Lifestyle
And the Oscar goes to — wait, why is it called an Oscar?
An Oscar statue appears outside the Dolby Theatre ahead of the 2015 ceremony. But who is he really?
Matt Sayles/Invision/AP
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Matt Sayles/Invision/AP
Sunday is the 98th Academy Awards, where many of Hollywood’s top talents will walk the red carpet before settling in for a night of triumphs, heartbreaks and abruptly cut-off acceptance speeches.
Most of us just refer to the ceremony as “the Oscars,” the longstanding nickname of the gold-plated statuettes that winners in each category take home.
Cedric Gibbons, the art director of Metro-Goldwyn-Mayer, is credited with designing the iconic statue ahead of the first annual awards banquet of the Academy of Motion Picture Arts and Sciences (aka “the Academy”) in 1929.

He dreamed up the knight (possibly modeled on a Mexican actor of the era) standing on a reel of film, holding a crusader’s sword to defend the industry from outside criticism. And Los Angeles-based sculptor George Stanley made the statuette a reality, one that stands 13 1/2 inches tall and weighs 8 1/2 pounds.
Its full legal name is the “Academy Award of Merit.” The Academy officially adopted its nickname, Oscar, in 1939.
But where did it come from?
Bruce Davis got that question all the time — in letters and emails from the curious public — during his two-decade tenure as the Academy’s executive director, which ended in 2011.
“And what astonished me was that when I would ask around the building, everybody would say, ‘Well, we don’t exactly know,’” he told NPR. “And so I didn’t do anything about it myself until I was retiring.”

Davis decided to use his newfound free time to compile a history of the institution, ultimately publishing The Academy and the Award in 2022. One of the questions it explores is the origin of the Oscar nickname.
“As it turned out, that was not an easy thing to find out,” Davis said. “It took a lot of running around and doing some actual research, and I did finally come up with something that I’m reasonably confident is the right answer.”
There are three enduring — and competing — myths about where the name came from. Davis debunked them all and proposed a fourth.
Workers set up an Oscar statue in the red carpet area before the 2025 Oscar awards.
Jae C. Hong/AP
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Jae C. Hong/AP
The debunked claims
“Oscar” made its first mainstream newspaper appearance as shorthand for an Academy Award in March 1934, when entertainment journalist Sidney Skolsky used it in his Hollywood gossip column.
Davis recounts the apocryphal legend this way: Skolsky was running up against deadline on his awards-night rough draft when he was stopped by the word “statuette.”
“He thought it sounded awfully snobby and he didn’t know how to spell it,” he said. “And he asked a couple of people around in the hall, and I guess no one was helping him spell statuette.”
Skolsky later said he thought back to a vaudeville routine where the master of ceremonies would tease an orchestra member by asking, “Oscar, will you have a cigar?” And he claimed he decided to poke fun at the ceremony’s pretentiousness by referring to the statuettes as Oscars instead.
Davis sees a few holes in this story, namely that the term appeared in at least one industry publication months before Skolsky’s column. But it’s not a total loss for Skolsky, who is separately credited with coining or at least popularizing the term “beefcake.”
Bette Davis and her first husband, Harmon Oscar Nelson Jr., pictured in Hollywood in 1940. She claimed in her autobiography that she jokingly named the statuette after him, but later admitted she hadn’t coined the term.
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General Photographic Agency/Hulton Archive
The most famous version of events involves none other than legendary actress Bette Davis. She had long claimed, including in her 1962 biography, that she coined the Oscar’s nickname while accepting her first Academy Award some three decades earlier.
“Her story was that she was holding [it] in her hands and just kind of waiting for the ceremonies to move along, and she started looking at the hindquarters of the statuette and she said … the hindquarters of the statuette were the very image of her husband,” Davis explained.

But Davis’ husband at the time, musician Harmon Oscar Nelson Jr., was primarily known by another nickname, “Ham.” And mentions of “Oscar” appeared in print years before Davis won her first one, in 1936. Davis eventually retracted the claim in her 1974 book, telling her biographer: “A sillier controversy never existed.”
“I don’t feel my fame and fortune came from naming Oscar ‘Oscar,’” she said, according to USA Today. “I relinquish once and for all any claim.”
The more-likely suspects
Perhaps a more likely source is Margaret Herrick, the Academy’s mid-20th century librarian-turned-executive director.
She apparently referred to the statue as such in the 1930s “because it looked like her uncle Oscar,” said Monica Sandler, a film and media historian at Ball State University.
Sandler says Herrick is the most logical choice, given her proximity to the Academy.
Herrick joined her then-husband, executive director Donald Gledhill, at the Academy in the early 1930s as an unpaid volunteer, and became its official librarian in 1936. Herrick took over as interim executive director when he left for the Army in 1943.
She was formally appointed to the role two years later and led the Academy until her retirement in 1971.
