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From F1 Academy firsts to unique roots, Chloe Chambers breaks the motorsports mold

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From F1 Academy firsts to unique roots, Chloe Chambers breaks the motorsports mold

This article is part of our Origin Stories series, an inside look at the backstories of the clubs, drivers, and people fueling the sport.


As Chloe Chambers navigated the final lap of Race 2 in Barcelona on her way to her first win in F1 Academy, she took a different approach.

The American driver was laser-focused, making sure to keep the lap clean. But with the gap she built to the rest of the field, she could take the final corner around Circuit de Barcelona-Catalunya slower than usual.

“I just drove that last lap and took the time to realize what had happened in the race because, of course, while you’re racing, you don’t really think about that,” Chambers said. “You just think about the next thing coming up the next corner. And so I was able to use that last lap to think about things, think about what I was going to say on the radio. That’s always important.”

Chambers is proof that a driver can thrive in motorsports without making the full-time Europe jump. Haas supports the 20-year-old in F1 Academy, the all-women racing series that is the latest addition to the Formula One pyramid. She climbed to that point while still residing in the United States.

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Waiting for her in parc ferme after her first F1 Academy victory, aside from Campos Racing and members of Haas, was her father, who she describes as “a very emotional guy.” She added, “I don’t know if you saw the video of him in Barcelona, but he was a mess after my win.”

The hard work and waiting for the right moment paid off. Chambers sits fourth in the standings with four races to go in 2024 but feels finishing in the top three “is a reasonable goal.” And she already knows she’ll be on the grid next season, sporting blue as part of Red Bull Ford.

Chambers has found a way to live a balanced life, furthering her education while pursuing her motorsports career. Her goal? Reach the pinnacle of motorsport—her own way.

“I hope that (my story) gets people involved in motorsport. I think a lot of people assume that you have to be rich and come from money and be from Europe to be involved in motorsport, especially on the F1 side,” Chambers said to The Athletic, later adding, “This year has been the best year for my racing, and, of course, for me having fun as well. I’ve had the most fun this year driving than I ever have.”


Chloe Chambers has had a successful first season in F1 Academy. (Pauline Ballet/Formula 1 via Getty Images)

Chapters of Chambers’ life may surprise fans.

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She appeared on a 2019 episode of David Letterman’s My Next Guest Needs No Introduction, which also happened to include Lewis Hamilton. Most know Letterman for his T.V. work, but Chambers knew him for his IndyCar ties. She and one other karter raced with Letterman in go-karts, spending an entire day at the track.

“He was really trying,” Chambers recalls. “He was trying so hard. He even spun out and hit the wall, and they actually showed it on the episode.”

Then, before she jumped to single-seaters in 2021 for a partial season in the F4 United States Championship, she became a Guinness World Record holder at 16 years old for the fastest vehicle slalom. Looking back, she realized, “I don’t think I’d ever driven any car at that point.” She only had her permit when she drove a Porsche 718 Spyder at a record-breaking time of 47.45 seconds.

Chambers says many people notice that she comes from an adoptive family, likely because she attends most of her races without them by her side.

She was born in Guangdong, China, a southeast coastal province that borders Macau and Hong Kong. At 11 months old, she was adopted and originally started living in Texas. Her younger siblings are also adopted — her sister is from northern China, and her brother is from Ethiopia.

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“I can remember when they started the process with my brother, but with my sister actually, it’s kind of a unique thing where it actually ended up taking them, like, seven years or something like that, to get it all finished,” Chambers said. “I can’t remember exactly what happened, but originally, my sister was supposed to only be a couple years younger than me. And then I think that was about the time when there were a bunch of just issues happening in China with the social climate and everything. So they halted adoptions for a little bit.”

This detail of her life story remains at the top of her mind as her motorsports career grows, as she’s been an ambassador for the Gift of Adoption Fund since 2021. “We try to help out wherever we can,” she said. “Of course, having their logo on my suit and being able to spread the message as I go through my travels and everything has been something that I’ve been able to continue on with.”

