Lifestyle
L.A. Marathon won’t give trans runners prize money. This past champion wants to change the game
Cal Calamia remembers stepping into his power at the Los Angeles Marathon two years ago.
It was a cool and especially windy March morning, and Calamia had run through a succession of L.A. neighborhoods — Chinatown, Echo Park, Silver Lake and Los Feliz, to start. He cruised by some of his favorite L.A. landmarks, including the Hollywood Walk of Fame, which he’d romanticized as a glittering oasis while growing up in the Midwest in a conservative Republican family. Here in California, “a sanctuary for transgender people” like him, and ensconced by the cheering L.A. Marathon crowds, he felt not only safe, but celebrated.
During one section of the race in Westwood, with about eight miles left to the finish line, energetic spectators on Santa Monica Boulevard huddled onto a concrete median shrieking and waving signs — one read, “You’re running better than our government,” he recalls. Toddlers sat perched on adults’ shoulders, seniors wielded cardboard posters. He says the crush of rippling flags is an image he’ll cherish forever — more pink-blue-and-white-striped trans flags than he’d ever seen in one place.
“Being in this particular race environment knowing there was genuine love and support for me, for people like me, just felt like being held,” Calamia says. “It was really beautiful.”
Calamia is determined to best his personal record — 2:41:59 from the Berlin Marathon in 2024 — at Sunday’s LA Marathon.
(Josh Edelson / For The Times)
Calamia would go on to win first place in the L.A. Marathon’s nonbinary division that year, clocking in at 2:53:02 — one of myriad victories in his career. Based in San Francisco, Calamia (whose pronouns are they/he and who asked that both be used in this article) is the only nonbinary marathoner ever to podium (finish in a top-three spot) in six of the Abbott World Marathon Majors. They’re also a leading transgender advocate, helping to educate marathon organizers around the world about equity and inclusion — and a poet, a collection of poems inspired by their gender transition, published in 2021.
Calamia hasn’t participated in the L.A. Marathon since that memorable 2024 race, but they hope to reclaim the top spot in the nonbinary division on Sunday. The race, from Dodger Stadium to Century City, is 26.2 miles long; but the fight for equity for trans and nonbinary marathoners across the sport, Calamia says, is a far longer road.
“It’s changing, but we’re not there yet. So, so much more needs to be done in the realm of education,” they say.
Runners start the 39th Los Angeles Marathon at Dodger Stadium on March 17, 2024.
(Jason Armond / Los Angeles Times)
Calamia is competing in a moment when transgender athletes are a topic of national political debate.
The Trump administration has been trying to ban transgender athletes from participating in youth sports competitions throughout the country, a battle that is playing out in court. The Supreme Court is considering whether to uphold state bans on transgender athletes competing in girls’ sports in Idaho and West Virginia. In 2025 alone, hundreds of bills were introduced at the state and federal levels to restrict the rights of transgender people — not only targeting their participation in sports, but their medical care and their identity documents.
Within the marathoning world, the introduction of a nonbinary division is relatively new and has been a quickly evolving issue. Trans and nonbinary marathoners, historically, have run in either the category in which they were assigned at birth — in which they didn’t identify personally — or, depending on the marathon, in the category aligned with their self-identified gender. In the latter case, some might be at a disadvantage, others an advantage (trans men, for example, might be physically smaller and weaker, with regard to muscular strength and lung capacity, than the cis men they’re competing against.
Trans marathoner Cal Calamia started running in fifth grade. “It was the first time I felt like I had autonomy over my body,” they say.
(Josh Edelson / For The Times)
The Los Angeles and New York City marathons were the first to introduce nonbinary divisions in 2021. Now all seven Abbott World Marathon Majors — in New York, Boston, Chicago, Tokyo, Berlin, London and Sydney — include a nonbinary division for mass participation runners.
But non-binary runners typically aren’t awarded prize money because there isn’t a category for them in elite divisions (in which where prize money is typically awarded) as there is for cis runners. (The New York City Marathon does offer prize money to nonbinary runners within its New York Road Runners-member general division, as do some local races.)
One reason: Most marathons take their cues from the Monaco-based World Athletics, the international governing body for the World Marathon Majors as well as large-scale road races such as the L.A. Marathon. And in the elite field, “our categorisation of either male or female for entry purposes and results are based on an athlete’s biological sex,” spokesperson Maggie Durand said in an email, adding that the dispersion of prize money is ultimately up to the races.
