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How to have the best Sunday in L.A., according to Keiko Agena

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How to have the best Sunday in L.A., according to Keiko Agena

Keiko Agena likes to create moments of coziness — not just on Sundays, but whenever she possibly can.

“Oh, there’s my rice cooker,” she says when she hears the sound in her Arts District home. “We’re making steel-cut oatmeal in the rice cooker, which by the way, is a game changer. I used to have to baby it and watch it, but now I can just put it in there and forget it.”

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In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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The 52-year-old actor, who played music-loving bestie Lane Kim in the beloved series “Gilmore Girls,” delights in specific comforts like a bowl of warm oats, talking about Enneagram numbers and watching cooking competitions with her husband, Shin Kawasaki.

“It sounds so simple, but I look forward so much to spending time on the couch,” Agena says with a laugh.

It is time that she’s intentional about protecting, especially amid her kaleidoscope of projects. Over the last couple of years, Agena starred in Lloyd Suh’s moving play “The Chinese Lady” in Atlanta, acted in Netflix’s “The Residence,” showcased her artwork in her first feature exhibit, “Hep Tones” (some of her ink and pencil drawings are still for sale), and performed regularly on the L.A. improv circuit. And her work endures with “Gilmore Girls,” which turns 25 this year. Agena narrated the audiobook for “Meet Me at Luke’s,” a guide that draws life lessons from the series, and is featured in the upcoming “Gilmore Girls” documentary “Drink Coffee, Talk Fast.”

She shares with us her perfect Sunday in L.A., which begins before sunrise.

5 a.m.: Morning solitude

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I like to be up early-early, like 5 a.m. I like that feeling of everything being quiet. I’ll go into the other room and do Duolingo on my phone. I am a little addicted to social media, so the Duolingo is not just to learn Japanese, but also to keep me from scrolling. Like, if I’m going to do something on my phone, this is better for me. I think my streak is 146. Shin is Japanese, from Toyama. So I’ve been meaning to learn Japanese for a while. For him and his mom.

Then I’ll do [the writing practice] Morning Pages. I don’t know when I learned about Julia Cameron’s book [“The Artist’s Way”] — probably around 2000. I know a lot of people do it handwritten, but I’m a little paranoid about people, like, finding it after I die. So if I have it on my computer and it’s password protected, I can be really honest.

Then a lot of times, I’ll go back to bed. Shin, as a musician, works at night, and so he wakes up a lot later. So I’ll fall back asleep and wake up with him.

9 a.m.: Gimme that bread

I don’t do coffee anymore because it’s a little too tough for my system, but I’ll walk with Shin to Eightfold Coffee in the Arts District. It’s tiny but very chill. Then we’re going to Bliss Bakery inside the Little Tokyo Market Place. We get these tapioca bread balls. If you make any kind of sandwich that you would normally make, but use that bread instead, it ups the game. It’s life-changing. The Little Tokyo Market Place is not fancy or anything, but it has everything that you would want. There’s Korean food. They have a little sushi place in there. You can get premade Korean banchan and hot food in their hot food section. They also have a really good nuts section. It’s just one big table with all these nuts, just piles and piles.

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10 a.m.: Nature without leaving the city

We’ll go to Los Angeles State Historic Park near Chinatown. I like that place just because it’s very accessible. Like, they have accessible bathrooms and I’m always checking out whether a place has good bathrooms. We call it Flat Park because it’s a great walk. Like, you’re not really out in nature, but there’s a lot of greenery. You can take your shoes off and at least touch grass for a second.

11:30 a.m.: Lunch and TV cooking shows

One of my favorite salad-sandwich combos is at Cafe Dulce in Little Tokyo. A Korean cheesesteak and a kale salad. That’s always like a — bang, bang — good combo. So we might go there or Aloha Cafe, though it’s not fully open on Sundays. But I love it because I grew up in Hawaii. They have this great Chinese chicken salad and spam musubi and other Hawaiian food that is so good.

We’ll bring home food and watch something. Cooking competition shows are my cream of the crop. My favorite right now is “Tournament of Champions” because it’s blind tasting. To me, that’s the best way to do it. “The Great British Bake Off” is Shin’s favorite. He loves the nature and the accents as much as the actual cooking. He just loves the vibe, the slow pace of the whole thing.

