Denver, CO
First Look: Acclaimed L.A. Chef Debuts Intimate Denver Chef’s Counter
“This isn’t Bar Chelou,” asserts chef Douglas Rankin, who moved to Denver last August after shuttering his two-year-old, award-winning Pasadena bistro following the fires that devastated nearby areas. Now, he’s introduced what he calls Bar Chelou’s “grown-up little brother,” Petit Chelou, a six-seat, six-course chef’s counter tasting-menu housed inside Hop Alley, at 3500 Larimer Street. “Chelou” is French slang for “weird” or “odd,” hinting at the unconventional style Rankin prefers.
The basics: The price is $125 per person, with some optional supplements, a la carte wine, cocktails and N/A drink options, and an $88 wine pairing that you should definitely opt for.
Rankin has been cooking in the space since October, when he launched a residency there, but this marks his first step toward opening a Denver brick-and-mortar.
Who is Douglas Rankin?
Before striking out on his own, the chef worked under big names such as José Andrés and Ludo Lefebvre, including a stint at Lefebvre’s tasting-menu spot, Trois Mec. “That was one of the best restaurants I’ve ever worked in. This is really kind of a return to that, but my way,” Rankin says.
During its run, Bar Chelou was named one of the best new restaurants in the country by Eater in 2023, and landed on the Los Angeles Times 101 best restaurants lists in 2023 and 2024.
“I like to get people out of their comfort zones,” Rankin notes, adding that Petit Chelou is not meant to be a serious, contemplative dining experience. Here, guests are encouraged to interact and laugh with Rankin and Sommelier Jacob Roadhouse, a familiar face to Hop Alley regulars; he brings a big personality to his role, creating thoughtful, playful pairings for Rankin’s dishes. “We’re trying to be the anti-tasting-menu tasting-menu place.”
What is Peit Chelou?
“It’s the fine-dining version of what I’ve been wanting to do for years,” Rankin says. Since arriving in August, he’s been “figuring out how things worked here,” and admits that he was “nervous about produce — but turns out, it’s way better in a lot of ways to me,” particularly thanks to our very own Willy Wonka of produce, Mark DeRespinis at Esoterra Culinary Farms, which is where Rankin is sourcing nearly all of his produce.
His move to Hop Alley resulted from a cold call when Rankin saw the restaurant’s ad for an executive chef. He and Hop Alley owner Tommy Lee hit it off right away, and while both realized that Rankin wasn’t the right fit for the executive chef role, the chef’s counter was available. “I really love being here — Tommy and I get along really great,” Rankin says. “This has just been a dream come true, couldn’t be a better landing spot.”
Now that he’s made the chef’s counter his own and is bringing Petit Chelou to life, “my plan is for it to be here until we move it somewhere else,” he adds, describing the cuisine as a French Japanese tasting menu, rooted in gastronomy with a lot of Japanese ingredients and Japanese technique. … Bar Chelou was a busy bistro, which was fun, which we still have plans to do here.” But for now, he’s focused on introducing diners to his culinary style, twelve nightly covers at a time.
Dishes will change regularly depending on what’s available from Esoterra and other local farms, and will shift with the seasons. Here’s a rundown of what we tried during a very impressive media preview this week.
Crispy potatoes
Rankin says diners can typically expect a snack to start, and ours was a throwback to a popular Bar Chelou dish. These crispy potatoes take two days to make, and the result is a creamy interior with a nice bite outside. They cover a creamy aioli and are dusted with yuzu togarashi and nori. It wasn’t a boundary-pushing beginning, but rather a bite rooted in comfort and a lovely way to ease into the meal.
Kinmedai crudo
Things ramped up quickly flavor-wise with the first course. Crudos have been everywhere, and it’s become rare to find one that stands out, but Rankin succeeded with this dish. It begins with kinmedai, a prized fish also known as golden eye snapper. It’s aged on the bone for one week before being thinly sliced and laid over the chef’s take on tonatto sauce, made with white anchovy instead of tuna, resulting in a bright, acidic edge. Tucked throughout are deposits of bright red pepper relish. The dish is finished with a peppery Italian olive oil — “I never use olive oil from Italy, so you know this one’s good,” Rankin notes — and Japanese sancho pepper, which has a slight numbing effect.
Tempura
Rankin admits he has a tempura obsession and has spent a lot of time perfecting his technique, which is apparent after you try this dish. Getting the battered and fried treatment: locally foraged hedgehog mushrooms from Canolo Farms. Flour from Japan is flown in specially for this preparation, which involves vodka and a freezer to create a glass-like tempura coating that melts in your mouth. The mushrooms are good enough to eat on their own, but this dish reaches new heights of pleasure thanks to the sauce meunière with which it’s paired, essentially brown butter emulsified with lemon and Koji for saltiness. The whole thing is topped with grated cured egg yolk, a shower of mimolette cheese, a few chamomile greens and smoked mushroom bonito made from the mushroom scraps. “Nothing is wasted,” Rankin notes.

