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Could Monkeys Really Type All of Shakespeare?

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Could Monkeys Really Type All of Shakespeare?

Science doesn’t usually tolerate frivolity, but the infinite monkey theorem enjoys an exception. The question it poses is thoroughly outlandish: Could an infinite number of monkeys, each given an infinite amount of time to peck away at a typewriter (stocked with an infinite supply of paper, presumably) eventually produce, by pure chance, the complete works of William Shakespeare?

The problem was first described in a 1913 paper by the French mathematician Émile Borel, a pioneer of probability theory. As modernity opened new scientific fronts, approaches to the theorem also evolved. Today, the problem pulls in computer science and astrophysics, among other disciplines.

In 1979, The New York Times reported on a Yale professor who, using a computer program to try to prove this “venerable hypothesis,” managed to produce “startlingly intelligible, if not quite Shakespearean” strings of text. In 2003, British scientists put a computer into a monkey cage at the Paignton Zoo. The outcome was “five pages of text, primarily filled with the letter S,” according to news reports. In 2011, Jesse Anderson, an American programmer, ran a computer simulation with much better results, albeit under conditions that — like the Yale professor’s — mitigated chance.

A new paper by Stephen Woodcock, a mathematician at the University of Technology Sydney, suggests that those efforts may have been for naught: It concludes that there is simply not enough time until the universe expires for a defined number of hypothetical primates to produce a faithful reproduction of “Curious George,” let alone “King Lear.” Don’t worry, scientists believe that we still have googol years — 10¹⁰⁰, or 1 followed by 100 zeros — until the lights go out. But when the end does come, the typing monkeys will have made no more progress than their counterparts at the Paignton Zoo, according to Dr. Woodcock.

“It’s not happening,” Dr. Woodcock said in an interview. The odds of a monkey typing out the first word of Hamlet’s famous “To be or not to be” soliloquy on a 30-key keyboard was 1 in 900, he said. Not bad, one could argue — but every new letter offers 29 fresh opportunities for error. The chances of a monkey spelling out “banana” are “approximately 1 in 22 billion,” Dr. Woodcock said.

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The idea for the paper came to Dr. Woodcock during a lunchtime discussion with Jay Falletta, a water-usage researcher at the University of Technology Sydney. The two were working on a project about washing machines, which strain Australia’s extremely limited water resources. They were “a little bit bored” by the task, Dr. Woodcock acknowledged. (Mr. Falletta is a co-author on the new paper.)

If resources for washing clothes are limited, why shouldn’t typing monkeys be similarly constrained? By neglecting to impose a time or monkey limit on the experiment, the infinite monkey theorem essentially contains its own cheat code. Dr. Woodcock, on the other hand, opted for a semblance of reality — or as much reality as a scenario featuring monkeys trying to write in iambic pentameter would allow — in order to say something about the interplay of order and chaos in the real world.

Even if the life span of the universe were extended billions of times, the monkeys would still not accomplish the task, the researchers concluded. Their paper calls the infinite monkey theorem “misleading” in its fundamental assumptions. It is a fitting conclusion, perhaps, for a moment when human ingenuity seems to be crashing hard against natural constraints.

Low as the chances are of a monkey spelling out “banana,” they are still “an order of magnitude which is in the realm of our universe,” Dr. Woodcock said. Not so with longer material such as the children’s classic “Curious George” by Margret Rey and H.A. Rey, which contains about 1,800 words. The chances of a monkey replicating that book are 1 in 10¹⁵⁰⁰⁰ (a 1 followed by 15,000 zeros). And, at nearly 836,000 words, the collected plays of Shakespeare are about 464 times longer than “Curious George.”

“If we replaced every atom in the universe with a universe the size of ours, it would still be orders of magnitude away from making the monkey typing likely to succeed,” Dr. Woodcock said.

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Like other monkey theorem enthusiasts, Dr. Woodcock mentioned a famous episode of “The Simpsons,” in which the crusty plutocrat C. Montgomery Burns tries the experiment, only to fly into a fury when a monkey mistypes the opening sentence of Charles Dickens’s “A Tale of Two Cities.” In reality, the monkey’s achievement (“It was the best of times, it was the blurst of times”) would have been a stunning triumph over randomness.

Outside cartoons, such successes are unlikely. First, there is cosmic death to consider. Many physicists believe that in 10¹⁰⁰ years — a much larger number than it might seem in type — entropy will have caused all the heat in the universe to dissipate. Far away as that moment may be, experts do think it is coming.

Then there’s the availability of monkeys. Of the more than 250 possible species, Dr. Woodcock selected chimpanzees, our closest genomic kin, to mimic the Bard. He enlisted 200,000 — the entire population of chimps currently on Earth — until the end of time. (Optimistically, he did not to plan for the species’ dwindling or extinction. Nor did he consider constraints like the availability of paper or electricity; the study does not specify which platform the monkeys might use.)