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I’m such a TV girl. I love spending time on the couch and eating a meal and watching something that’s appetizing with my favorite person in the world. I’m lucky because I get to do that a lot.

2 p.m.: Browse the aisles

I’ll go to this bookstore called Hennessey + Ingalls. I love art and architecture and design, but you can’t always buy these massive books. But you can go into this bookstore and look at them and it’s always chill.

If I have time, I’ll walk around art supply stores. Artist & Craftsman Supply is a good one. I’ll look at pens, pencils, stickers, tape, washi tape, different kinds of paper, charcoals. In my art, I try to find things that aren’t meant for that particular purpose, like little things in a hardware store that I’ll use it in a different way.

5 p.m.: Downtown L.A. in its glory

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We really love to walk the Sixth Street Bridge. It’s architecturally beautiful and they’re building a huge park over there, so we’ll walk around and check it out, like, ‘Which trees are they planting? Can you see?’ We sort of dream about how it’s coming together. But the other beautiful thing about that walk is that if you go at sunset and you walk back toward downtown, it’s just gorgeous. Los Angeles doesn’t have the most majestic skyline, but it’s so picturesque in that moment.

6:30 p.m.: Cornbread and Enneagrams

I’ll head to the Park’s Finest in Echo Park. It’s Filipino barbecue. It’s just so savory and rich and a special hang. Their cornbread is really good. Oh, and the coconut beef, but I’m trying to eat less beef. They have a hot link medley. Oh my gosh, just looking at this menu right now, my mouth is watering. OK, I’ll stop.

One of my favorite things to do is ask friends about their Enneagram number. So the idea of sitting with friends over a good meal and asking them a bunch of personal questions about their childhood and what motivates them and what their parents were like and what their greatest fear is and then figure out what their Enneagram number is? That is a top-tier activity for me.

9 p.m.: Rally for improv

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Because I get up so early, if 9 o’clock, I’m ready to go to sleep. But I am obsessed with improv, so on my ideal day, there’d be a show to do. There’s this place called World’s Greatest Improv School in Los Feliz. It’s tiny and they just opened a few years ago, but the vibe there is spectacular.

Then there’s another place where my heart is so invested in now called Outside In Theatre in Highland Park. Tamlyn Tomita and Daniel Blinkoff created it together and not only is the space gorgeous — I mean, they built it from scratch — they have interesting programming there all the time. They’re so supportive of communities that are not seen in mainstream art spaces. It’s my favorite place. Sometimes I’ll find myself in their lobby till 12 o’clock at night. The kind of people I like to hang around are the people that hang out in that space.

11 p.m.: Turn on the ASMR and shut down

I am firmly an ASMR girl and I have been for years. I have to find something to watch that will slow my brain down. Then it’s pretty consistent. I don’t last very long once I turn something on. My eyelids get heavy and it chills me out.

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‘The Super Mario Galaxy Movie’ remembers every Nintendo moment ever : Pop Culture Happy Hour

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‘The Super Mario Galaxy Movie’ remembers every Nintendo moment ever : Pop Culture Happy Hour

Mario (Chris Pratt) in The Super Mario Galaxy Movie.

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The Super Mario Galaxy Movie is the ultimate piece of Nintendo fan service. Mario (Chris Pratt), Luigi (Charlie Day), Princess Peach (Anya Taylor-Joy) are on an outer space adventure to save Princess Rosalina (Brie Larson). The film features other beloved Nintendo characters like Bowser (Jack Black)  and Yoshi (Donald Glover) – and a few surprises. It’s a sequel to The Super Mario Bros. Movie, which made more than a billion dollars worldwide.

Follow Pop Culture Happy Hour on Letterboxd at letterboxd.com/nprpopculture

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Inside Kid Cudi’s new podcast, where he offers ‘Big Bro’ advice and good vibes

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Inside Kid Cudi’s new podcast, where he offers ‘Big Bro’ advice and good vibes

Kid Cudi is lounging in a colorful attic much like the one in his childhood home in Cleveland.

