercial real estate developer and investment firm that owns shopping centers across the globe. In November, it refocused Chase’s division from “retail” to “lifestyle” — a semantic change that reflects a shifting focus. The division now manages retail spaces as a place to spend time, not just shop, whereas it previously focused on the latter. Chase said the industry name for the landscaped places where kids play and families gather is “entertainment zones.”
One JLL Property, Manhattan Village in inland Manhattan Beach, underwent a renovation in 2021 that transformed a flat parking lot into an “entertainment zone” featuring a turf lawn with benches, fountains and short rolling hills. On any given weekend, toddlers can be seen summiting the “hills” to stick their fingers in the water features while parents sip coffee from the cafe that sits at the west end of the green space.
Just across Rosecrans from Manhattan Village in El Segundo, families flock to the Point, the South Bay’s first mall- turned-park development, which opened in 2002. Fresh from soccer games, kids kick a ball on the same patch of turf where babies crawl and families picnic — with food purchased from the mall’s restaurants, including Mendocino Farms and Cava. Conceived as “the South Bay’s living room,” the Point’s “anchor tenant” would not be a department store, explained Jeff Kreshek, a senior vice president and western region president and chief operating officer of the Point’s parent company, Federal Realty. It would be 45,000 square feet of open space.
“If you look at traditional malls, there’s a commerce aspect, and they threw in some places for you to sit down,” Kreshek said. “So it was kind of reverse engineering what shopping centers had been for decades.”
Charlotte Nguyen, center, and her friends do craft activities on the lawn during a Lunar New Year celebration at the Point in El Segundo, on Sunday, February 22, 2025.
(Stella Kalinina/For The Times)
There are plenty of parks in these neighborhoods, and parents say they bring their children to public playgrounds, too. But they come to Runway, the Point or Manhattan Village because of the convenience of having nearby food, beverage and shopping options as their children play.
Convenience has yielded community. Daniel LaBare’s daughter goes to preschool nearby, and they frequently run into classmates’ families at Runway.
“She’ll see at least one or two people who she knows here today,” LaBare said. “This is our community as far as I’m concerned.”
Tori Kjer, executive director of parks management and advocacy organization LA Neighborhood Land Trust, is all for it.
“We are 100% supportive of gathering spaces of all shapes and forms because we believe those are the critical places where community members have a chance to come together and meet and celebrate,” Kjer said.
The combination of shopping and green space is by no means a new phenomenon. Catherine Nagel, executive director of parks equity organization City Parks Alliance, points out that where parks go, shopping often follows. It’s a symbiotic relationship where parks attract families, and then families can get the provisions or fulfill the errands they need to further enjoy the park. That’s a recipe for a healthy community.
Twin sisters Emma and Ella Sandoval, left, greet the character Mei Mei at the Point during a Lunar New Year celebration. Kids and parents participate in craft activities at the celebration on Sunday, February 22, 2025. (Stella Kalinina/For The Times)
Parks — like retailers — have also begun to offer more activities in recent years, said Nagel. So retailers and the stewards of public lands (whether that’s the city or the nonprofits that often manage parks) are learning from each other.
“There’s a lot of attention now to activating these [public] spaces in a way that will bring people to them,” Nagel said, referencing activities like salsa dancing in Bryant Park in New York that use park land for structured public gatherings. “Because if you don’t activate them, they can quite often become places where unhealthy, unproductive activity takes place.”
At the same time, a mall park’s green space is not truly public.
“It’s totally fine and great if private property owners want to create gathering spaces in their malls, but there’s no replacement for a robust city park system that has green spaces with trees and lawns and play structures and just places for people to gather,” Kjer says. “The beautiful thing about parks is they are open to everyone. They are intended to be safe spaces for people to protest, to celebrate, to go about their daily lives, without any stigma or worry about being asked to leave.”
At a park, visitors are citizens or patrons. At the shopping center entertainment zone, they’re customers.
“It comes down to dwell time,” Chase said. “The longer that people stay in a center, of course the more money they’re going to spend.”
But families say the mall aspect doesn’t bother them. After all, this generation of parents are the millennials and Gen X-ers who grew up socializing at the mall a la Cher Horowitz in “Clueless.” Now, as parents, the convenience, manicured turf and camaraderie offers something valuable for them in this season of their lives.