Monkeys intent on recreating Shakespeare would also need editors, with a strict reinforcement training regimen that allowed for learning — and a lot of it, since Dr. Woodcock set each monkey’s life span at 30 years. “If it’s cumulative, obviously, you can get somewhere,” said Richard Dawkins, the evolutionary biologist, who discusses the typing monkeys in “The Blind Watchmaker,” his 1986 book about evolution. Unless the typing were “iterative,” though, Dr. Dawkins said in an interview, progress would be impossible.

The new paper has been mocked online because the authors purportedly fail to grapple with infinity. Even the paper’s title, “A numerical evaluation of the Finite Monkeys Theorem,” seems to be a mathematical bait-and-switch. Isn’t infinity a basic condition of the infinite monkey theorem?

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It shouldn’t be, Dr. Woodcock seems to be saying. “The study we did was wholly a finite calculation on a finite problem,” he wrote in an email. “The main point made was just how constrained our universe’s resources are. Mathematicians can enjoy the luxury of infinity as a concept, but if we are to draw meaning from infinite-limit results, we need to know if they have any relevance in our finite universe.”

This conclusion circles back to the French mathematician Borel, who took an unlikely turn into politics, eventually fighting against the Nazis as part of the French Resistance. It was during the war that he introduced an elegant and intuitive law that now bears his name, and which states: “Events with a sufficiently small probability never occur.” That is where Dr. Woodcock lands, too. (Mathematicians who believe the infinite monkey theorem holds true cite two related, minor theorems known as the Borel-Cantelli lemmas, developed in the prewar years.)

The new paper offers a subtle comment on the seemingly unbridled optimism of some proponents of artificial intelligence. Dr. Woodcock and Mr. Falletta note, without truly elaborating, that the monkey problem could be “very pertinent” to today’s debates about artificial intelligence.

For starters, just as the typing monkeys will never write “Twelfth Night” without superhuman editors looking over their shoulders, so increasingly powerful artificial intelligences will require increasingly intensive human input and oversight. “If you live in the real world, you have to do real-world limitation,” said Mr. Anderson, who conducted the 2011 monkey experiment.

There is no free lunch, so to speak, said Eric Werner, a research scientist who runs the Oxford Advanced Research Foundation and has studied various forms of complexity. In a 1994 paper about ants, Dr. Werner laid out a guiding principle that, in his view, applies equally well to typing monkeys and today’s language-learning models: “Complex structures can only be generated by more complex structures.” Lacking constant curation, the result will be a procession of incoherent letters or what has come to be known as “A.I. slop.”

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A monkey will never understand Hamlet’s angst or Falstaff’s bawdy humor. But the limits of A.I. cognition are less clear. “The big question in the industry is when or if A.I. will understand what it is writing,” Mr. Anderson said. “Once that happens, will A.I. be able to surpass Shakespeare in artistic merit and create something as unique as Shakespeare created?”

And when that day comes, “Do we become the monkeys to the A.I.?”

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Video: 250 Years of Jane Austen, in Objects

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Video: 250 Years of Jane Austen, in Objects

new video loaded: 250 Years of Jane Austen, in Objects

To capture Jane Austen’s brief life and enormous impact, editors at The New York Times Book Review assembled a sampling of the wealth, wonder and weirdness she has brought to our lives.

By Jennifer Harlan, Sadie Stein, Claire Hogan, Laura Salaberry and Edward Vega

December 18, 2025

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Try This Quiz and See How Much You Know About Jane Austen

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Try This Quiz and See How Much You Know About Jane Austen

“Window seat with garden view / A perfect nook to read a book / I’m lost in my Jane Austen…” sings Kristin Chenoweth in “The Girl in 14G” — what could be more ideal? Well, perhaps showing off your literary knowledge and getting a perfect score on this week’s super-size Book Review Quiz Bowl honoring the life, work and global influence of Jane Austen, who turns 250 today. In the 12 questions below, tap or click your answers to the questions. And no matter how you do, scroll on to the end, where you’ll find links to free e-book versions of her novels — and more.

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

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Revisiting Jane Austen’s Cultural Impact for Her 250th Birthday

On Dec. 16, 1775, a girl was born in Steventon, England — the seventh of eight children — to a clergyman and his wife. She was an avid reader, never married and died in 1817, at the age of 41. But in just those few decades, Jane Austen changed the world.

Her novels have had an outsize influence in the centuries since her death. Not only are the books themselves beloved — as sharply observed portraits of British society, revolutionary narrative projects and deliciously satisfying romances — but the stories she created have so permeated culture that people around the world care deeply about Elizabeth Bennet and Mr. Darcy, even if they’ve never actually read “Pride and Prejudice.”