He’s surrounded by treasures of his childhood: movie posters of “The Last Dragon” and “The Truman Show” (the latter inspired artwork for his latest album, “Free”), a Nintendo 64 game console, a vintage house phone with a long cord, posters of Outkast and Nirvana, a green lava lamp and at least a dozen Pokémon figures. A makeshift window on the back wall opens onto what looks like a portal to outer space.

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Kid Cudi gives a tour of his “Big Bro with Kid Cudi” podcast studio.

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“It’s kind of like the world outside of this attic,” the Grammy-winning and multihyphenate artist says, reaching toward the window as if he could leap through and enter another dimension. “It’s like you’re traveling through the cosmos.”

The ’90s-themed attic, which he says is a metaphor for his mind, serves as the backdrop for his latest project: a podcast called “Big Bro With Kid Cudi,” premiering Wednesday via Wave Sports and Entertainment.

The idea to launch a podcast began during the pandemic, when touring — and the world — came to a screeching halt. By then, Cudi, born Scott Mescudi, had already logged 20 years of a successful emo rap career, launched a clothing line, forged an acting career and created an animated film. Still, he was eager to explore a fresh frontier.

Kid Cudi inside of his podcast studio.

(Jason Armond / Los Angeles Times)

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“I was really hyped on the idea of having a weekly show where I’m kind of like shooting the s— with my friends and having real positive conversations,” says Cudi, 42. “I want it to be a light in people’s lives. Something they can just put on, tune out the world and have a good time.”

He named it “Big Bro” because that’s exactly how he’s been seen by fans and peers throughout his career.

“I realized that’s who I am,” says Cudi. “I’m the one that’s meant to show you what not to do in life and how to avoid the same mistakes that I’ve fallen for in my life.” Big Bro is also the name of his mental health foundation for youth that he launched earlier this year.

Artifacts inside of Kid Cudi's podcast studio.

Inside Kid Cudi’s studio are posters of Wu Tang Clan and Nirvana, an Ohio license plate, a Polaroid camera, a Nintendo 64 and more.

(Jason Armond / Los Angeles Times)

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Now in his 40s, married and fully independent from a record label (hence the album title “Free”), Cudi is in a different place in life.

“I’m just so f— happy,” he says, flashing a luminous smile. His outfit, an Off White hoodie and a fleece bucket hat with a tortoise on the front, is just as uplifting and whimsical as his attitude. “People are going to see the joy on my face when they see the episodes. I think my fans really enjoy seeing me happy and that’s the most beautiful thing about my career — it’s that these fans really care about me.”

After years of opening up about his struggles with addiction, loneliness and depression through his music (on tracks like “Soundtrack 2 My Life,” “Trapped in My Mind” and “The Void”), in the press and in his 2025-released memoir. Despite being so vocal, Cudi still retains a mystique quality that fascinates fans. The podcast, he says, is a space for him to open up more than he already has.

“He’s a larger-than-life figure,” says John Fontanelli, director of original content at Wave and the lead producer on “Big Bro.” “He has a lot of different aliases and personas. He’s a very funny and relatable person and I think that comes through with him as a host.”

Kid Cudi poses for a portrait.

“I was really hyped on the idea of having a weekly show where I’m kind of like shooting the s— with my friends and having real positive conversations,” says Kid Cudi, 42.

(Jason Armond / Los Angeles Times)

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To bring his vision to life, Cudi teamed up with Wave Sports and Entertainment, which is home to shows like “7pm in Brooklyn” with NBA Hall of Famer Carmelo Anthony, “Straight to Cam” with hosts WNBA star Cameron Brink and NBA wife Sydel Curry-Lee and “So True” with comedian Caleb Hearon. Wave was the only company that was “gung-ho” about his show idea and building out the production set of his dreams, he says. Inspired by the set design for Big Tigger’s “Rap City: The Basement” show on BET, Cudi wanted to fill his podcast set with items that reflect his personality and energy.

“I love that set,” he says. “There was this theme where all the guests kind played along like they were really coming to his mom’s house and it was so cool,” he says.