“There are very few women with the type of power and control she had over an institution at that time in the industry,” Sandler said.
Margaret Herrick, the executive director of the Academy of Motion Picture Arts and Sciences in Hollywood, pictured with film pioneer Col. William Selig in 1947. She also took credit for coining the nickname, apparently after her uncle.
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Herrick is credited with building up the Academy’s library into one of the world’s primary film research centers, as well as negotiating the award show’s first television contract — and a major step toward financial independence — in 1953.
Davis says she often took credit, in conversations and media interviews, for jokingly naming the Oscar after her uncle. But he’s skeptical of Herrick’s claim.
“We’re not sure that she was really the first person to use that, because she had difficulties over the ensuing years in identifying this Uncle Oscar,” he explained.
Davis does, however, think that the most likely originator was someone else on the early staff of the Academy: Eleanore Lilleberg, a secretary and office assistant who apparently oversaw the pre-ceremony handling of the statuettes.
He said her name surfaced every now and then, but he didn’t have “much hard proof” until after his retirement, when he got wind of the Einar Lilleberg Museum. It’s a small community center in California’s Green Valley honoring Eleanore’s brother, Einar Lilleberg, an artist and craftsman. He booked a visit and immediately happened upon a box of Einar’s writings.
“And I thought: ‘This is it. Now, this is going to tell the story about the Oscar,’” Davis says. “And he almost did.”
He said Einar’s correspondence was light on detail, but unmistakably credited the naming to his sister, describing it as: “Yes, she got in the habit of doing that, and the rest of the staff thought it was amusing not to call them the ‘Academy Award of Merit,’ but just ‘Oscar’ … and it really did catch on.”
So which Oscar did Lilleberg have in mind? Her brother’s explanation, which Davis endorses, is that she was thinking back to a Norwegian veteran they had known as children in Chicago, who “was kind of a character in town and famous for standing straight and tall.”
Davis wasn’t able to track down that particular Oscar. But he says no one has challenged his theory in the years since his book was published, “so I’m sticking with it.”
The lingering mystery
The Oscar statuettes were called “Academy Awards of Merit” at the first ceremony in 1929. Their nickname officially took hold a decade later.
Dean Treml/AFP via Getty Images
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Dean Treml/AFP via Getty Images
While Davis takes some personal satisfaction in the outcome of his quest, he accepts that the mystery of the Oscar nickname may never be solved conclusively.
“If I had come up empty, I wouldn’t be arguing that we need to change the name,” he said. “But it’s interesting that it became such a tradition. There were no film awards that had a personal name before Oscar gained his, and then … within the next couple of years … everybody started looking for a personal name.”
Sandler, the media historian, says that because the Academy Awards were “really the first major pop culture award,” many others used it as a template.
The prizes in other countries’ most-prestigious award ceremonies have similarly personified names: France’s César Awards, Mexico’s Ariel Awards, Italy’s David’s. Plus, there are the Emmy and Tony awards, both products of the mid-20th century.
Davis says he’s just satisfied that people are still interested in the Oscars, regardless of who they’re named after.
“You feel closer to an award if you’re on a first-name basis with it, I guess,” he added.
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Lifestyle
‘Now is the time’: Bob Baker Marionette Theater to make Highland Park its forever home
In 2019, the Bob Baker Marionette Theater needed a lifeline. Forced out of its edge-of-downtown home of more than 55 years, the beloved troupe with its thousands of handcrafted puppets — a saucy black cat in heels, a fish out of water that can’t help but wiggle — ultimately found a new location in a Highland Park theater.
Signing a 10-year lease was a sigh of relief for the company, the result of a lengthy search that included more than 80 spaces and ensured its playful, fanciful shows would continue to be a multigenerational, SoCal tradition. But yearly rises in rent, as well as the looming end of the contract, remained a cause of stress for the nonprofit.
The Bob Baker Marionette Theater can exhale once again.
The saucy black cat puppet in a performance at the Bob Baker Marionette Theater.
(Chloe Rice / Bob Baker Marionette Theater)
The theater’s executive team said it has entered into an agreement to purchase its current location at the corner of York Boulevard and North Avenue 50, which had former incarnations as a movie theater and a Korean church. Once completed, the $5 million acquisition will ensure the theater has a permanent home, a place where skateboarding clowns and leek-haired onions can continue to frolic and dance for decades to come.
“This is monumental for us,” says Alex Evans, the theater’s co-executive director. “It’s been decades of us struggling to survive. Now we’re at this moment where it’s not a struggle. It’s a blossoming moment where our future is set up forever.”
Bob Baker’s Highland Park home was originally built as the York Theater in 1925, hosting movies and vaudeville performances during that era. It most recently housed the Pyong Kang First Congregational Church. Over the years it has also been a barbershop and the site of an organ sales and repair store.