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With her 250th birthday this year, the Austen Industrial Complex has kicked into high gear with festivals, parades, museum exhibits, concerts and all manner of merch, ranging from the classily apt to the flamboyantly absurd. The words “Jane mania” have been used; so has “exh-Aust-ion.”

How to capture this brief life, and the blazing impact that has spread across the globe in her wake? Without further ado: a mere sampling of the wealth, wonder and weirdness Austen has brought to our lives. After all, your semiquincentennial doesn’t come around every day.

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By ‘A Lady’

Jane Austen’s House, Chawton, England

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Austen published just four novels in her lifetime: “Sense and Sensibility” (1811), “Pride and Prejudice” (1813), “Mansfield Park” (1814) and “Emma” (1815). All of them were published anonymously, with the author credited simply as “A Lady.” (If you’re in New York, you can see this first edition for yourself at the Grolier Club through Feb. 14.)

Where the Magic Happened

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Janice Chung for The New York Times

Placed near a window for light, this diminutive walnut table was, according to family lore, where the author did much of her writing. It is now in the possession of the Jane Austen Society.

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An Iconic Accessory

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Jane Austen’s House, Chawton, England

Few of Austen’s personal artifacts remain, contributing to the author’s mystique. One of them is this turquoise ring, which passed to her sister-in-law and then her niece after her death. In 2012, the ring was put up for auction and bought by the “American Idol” champion Kelly Clarkson. This caused quite a stir in England; British officials were loath to let such an important cultural artifact leave the country’s borders. Jane Austen’s House, the museum now based in the writer’s Hampshire home, launched a crowdfunding campaign to Bring the Ring Home and bought the piece from Clarkson. The real ring now lives at the museum; the singer has a replica.

Austen Onscreen

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Since 1940, when Austen had a bit of a moment and Greer Garson and Laurence Olivier starred in MGM’s rather liberally reinterpreted “Pride and Prejudice,” there have been more than 20 international adaptations of Austen’s work made for film and TV (to say nothing of radio). From the sublime (Emma Thompson’s Oscar-winning “Sense and Sensibility”) to the ridiculous (the wholly gratuitous 2022 remake of “Persuasion”), the high waists, flickering firelight and double weddings continue to provide an endless stream of debate fodder — and work for a queen’s regiment of British stars.

Jane Goes X-Rated

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Tony Cenicola/The New York Times

The rumors are true: XXX Austen is a thing. “Jane Austen Kama Sutra,” “Pride and Promiscuity: The Lost Sex Scenes of Jane Austen” and enough slash fic and amateur porn to fill Bath’s Assembly Rooms are just the start. Purists may never recover.

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A Lady Unmasked

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Jane Austen’s House, Chawton, England

Austen’s final two completed novels, “Northanger Abbey” and “Persuasion,” were published after her death. Her brother Henry, who oversaw their publication, took the opportunity to give his sister the recognition he felt she deserved, revealing the true identity of the “Lady” behind “Pride and Prejudice,” “Emma,” etc. in a biographical note. “The following pages are the production of a pen which has already contributed in no small degree to the entertainment of the public,” he wrote, extolling his sister’s imagination, good humor and love of dancing. Still, “no accumulation of fame would have induced her, had she lived, to affix her name to any productions of her pen.”

Wearable Tributes

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Tony Cenicola/The New York Times

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It is a truth universally acknowledged that a Jane Austen fan wants to find other Jane Austen fans, and what better way to advertise your membership in that all-inclusive club than with a bit of merch — from the subtle and classy to the gloriously obscene.

The Austen Literary Universe

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Elizabeth Renstrom for The New York Times

On the page, there is no end to the adventures Austen and her characters have been on. There are Jane Austen mysteries, Jane Austen vampire series, Jane Austen fantasy adventures, Jane Austen Y.A. novels and, of course, Jane Austen romances, which transpose her plots to a remote Maine inn, a Greenwich Village penthouse and the Bay Area Indian American community, to name just a few. You can read about Austen-inspired zombie hunters, time-traveling hockey players, Long Island matchmakers and reality TV stars, or imagine further adventures for some of your favorite characters. (Even the obsequious Mr. Collins gets his day in the sun.)

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A Botanical Homage

Created in 2017 to mark the 200th anniversary of Austen’s death, the “Jane Austen” rose is characterized by its intense orange color and light, sweet perfume. It is bushy, healthy and easy to grow.