Before filming his first episode, Cudi binged several podcasts and tapped people like writer, producer and actor Lena Waithe, whose guidance helped him navigate hosting and connect authentically with his guests. And of course, he created the catchy jingle for the show himself, which includes the lyrics “Big bro / chillin with big bro” in his signature flow.

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Each week, Cudi will sit down with a mix of unexpected guests for wide-ranging, playful conversations that uncover new sides of both his guests and himself. The premiere episode features entrepreneur and reality TV star Kylie Jenner, who rarely does podcasts or sit-down interviews.

“I think it will shed a lot of light on the sides of her life that she doesn’t normally talk about like motherhood, being a businesswoman and juggling both things,” says Cudi. “I was asking her very thoughtful questions and she was being very upfront and transparent, so I felt like this was like a really great episode to start with.”

Artifacts in Kid Cudi's podcast studio.

Each Wednesday, Kid Cudi will sit down with a guest to talk about life, creativity and more.

(Jason Armond / Los Angeles Times)

Though fans may be expecting the show to tackle mental health and other difficult topics, Cudi plans to keep the conversations lighthearted and fun. “I feel like when we get into the mental health stuff, it can get really heavy and at least right now, I don’t want that to be the tone for the show,” he says. “This podcast, for me, needs to be really positive. The conversation needs to be fun, like no stress and not triggering for anyone.”

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The podcast is just one piece of a much larger creative surge unfolding in Cudi’s orbit. Later this month, he will kick off the Rebel Ragers tour along with guests including M.I.A., A-Trak, me n ü, Big Boi and Cudi’s longtime producer, collaborator and friend, Dot Da Genius.

Under the artistic alias Scotty Ramon, he also hosted his first solo art exhibit, “Echoes of the Past,” at Ruttkowski;68 gallery in Paris. “I went years not knowing if I could paint and not only could I do it all along, there’s people in the world that are going to f— with it,” he says. He’s already finished with his next art collection, which he plans to showcase in New York next year.

With short films like “Mr. Miracle” and “Neverland” already under his belt, he’s been digging deeper into his director bag as well.

Kid Cudi poses for photo.

“I’m just so f— happy,” says Kid Cudi. “People are going to see the joy on my face when they see the episodes. I think my fans really enjoy seeing me happy and that’s the most beautiful thing about my career— it’s that these fans really care about me.”

(Jason Armond / Los Angeles Times)

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“I’m somebody who was raised watching the Wayans,” he says. “Some mother— who came in here and were like ‘We’re gonna do it like this.’ People like Robert Townsend and I just know what’s hot. I know what’s funny. I know what’s cool and I know what stories we haven’t seen.”

With his Mad Solar production and music management company, he is the star of an upcoming film called “God Backwards,” which he says will be released later this year. On top of all of that, he recently began streaming on Twitch (“Someone Cooked Here”), where he showcases his music making process including his four-track EP “Have U Bn 2 Heaven @ Nite?” which released in March.

As he continues to dive into different mediums, Cudi says the mission remains the same: to continue evolving, challenging himself artistically and inspiring people along the way.

“[It] makes me feel so good as an artist that I can take this leap into another realm and I’ll still have support,” he says. “There’s people who are like ‘Cudi painting now? Right now. What else you got, kid?’ I love it.”

“Big Bro With Kid Cudi” will drop new episodes every Wednesday starting April 1 on YouTube and other streaming platforms.

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A propaganda war on the National Mall pits Trump against satirical statues and posters

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A propaganda war on the National Mall pits Trump against satirical statues and posters

A satirical statue of President Trump and the late convicted sex offender Jeffrey Epstein went up in front of the U.S. Capitol in February. The temporary statue drew huge crowds that amplified the image by posting it on social media. The statue is a play on the iconic scene from the film Titanic and is called “King of the World.”

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Brendan Smialowski/AFP via Getty Images

WASHINGTON — There’s a propaganda war playing out on the National Mall between the Trump administration and its critics. The administration has hung giant banners bearing President Trump’s face from several federal buildings. His name now adorns both the John F. Kennedy Center for the Performing Arts and the United States Institute of Peace.

