Lifestyle
Cheddar bay biscuits, cheap margs and memories: Readers share their nostalgia for chain restaurants
Affordable, familiar and reassuring are the features that make American chain restaurants a near-ubiquitous presence throughout the country; it is almost as if they are baked into our roadside culture.
Despite well-documented financial struggles, a tough economy and shifting diet trends, these restaurants withstand time.
This series explores why these places have such strong staying power and how they stay afloat at a time of rapid change.
Read our first three pieces in this series, including how these restaurants leverage nostalgia to attract diners, how they attempt to keep costs affordable, and how social media has changed the advertising game – and become a vital key to restaurants’ success.
America’s chain restaurants are not the most glamorous places to eat. And yet, as we’ve reported, they hold a special place in many Americans’ hearts.
We asked readers what comes to mind when they think of restaurants like Olive Garden, Applebee’s or Texas Roadhouse — and you shared plenty of stories.
Not all of the respondees waxed poetic about the merit of these restaurants. David Horton, 62, from New York, for example, said: “The food is mostly frozen and only has flavor from the incredible amounts of sodium they use.”
But overwhelmingly, responses described vivid childhood memories shared in booths looking excitedly over laminated menus and the type of adolescent rites of passage that seem right at home in the parking lot of a suburban chain restaurant.
There’s a science behind why these sorts of memories have such a hold on us.
The feeling of nostalgia is linked closely to food and smell, and these restaurant chains are often where core memories – like graduation celebrations or first dates – are made.
Chelsea Reid is an associate professor at the College of Charleston who studies nostalgia. And she’s no more immune to nostalgic feelings than anyone else even though she has a better understanding of the chemistry behind the feeling.
“Even just saying Red Lobster, I can kind of picture the table and the things that we would do and the things we’d order, and my mom getting extra biscuits to take home,” she said.
A Red Lobster restaurant is seen in Fairview Heights, Ill., in 2005.
James A. Finley/AP
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James A. Finley/AP
Her nearest Red Lobster closed down, but a local farmers’ market sells a scone reminiscent of Red Lobster’s famed Cheddar Bay Biscuits – a scent she says immediately transports her back to those childhood family outings to the seafood chain.
“I can see my mom wrapping these up in a napkin and putting them in her purse for when we would be like, ‘hey, we’re hungry,’ and she pulls out a purse biscuit.”
Full disclosure: Your intrepid reporters are not without sentimentality. Before launching this project, when it was just a kernel of an idea, we talked frequently about the role these restaurants played in our own lives.
Jaclyn: I distinctly remember cramming into a booth at my local Chili’s in my hometown, Cromwell, Ct., for most birthday dinners until the age of 13 or so.
I’d be surrounded by my mom, dad and brother, and I got to pick whatever I wanted. Except I always chose the same thing: Chicken crispers with a side of fries, topping the night off with the molten lava chocolate cake we’d share as a family.
I can picture it so clearly, down to the booth we’d sit in. Now, my family is spread out. But my love for Chili’s runs deep, and I still get warm and fuzzy when I think about it.
These days, I’m in my 30s, and I need to worry about my health and getting in 10,000 steps a day. So, no, I don’t regularly go to Chili’s now.
But when I do? Those chicken crispers I had as a kid are still on the menu, and yes, I’m likely to order them today (even if on my adult tastebuds, the salt content quickly turns my mouth into the Sahara Desert).
And it’s not to celebrate my birthday. It’s because one of my best friends is telling me she’s getting a divorce over cheap, and sugary, margaritas.
Alana: When the pandemic struck in 2020 and much of the country went into lockdown, there I was mostly alone in my one bedroom apartment, staring at the walls.
After what seemed like a lifetime, I was finally able to expand my tiny COVID bubble.
One of my first “dining out” experiences during that time was in the parking lot of the Hyattsville, Md., Olive Garden where my friend and I sat in absolute glee to be reunited – not just with one another, but also the chain’s staple soup (zuppa toscana for me, please), salad and breadsticks (you can have all the breadsticks if I can have your share of the salad tomatoes).
Since then, that friend and many others have moved away – too far to meet up for a sit-down over a (mostly) hot meal at a reasonably priced restaurant in a city not famed for being cheap.
I recently revisited the Hyattsville Olive Garden for this story. And even though my life is now different, my friends have moved away, and the world has shifted, there it was, exactly the same.
And I liked it.
Many readers said that these restaurants were the type of place a family who could rarely afford to eat outside a home could treat themselves on rare occasions.
