Business

US and China Meet for First Time Since Trump Imposed Tariffs

Published

1 year ago

May 10, 2025

US and China Meet for First Time Since Trump Imposed Tariffs

Top economic officials from the United States and China are meeting in Geneva on Saturday for high-stakes negotiations that could determine the fate of a global economy that has been jolted by President Trump’s trade war.

The meetings, scheduled to continue on Sunday, are the first since Mr. Trump ratcheted up tariffs on Chinese imports to 145 percent and China retaliated with its own levies of 125 percent on U.S. goods. The tit-for-tat effectively cut off trade between the world’s largest economies while raising the possibility of a global economic downturn.

While the stakes for the meetings are high, expectations for a breakthrough that results in a meaningful reduction in tariffs are low. It has taken weeks for China and the United States to even agree to talk, and many analysts expect this weekend’s discussions to revolve around determining what each side wants and how negotiations could move forward.

Still, the fact that Beijing and Washington are finally talking has raised hopes that the tension between them could be defused and that the tariffs could ultimately be lowered. The impact of the levies is already rippling across the global economy, reorienting supply chains and causing businesses to pass additional costs onto consumers.

The negotiations will be watched closely by economists and investors, who fear that a U.S.-Chinese economic war will lead to slower growth and higher prices around the world. Businesses, particularly those that rely on Chinese imports, are also on high alert about the talks as they grapple with how to cope with the new taxes and the uncertainty about whether they will remain in place.

“Both the U.S. and China have strong economic and financial interests in de-escalating their trade hostilities, but a durable détente is hardly in the offing,” said Eswar Prasad, a former director of the International Monetary Fund’s China division.

“Nevertheless,” he added, “it represents significant progress that the two sides are at least initiating high-level negotiations, offering the hope that they will temper their rhetoric and pull back from further overt hostilities on trade and other aspects of their economic relationship.”

The Trump administration’s negotiators are being led by Treasury Secretary Scott Bessent, a former hedge fund manager who has said the current tariff levels are unsustainable. He will be joined by Jamieson Greer, the U.S. trade representative, who helped design Mr. Trump’s first-term trade agenda, which included a “Phase 1” deal with China. Mr. Trump’s hawkish trade adviser, Peter Navarro, was not scheduled to participate in the talks.

He Lifeng, China’s vice premier for economic policy, is leading the talks on behalf of Beijing. The Chinese government has not confirmed who else will be with Mr. He at the meetings or if Wang Xiaohong, China’s minister of public security, who directs its narcotics control commission, will attend. Mr. Wang’s participation would be a sign that the two sides might discuss Mr. Trump’s concerns about China’s role in helping fentanyl flow into the United States.

The trade fight has started to take a toll on the world’s largest economies. On Friday, China reported that its exports to the United States in April dropped 21 percent from a year earlier. Some of the largest U.S. companies have said they will have to raise prices to deal with the tariffs, cutting against Mr. Trump’s promise to “end” inflation.

On Friday, Mr. Trump signaled that he was prepared to begin lowering tariffs, suggesting that an 80 percent rate on Chinese imports seemed appropriate. Later in the day, referring to the China trade talks, Mr. Trump said, “We have to make a great deal for America.” He added that he would not be disappointed if a deal was not reached right away, arguing that not doing business is also a good deal for the United States.

The president also reiterated that he had suggested lowering the China tariffs to 80 percent, adding, “We’ll see how that works out.”

The Trump administration has accused China of unfairly subsidizing key sectors of its economy and flooding the world with cheap goods. The United States has also been pressuring China to take more aggressive steps to curb exports of precursors for fentanyl, a drug that has killed millions of Americans.

China has been steadfast in saying it does not intend to make trade concessions in response to Mr. Trump’s tariffs. Officials have insisted that the nation agreed to engage in talks at the request of the United States.

“This tariff war was launched by the U.S. side,” Liu Pengyu, the spokesman for the Chinese Embassy in Washington, said this week. “If the U.S. genuinely wants a negotiated solution, it should stop making threats and exerting pressure, and engage in talks with China on the basis of equality, mutual respect and mutual benefit.”

An 80 percent tariff, while a big drop from the current 145 percent, would still most likely shut off most trade between the countries.

China and the United States could take other concrete gestures to help pave the way for future negotiations, other experts said.

One option would be to scale back tariffs to about 20 percent, where they were in early April before Mr. Trump announced 34 percent levies on goods from China and mutual retaliation ensued, said Wu Xinbo, the dean of the Institute of International Studies at Fudan University in Shanghai.

“If we can scale back to that stage, then I think it will be a major progress in leading towards more constructive negotiations,” Mr. Wu said.

He said China was prepared to talk about fentanyl as a separate issue, adding that China had offered to sit down with the Trump administration in February after Mr. Trump first announced plans to impose tariffs on Chinese goods, citing the flow of illegal fentanyl into the United States.

