Culture
Tennis mailbag: 2025 season and schedule, players to watch on the ATP and WTA Tours
Tennis is back. Did you miss it? The season resumes from today, December 27, with the United Cup opening proceedings in Perth, Australia.
The Athletic’s tennis writers Matt Futterman and Charlie Eccleshare are here for the second of two mailbags, answering your questions submitted earlier this month. The first focused on tennis in 2024; this one will focus more on 2025 and the state of the sport, before a deeper look into storylines on the ATP and WTA Tours at the start of January.
Read on for their views on players to watch this year, the state of the political machinations at the top of tennis, and more.
Will H: Seems to be a generational transition brewing in the men’s game at the moment. Young guys like Jack Draper, Arthur Fils, Giovanni Mpetshi Perricard and Ben Shelton seem poised to break into the top 10 and knock some of the previous gen (Andrey Rublev, Stefanos Tsitsipas, Hubert Hurkacz) down a peg. Do you agree, who do you expect to make a real push next year, and are there other names you’d throw in?
Charlie Eccleshare: I think I agree. My only hesitation is that I don’t know if that agreement comes from a selfish perspective rather than an analytical one. That isn’t a knock on Rublev, Tsitsipas and Hurkacz; it’s just exciting to have new blood and there’s a sense with those three (and others of similar vintage) that it may never happen for them at the very top level.
Maybe the next generation, without the kind of baggage those in their mid-twenties have built up, can be a genuine threat at the sharp end of majors… But that’s what was said about Tsitsipas et al. when they were about to replace nearly men like Kei Nishikori, Grigor Dimitrov and Milos Raonic. Dimitrov is still here and around the top 10!
All four of Draper, Fils, Mpetshi Perricard and Shelton have the weapons to be a genuine threat to the very best — they already are on their day — and they certainly have it in them to push for top-10 places next year.
Other names to look out for are the world No. 50 Shang Juncheng of China, who’s only 19 but possesses an excellent all-round game, and the exciting Brazilian Joao Fonseca (18), who looks like a star of the future. Belgian Alexander Blockx looks like one promising name of many on the Challenger Tour.
Of those slightly older, Flavio Cobolli (22 and ranked No. 32 after a breakthrough year) could make an impact, though he’s less explosive than some of his peers. World No. 25 Tomas Machac, 24, has serious weapons and could be a real threat if he can add some consistency to his game. Where does Holger Rune fit into all this I wonder? At 21, he’s younger than Draper and Shelton, but his trajectory makes it feel like he’s in the Tsitsipas category.
Matt Futterman: John Isner reached No. 8 and made the Wimbledon semifinals. He also banked $22.5million in prize money. That’s pretty good. Mpetshi Perricard may have more weapons and is smaller, so he likely moves better. I think we need to see him for another year before we figure out who he is.
GO DEEPER
Tennis stardom is a roulette wheel. Joao Fonseca is ready to bet on himself
Anon: Which coaching shifts do you think will stand the test of time?
MF: I’m going to bet on Wim Fissette and Iga Swiatek, mostly on the basis of Swiatek’s talent and on Fissette being a pretty genial guy that everyone seems to get along with. Swiatek has a ton of weapons, some of which she has holstered for most of her dominance: when she first broke out, she could spin the ball as well as anyone and was volleying and hitting drop shots with aplomb.
If Fissette can help her unlock the closet where all that stuff has been stored the past couple years she should start winning Grand Slams outside of Paris and he will be a huge hit.
Christopher Z: For both tours, who had a down or absent year that you expect to make a comeback in 2025? Looking at the Australian Open entry list, some big names using their protected ranking include Pablo Carreno Busta, Nick Kyrgios, Reilly Opelka, Jenson Brooksby and Belinda Bencic.
CE: Bencic, the 2021 Olympic gold medalist in women’s singles, jumps out to me because when we spoke recently she sounded very serious about her chances of getting back to a really good level.
Belinda Bencic is hoping to return to the top of the WTA Tour after giving birth to her daughter. (Tiziana Fabi / AFP via Getty Images)
Of the others, it’s hard to imagine Kyrgios coming back from so long out and being a consistent factor on the tour, but I wouldn’t rule out him having enough to produce a magical moment or two. Of the others you mentioned, Brooksby at 24 looks like having the best shot at climbing his way back up the rankings next year.
The players to look out for might be the ones who began a comeback this year, like Naomi Osaka and Emma Raducanu and are looking to build on those foundations in 2025, ditto Karolina Muchova, who’s ranked No. 22 despite only returning from a nine-month absence in late June. Matteo Berrettini’s season only began in March because of injury so perhaps he’ll have a more settled 2025, though I fear at 28 he may have peaked already.