Like Julie Philip, 51, from Dunlap, Ill., who wrote: “Growing up in the 70’s and 80’s, Red Lobster was an Easter tradition. We would dress up, go to church, then drive close to an hour to Red Lobster.”
She continued, “It was one of only a few days a year that we could afford to eat at a ‘fancy restaurant.’ I remember my parents remarking that they had to spend $35 for our family of four. I no longer consider Red Lobster a ‘fancy restaurant,’ but as an adult, my family and I often still eat there at Easter. I remind my kids that we are keeping up a family tradition and I tell them stories of my childhood while eating.”
The original Applebee’s restaurant was called T.J. Applebee’s Rx for Edibles & Elixirs and it opened in Decatur, Ga., in 1980.
Applebee’s
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Applebee’s
For Sarah Duggan, an Applebee’s parking lot evokes a key memory from young adulthood.
Duggan, 32, from North Tonawanda, N.Y., wrote that every time she sees an Applebee’s, she remembers the time her friend, in an act of teenage rebellion, got her belly button pierced in the parking lot of a Long Island Applebee’s — inside the trunk of the piercer’s “salvage-title PT Cruiser.”
Duggan held the flashlight.
She wrote, “I can’t picture those sorts of college kid shenanigans happening in the parking lot of a regular Long Island diner or other independent restaurant, but it seems right that it was at Applebee’s.”
She continued, “It makes me think about how nobody, from riotous camp counselors to your spouse’s grandparents, looks or feels out of place at a chain restaurant.”
Lifestyle
‘The Super Mario Galaxy Movie’ remembers every Nintendo moment ever : Pop Culture Happy Hour
Mario (Chris Pratt) in The Super Mario Galaxy Movie.
Universal Pictures
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Universal Pictures
The Super Mario Galaxy Movie is the ultimate piece of Nintendo fan service. Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy) are on an outer space adventure to save Princess Rosalina (Brie Larson). The film features other beloved Nintendo characters like Bowser (Jack Black) and Yoshi (Donald Glover) – and a few surprises. It’s a sequel to The Super Mario Bros. Movie, which made more than a billion dollars worldwide.
Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture
Kid Cudi is lounging in a colorful attic much like the one in his childhood home in Cleveland.
He’s surrounded by treasures of his childhood: movie posters of “The Last Dragon” and “The Truman Show” (the latter inspired artwork for his latest album, “Free”), a Nintendo 64 game console, a vintage house phone with a long cord, posters of Outkast and Nirvana, a green lava lamp and at least a dozen Pokémon figures. A makeshift window on the back wall opens onto what looks like a portal to outer space.
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Kid Cudi gives a tour of his “Big Bro with Kid Cudi” podcast studio.
“It’s kind of like the world outside of this attic,” the Grammy-winning and multihyphenate artist says, reaching toward the window as if he could leap through and enter another dimension. “It’s like you’re traveling through the cosmos.”
The ’90s-themed attic, which he says is a metaphor for his mind, serves as the backdrop for his latest project: a podcast called “Big Bro With Kid Cudi,” premiering Wednesday via Wave Sports and Entertainment.
The idea to launch a podcast began during the pandemic, when touring — and the world — came to a screeching halt. By then, Cudi, born Scott Mescudi, had already logged 20 years of a successful emo rap career, launched a clothing line, forged an acting career and created an animated film. Still, he was eager to explore a fresh frontier.
(Jason Armond / Los Angeles Times)
“I was really hyped on the idea of having a weekly show where I’m kind of like shooting the s— with my friends and having real positive conversations,” says Cudi, 42. “I want it to be a light in people’s lives. Something they can just put on, tune out the world and have a good time.”
He named it “Big Bro” because that’s exactly how he’s been seen by fans and peers throughout his career.
“I realized that’s who I am,” says Cudi. “I’m the one that’s meant to show you what not to do in life and how to avoid the same mistakes that I’ve fallen for in my life.” Big Bro is also the name of his mental health foundation for youth that he launched earlier this year.
Inside Kid Cudi’s studio are posters of Wu Tang Clan and Nirvana, an Ohio license plate, a Polaroid camera, a Nintendo 64 and more.
(Jason Armond / Los Angeles Times)
Now in his 40s, married and fully independent from a record label (hence the album title “Free”), Cudi is in a different place in life.
“I’m just so f— happy,” he says, flashing a luminous smile. His outfit, an Off White hoodie and a fleece bucket hat with a tortoise on the front, is just as uplifting and whimsical as his attitude. “People are going to see the joy on my face when they see the episodes. I think my fans really enjoy seeing me happy and that’s the most beautiful thing about my career — it’s that these fans really care about me.”