The United States and China are meeting in proximity to the headquarters of the World Trade Organization, which has sharply criticized Mr. Trump’s tariff wars. The group has forecast that the continued division of the global economy into “rival blocs” could cut global gross domestic product by nearly 7 percent over the long run, particularly harming the world’s poorest countries. A spokesman for the W.T.O. said it welcomed the talks as a step toward de-escalation.

The alternative — a world in which the United States and China no longer engage in trade — could be economically painful and destabilizing. American consumers, who have come to rely on cheap goods from China, could soon confront thinly stocked store shelves and high prices for the products that remain.

The National Retail Federation said on Friday that import cargo traffic in the United States is expected to decline this year for the first time since 2023, when supply chain problems were persistent, and attributed the decline to Mr. Trump’s tariffs.

“We are starting to see the true impact of President Trump’s tariffs on the supply chain,” said Jonathan Gold, the retail federation’s vice president for supply chain and customs policy. “In the end, these tariffs will affect consumers in the form of higher prices and less availability on store shelves.”

The Trump administration has been racing to make trade deals with 17 other major trading partners after the president’s decision to pause the reciprocal tariffs he announced in April. On Friday, he hailed a preliminary agreement with Britain as evidence that his tariff strategy was working.

Economists have been heartened by signs that the White House appears ready to scale back tariffs.

“This rush to demonstrate progress on ‘deals’ reveals a rising desperation within the administration to roll back tariffs before they hit G.D.P. growth and inflation,” Paul Ashworth, chief North America economist for Capital Economics, wrote in a note to clients. “With the slump in incoming container ships from China raising fears of imminent shortages in the U.S., the pressure is building on the Trump administration to de-escalate that tariff buildup.”

Capital Economics estimates that if the United States lowered its tariffs on China to 54 percent, the overall effective tariff rate on imports for the United States would fall to 15 percent from 23 percent. That would put its growth and inflation forecasts back in line with its estimates from earlier this year that were based on Mr. Trump’s campaign pledges.

It remains unclear whether Mr. Trump would accept a 54 percent tariff rate.

On Friday, he suggested that he was prepared to lower tariffs to 80 percent as he gave Mr. Bessent the authority to make a deal.

“80% Tariff on China seems right! Up to Scott B.,” Mr. Trump wrote on Truth Social, his social media platform.

Later in the day, his press secretary, Karoline Leavitt, said that 80 percent figure was not an official offer and was instead “a number that the president threw out there.” She added that Mr. Trump would not lower tariffs on China unless Beijing also reduced its levies.

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Business

FDA escalates recall of Utz brand potato chips before July Fourth holiday

Published

4 hours ago

July 6, 2026

Press Room

The recall of a popular chip brand over salmonella concerns was recently upgraded to the U.S. Food and Drug Administration’s highest level, just ahead of the Fourth of July holiday and countless backyard barbecues.

On June 24, the FDA designated the recall of several varieties of Zapp’s and Dirty brand potato chips as Class I, meaning it’s “a situation in which there is a reasonable probability that the use of or exposure to a violative product will cause serious adverse health consequences or death.”

FDA has classified the following items as Class I:

Zapp’s

1.5-ounce Zapp’s Bayou Blackened Ranch Kettle Chips
2.5- and 8-ounce Zapp’s Bayou Blackened Ranch Potato Chips
1.5- and 8-ounce Zapp’s Big Cheezy Potato Chips

Dirty

1.5- and 2-ounce Dirty Brand Salt and Vinegar Potato Chips
2-ounce Dirty Maui Onion Chips
2-ounce Dirty Sour Cream and Onion Potato Chips

The chips are produced by Utz Quality Foods, LLC, which on April 28 issued a recall after learning “that a seasoning containing dry milk powder, sourced from California Dairies, Inc. and supplied by a third-party supplier, may contain the presence of Salmonella.”

Salmonella can lead to sometimes deadly infections in elderly people, young children and those with weakened immune systems, according to the FDA.

More than 680,000 bags are included in the recall.

Anyone who has these products should not eat them and should discard them immediately.

What to look for

Salmonella is a foodborne illness that can be fatal to young children, pregnant women, older adults and people with weakened immune systems, according to the National Institutes of Health.

Symptoms may develop 12 to 72 hours after infection, according to the FDA.

The FDA said that people with strong immune systems infected with salmonella may experience fever, diarrhea (which may be bloody), nausea, vomiting and abdominal pain. The illness can last four to seven days.

In rare cases, the infection may produce more severe illnesses such as arterial infections, endocarditis and arthritis, the agency added.

What to do if infected

If you contract salmonella, the Centers for Disease Control and Prevention recommends drinking plenty of fluids to prevent dehydration.