Kohlrabi
“Vegetables are really my thing,” Rankin says. “I like transforming them into flavors you would never think they could have.” And we certainly never thought of kohlrabi as the basis of a comforting noodle dish before this meal. Rankin had been serving a different turnip dish, but when Esoterra offered up kohlrabi instead, Rankin got creative. “I’m pushing myself to use stuff from the farm and not order from any place other than local farms,” he notes. To create this dish, the kohlrabi is sliced very thin and cut into tagliatelle-like noodles by hand. The scraped pieces get juiced to form the base of the broth, which is infused with butter, nutmeg, Koji, garlic, and green and black peppercorns. The “noodles” are then gently cooked in the broth for about ten minutes before being lightly grilled, plated in the broth and topped with charred alium. “It is the essence of kohlrabi mounted with butter,” Rankin says,” and you definitely need to pick up the bowl to drink up every last drop.
Squid
Knobby, almost mealworm-like crosnes (Chinese artichoke) pair with perfectly cooked squid in this dish that plays with a lot of fun textures, including salted black sesame seeds that pop a bit as you take bites. Other flavor components include lime leaves, Thai red chiles and dill, plus kabosu, which Rankin and Roadhouse have dubbed the new yuzu, or the “new Japanese it-trus.”
Potato
The meal slows down for this course, which is like the ultimate form of the interior of a baked potato; it’s a dish that Rankin created at Trois Mec with Lefevbre. “There’s a Chef’s Table video about it and basically in the video, [Ludo] acts like he created the whole thing,” Rankin jokes (or is he…?). Here, he’s taking back some ownership of the dish, which starts with a bed of soubise (a classic, creamy French onion sauce — Rankin seasons his with white pepper). Then, peeled potatoes are steamed and riced directly on the plate, creating an ultra-fluffy texture. Brown butter, salt, an aged cheddar collab from Jasper Hill and Cabot, and bonito finish off this rich, starchy course that will have you rethinking how you treat potatoes.
Quail
“I realized when I got here that I have never done a quail dish in my life,” Rankin admits, but he’s not one to shy away from a challenge, for himself or for diners. Eating with your hands is encouraged in order to tackle this whole quail that’s marinated in shaoxing wine, Koji, ginger, garlic and local fennel fronds. Potato and tapioca starch form the gluten-free crust, and a duck reduction is painted on the bird, which is dusted with furikake and served over a sauce made with vin jaune, a French yellow wine.
Mont Blanc
The dessert is an ode to the highest mountain in the Alps and Western Europe and a winner for hazelnut fans, combining a dome of chestnut pastry cream sprinkled with marzipan. Within the dome, you’ll find candied hazelnuts, hazelnut tuiles and hazelnut foam.

Would we return?
Happily! Rankin’s excitement for this fresh start is contagious, and his food leans towards fun instead of the over-precious plates that sometimes dominate fine dining.
“I learned a lot,” Rankin says of his time running Bar Chelou. “I learned that when I had everything I wanted — I always wanted a restaurant in L.A. — I really wasn’t that happy. But when I take a look back, I try to focus on the lesson and not the loss. … Starting over sucks, but at the same time, this feels a lot more true to who I am. This is pure freedom of expression — I cook without boundaries here.”
Despite the worldly influences and tasting-menu format, Rankin aims to create comfort food through a fine-dining lens, and we’re excited to see how that vision continues to evolve in Denver.
Petit Chelou is located inside Hop Alley at 3500 Larimer Street and is open starting at 5 p.m. Thursday through Saturday, with two seatings nightly. For more information and to book a reservation, visit hopalleydenver.com and follow @petitchelou on Instagram.
Denver, CO
Old Denver Post building to lose signage as part of settlement with city
Denver, CO
Denver police investigate early morning shooting in Capitol Hill neighborhood
Police in Denver investigated an early morning shooting on Tuesday at 13th Avenue and Pearl Street. Investigators said officers rushed to the 1300 block of North Pearl Street in the parking lot of Call Your Mother around 2 a.m.
When officers arrived, one victim was rushed to the hospital.
At the scene, one vehicle was seen with its back windshield shattered.
What happened leading up to the shooting is being investigated.
Denver, CO
Filled with stories, Denver’s Rockmount Ranch Wear owner Steve Weil shares inside scoop on famous customers
Nestled in Denver’s oldest historic district is a piece of Americana dating back decades. A new book shares the star-studded history of Rockmount Ranch Wear and its influence on fashion icons.
Current owner Steve Weil grew up inside Rockmount Ranch Wear. Long days in a warehouse and store aren’t unusual for a member of the Weil family, considering his grandfather kept at it until he was 107.