Otherwise, I’m excited by the prospect of a fit Denis Shapovalov after the long layoff he had, and how about Ons Jabeur? She hasn’t played since August because of a knee injury that wrecked her season, and surely everyone in tennis will be hoping that she can come back and be a factor next year.
GO DEEPER
My game in my words. By Ons Jabeur
Kevin M: What’s the latest with the proposed changes to ATP/WTA scheduling?
MF: Two words: Not much. The leaders of the ATP like making their players play at least eight Masters 1000 tournaments. The WTA just secured equal pay down the road in exchange for mandatory attendance at the biggest tournaments. The only way any change happens is if players start refusing to show up at events after the U.S. Open. I don’t see a shorter season. Maybe the tours lose enough 250-level events that they gain back a week but it’s hard to see that anytime soon and it would harm tennis’ status as a global sport.
Tom J: Any news on the premium tour ideas that were floated earlier in the year? Has that just come to a temporary haunt until Indian Wells/Madrid again or is there behind-the-scenes progress?
MF: Tennis honchos keep referencing productive discussions. Players are fed up and feel like they are getting gaslit. The Professional Tennis Players Association (PTPA) has hired a team of lawyers and litigation of various kinds could begin in 2025. That could force change — or at least some serious talks instead of happy talk and gaslighting.
GO DEEPER
Inside tennis’ corridors of power: A fractured hall of mirrors where nothing is as it seems
Alex H: Do you think Jack Draper or Katie Boulter will continue to have another great year? Who is your tip for the next crop of Brits to emerge?
CE: If Draper can stay healthy then I see no reason why he can’t make the top 10. In tennis circles in Britain and outside it, the feeling is that Draper has top-five potential.
Boulter’s progress has been steady over the last few years, but the big question mark is whether she can deliver at the Grand Slams. She’s never reached the second week of a major, and last year didn’t even go beyond the second round. Improvement, or lack of it, at the biggest events will decide whether Boulter continues being a very solid top-30 player or something more.
Britain’s No. 2 Raducanu has had a very different career, winning a shock Grand Slam at 18 but struggling for the kind of consistency that’s been Boulter’s hallmark since. That’s what she’s striving for now, and with Maria Sharapova’s former trainer Yutaka Nakamura joining her team Raducanu is hopeful that she can stay fit and get back towards the top of the sport. A word also for Sonay Kartal, 23, who won her first title and cracked the world’s top 100 in 2024, having ended 2023 ranked world No. 235.
From the next generation, there is a lot of excitement about the British women coming through. The huge-serving Mika Stojsavljevic (16) won the U.S. Open juniors in September and came agonizingly close to a first tour-level win at the Pan Pacific Open in Tokyo. She is arguably the pick of the bunch. There’s also Hannah Klugman (15), who won last year’s international under-18s tournament, the Orange Bowl, and came within a match of qualifying for this year’s Wimbledon. Keep an eye out also for Mimi Xu, a 17-year-old with excellent technique, if not the easy power of Stojsavljevic.
Mika Stojsavljevic will hope to build on her success in 2025. (Luke Hales / Getty Images)
The boys are not at quite the same level, though Henry Searle, 18, became the first Brit in 61 years to win the Wimbledon boys’ singles title in 2023. Charlie Robertson, also 18, has had a promising year and is mentored by Andy Murray, but standing at a possibly generous 5ft 8in he’ll likely need to do some growing to make it on the ATP Tour. Oliver Bonding (18) and Viktor Frydrych (17) both went out early in the Orange Bowl last week, but are considered decent prospects.
Julian G: How do you see the popularity of tennis in the United States evolving over the next few years? It feels like other sports are making breakthroughs (F1 “Drive to Survive”, Golf with the popularity of YouTube), while tennis is at a standstill with the flop of Netflix’s “Break Point”.
MF: If USTA numbers are to be believed, tennis participation continues to rise, though outside New York City and some other urban centers where courts are scarce, I do see a lot of empty courts. As for television ratings, if the stars can keep making finals and breaking through with the help of their sponsors, that can help make up for the failure of Break Point. Plus, we’ll all be watching Zendaya and her boys on “Challengers” streams for a long time. Sequel? Please?
James Hansen: This theme is connected to the below questions, so I’ll put them in before answering more widely…
Anon: As always, my question is about the effect of tennis’ subpar broadcasting on the sport. The hideous light tan or pink court surrounds making the ball impossible to see as it bounces; the still too-high camera angle leaves calling slices or topspin up to the announcers; hardly showing the final handshake while loving ‘the box”, while sometimes not ID’ing who they are.
Sarah Bordeaux: What’s the latest and/or future of tennis broadcasting in the US? Tennis Channel (Plus) is now a standalone product, are there any potential suitors coming for Grand Slams or other broadcast rights, including for the Challengers/NCAA tournaments/etc, and what exactly is behind the Tennis Channel deal?