The purchase comes at a celebratory time for the troupe. While its annual Bob Baker Day Festival at the Los Angeles State Historic Park had to be postponed from April 12 to the fall due to a forecast of rain — the historic and fragile puppets cannot be exposed to water — the company still took its show on the road to the Coachella Valley Music & Arts Festival. Its adults-only May fundraising event the Puppet Prom, which typically raises more than $30,000, is nearly sold out, and the theater, which also hosts film screenings and concerts (with puppets, of course), continues to pack in full audiences — partly due to its location in a walkable neighborhood with young families.
And in the coming weeks the theater will launch its first new show in 40 years, “Choo Choo Revue.”
“Now is the time,” says Evans, who notes that while they have built new puppets and tweaked existing shows, this is the first proper new production since 1981’s “Hooray LA!” “We have the staff to implement it. We have a sustainable business to be able to pull off what is going to be close to a half-million-dollar production to mount a new show.”
In going public with its intent to secure the York Boulevard theater, the company is initiating a new round of fundraising. Bob Baker over the last year has raised $4.5 million of the $5 million purchase price. It is seeking $500,000 to close the gap as well as an additional $2 million for what it describes as critical renovations, such as repairing the building’s roof and restrooms.
Some of the eccentric canines puppets.
(Chloe Rice / Bob Baker Marionette Theater)
Mary Fagot, Bob Baker’s co-executive director, says the theater has in place a $500,000 loan to ensure the deal closes. Yet Bob Baker does not want to to begin its new era with debt.
“We think it’s an achievable gap,” Fagot says, pointing to community fundraising the theater had to enact to stay afloat during the COVID-19 pandemic. During the days of the shutdown, for instance, the company was able to raise $365,000 in four weeks.
Rising rent, say the co-executive directors, was a key driving factor in the decision to approach the building’s ownership to purchase the space. This year, Bob Baker will pay close to half a million in rent, an amount, says Evans, that is double the theater’s budget when it was in its prior space near downtown L.A. That, coupled with the lease’s impending expiration in a couple of years, acted as a sort of deadline to craft a proposal that could appeal to its building owners.
“We started to have discussions in 2023 with the owners of the building, and those evolved into this becoming a real possibility,” Fagot says. “Then we started the hard work of talking to our biggest supporters about getting behind us.”
Bob Baker, founded in 1963 by its namesake puppeteer, now attracts more than 145,000 audience members per year, including about 20,000 students via school field trips. Funding for the building purchase was secured, in part, by gifts from the Perenchio Foundation, the Kohl Family Foundation, the Ahmanson Foundation, the late Wallis Annenberg, and celebrity donors such as Jack Black and Tanya Haden.
A sidewalk performance outside the Bob Baker Marionette Theater featuring ladybug puppets.
(Genaro Molina / Los Angeles Times)
“I’m proud to have played a small part in helping safeguard such a beloved institution that has enriched Los Angeles for decades,” says Brian Mikail of Capstone Equities, which rents the space to the troupe. The hope when signing the lease, says Mikail, was that Bob Baker could someday be set up to purchase the venue.
The agreement, says, Fagot, is a win-win for both sides.
“I think we were the ideal owners for this space,” Fagot says. “If it’s for any other purpose, it would need a giant transformation, and for us, it’s exactly what we need.”
“Choo Choo Revue” is set to open May 16 and will feature more than 100 brand new, handcrafted puppets. Look, for instance, for a conductor with a clock as a face, dancing luggage and a cicada jug band, among a host of other oddities. Expect, perhaps, a crescent moon in pajamas to be a new favorite. Or maybe audiences will instead fall for the singing mushrooms.
“The show invites audiences to go on a train ride, where the show is looking out of a train window and seeing flights of imagination,” Evans says. “It’s daydreams outside of a window. Windmills run around. It’s weird, fantastical abstractions of what’s possible. The hope is by the end of the show people are inspired to be more creative and to look at the world more beautifully.”
There’s also a clear hunger for the type of whimsical, family-friendly entertainment that the theater provides. Gross revenues topped $3.1 million in 2025, up from $699,211 in 2018, according to its most recent annual report. Fagot says the COVID pandemic only increased the demand for the “special brand of magic” that Bob Baker creates.
“People needed community,” she says. “They just need joy. They need inspiration and creativity and want to do it together, and that is what we do.”
Lifestyle
With ‘Big Mistakes,’ Dan Levy returns to TV with a crime comedy : Pop Culture Happy Hour
Dan Levy in Big Mistakes.
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Spencer Pazer/Netflix
Dan Levy co-created and starred in the beloved Schitt’s Creek. And now he’s back with a new comedy on Netflix that’s got a very different vibe. In Big Mistakes, Levy and Taylor Ortega play dysfunctional siblings who get drawn deeper and deeper into the world of organized crime, even as their mom – the great Laurie Metcalf – runs for public office.
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