The CDC advises consulting a doctor before taking antidiarrheal medicine or antibiotics. If severe symptoms continue after two days, seek medical help, the agency says.

Because those with diarrhea can spread salmonella to others, it’s also recommended to avoid sharing food or preparing meals for others, sexual contact and swimming in public pools, and to stay home while sick.

Times staff writer Jasmine Mendez contributed to this report.

Business

‘Minions & Monsters’ tops the box office, but with a lower-than-expected haul

Published

14 hours ago

July 5, 2026

Press Room

‘Minions & Monsters’ tops the box office, but with a lower-than-expected haul

The Minions took over theaters this weekend as Universal Pictures and Illumination’s “Minions & Monsters” won the top spot at the box office, though with a lower-than-expected domestic haul.

The animated movie, which follows the Minions’ takeover of Hollywood, took in $61.4 million in the U.S. and Canada for the five-day Fourth of July holiday weekend, according to studio estimates. That haul was lower than analysts’ expectations for a domestic opening of about $68 million. The movie’s three-day total was $36.4 million.

But the Minions performed well internationally, bringing in about $85 million. In total, “Minions & Monsters” made $159.9 million worldwide on a production budget of about $85 million.

The film is the latest in the powerhouse franchise that began with “Despicable Me” in 2010. Across its previous six installments, the “Despicable Me” and “Minions” franchise has made more than $5.6 billion at the global box office. The last movie, 2022’s “Minions: The Rise of Gru,” made more than $940 million worldwide.

“Minions & Monsters” marks the lowest opening for the franchise. Part of the issue could be timing — the box office can be negatively affected when the Fourth of July lands on a Saturday, said Paul Dergarabedian, head of marketplace trends at Rentrak.

Walt Disney Co. and Pixar’s “Toy Story 5” came in second at the box office this weekend with a domestic three-day gross of $31 million. Angel Studios’ biopic “Young Washington” ($20.8 million), Warner Bros. and DC Studios’ “Supergirl” ($9.6 million) and Universal’s “Disclosure Day” ($6 million) rounded out the top five, according to Rentrak.

The haul for “Minions & Monsters,” coupled with the strong holdover performance of “Toy Story 5,” proved again that family films are making a dent in the summer box office.

“Toy Story 5” has now brought in a total of $764.3 million worldwide, and last month, Universal, Illumination and Nintendo’s “The Super Mario Galaxy Movie” crossed $1 billion at the global box office, becoming the first film of any kind to do so this year.

The rest of the summer theatrical lineup is also expected to bring in audiences and push domestic box office totals closer to pre-pandemic figures. Next week, Disney will release its live-action “Moana,” followed by Christopher Nolan’s “The Odyssey” and Sony Pictures’ “Spider-Man: Brand New Day.”

To date, the summer box office is now about $2.3 billion, a nearly 12% increase compared with the same period a year ago, according to Rentrak data. Compared with pre-pandemic 2019’s numbers, however, it is still down about 7%.

Business

China-backed AI tool behind fake Brad Pitt fight making Hollywood inroads

Published

1 day ago

July 5, 2026

Press Room

China-backed AI tool behind fake Brad Pitt fight making Hollywood inroads

Earlier this year, a widely circulated 15-second AI-generated video of Brad Pitt fighting Tom Cruise on a rooftop sparked outrage across Hollywood. One screenwriter called the cinematic clip “terrifying.” The Motion Picture Assn. demanded the company behind the artificial intelligence tool — Chinese tech giant ByteDance — halt its “infringing activity.”

Despite the uproar, the former majority owner of TikTok has quietly continued to court filmmakers, independent artists and executives who are eager to adopt the AI video generation model called Seedance.

Seedance was launched in the U.S. this spring at a Santa Monica event hosted by a group linked to the Chinese government.

ByteDance began hiring for 100 open roles, signed multiple independent filmmakers and artists and held private conversations about financing AI films. The company threw a lavish caviar party at Cannes and in May hosted panels promoting its cinematic tool at Amazon’s AI on the Lot event in Culver City.

“Like any new technology, Hollywood ultimately has no choice but to react to market realities. And that reality is that the new crop of AI-empowered Hollywood creatives see Seedance as having the most powerful video generator in the market right now,” said Peter Csathy of Creative Media, an entertainment and AI business advisory firm.

Joel Kuwahara, the animation producer on early seasons of “The Simpsons,” echoed Hollywood’s quiet embrace.

“Within the industry, I know that a lot of studios haven’t approved Seedance, but yet with a wink and a nod, they’re allowing Seedance to be used. … It’s kind of like a ‘don’t ask, don’t tell’ kind of a thing,’” Kuwahara told The Times.

ByteDance declined to comment on its U.S. expansion.