After living in Texas for a year, Chambers’ family moved to the northeast, spending over a decade in New Jersey and New York. This is where Chambers’ motorsports journey began. Though living with an American family, NASCAR and IndyCar weren’t the series that caught her eye. Her family didn’t watch much of either, aside from the Indianapolis 500, of course.

But Chambers remembers watching F1 with her father.

“My dad was always a big motorsport fan since he was young,” she said. “He grew up in the U.K., so it was a little bit more in their culture than it was for us, but I grew up with it.”

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Her dad took her to her first karting outing, and Chambers remembers it being right before the track closed for winter. She was seven years old, “when you’re trying out every sport ever to see which one you like if you like any.” She fell in love with it and asked throughout the winter months when she could return.

“My dad took me to some indoor tracks during the winter time. I didn’t like that very much. And then, as soon as the track opened again in April, we were there, and we did that full season together.”


As Chambers puts it, her father was “a mess” after her first F1 Academy win at Barcelona this year. (Pauline Ballet/Formula 1 via Getty Images)

Chambers began competing at age eight and won numerous regional and national championships across the next nine years. But motorsports wasn’t the only sport in her life. Though shorter in stature, swimming has also been a passion.

“I liked the racing, so to say. But I wanted something a little more and something that wasn’t so heavily up to physical attributes as swimming is,” Chambers said. “I knew I was never going to be the tallest person ever, so swimming was probably going to end at some point. So that’s where I found racing, and it kind of made up for all the things that I was lacking when I was swimming.”

From swimming, she learned the coaching style that works best for her. Chambers said she went through numerous coaches, some of whom she liked more than others, and learned how key it was to have the right people surrounding you to extract the best performance.

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Unlike other drivers across different series, especially those who end up in the F1 pyramid, Chambers never made the jump to living full-time in Europe. Instead, she competed in karting mainly in the United States and  Canada and lives full-time in Indiana. She described European karting as “the pinnacle of karting” but says, “I think that there are a lot of drivers in the U.S. as well that have a lot of talent and can race on the same level as the European racing can.”

Not making that jump to Europe did raise a few questions. Chambers’ partial F4 season happened at the end of her junior year of high school and the beginning of her senior year, prime time for college applications. The world was still bouncing back from the COVID-19 pandemic.

“My parents and I said we’ll continue on racing as long as we can, but being in the U.S., not quite making it over to Europe yet, and being able to get some of the European sponsorship as well, we weren’t sure how long I would be able to race for. And even if I did continue on, you’re not going to be able to drive forever.”


Chambers delivered Haas its first Formula series win this season. (Pauline Ballet/Formula 1 via Getty Images)

So she continued applying to colleges and ended up at Arizona State University, pursuing a fully online degree in Business Administration and Management. Chambers grew up managing her career alongside her parents, so this degree was a natural fit. Given that she did not know the future of her racing career, Chambers did apply to different universities as if she would be in person. However, the online format provided flexibility for when W Series eventually came knocking for her to test at the end of 2021 in Arizona.

Her racing career continued with the W Series in 2022 when she teamed up with series champion Jamie Chadwick at Jenner Racing. The following year, she competed in the 2023 Porsche Sprint Challenge North America and Formula Regional Oceania Championship in New Zealand. In the latter series, she became the first woman to secure pole position and win in its history. She believes that moment helped her get to F1 Academy in 2024 with Haas F1 Team and Campos Racing.

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But she is still pursuing her college degree, balancing the travel, competition and pressure of online exams.

“I find the great importance in (that balance),” Chambers said, “and it’s also something that’s very unique within racing drivers.”


F1 Academy debuted in 2023, and Marta García won the inaugural championship. Many questions surrounded F1 Academy, especially considering the other all-women series, the W Series, didn’t finish the 2022 season and entered administration in 2023.