After years of opening up about his struggles with addiction, loneliness and depression through his music (on tracks like “Soundtrack 2 My Life,” “Trapped in My Mind” and “The Void”), in the press and in his 2025-released memoir. Despite being so vocal, Cudi still retains a mystique quality that fascinates fans. The podcast, he says, is a space for him to open up more than he already has.
“He’s a larger-than-life figure,” says John Fontanelli, director of original content at Wave and the lead producer on “Big Bro.” “He has a lot of different aliases and personas. He’s a very funny and relatable person and I think that comes through with him as a host.”
“I was really hyped on the idea of having a weekly show where I’m kind of like shooting the s— with my friends and having real positive conversations,” says Kid Cudi, 42.
(Jason Armond / Los Angeles Times)
To bring his vision to life, Cudi teamed up with Wave Sports and Entertainment, which is home to shows like “7pm in Brooklyn” with NBA Hall of Famer Carmelo Anthony, “Straight to Cam” with hosts WNBA star Cameron Brink and NBA wife Sydel Curry-Lee and “So True” with comedian Caleb Hearon. Wave was the only company that was “gung-ho” about his show idea and building out the production set of his dreams, he says. Inspired by the set design for Big Tigger’s “Rap City: The Basement” show on BET, Cudi wanted to fill his podcast set with items that reflect his personality and energy.
“I love that set,” he says. “There was this theme where all the guests kind played along like they were really coming to his mom’s house and it was so cool,” he says.
Before filming his first episode, Cudi binged several podcasts and tapped people like writer, producer and actor Lena Waithe, whose guidance helped him navigate hosting and connect authentically with his guests. And of course, he created the catchy jingle for the show himself, which includes the lyrics “Big bro / chillin with big bro” in his signature flow.
Each week, Cudi will sit down with a mix of unexpected guests for wide-ranging, playful conversations that uncover new sides of both his guests and himself. The premiere episode features entrepreneur and reality TV star Kylie Jenner, who rarely does podcasts or sit-down interviews.
“I think it will shed a lot of light on the sides of her life that she doesn’t normally talk about like motherhood, being a businesswoman and juggling both things,” says Cudi. “I was asking her very thoughtful questions and she was being very upfront and transparent, so I felt like this was like a really great episode to start with.”
Each Wednesday, Kid Cudi will sit down with a guest to talk about life, creativity and more.
(Jason Armond / Los Angeles Times)
Though fans may be expecting the show to tackle mental health and other difficult topics, Cudi plans to keep the conversations lighthearted and fun. “I feel like when we get into the mental health stuff, it can get really heavy and at least right now, I don’t want that to be the tone for the show,” he says. “This podcast, for me, needs to be really positive. The conversation needs to be fun, like no stress and not triggering for anyone.”
The podcast is just one piece of a much larger creative surge unfolding in Cudi’s orbit. Later this month, he will kick off the Rebel Ragers tour along with guests including M.I.A., A-Trak, me n ü, Big Boi and Cudi’s longtime producer, collaborator and friend, Dot Da Genius.
Under the artistic alias Scotty Ramon, he also hosted his first solo art exhibit, “Echoes of the Past,” at Ruttkowski;68 gallery in Paris. “I went years not knowing if I could paint and not only could I do it all along, there’s people in the world that are going to f— with it,” he says. He’s already finished with his next art collection, which he plans to showcase in New York next year.
With short films like “Mr. Miracle” and “Neverland” already under his belt, he’s been digging deeper into his director bag as well.
“I’m just so f— happy,” says Kid Cudi. “People are going to see the joy on my face when they see the episodes. I think my fans really enjoy seeing me happy and that’s the most beautiful thing about my career— it’s that these fans really care about me.”
(Jason Armond / Los Angeles Times)
“I’m somebody who was raised watching the Wayans,” he says. “Some mother— who came in here and were like ‘We’re gonna do it like this.’ People like Robert Townsend and I just know what’s hot. I know what’s funny. I know what’s cool and I know what stories we haven’t seen.”
With his Mad Solar production and music management company, he is the star of an upcoming film called “God Backwards,” which he says will be released later this year. On top of all of that, he recently began streaming on Twitch (“Someone Cooked Here”), where he showcases his music making process including his four-track EP “Have U Bn 2 Heaven @ Nite?” which released in March.
As he continues to dive into different mediums, Cudi says the mission remains the same: to continue evolving, challenging himself artistically and inspiring people along the way.