The race to build the dominant AI video model has created a fierce rivalry, pitting U.S. companies against the fast-closing Chinese competitors. On the American side, there are Google Veo and startups such as Runway and Luma. OpenAI’s Sora has discontinued its video tool.

The Chinese challengers Seedance, Kling and Alibaba’s HappyHorse have rapidly closed the gap on cinematic realism and have upstaged their American rivals by undercutting them on cost.

According to Artificial Analysis, a company that tracks cost and performances of different AI models, China’s Seedance is currently the most cost-effective and high-quality option compared with U.S. competitors. Seedance costs $9 per minute for video with audio generation, significantly lower than the $24 per minute required by Google’s Veo model.

That makes it an attractive tool for independent filmmakers like Rupert Wainwright, who recently met with Seedance executives at AI on the Lot.

He wants to use the the tool to help make his feature-length film called “Sebastian,” about a Christian saint set in 3rd century Rome. The hybrid AI film will be shot partly on location in Europe and partly generated with artificial intelligence.

“It’s the equivalent to when streaming a movie over the internet onto your TV finally became possible,” Wainwright said.

Kavan Cardoza.

(Kayla Bartkowski/Los Angeles Times)

In May, Steven Schneider, the producer of “Paranormal Activity,” famous for its handheld grainy footage-style filmmaking, announced “Terrarium,” his first hybrid AI horror production. The film’s director, Jason Zada, said it will be entirely generated using Seedance’s model.

Zada’s filmmaking workflow involves writing, casting, prompting and editing all simultaneously, allowing him to rewrite scripts based on “dailies” generated by AI that day.

He estimates that generating 15 seconds of high-definition video costs only $5.

“We could go from a very detailed outline, very detailed characters and have it be a bit more fluid, because we could regen[erate] as much as we want,” Zada said.

Zada plans to shoot the movie first on a soundstage with real actors and will decide later which parts work better traditionally and what should be done synthetically. He’s a member of the Directors Guild of America and said he will be employing union actors for his hybrid AI film.

Seedance also has continued building ties by offering indie creators, AI-native studios and filmmakers free monthly credits and access to unreleased features. These “tastemakers” beta test its models, offer feedback on what works, and use it for their personal filmmaking projects — which creates corporate brand awareness.

Kavan Cardoza is one such breakout filmmaker. His AI fantasy series, “The Chronicle of Bones,” which uses Seedance, features half a dozen distinct storylines and an ensemble of characters. New episodes, each not more than 30 minutes, are released on YouTube once a month. The solo filmmaker averages 3 million views per episode and has cultivated a YouTube audience of 500,000.

Most filmmakers are tool agnostic, but lately Cardoza has become completely dependent on Seedance, he said, because it solves a persistent problem: maintaining character consistency between shots.

To create one of his characters, “the last lost boy,” Cardoza took self-portraits wearing a three-faced mask and a tattered brown jacket. He used those reference images for the AI character and transforms them into a stylized person, with a personality, backstory and visual details. He fed those images back to Seedance to get consistent characters — repeating the process for each member of the cast.

“I can’t go get Brad Pitt because he costs like $5, 10, 20 million to be in my film,” Cardoza said. “I can probably get a synthetic actor that will act just as good as Brad Pitt in the future. That’s crazy to me.”

Cardoza has copyrighted his script and characters, and aims to eventually attract major studio interest to turn his intellectual property into a film which comes with a built-in fan base.

Such plans are likely to face resistance from the performers union SAG-AFTRA, which has decried the use of synthetic actors such as Tilly Norwood.

“The rise of Seedance comes down to [its] focus on pleasing filmmakers and making things that look filmic,” said Stephan Vladimir Bugaj, senior vice president of JioStar, a joint venture between Disney and India’s Reliance Industries.

ByteDance introduced timeline-based prompting so filmmakers can actually pick specific moments and tweak them, and improved the understanding of camera direction, physics, lighting and fluidity of action. All of this, Bugaj said, “unlocked a kind of spectacle filmmaking that the other models are not delivering quite as well.”

The company’s tool has been in such high demand, Zada said, that Seedance has been quoting some major Hollywood studios $2 million for unrestricted special access.

While acknowledging Seedance’s popularity and its U.S. expansion, Amit Jain, chief executive of Luma, said its ceiling in Hollywood is severely limited. Traditional studios might adopt Chinese models for some preproduction tasks such as concepting, but the geopolitical and intellectual property risks for commercial generations are too prohibitive.

“Can you imagine Disney using the ByteDance model for the next ‘Snow White’? No way,” Jain said. “This is not even a technical argument, really. That’s the reality.”

Luma has been making inroads into Hollywood selling its software but has separately funded a production service company to teach filmmakers to make hybrid AI films using its tools.

Despite conservative production budgets, AI spending by media companies is projected to grow from $2.6 billion to $12.5 billion from 2024 to 2029, according to a State of Generative AI Media report.