Sinclair has been very open about its desire to explore ‘strategic alternatives’ for the Tennis Channel, whether selling a stake or the whole property. Its move to direct-to-consumer suggests a willingness to try and keep up with a changing media landscape tennis is yet to really get to grips with.
ESPN will pay $2.04billion (more than £1.5bn) to air the U.S. Open through 2037 in a deal signed this year, while Wimbledon’s broadcast deal with ABC and ESPN networks comes in at $52.5million (£40.3m) per year as of 2024, according to SP Global. Broadcast rights remain gold dust, even as cable TV revenues decline and direct-to-consumer alternatives can, to date, only vainly attempt to make up the shortfall. Those broadcast rights — which are converted into the broadcasting that many fans, like Anon above, feel is often subpar — are important to Grand Slams because their value is tied to in-person attendance. If you are a huge tennis fan who can watch a tournament for free where you live, you are less often going to pay for a ticket to be there in person.
To keep that balance, the broadcast rights are very restrictive. Any footage cut up and put on YouTube or social networks like X, Bluesky and TikTok will get copyright-striked and taken down in short order, whether it is posted by a player who wants to reach their own fans or a fan just having some fun as part of the online tennis community.
This is where popularity comes in. A sport cannot grow if it cannot be discovered. A fan in the U.S. who sees a Coco Gauff TikTok or a meme about “Challengers” and wants to learn more about the world currently can’t watch highlights except on official channels and can’t watch much tennis at all without several subscriptions. A player who wants to engage people by documenting their life on tour can’t post highlights of their own matches. And in sanctioned media properties — whether documentaries produced by stars, or something like Break Point — tennis has largely failed to show fans why they should care about anyone outside the biggest stars where Formula One and golf have turned players further down their rankings into compelling personalities. Then, if they do make it, they already have an audience invested in their journey.
As cable in the U.S. gets less and less profitable, these lucrative media rights are, eventually, going to get less lucrative. If tennis doesn’t change its relationship with discoverability, it is going to get a big and bad shock when they do. Expect much more coverage of this here in 2025.
(Top photo of Jack Draper: Getty Images; top photo of Karolina Muchova: Associated Press)
Culture
Finding Wisdom in a Poem by Wendy Cope
Where do you turn when you need advice? A chatbot? A life coach? A wise and trusted friend?
How about a poet? Poets may not be famous for making the best life choices, but because they subject the mess of human existence to the discipline of language, they can be as helpful as any therapist or mentor.
Good poets know the rules and when to break them, which is something they can teach the rest of us.
To wit:
Giving advice is a peculiar literary undertaking. It flourishes in certain popular genres — graduation speeches, newspaper columns, country and western songs and poems like this one — but what, in these contexts, is it really for?
I’m thinking of situations when you don’t urgently need help but nonetheless enjoy reading answers to questions you may not have thought to ask. What interests you isn’t the content of the advice — you could get all the life hacks you want from A.I. — so much as the voice of the person dispensing it.
Wendy Cope is an English poet, born in 1945, who has been a fixture of her country’s literary scene since the 1980s. More recently, her short, buoyant poem “The Orange” has been widely memed online, bringing her to the attention of new readers beyond Britain.
Cope favors rhyme, meter, brisk jokes and tart aperçus. She addresses romance, friendship and the petty absurdities of modern life with disarming good humor. The last line of “The Orange” is “I love you. I’m glad I exist.” Somehow she makes it the opposite of cringe.
This isn’t the kind of poetry you would describe as “confessional.” And yet …
Question 1/7
Stop, if the car is going “clunk”
Or if the sun has made you blind.
Don’t answer e–mails when you’re drunk.
Tap a word above to fill in the highlighted blank.Want to learn this poem by heart? We’ll help.
Fill in the missing words below. You can always refer to the reading by A.O. Scott and full
text above.Let’s start with the first stanza.
Culture
Can You Match the Places These Authors Lived With Settings in Their Books?
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights places where authors were born (or lived) that later became locations in their books. To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the works if you’d like to do further reading.
Culture
Book Review: ‘America, U.S.A.,’ by Eddie S. Glaude Jr.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries, by Eddie S. Glaude Jr.
For those of us in the national memory-keeping business, anniversaries hold near-totemic power. Satisfyingly round units of time, ideally bearing fancy, Latin-derived names, serve as the overburdened pegs on which to hang think pieces and museum exhibits, revisionist documentaries and maudlin public ceremonies. The arbitrary nature of such occasions is precisely what gives them their charge, inviting us to set aside complacency and submit to a comprehensive check-in.