Another issue is that the nonbinary category is smaller and therefore less competitive, the L.A. Marathon says. In 2021, zero nonbinary runners crossed the finish line at the L.A. Marathon; 38 runners did in 2024 and 267 did in 2025. This year, the marathon is expecting 150 participants in the category. That represents just 0.54% of registration for the race, which has about 27,000 participants in all. (A portion of registration fees goes toward prize money.)
While the L.A. Marathon doesn’t have a professional nonbinary division with prize money, it does award the top three nonbinary finishers a trophy or a medal as well as inclusion in post-race publicity.
“World Athletics and USA Track & Field set our industry standards and we look to their regulations,” L.A. Marathon spokesperson Meg Treat said. “But at the end of the day, the category is small. And while some of the runners will clock fast times, many of them are going to be finishing alongside our everyday athletes as part of the general field. We’re watching how the competitiveness of that category develops and we’ll evaluate potential changes.”
Calamia, calls it a “chicken and egg issue.” “There’s a lot of, ‘Oh, it’s not competitive enough and too small,’ but how could it be competitive enough if it’s not recognized?”
Calamia, who was assigned female at birth, grew up in a suburb of Chicago in a “loud, conservative household,” as he describes it, the second oldest of four siblings. “There were a lot of people with strong opinions,” he says, and not much tolerance for “anything different,” which he felt inside. He started running cross-country in fifth grade and it brought him a sense of freedom — from the dissonance inside his mind as well as from the house.
Calamia recently became a vegan. “There’s an intersection between transness and veganism,” they say.
(Josh Edelson / For The Times)
“It was the first time I felt like I had autonomy over my body,” he says.
They moved to San Francisco in 2018 and began their gender transition, having top surgery in 2019. Later that year while training, they ran shirtless through the streets of San Francisco as a nonbinary transmasculine athlete and felt more themself than ever, embracing “the in-between.”
“Early in my transition, my goal was, ‘I don’t want to be perceived as a woman. But I’m not quite like these cisgender men, either.’ It took me a lot of work to understand how beautiful occupying that liminal space is instead. Having the nonbinary division in marathons is an extension of that.”
His family has “come a long way,” but relations remain strained, he says. “They’re not just, ‘We voted for Trump;’ they’re Blue Lives Matter flag up in the yard and Trump bumper stickers and ‘Don’t Tread on Me’ flag and tattoos,” he says. “To try to have a relationship with them is challenging. Because they’re actively voting against not just my rights, but human rights.”
Calamia backed into an activism career when in 2022 he led a campaign pressuring San Francisco’s Bay to Breakers race to let nonbinary participants win awards. (The race was letting the runners register, but not place.) Calamia won that battle — and then took first place in the race days later.
“I was like: ‘Wow, look what we just did. What else can we do?’” he says.
The answer: The San Francisco, Chicago and Boston marathons all introduced nonbinary categories within a year, partly due to Calamia’s efforts. Calamia, would become the San Francisco Marathon’s inaugural nonbinary division winner as well.
Post-victory elation, however, was short-lived: In mid-2023, Calamia had to tirelessly defend their right to use testosterone, which they’d been taking since 2019 as part of their gender transition, to the U.S. Anti-Doping Agency. It ultimately granted them a 10-year therapeutic use exemption so they can continue to compete.
Early in my transition, my goal was, ‘I don’t want to be perceived as a woman. But I’m not quite like these cisgender men, either.’ It took me a lot of work to understand how beautiful occupying that liminal space is instead. Having the nonbinary division in marathons is an extension of that.
— Cal Calamia
Now the four pillars of Calamia’s career — marathoning, activism/education, writing and community building (they founded a nonbinary run club that meets weekly in the Bay Area) — are working together with the gusto of an elite athlete. But Calamia feels added pressure to win races because it amplifies their advocacy voice.
“None of it works if the sports performance isn’t up to par, because then no one is paying attention,” they say. “But also, I’m putting pressure on myself to try and beat all the women or compete with at least some of the fastest men. Because I don’t want to feel like a charity entry. I’m a fast runner. I want to be recognized as a strong athlete — not as someone who got the chance to be here because ‘we’re so inclusive.’”
Calamia says he feels a sense of freedom and calm when running. “It’s a flow state.”
(Josh Edelson / For The Times)
With the L.A. Marathon just days away, Calamia is feeling positive about the race. His personal record is 2:41:59 from the Berlin Marathon in 2024 and he hopes to best that. Toward that end, Calamia will do what he always does the day before a race: visit a spa for contrast therapy (between a hot tub and cold plunge) while visualizing every stage of the imminent marathon, its hurdles and eventual successes. On race morning, he’ll eat his usual: a bagel with peanut butter and a banana.
