Culture
Marco Angulo, FC Cincinnati and Ecuador midfielder, dies aged 22
FC Cincinnati midfielder Marco Angulo has died aged 22, five weeks after suffering serious injuries in a car accident.
Angulo, on loan at Ecuadorian club LDU Quito this season, was involved in a crash in the Ecuadorean capital on October 7 and died at a local hospital 35 days later.
FC Cincinnati said in a statement: “We are deeply saddened by the loss of Marco—a husband and father, a brother and son, a friend and teammate.
“He was a joyful, kind young man who lit up every room he entered. Our entire club grieves this tragedy, and we are thinking of and praying for his family. He was a cherished member of the FC Cincinnati family, and he will be missed.”
Angulo was one of five people in the car that crashed into a metal structure on the motorway and he is the third to die following the incident. Roberto Cabezas Simisterra, a full-back for Independiente Juniors, and Victor Charcopa Nazareno also lost their lives.
“It is with profound pain and sadness that we bring you the news of the death of our player, Marco Angulo,” read an LDU Quito statement on Tuesday.
“We extend our deepest condolences to his family and loved ones. His departure is an irreparable loss that will leave an indelible mark on our hearts. May he rest in peace.”
Angulo was capped three times by his country with the Ecuadorian Football Federation highlighting in a statement that “he was not only a great player, but also a great team-mate.”
📍Descansa en paz Marco 🕊️⚽️ pic.twitter.com/SCPEIpkXTR
— LigaPro (@LigaProEC) November 12, 2024
Angulo began his career at Independiente Juniors in his native Ecuador before joining Independiente del Valle and then FC Cincinnati, where he was under contract until 2025.
He made 30 first-team appearances for the MLS club before joining LDU Quito on loan this season, with the last of his 18 appearances coming on October 6.
Angulo is survived by his wife and young son.
(Franklin Jacome/Getty Images)
Culture
From NYT’s 10 Best Books of 2025: A.O. Scott on Kiran Desai’s New Novel
When a writer is praised for having a sense of place, it usually means one specific place — a postage stamp of familiar ground rendered in loving, knowing detail. But Kiran Desai, in her latest novel, “The Loneliness of Sonia and Sunny,” has a sense of places.
This 670-page book, about the star-crossed lovers of the title and several dozen of their friends, relatives, exes and servants (there’s a chart in the front to help you keep track), does anything but stay put. If “The Loneliness of Sonia and Sunny” were an old-fashioned steamer trunk, it would be papered with shipping labels: from Allahabad (now known as Prayagraj), Goa and Delhi; from Queens, Kansas and Vermont; from Mexico City and, perhaps most delightfully, from Venice.
There, in Marco Polo’s hometown, the titular travelers alight for two chapters, enduring one of several crises in their passionate, complicated, on-again, off-again relationship. One of Venice’s nicknames is La Serenissima — “the most serene” — but in Desai’s hands it’s the opposite: a gloriously hectic backdrop for Sonia and Sunny’s romantic confusion.
Their first impressions fill a nearly page-long paragraph. Here’s how it begins.
Sonia is a (struggling) fiction writer. Sunny is a (struggling) journalist. It’s notable that, of the two of them, it is she who is better able to perceive the immediate reality of things, while he tends to read facts through screens of theory and ideology, finding sociological meaning in everyday occurrences. He isn’t exactly wrong, and Desai is hardly oblivious to the larger narratives that shape the fates of Sunny, Sonia and their families — including the economic and political changes affecting young Indians of their generation.
But “The Loneliness of Sonia and Sunny” is about more than that. It’s a defense of the very idea of more, and thus a rebuke to the austerity that defines so much recent literary fiction. Many of Desai’s peers favor careful, restricted third-person narration, or else a measured, low-affect “I.” The bookstores are full of skinny novels about the emotional and psychological thinness of contemporary life. This book is an antidote: thick, sloppy, fleshy, all over the place.
It also takes exception to the postmodern dogma that we only know reality through representations of it, through pre-existing concepts of the kind to which intellectuals like Sunny are attached. The point of fiction is to assert that the world is true, and to remind us that it is vast, strange and astonishing.
See the full list of the 10 Best Books of 2025 here.
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