Meanwhile, an anonymous group called the Secret Handshake has put up satirical statues of Trump and artworks that emphasize everything from the president’s friendship with the late convicted sex offender Jeffrey Epstein to Trump’s taste for marble and gold leaf.

Another group, the Save America Movement, has plastered posters on fences and walls mocking members of Trump’s Cabinet. One shows a photo of White House Deputy Chief of Staff Stephen Miller and says, “Fascism Ain’t Pretty.” Another shows Attorney General Pam Bondi and reads, “Epstein Queen.”

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Posters of Pam Bondi are seen with the words "Epstein Queen" and "Clown" in Washington, D.C.

The Save America Movement, a nonprofit, has plastered posters around Washington, D.C. This one mocks Attorney General Pam Bondi for her handling of the Epstein files.

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A man poses for photograph with a gold-painted, faux-marble toilet sculpture titled "A Throne Fit For a King," installed near the Lincoln Memorial. The statue, depicting an elaborate toilet throne, appears to mock President Trump's renovation of the bathroom attached to the Lincoln Bedroom a project that drew criticism for taking place during a government shutdown.

A man poses for a photograph with a gold-painted, faux-marble toilet sculpture titled “A Throne Fit For a King” that was installed March 31 near the Lincoln Memorial. The Secret Handshake, an artist collective, put up the statue, which mocks President Trump’s renovation of the White House bathroom attached to the Lincoln Bedroom, a project that drew criticism for taking place during a government shutdown.

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“We think that ridicule is a really important tool in an opposition toolbox to fight authoritarianism,” said Mary Corcoran, who runs the Save America Movement, a nonprofit.

Corcoran adds that she doesn’t see this as a fair fight “because they’re using taxpayer dollars to fund their propaganda, and we’re not.”

The White House rejects criticisms that the president is recasting the National Mall in his own image and using federal buildings for self-aggrandizement.

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Workers on an aerial lift unfurl a new banner featuring President Donald Trump as it is installed on the façade of the US Department of Justice headquarters, Washington, DC, February 19.

Workers hung this banner in February from the Department of Justice headquarters. Visitors and scholars liken it to the political iconography seen in authoritarian states such as China and the former Soviet Union.

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“President Trump is focused on saving our country — not garnering recognition,” White House spokesman Davis Ingle told NPR by email. “A variety of organizations are free to share their opinions publicly, even when they lack any basis in reality.”

The National Mall is known as America’s front yard, and includes monuments and museums designed to unify the nation and celebrate democracy.

Last month, a gold-painted statue depicting Trump holding Epstein’s outstretched arms on the prow of a ship as though they were Jack and Rose on the Titanic drew a steady stream of people who laughed and posed in front of it for photos.

Not everyone was amused.

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“It’s a gross interpretation of our president,” said Andi Lynn Helmy, a high school senior from Jacksonville, Fla. “Even if you don’t agree with his policies … I think it’s just an incredibly disrespectful thing.”

The anonymous group Secret Handshake erected a new golden Trump Epstein statue titled "King of the World" along with banners on the National Mall in Washington on March 10. The banners read Make America Safe Again featuring a photo of Donald Trump and Jeffrey Epstein. In the background hangs ithe Department of Labor's Trump banner.

The battle of images playing out on the National Mall has yielded remarkable juxtapositions. They include this giant banner of President Trump, which hangs from the Department of Labor. In the foreground are banners put up by the anonymous group the Secret Handshake, which read “Make America Safe Again” and emphasize the president’s friendship with the late sex offender Jeffrey Epstein. The Epstein banners are a rebuttal to a Trump banner that hangs from the Department of Justice and also reads “Make America Safe Again.”

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Other visitors took exception to the president’s face staring down from those banners on the Department of Labor, the Department of Agriculture and the Department of Justice. They likened it to the images of personalized rule seen in the People’s Republic of China during the Chairman Mao Tse-Tung era and the Soviet Union under Joseph Stalin.

“I just feel like he’s sort of painting himself as the king of America,” said Luke Price, a freshman at the University of Vermont. “I just don’t think that’s what we’re about. America is a democracy, not a dictatorship.”

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