Next up: Calamia will compete in the open division of the Athletic Brewing Ironman 70.3 Oceanside on March 28, with two other trans athletes as his teammates, Schuyler Bailar and Chella Man. And after competing in the Sydney Marathon this August, he’ll run a 100-mile ultramarathon in Arizona in October.
Marathoning, says Abbott World Marathon Majors Chief Operating Officer Danny Coyle, is “one of the most inclusive movements” in sports globally. “If you’re lucky enough to stand on the side of the street on any given race day in the WMM — and some of the big races like Los Angeles — it’s just this melting pot and stream of humanity of all shapes and sizes, all creeds and colors, with one shared objective: to get to the finish line.”
Calamia, however, says there are still miles ahead until the sport is truly inclusive for trans and nonbinary runners.
“But I love the sport,” they say. “The fact that it’s still evolving is a beautiful thing and I’ve learned so much about myself, and grown so much, because of my relationship with running.”
The L.A. Marathon, they add, plays a central role in the sport’s own evolution.
“L.A. is this place where all these different people from all over the place come together to pursue their dreams, which is inspiring,” they say. “Having nonbinary representation on the course, as well as support from spectators, sets a precedent for other cities around the globe: that no one should have to choose between being who you are and doing what you love.”
Transgender athlete-activist-poet Calamia shows off a tattoo reading, “Eyes up. Look ahead.”
(Josh Edelson / For The Times)
In her long-awaited memoir, Phases, entertainment icon Brandy is opening up about her storied journey from singing in church in rural Mississippi to building a decades-long career in Hollywood as a music artist, songwriter, producer and actress.
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It was in the late summer of 1993 when Brandy first captured viewers nationwide with the premiere season of the sitcom Thea. Playing the vibrant and savvy Danesha Turrell, Brandy stepped into a role that, though short-lived, would become the prelude to her now decades-long entertainment career.
In an interview with Morning Edition ahead of the release of her new memoir, Phases, Brandy recounted that these early achievements affirmed the childhood dreams she held so close growing up in McComb, Mississippi, and Carson, California. While working to reach her visions for herself, Brandy honed her singing and acting skills with the support of her singer and musican father, William “Willie” Norwood Sr., her mother and eventual manager, Sonja Norwood, and her younger brother, Ray J, whose full name is William Norwood Jr.
“All I wanted to do was be a singer, touch people with my voice and meet Whitney Houston. That was my dream. But God had other plans for me. I was able to expand into acting and all sorts of things that I never saw myself doing,” Brandy told NPR’s A Martinez.
Brandy at the ninth annual Soul Train Music Awards in 1995, where she won the award for R&B new artist following the release of her self-titled debut album, which went platinum and featured her chart-topping singles “I Wanna Be Down” and “Baby.”
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Brandy’s debut acting role came the same year that she secured her first record deal — with her signing to Atlantic Records. Just one year later in 1994, several months after Thea filmed its final episode, Brandy dropped her self-titled debut album. The platinum-selling album stormed the charts, producing two No. 1 singles on the Hot R&B/Hip-Hop Songs chart, three top 10 hits on the Billboard Hot 100 chart and securing Brandy’s title as an artist to watch.
“I just remember being fearless at 14, excited for everything, ready for all of the things that I saw myself doing. I just was so full of spirit,” said Brandy, whose full name is Brandy Norwood, though she’s gone by the mononym Brandy throughout her career.
From a rising star to a pop culture force
Less than a year after releasing her first album, Brandy had already accomplished one of her most coveted goals — meeting her idol Whitney Houston. The pair crossed paths at the Nickelodeon Kids’ Choice Awards in 1995, where Brandy was performing and Houston was hosting the show. Brandy said that encounter was the beginning of a “beautiful friendship” between her and Houston.
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Brandy and Houston soon worked together again when Houston asked Brandy to be on the soundtrack for Houston’s 1995 film Waiting to Exhale, a music project that Houston curated to feature a roster of all-women music artists and housed Brandy’s No. 1 single “Sittin’ Up in My Room.”
The following year, Brandy took on a new role on the UPN series Moesha, where she starred as the show’s title character, Moesha Mitchell. The show aired for six seasons until its end in 2001, a series run Brandy said she “couldn’t predict” would have lasted so long.