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Aunt Jane

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Jane Austen’s House, Chawton, England

Hoping to cement his beloved aunt’s legacy, Austen’s nephew James Edward Austen-Leigh published this biography — a rather rosy portrait based on interviews with family members — five decades after her death. The book is notable not only as the source (biased though it may be) of many of the scant facts we know about her life, but also for the watercolor portrait by James Andrews that serves as its frontispiece. Based on a sketch by Cassandra, this depiction of Jane is softer and far more winsome than the original: Whether that is due to a lack of skill on her sister’s part or overly enthusiastic artistic license on Andrews’s, this is the version of Austen most familiar to people today.

Cultural Currency

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In 2017, the Bank of England released a new 10-pound note featuring Andrews’s portrait of Austen, as well as a line from “Pride and Prejudice”: “I declare after all there is no enjoyment like reading!” Austen is the third woman — other than the queen — to be featured on British currency, and the only one currently in circulation.

In the Trenches

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During World War I and World War II, British soldiers were given copies of Austen’s works. In his 1924 story “The Janeites,” Rudyard Kipling invoked the grotesque contrasts — and the strange comfort — to be found in escaping to Austen’s well-ordered world amid the horrors of trench warfare. As one character observes, “There’s no one to touch Jane when you’re in a tight place.”

Baby Janes

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Tony Cenicola/The New York Times

You’re never too young to learn to love Austen — or that one’s good opinion, once lost, may be lost forever.

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The Austen Industrial Complex

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Elizabeth Renstrom for The New York Times

Maybe you’ve not so much as seen a Jane Austen meme, let alone read one of her novels. No matter! Need a Jane Austen finger puppet? Lego? Magnetic poetry set? Lingerie? Nameplate necklace? Plush book pillow? License plate frame? Bath bomb? Socks? Dog sweater? Whiskey glass? Tarot deck? Of course you do! And you’re in luck: What a time to be alive.

Around the Globe

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Goucher College Special Collections & Archives, Alberta H. and Henry G. Burke Collection; via The Morgan Library & Museum

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Austen’s novels have been translated into more than 40 languages, including Polish, Finnish, Chinese and Farsi. There are active chapters of the Jane Austen Society, her 21st-century fan club, throughout the world.

Playable Persuasions

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In Austen’s era, no afternoon tea was complete without a rousing round of whist, a trick-taking card game played in two teams of two. But should you not be up on your Regency amusements, you can find plenty of contemporary puzzles and games with which to fill a few pleasant hours, whether you’re piecing together her most beloved characters or using your cunning and wiles to land your very own Mr. Darcy.

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#SoJaneAusten

The wild power of the internet means that many Austen moments have taken on lives of their own, from Colin Firth’s sopping wet shirt and Matthew Macfadyen’s flexing hand to Mr. Collins’s ode to superlative spuds and Mr. Knightley’s dramatic floor flop. The memes are fun, yes, but they also speak to the universality of Austen’s writing: More than two centuries after her books were published, the characters and stories she created are as relatable as ever.

Bonnets Fit for a Bennett

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Peter Flude for The New York Times

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For this summer’s Grand Regency Costumed Promenade in Bath, England — as well as the myriad picnics, balls, house parties, dinners, luncheons, teas and fetes that marked the anniversary — seamstresses, milliners, mantua makers and costume warehouses did a brisk business, attiring the faithful in authentic Regency finery. And that’s a commitment: A bespoke, historically accurate bonnet can easily run to hundreds of dollars.

Most Ardently, Jane

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The Morgan Library & Museum

Austen was prolific correspondent, believed to have written thousands of letters in her lifetime, many to her sister, Cassandra. But in an act that has frustrated biographers for centuries, upon Jane’s death, Cassandra protected her sister’s privacy — and reputation? — by burning almost all of them, leaving only about 160 intact, many heavily redacted. But what survives is filled with pithy one-liners. To wit: “I do not want people to be very agreeable, as it saves me the trouble of liking them a great deal.”

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Stage and Sensibility

Austen’s works have been adapted numerous times for the stage. Some plays (and musicals) hew closely to the original text, while others — such as Emily Breeze’s comedic riff on “Pride and Prejudice,” “Are the Bennet Girls OK?”, which is running at New York City’s West End Theater through Dec. 21 — use creative license to explore ideas of gender, romance and rage through a contemporary lens.

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Austen 101

Tony Cenicola/The New York Times

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Austen remains a reliable fount of academic scholarship; recent conference papers have focused on the author’s enduring global reach, the work’s relationship to modern intersectionality, digital humanities and “Jane Austen on the Cheap.” And as one professor told our colleague Sarah Lyall of the Austen amateur scholarship hive, “Woe betide the academic who doesn’t take them seriously.”

W.W.J.D.

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Tony Cenicola/The New York Times

When facing problems — of etiquette, romance, domestic or professional turmoil — sometimes the only thing to do is ask: What would Jane do?

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