Culture
When Kristen Kish, ‘Top Chef’ Host, Hits the Mute Button
Blundstone Boots
There was a point when I wore kitchen clogs, which I found uncomfortable. Then, Birkenstocks, but your heel’s exposed. Your sock’s going to get soaked, especially when you’re flooding the floors to clean at the end of the night. Blundstones are waterproof and they look good. I can go from the airplane to out in the wild, right into the kitchen and I feel like they fit all those scenarios.
Palo Santo
When I opened my restaurant in the Line hotel in Austin, it was in every single room. My wife had to tell me what it was because I was like, “What are these wooden sticks in here for?” I travel with it and when I’m in dressing rooms, studios and hotels, it just makes everything smell familiar to me, regardless of where I am.
Dental Hygiene
When I’m eating different flavors throughout the day — snacking on things or trying 15 dishes on “Top Chef” — at a certain point, my mouth starts to just feel gross. Brushing my teeth, tongue scraping and flossing help me reset a little bit.
Deep Pockets
A lot of women’s pants have little pockets that go down maybe three inches. I need them to touch my thigh. Because I’m not a purse kind of person, I like to fit my wallet, keys and mints all in my pocket if I can. I have a stylist for any clothes that I wear in public or on television. When fending for myself, I’m going to wear pants that are two times too big, comfortable and with deep pockets. Lululemon dance studio relaxed fit mid-rise cargo pants are so comfortable. Not only do they have deep pockets, they also have cargo and back pockets.
Carmex
My preference is the stick. I always carry it in my left pocket; that’s just where it lives. I don’t leave home without it and it’s stashed in random places in our house — on my desk, in the junk drawer downstairs, two in our bedroom. I buy them in bulk and take great pride in finishing them.
Peppermint Gum
My mom used to tell me, “You look like I look like a cow chewing gum.” But it keeps cadence and there’s something in the rhythm of chewing where if I’m doing a task, especially if I’m cooking for hours, it’s a place for the anxiety to go. You know, how people relax with knee bouncing.
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
By MJ Franklin, Joumana Khatib, Elisabeth Egan, Claire Hogan, Laura Salaberry, Gabriel Blanco and Karen Hanley
December 2, 2025
new video loaded: 3 Cozy Books We Love
By Jennifer Harlan, Karen Hanley, Claire Hogan and Laura Salaberry
November 27, 2025
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