Brandy celebrates the 100th episode of Moesha with her castmates William Allen Young, Yvette Wilson, Shar Jackson, Marcus T. Paulk, Lamont Bentley, Sheryl Lee Ralph and Brandy’s real-life brother, Ray J.
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“It was nothing like Moesha on television. It wasn’t a young Black girl with braids on television, just tackling so many topics about life and what teenagers go through. It was different. It was family oriented. It just seemed really grounded,” Brandy said.
“I loved that it was set in Leimert Park. It was just the culture there. It was just so beautiful,” Brandy added, referencing the real-life historic Black neighborhood in Los Angeles where Moesha and her family lived on the show. “I was so happy that we tapped into it. It was such a fun time.”
Brandy and her real-life brother, Ray J, both appeared in the the television series Moesha. Brandy played the series’ title charachter, Moesha Mitchell. While Ray J memorably played several charachters on the show, with his best-known rolebeing Dorian Long.
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But it was in 1997 that Brandy played one of her most treasured roles — Cinderella in the Disney television film adaption of the musical Rodgers & Hammerstein’s Cinderella. Brandy was cast in the lead role by her own fairy godmother Houston — with Brandy making history as the first Black actress to play a Disney princess on screen.
While working on the film, Brandy says that Whitney centered her with “encouraging energy” and urged Brandy to be herself.
“She just made me feel safe to be myself and I just wanted to impress her,” Brandy said. “Anything I could think of to impress her, I would do it … to make her laugh, to do a run or something to just make her smile. Just because I loved her so much. And I still love her.”
Brandy and Monica arrive at the 41st annual Grammy Awards in February 1999 in Los Angeles, California. That night they won the Grammy Award for best pop duo/group peformance for their chart-topping single “The Boy Is Mine.”
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Dan Callister
On the glass heels of the Cinderella film’s international success, Brandy released her 1998 sophomore album Never Say Never. The album included the track “The Boy Is Mine,” her record-breaking duet with her fellow teen sensation Monica. Brandy then closed out the decade with a Grammy win for “The Boy Is Mine,” her becoming the first Black singer to land a CoverGirl contract, Mattel’s release of a Brandy Barbie doll, and her recognition as a beauty and style muse — who’d become known for her trademark braided hairstyles and her fashion on and off the screen.
Balancing the dream
The bustle following Brandy’s debut album in 1994 had surged to a thundering confirmation by the end of the 1990s, with the multiphenate amassing a pop culture significance unrivaled by most of her teen-star contemporaries. But Brandy says navigating her preteen and teenage years as a public figure came with a crushing cost — the mounting expectations of perfection she often felt placed upon her professional and personal life.
Brandy performs during the 50th annual Primetime Emmy Awards on September 13, 1998.
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“You’re a teenager. That’s when you’re making mistakes, and falling down and trying to get back up — all of these things. And I wasn’t able to do that because I was an example. I was put in a position to be like a role model,” Brandy said.
“The pressures of staying on point and not making mistakes — it was hard to live up to for a long period of time,” Brandy continued. “Because life kicks in. And you do start to learn about yourself. And you do start to make mistakes. And you learn from those mistakes. But when you’re a child star, everything is on blast.”
An expansion of career and honoring of self
Brandy entered the new millennium with artistic fervor, exclaiming her coming of age as a young adult with her 2002 third studio album Full Moon and its acclaimed title track. Her Full Moon era also included the birth of her now 23-year-old daughter Sy’rai Smith, who Brandy says has pulled her own creative inspiration from the beloved project.
“[Sy’rai]’s an artist. She loves music. She can sing her little tail off. So I’m supporting her on her journey, becoming and blossoming into a beautiful artist,” Brandy said, adding that “Full Moon” is Sy’rai’s favorite song out of her mom’s catalog. “Her and her crew, every time that song comes on, they want me to know that they know every lyric. They know every word.”
Brandy visits BET’s 106 & Park and chats with the shows co-host Free in 2002 while promoting her third studio album Full Moon.
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In the decades following Full Moon, Brandy expanded her career through a melding of film, TV, theater and music projects.
As an actress, she’s taken on feature films like The Perfect Match, her lead role in the sitcom Zoe Ever After, her televsion movie with Sy’rai Christmas Everyday and starring on Broadway as Roxie Hart in the musical Chicago. She’s also continued to foster her musical evolution through studio albums that have found her exploring a range of sonic spaces — including her critically lauded Afrodisiac in 2004, her pop and R&B fusion Human in 2008, Two Eleven in 2012 and her musing experimental album B7 in 2020, which she co-wrote and co-produced.