“[It] makes me feel so good as an artist that I can take this leap into another realm and I’ll still have support,” he says. “There’s people who are like ‘Cudi painting now? Right now. What else you got, kid?’ I love it.”
“Big Bro With Kid Cudi” will drop new episodes every Wednesday starting April 1 on YouTube and other streaming platforms.
A satirical statue of President Trump and the late convicted sex offender Jeffrey Epstein went up in front of the U.S. Capitol in February. The temporary statue drew huge crowds that amplified the image by posting it on social media. The statue is a play on the iconic scene from the film Titanic and is called “King of the World.”
Brendan Smialowski/AFP via Getty Images
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Brendan Smialowski/AFP via Getty Images
WASHINGTON — There’s a propaganda war playing out on the National Mall between the Trump administration and its critics. The administration has hung giant banners bearing President Trump’s face from several federal buildings. His name now adorns both the John F. Kennedy Center for the Performing Arts and the United States Institute of Peace.
Meanwhile, an anonymous group called the Secret Handshake has put up satirical statues of Trump and artworks that emphasize everything from the president’s friendship with the late convicted sex offender Jeffrey Epstein to Trump’s taste for marble and gold leaf.
Another group, the Save America Movement, has plastered posters on fences and walls mocking members of Trump’s Cabinet. One shows a photo of White House Deputy Chief of Staff Stephen Miller and says, “Fascism Ain’t Pretty.” Another shows Attorney General Pam Bondi and reads, “Epstein Queen.”
The Save America Movement, a nonprofit, has plastered posters around Washington, D.C. This one mocks Attorney General Pam Bondi for her handling of the Epstein files.
Save America Movement/Save America Movement
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Save America Movement/Save America Movement
A man poses for a photograph with a gold-painted, faux-marble toilet sculpture titled “A Throne Fit For a King” that was installed March 31 near the Lincoln Memorial. The Secret Handshake, an artist collective, put up the statue, which mocks President Trump’s renovation of the White House bathroom attached to the Lincoln Bedroom, a project that drew criticism for taking place during a government shutdown.
Probal Rashid/LightRocket via Getty Images
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Probal Rashid/LightRocket via Getty Images
“We think that ridicule is a really important tool in an opposition toolbox to fight authoritarianism,” said Mary Corcoran, who runs the Save America Movement, a nonprofit.
Corcoran adds that she doesn’t see this as a fair fight “because they’re using taxpayer dollars to fund their propaganda, and we’re not.”
The White House rejects criticisms that the president is recasting the National Mall in his own image and using federal buildings for self-aggrandizement.
Workers hung this banner in February from the Department of Justice headquarters. Visitors and scholars liken it to the political iconography seen in authoritarian states such as China and the former Soviet Union.
Brendan Smialowski/AFP via Getty Images)
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Brendan Smialowski/AFP via Getty Images)
“President Trump is focused on saving our country — not garnering recognition,” White House spokesman Davis Ingle told NPR by email. “A variety of organizations are free to share their opinions publicly, even when they lack any basis in reality.”
The National Mall is known as America’s front yard, and includes monuments and museums designed to unify the nation and celebrate democracy.
Last month, a gold-painted statue depicting Trump holding Epstein’s outstretched arms on the prow of a ship as though they were Jack and Rose on the Titanic drew a steady stream of people who laughed and posed in front of it for photos.
Not everyone was amused.
“It’s a gross interpretation of our president,” said Andi Lynn Helmy, a high school senior from Jacksonville, Fla. “Even if you don’t agree with his policies … I think it’s just an incredibly disrespectful thing.”
The battle of images playing out on the National Mall has yielded remarkable juxtapositions. They include this giant banner of President Trump, which hangs from the Department of Labor. In the foreground are banners put up by the anonymous group the Secret Handshake, which read “Make America Safe Again” and emphasize the president’s friendship with the late sex offender Jeffrey Epstein. The Epstein banners are a rebuttal to a Trump banner that hangs from the Department of Justice and also reads “Make America Safe Again.”
Bill Clark/CQ-Roll Call, Inc via Getty Images
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Bill Clark/CQ-Roll Call, Inc via Getty Images
Other visitors took exception to the president’s face staring down from those banners on the Department of Labor, the Department of Agriculture and the Department of Justice. They likened it to the images of personalized rule seen in the People’s Republic of China during the Chairman Mao Tse-Tung era and the Soviet Union under Joseph Stalin.
“I just feel like he’s sort of painting himself as the king of America,” said Luke Price, a freshman at the University of Vermont. “I just don’t think that’s what we’re about. America is a democracy, not a dictatorship.”
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