Chambers wanted to see where F1 Academy would go in its first season, a decision she still stands by. The category only allows women to compete for two years, and over half of the grid, including points leader Abbi Pulling, will not compete in 2025. Chambers is the first move in the drivers’ market for next season, moving from Haas to join Red Bull Ford.

She’s been sitting on the news for quite some time. Conversations with teams about 2025 began to pick up around mid-season, around when Chambers’ F1 Academy results started picking up. She finished third and fourth in Miami and came in third and first in Barcelona in June.

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Chambers will race F1 Academy for Red Bull Ford in 2025. (via Red Bull)

But she had been on Ford’s radar before her first F1 Academy win. Chambers competed in the first round of the Mustang Challenge earlier in June, stepping in for a driver who was injured earlier in the year. She said, “When given the opportunity to go drive a race car, I always say yes. So I went and did that just for fun and, of course, to get some experience in a different kind of car. And it turned out to be something even bigger.”

It was the first race of the year, and numerous “big people from Ford” attended that weekend. Jim Farley, the CEO who also competed, and  Ford Performance Motorsports Global Director Mark Rushbrook met Chambers and hosted a dinner for the competitors.

“It’s also big news when an F1 Academy driver goes and does other racing elsewhere. So I think, of course, there were a lot of eyes on me that weekend regardless.”

Chambers said you must adapt your driving style to a heavier car like the Mustang, similar to jumping between open-wheel racing and another motorsports category. While there is the hope of competing in other series outside of F1 Academy, she said there haven’t been a whole lot of discussions around it. However, “Ford being Ford, I think (they) would love to have me back in Mustang again. It’s one of their most iconic cars ever, an American race car as well.”

Chambers put pen to paper in August, before F1 Academy’s race weekend at Zandvoort. But she had to keep it under wraps aside from sharing the news with her family and close friends. She said the company filming a docuseries on F1 Academy, Hello Sunshine, knew and did attempt to fish it out of her.

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A big move is on the horizon for Chambers. And she’s got aspirations to race for wins and championships at “the pinnacle level of motorsport” — in any given series. The American driver’s current focus is the open-wheel racing path, like F1, but she’s open to the World Endurance Championship, IMSA and the prestigious Le Mans.

She’s a racer at heart.

“My idea of success is having a nice long career, maybe some good results here and there. But I’m not somebody who thinks winning is the only way to see success for me,” Chambers said. “Ever since I started racing karts, my dad always told me that the weekend will be a success in our book as long as I drove to my full potential. So even though that weekend might not have been my best weekend results-wise, if I drove to my full potential and didn’t leave anything else on the table, then that’s a good weekend for us, and I think that kind of can be said for my career as a whole.

“As long as I continue on with my career and continue performing at whatever my potential is, then I think that’ll be something that I’m happy with.”

Origin Stories series is part of a partnership with Chanel.

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The Athletic maintains full editorial independence. Partners have no control over or input into the reporting or editing process and do not review stories before publication.

Top photo via Red Bull Racing

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

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Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

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Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

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Wallace Stevens in 1950.

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Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

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Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

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When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

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Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

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“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

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But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

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This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

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Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

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It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

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“You’re just a kid,

Gordie–”

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“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

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if I was!

It’s like

God gave you something,

all those stories

you can make up,

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and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

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and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

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So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

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I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

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Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

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We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

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Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

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The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

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They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

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I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

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and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

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did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

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Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

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“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

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I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

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“The Body” Read by Wil Wheaton

“Will you shut up

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and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

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Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

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“It’s not really much—”

“Naw,

we don’t expect much

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from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

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“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

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and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

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When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

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“I feel the loss.”

Wheaton remembers River Phoenix.

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The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

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And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

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Near the end

of 1971,

Chris

went into a Chicken Delight

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in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

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One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

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and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

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It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

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Do You Know the Comics That Inspired These TV Adventures?

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Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

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