“You can let them run, and do your shopping, so everyone wins,” said Charlotte Ahles, who was playing at Runway with 2-year-old daughter Chloe. She pulled at her mom’s pants, towards the Micro Kickboard store directly across from the play area.
“Scooter, scooter,” Chloe said.
“The scooter store isn’t open yet, honey,” said Ahles.
Lifestyle
Fashion Can’t Get Over Michael Jackson
A line in Mark Binelli’s fascinating piece in The New York Times Magazine about Michael Jackson’s estate-led rehabilitation campaign really jumped out at me. Referring to the early ’90s, the period in which the biopic “Michael” ends, Binelli writes, “It was also among the last moments that Jackson looked cool: the white V-neck and the unbuttoned white dress shirt, black pants, hair pulled back.”
What an astute observation. By this point in Jackson’s life, he had already given us his most iconic looks: the Sky Masterson-esque ivory pinstriped suit and cobalt blue socks in the “Smooth Criminal” video; the leather jacket from “Thriller,” as red as pulled taffy; and the black Florsheim loafers worn with sparkly socks, which he pulled out for his inaugural moonwalk in 1983.
In images of him from this time, he’s still just the musical magician who vanquished MTV. The allegations of child molestation that would dog him through his later life (and afterlife) haven’t yet appeared. It’s this period that fashion designers have long been selectively fixated on, with little room for his personal life.
In 2017, Supreme sold a series of hoodies and tees showing a bow-tied “Billie Jean”-era MJ. In January 2019, Louis Vuitton, then under the stewardship of Virgil Abloh, created an entire collection inspired by Jackson. Abloh, in an interview before the show, described Jackson as “the most important innovator in men’s wear history,” a plaudit that, even then, came off as too generous.
There were ensembles with characters from 1978’s “The Wiz” (including Jackson’s Scarecrow), a cherry zip jacket owing to “Thriller” and a T-shirt with an airbrushed rendition of some gleaming socks parked in black shoes.
Abloh’s timing was terrible. Eight days later, “Leaving Neverland,” about Jackson’s alleged pedophilia, premiered at Sundance. With the public reminded of the child molesting allegations that trailed the singer’s latter years, his reputation was again upended. After the documentary premiered on HBO in March, Louis Vuitton halted production on items that directly referenced Jackson.
What I had forgotten about this backlash was that it didn’t take hold immediately. Two months after the show, in a March 2019 New Yorker profile of Abloh (who died in 2021), the designer is asked about “Leaving Neverland” and the allegations that Jackson had molested two boys. He said he hadn’t heard of the documentary but that he had been inspired by “the Michael that I thought was universally accepted, the good side, his humanitarian self.” It would take four more days for Vuitton to nix the Jackson goods.
Yet one can see why Abloh might have thought his explanation would fly. Fashion has, after all, always been capable of pushing past a controversy, if the person’s image is indelible enough.
The photo of Jackson in his black loafers, as I’ve seen on infinite mood boards over the years — that’s strong iconography. And now the box office might of “Michael” seems like proof that the singer’s defenders have won in the court of public opinion, even with a new lawsuit against his estate filed by four siblings who knew Jackson as children.
The invitation to the Jackson-inspired Louis Vuitton show was a single white glove coated in chandelier-sparkly rhinestones. I still have mine in storage. It felt important to keep as a token of a luxury house trading on the image of a contentious figure. Today it is really the only existing piece of that collection that is actually tied to the singer. You can buy one on eBay for as much as $3,000.
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Lifestyle
What to snag at the ‘And Just Like That…’ auction, from Carrie’s manuscript to Charlotte’s heels
If you’ve ever daydreamed about owning an item from Carrie Bradshaw’s closet or the writing desk where she penned her famous memoir, this L.A. event may be your golden ticket.
Julien’s is hosting an auction for “And Just Like That…,” the sequel to HBO Max Original’s groundbreaking series “Sex and the City” that took its final bow last year after three seasons. The auction features more than 500 lots of designer clothing, shoes, furnishings, kitschy keepsakes and props straight from the beloved show. Online bidding kicked off earlier this month and will conclude with a live, two-day event at the auction house’s Gardena location on Thursday and Friday. Participants can place bids both online and in person.