Brandy’s daughter, Sy’rai Smith, pictured above on the left, is building her own career as a singer and actress. Sy’rai released her debut single “On My Own” in 2023, has been featured on several songs on her mother’s albums and Sy’rai appeared alongside Brandy in the Lifetime holiday movie Christmas Everyday, which premiered in November 2025.
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Paras Griffin
Despite her exhaustive list of creative pursuits, the past three decades have seen Brandy employ moments of dormancy from the spotlight — with her often going inactive on social media and generally retreating from the public eye between projects. It was during one such break that Brandy says she was able to fully address the emotional complexities of her life as a child star.
“Once I was able to step away from the limelight and really work on myself, and work on my self-worth, and heal, I was able to grow and become an amazing person, and mom and a role model for my daughter in the best way possible,” Brandy said. “So I’m grateful for what I’ve been through because I wouldn’t be the person that I am today.”
A timeless icon reinspired
Now putting shape to her fourth decade in the entertainment industry, Brandy says she’s building on the artistic energy she rediscovered during her record-setting joint tour with Monica last fall — which was named after their hit song “The Boy Is Mine.” The 32-date The Boy Is Mine Tour sold out arenas around the nation and dominated social media feeds with performance clips, photos and behind-the-scenes footage.
Brandy attends her Hollywood Walk of Fame induction ceremony on March 30, 2026, in Hollywood, California.
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“When I was creating [The Boy Is Mine] with Rodney Jerkins and LaShawn Daniels, I was watching a lot of [the Jerry Springer Show]. And I saw this [episode] where the show was called pretty much ‘The Boy Is Mine.’ And I was like we should do a song with another artist like Monica,” Brandy said. “I thought my idea for it was amazing. When I heard the song, I just had this idea of our voices going back and forth, and us going back and forth in the song, and producing it like that and. And nobody could see it but me. And I was right.”
“[‘The Boy Is Mine’] is the biggest song of our careers. It won us a Grammy. It put us back on tour 27 years later in 2025 in front of these amazing fans — and reinspired me and reignited me to do more performing and entertainment now. I’m so inspired because of ‘The Boy Is Mine’ and the tour,” Brandy said.
Brandy performs the national anthem ahead of the NFC Championship Game between the Los Angeles Rams and the San Francisco 49ers at SoFi Stadium on January 30, 2022 in Inglewood, California. Brandy’s white tracksuit paid homage to the white windsuit her idol Whitney Houston wore during her iconic performance of the national anthem at the Super Bowl in 1991.
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Christian Petersen/Getty Images/Getty Images North America
As Brandy waxes into a new phase of galvanized creativity and self-discovery, she’s reassured that she won’t be overshadowed by weighty expectations and misconceptions. Instead, this era of her life will be fully illuminated by the personal truths she assuredly proclaims in her long-awaited memoir, which she penned in collaboration with journalist Gerrick Kennedy.
“For so long my story was told for me. So given the opportunity to have a chance to speak myself and tell my own story, I just felt like it was divine,” Brandy said. “I wanted to give my younger self a voice and heal my inner child. Some of the things that I went through was super difficult, and I wanted to speak about that and inspire others.”
“[Gerrick Kennedy] helped me to recall some of the things that I didn’t remember and was able to put together a beautiful, compelling story to help other people feel like they can survive whatever they’re going through,” Brandy added.
To his millions of YouTube, Instagram and TikTok followers, 30-year-old designer and content creator Drew Michael Scott (a.k.a Lone Fox) is best known for his easy-to-follow DIY transformations, from updating his 1929 Spanish duplex and offering rental tips to surprising his mom with a living room makeover.
Now, Scott has taken on a new project that isn’t online. This week, he opened Lone Fox Los Angeles, a 7,000-square-foot bricks-and-mortar home store on La Brea Avenue in Mid-City that will have about 2,500 square feet of retail space across two floors.
In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.
“I source every single item,” Scott said, as he gave a tour of the elegant showroom filled with vintage furniture and modern accessories including glassware, pillows, lighting and small gifts.
Scott started selling vintage furniture online about 2½ years ago after his viewers kept asking him about the pieces he used. “I would always use thrifted finds and flea market things in my makeovers, and people would always ask me, ‘Can you sell what you’re using?’” he said.
Fans can now get a taste of his impeccable style in person. Curious about where he finds his vintage pieces? On a typical Sunday in L.A., Scott visits one or two flea markets. Want to know which ones? Keep reading.
This interview has been lightly edited and condensed for length and clarity.