“I have been here pretty much since I was a little kid,” said Weil.
Customer watching at Rockmount Ranch Wear in LoDo is, at times, like a night at the Grammys. Music stars abound. Film stars, too. And regular customers looking for a piece of Americana.
Weil says Rockmount has weathered booms and busts over its eighty years of business.
“Everything was about responding to a changing market. That’s the cycle of business, right?” said Weil, who serves as the company’s President and chief creative officer.
His latest creative effort is a third book, “Rockmount Legends: Celebrities in Classic American Fashion.” The book is a compilation of memories of rock stars like David Bowie, Eric Clapton, and Bob Dylan, who have branded their own look with Rockmount clothing. There are stories and back-and-forth communications, as well as style notes and sightings of Rockmount on film sets and among stars.
Weil first noticed a shirt on Elvis Presley in the movie “Love Me Tender.”
“I looked, and I looked, and suddenly I remembered I’d seen a shirt exactly like that that my father had in the 50s,” he recalled.
Weil re-introduced the shirt, and it was a sellout.
The company was started soon after World War II by “Papa Jack,” who cut out a niche as unique as the sawtooth pockets he popularized. The company was the first to put snaps on shirts. His grandfather figured it would keep men on horseback from getting snagged. His shirts also featured yokes and wider cuffs, a departure from the norm at the time.
“My grandfather and his advertising, ‘Designed in the West by Westerners.’ Distinctive,” Steve Weil summarized.
Over the years, more and more stars looking for western wear eventually came into the store on Wazee Street in LoDo.
“People who write music or movies, I think they’re visionaries. And I think they appreciate that in their clothing, and I think we’ve, that’s what we do,” said Weil.
“Rockmount Legends” follows two other books, “Ask Papa Jack: Wisdom of the World’s Oldest CEO,” which is filled with stories and sayings from Papa Jack, who worked at the store until his passing, and “Western Shirts: A Classic American Fashion,” which puts in print the history of the development of western wear.
“I’m inspired by my grandfather. He could mesmerize you with his stories,” said Weil.
One passage features letters exchanged between Papa Jack and Ronald Reagan. Reagan was decrying the U.S.’s shift toward a service economy.
“And my grandfather writes him and says, ‘Servicing is when they take the mare to the stud,’” laughs Weil.
Weil’s father was also an innovator, taking the company nationwide. Weil says he could tell a story of his own.
Weil says, one Saturday at the warehouse, before there was a store, “There’s a guy peering in the window like this, and he sees my father pull up. Opened the door and he says, ‘Bloody hell, you’re never open when I’m here.’ And it’s a guy with an English accent. And my father’s a nice guy, he says, ‘come on in.’”
Later that day, there was a family get-together, and Steve’s father told him the story.
Weil recalled, “My father says, ‘An English rock star came in and I took care of him,’ and I’m thinking, ‘Yeah, right. Who was it?’”
It took his father a few moments to remember, then he spat out, “David Bowie,” mispronouncing the name. Steve was still skeptical until Monday.
“And then the phone rings, and it’s David Bowie’s secretary. He wants a duplicate of the same order sent to Madison Square Garden overnight,” he laughed.
Weil says they try to respect the stars’ space, adding that there are the friendly ones and the more remote ones.
“Robert Plant was really fun,” explained Weil.
When he arrived in the store, Steve says he received a call from one of the workers. He could hear Led Zeppelin’s Plant in the background, crowing about what he’d found.
“I walk in and here’s this guy like, just beaming. He’s having fun,” Weil shared.
The staff ended up getting invited to three nights of shows by Plant and his band at the Fillmore, and Steve went out to breakfast with Plant.
Eric Clapton’s look seems well-branded by Rockmount. Weil says Clapton has been a regular customer over the years. He sent a picture of himself in a Rockmount shirt at one point.
“Can I use that you know in some of our material?” he recalled asking Clapton. “He says, ‘Yeah, what’s in it for me? I said how about a ten percent discount?”
One time, Clapton emailed that he needed shirts for a Cream reunion in London in two days.
“I said, ‘Well, it takes a week from Denver. But I know where you can have a shirt on Thursday, and that’s if I hand deliver one,” he explained.
And so he did. Weil and a friend, capable of making last-minute travel decisions, flew over, but then doubt set in.
“What if this is bogus?” Weil thought.
He had Clapton’s phone number but was too worried about the cost of calling from his cell phone, so he sought out a British phone booth and rang him. Turned out, it was legitimate, and they made the delivery at the Royal Albert Hall. They went to dinner with Clapton as well.
The book is another way to share the memories that go with the images and the stories about people who have found an image along with the clothing.
Weil says sales have changed over the years, with the web now a big component. But personal engagement is still a big part of the Rockmount experience.
“It’s kind of a rare art. And I don’t know, I hope with the internet we don’t lose that kind of stuff,” said Weil.
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