In his new book, “America, U.S.A.,” Eddie S. Glaude Jr. presents an intriguing variation on the genre, seeing the country’s 250th birthday as an anniversary of anniversaries: 50 years since the malaise-ridden, schlock-heavy Bicentennial. A century since the subdued Prohibition-era Sesquicentennial. A century and a half since telegraphed reports of George Armstrong Custer’s defeat by the Lakota and Cheyenne at Little Bighorn rudely interrupted the Gilded Age Republic’s 100th birthday party.
If an anniversary offers a snapshot of a moment, the core of Glaude’s book is an old-timey photo album, a collection of notable episodes from earlier national reckonings, long-ago glances in the mirror. An estimable scholar of Black history, politics and religion at Princeton — best known for “Begin Again,” his 2020 meditation on James Baldwin’s relevance for our times — Glaude focuses, as his subtitle puts it, on “how race shadows the nation’s anniversaries.”
Such celebrations, he contends, have never really been the moments for honest self-reflection they are often advertised to be. Instead, the nation usually shatters the mirror, refusing to accept what it prefers not to see. “American anniversaries are often moments to turn a blind eye to the evils of the past and the present,” Glaude writes, “to suppress the fact of America’s divided soul.”
It’s a clever concept, and, needless to say, perfectly timed. Last year, Glaude notes, the Trump administration executed a hostile takeover of the government’s studiously bipartisan 250th anniversary planning. It is now preparing a program that is certain to conceal more than it reveals about the country ostensibly being celebrated.
Glaude, in no mood for celebration, argues that such omissions and evasions also defined commemorations in the past. In 1875, Frederick Douglass predicted “one grand Centennial hosannah of peace and good will to all the white race of this country.” He was right: The nation reached 100 years old at a crucial moment in the post-Civil War fight over racial equality, with white Northerners ready to give up on Southern Reconstruction. The occasion would help the once-warring sections to reunite around a shared commitment to white supremacy. On May 10, 1876, at the opening of the Centennial Exposition in Philadelphia, the police tried to bar Douglass from the grandstand, until a white politician vouched for him.
The 150th anniversary came soon after a resurgent Ku Klux Klan successfully pushed for a restrictive immigration law aimed at keeping America a “Nordic” nation. At the lavishly funded, lightly attended celebrations in Philadelphia, Black veterans of World War I were excluded from marching in the opening parade. A writer with The Associated Negro Press wondered “what was in the breast of those black men who fought to make America safe for Democracy and on Monday stood on the sidelines, forgotten, as the Nordic strode by in all his vain pride.”
By 1976, when the nation marked its Bicentennial, the violence of the ’60s had destroyed any semblance of consensus. Vietnam and Watergate had eroded trust in the government. The commission initially tasked with organizing the anniversary was disbanded amid reports of corruption. Corporations filled the vacuum, Glaude explains, with “star-spangled whoopee cushions; patriotic toilet seats; Liberty hamburgers; red, white and blue beer cans.” The author, around 8 years old at the time, dimly remembers donning a pair of tricolor trousers.
A half-century later, Glaude is refreshingly honest about the depths of his despair. “I do not love America, and never have, especially now,” he writes in one of the more startling opening sentences I’ve read in some time. He dismisses this year’s Semiquincentennial as reaching back “to a storybook America that requires either the banishment of Black people from view or the reduction of our role in the country’s history, so as to affirm America’s ongoing quest to be a more perfect union.”
Undoubtedly true. But Trump doesn’t own the country, at least not yet, nor the 250th anniversary of one of the most radically liberatory and confusingly contradictory events in world history — an inspiration, as Glaude shows, even to critical observers of the American experiment, like Douglass. Far from the revanchist MAGA-palooza in Washington, I suspect this summer’s unasked-for invitation to national soul-searching may surprise us yet.
Despite his despair, Glaude concludes that “the past still offers resources for us to freedom-dream.” So, too, does this book.
AMERICA, U.S.A.: How Race Shadows the Nation’s Anniversaries | By Eddie S. Glaude Jr. | Crown | 270 pp. | $31
-
News19 minutes agoRemains of Los Alamos National Laboratory employee missing for nearly a year found in New Mexico forest | CNN
-
Los Angeles, Ca2 hours agoSticker shock not just affecting World Cup match ticket prices, but parking costs too
-
Detroit, MI2 hours agoFrankie Valli cancels tour. Why Four Seasons won’t be back in Detroit
-
San Francisco, CA2 hours agoLive From Microsoft Build 2026 San Francisco
-
Dallas, TX2 hours agoDallas Cowboys Full OTA Schedule Ahead Of 2026 NFL Season
-
Miami, FL2 hours agoThese Miami pizza spots rank among America’s best
-
Boston, MA3 hours agoNew England’s most welcoming towns and best summer escapes
-
Denver, CO3 hours agoA Writer Goes Down the Rabbit Hole at Denver’s First Microdosing Cafe