8 a.m.: Avoid anxiety by posting content
I am a workaholic. But I do that to myself. In the past, I was an anxious person, and that stemmed from having too much free time. So I like filling my day. I have been doing social media for 15 years, and Sundays are my primary day for posting content. I wake up around 8 or 9 a.m. and am excited to post my content, which I always have ready to go. Over time, I noticed it felt like a nice day for people to look at social media because they had more free time, and I found that my views did better on Sunday.
9 a.m.: Coffee and croissants at a minimalist coffee shop
I love the coffee shop Laveta Coffee near downtown [L.A.] on Glendale Boulevard, which is only 16 minutes from my house. It’s a chill coffee shop where croissants are made to order. They also have cinnamon-sugar croissant doughnuts that are really good. I always get the Andante, a cold brew with maple syrup, salted sweet cream foam, cacao powder and pink salt. It is the best coffee I’ve ever had in my life. It’s my go-to, and I love that place.
10 a.m.: Flea market shopping in Long Beach or Pasadena
Sundays are for flea markets, and I take advantage of that. I personally source all my vintage pieces, so I try to visit flea markets every week. I bring a wagon to carry all my finds and really enjoy hunting for treasures. I try to go early and can always find art or furniture to rework and give new life. My favorite spot is the Long Beach Flea Market.
Another great option is the Pasadena City College Flea Market. It’s especially nice on hot days because about 70% of it is in a shaded parking garage. Sometimes I’ll find a large piece of furniture. When that happens, I use Lugg, which works like Uber. It’s perfect for things like sideboards and usually costs about $100.
Noon: Hunt for treasures at a sprawling antique mart
I also spend a lot of time at the Mart Collective in Venice, where I have a booth. I love finding new pieces there and checking out the different vendors. The selection is so interesting. It feels more like a museum than a typical antique mall, and I always discover something new. Two booths I really like are West End Vintage, which has unique furniture that looks like it’s from a mountain home, and a French booth near the checkout stand that has amazing French oil paintings.
1:30 p.m.: Stop by Lone Fox Los Angeles
After shopping, I’ll drop off my vintage finds from the flea market and check in at Lone Fox Los Angeles. I don’t plan to be there all the time, but I want to be around the first few weeks it’s open to spot any issues.
2 p.m.: Walk the dog over to Thai lunch
After visiting the shop, I’ll walk my dog over to Her Thai in Mid-City to pick up lunch. I love their pad Thai and Thai iced tea, and I usually get my order to go and bring it home. The Thai tea is especially good. Her Thai is run by the same people who own Met Her at a Bar and Met Him at a Bar, and they are all great.
4 p.m.: Indulge in an afternoon bath
I love taking a bath during the day, even though it feels a bit unusual. I only get the chance on Sundays. I don’t really use bath time to relax, but I do find it sparks my creativity. When I’m in the bath, I come up with ideas for scripts or plan out my work for the week. It might not be the typical way people use their bath time, but it’s something I’ve always enjoyed. My mind is usually focused on work, so that’s where my thoughts go. While I’m in the tub, I like using Cyklar products. Their vitamin C body oils smell great, and adding them to my bath makes me feel productive.
7 p.m.: Enjoy some homemade pasta at a cozy neighborhood cafe
Then I’d have dinner at Met Him at a Bar, my favorite spot. I really like the restaurant’s vibe. They offer both indoor and outdoor seating, and it reminds me of a New York street corner. The restaurant serves Italian food and makes its pasta from scratch. Their Brussels sprout appetizer with balsamic glaze is amazing. The cocktails are great too. Since it’s just a few blocks from my house, I can walk there if I want to have a drink.
10 p.m.: Content planning while watching true crime documentaries
I love watching TV from bed. On Sunday nights, I usually plan content for the week and check what’s trending. I try to relax and come up with new ideas. I’m really into crime documentaries, which are very different from the content I make at home. I like how real they are, even if they aren’t uplifting. I can work on my phone and look up when something interesting happens. I also enjoy YouTube videos about home content, Mr. Kate, how things are made and soothing ASMR reels. It’s my guilty pleasure and helps me unwind.
A note from Wild Card host Rachel Martin: George Saunders is considered one of the master storytellers of our time. He uses humor and empathy to draw readers into characters and situations that stick deeply in the imagination.
He also seems like a guy totally preoccupied with the liminal space between the living and the dead. And I dig this because I am also preoccupied with this in-between-space. It was the setting for his best selling book “Lincoln in the Bardo” and of his newest novel, “Vigil.”
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