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Given the popularity of the show, particularly the fashion, style expert George Kotsiopoulos says being able to own an item that your favorite character wore or had in their home is a rare opportunity.
“Even if you love something design wise, there’s an extra layer of ‘Well, that came from “And Just Like That…”’ or ‘That’s Carrie’s’ or ‘That’s Charlotte’s’ or ‘That’s Miranda‘s,’” adds Kotsiopoulos, a former co-host of “Fashion Police” and a style expert working with Julien’s on this sale.
While you won’t be able to snag a pair of Manolo Blahniks worn by Carrie Bradshaw (Sarah Jessica Parker) — Carrie’s clothing is sadly not for sale at this auction — you can purchase other items from her closet, including the round, vintage suitcases that held her elaborate hats, custom wooden hangers inscribed with her initials or even empty designer shoe and jewelry boxes.
Many items from Carrie’s collection are from the luxurious apartment she shared with her husband, Mr. Big. There’s the front door intercom panel, a pair of embossed leather club chairs and, fatefully, Mr Big’s Peloton water bottle. The memoir “Loved & Lost” that Carrie wrote about Mr. Big’s sudden death is also for sale, as is the manuscript. A small but poignant item: the condolence card sent to Carrie by Samantha Jones, her estranged friend played by Kim Cattrall, who made a brief but impactful appearance in the reboot.
1. Shoes from Lisa Todd Wexley’s collection. 2. Carrie Bradshaw’s globetrotter luggage set, a vintage stool and steel writing desk. 3. Midcentury modern chairs and an upholstered cat pillow from Carrie Bradshaw’s Gramercy townhouse.
Fashion lovers will likely find satisfaction raiding the closets of OG characters Charlotte York-Goldenblatt (Kristin Davis) and Miranda Hobbes (Cynthia Nixon), along with newcomers Seema Patel (Sarita Choudhury) and Lisa Todd Wexley (Nicole Ari Parker). Notable items from their collections include Charlotte’s Prada coat from the Spring 2023 Menswear collection and Miranda’s vintage Issey Miyake coat. There’s also an authentic woven Intrecciato Bottega Veneta clutch that Miranda wore, Seema’s silk Fendi dress, the showstopping Balmain cape Lisa wore while trekking through the snow in New York City and an array of glamorous heels.
Catherine Williamson, managing director of Hollywood memorabilia for Julien’s, says it was important for the company to price items conservatively so many people, particularly fans who may have never bid before, would have a chance to buy something.
As of late last week, several items had highest bids under $100. Meanwhile, bigger ticket items like Marantino’s Louis Vuitton bags were bidding for $4,000, and the engraved Rolex watch — it’s a prop not a genuine Rolex — that Bradshaw gifted Mr. Big for their anniversary was going for $5,000.
How to participate in the auction
The “And Just Like That…” auction will take place over two days on April 30 and May 1 at the Julien’s location in Gardena. Participants can place bids both online and in person.
Visit juliensauctions.com to register and bid online or be in the room and participate live. Email info@juliensauctions.com for the location and more details.
In honor of the late Willie Garson, who played Stanford Blatch on the series, Warner Bros. Discovery will make a one-time donation to You Gotta Believe, a New York City-based organization that specializes in finding permanent families for pre-teens and young adults in foster care. As a father of an adopted son, Garson, who died from pancreatic cancer in September 2021, was deeply connected to the organization.
Lifestyle
Street Style Look of the Week: A Work Wear Staple in Gentle Pastels
“I love one-piece dressing — this is my jam,” April Dinwoodie said of her chiffon jumpsuit. “I’m not great with making things happen, with tucking in shirts and all the things.”
She was in spring pastels when our paths crossed in Harlem on a recent Saturday in April. As she excitedly showed off her new engagement ring to a friend on the stoop of a brownstone, I recognized her from a photo assignment back in 2020. A light blue jacket draped over her arm and a brightly colored scarf rounded out her look. She said that a couple of pieces she was wearing had been acquired at sample sales. “I know what things cost at retail because I’ve worked in the business a little bit,” she said.
Dinwoodie, 54, a marketing and communications specialist who focuses on diversity and inclusion in her career, said that her work largely informs the way she dresses. “Understanding who I am and what I’m about has been this lifelong journey,” she said.
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