Connect with us

Culture

Breakfast with Ohtani: In Japan, watching this World Series may be the national pastime

Published

on

Breakfast with Ohtani: In Japan, watching this World Series may be the national pastime

Shohei Ohtani has been a superstar in Japan for more than a decade, but one day earlier this year, a Tokyo resident named Tatsuo Shinke noticed something different.

Shinke, the CEO of Mint, a leading trading card store, had already watched as Ohtani’s soaring popularity had fueled the Japanese collectibles industry, spiked Japanese television ratings for Major League Baseball, and pushed baseball news into every corner and crevice of the country’s vast media ecosystem.

Yet as Ohtani made history in his first season with the Los Angeles Dodgers, becoming the first player in history to record 50 home runs and 50 stolen bases in one season, Shinke observed another data point: His mother, Emiko.

At 73 years old, Emiko had never followed baseball. But because Ohtani’s Dodgers games are aired live in the morning in Japan, and because he has become a daily fixture on the country’s popular morning variety shows — the equivalent of “Good Morning America” or “Today” — Emiko developed a new morning routine: She wakes up, eats breakfast, and then turns on Ohtani.

“Elderly people in Japan love Ohtani,” Shinke said. “It’s my mother. And all my mother’s friends. She’s retired already, so she has enough time to watch all the games in the morning.”

Advertisement

In the United States, the World Series between the New York Yankees and Los Angeles Dodgers is a matchup featuring the country’s two biggest cities and most high-profile franchises. The audience could surpass 20 million viewers per game for the first time since 2016.

In Japan, it will likely be even bigger.

In seven seasons in the majors, including six for the Los Angeles Angels, Ohtani has lorded his talent over Major League Baseball in a manner previously thought impossible. For his trouble, he has captured two Most Valuable Player awards while dominating as a hitter and a pitcher. If he wins his third this November, as is expected, he will become the first full-time designated hitter to win the award, a role he was forced to play after injuring his elbow last season.


At World Series Media Day on Thursday, no one was a bigger draw than Ohtani. (Katharine Lotze / Getty Images)

In America, his performance earned him a $700 million contract — the largest in history — and stardom in a sport that increasingly trails its rivals in cultural capital. But back home in Japan, where baseball is the most popular sport, Ohtani’s celebrity has reached stratospheric levels, akin to Michael Jordan or David Beckham, figures who transcended their field of play and whose fame turned them into international avatars for their home country.

“There isn’t a person in Japan who doesn’t know who Ohtani is, I don’t think,” said Robert Whiting, an American author in Tokyo who has written about Japanese baseball since the 1970s.

Advertisement

When the Dodgers defeated the Padres in Game 5 of the National League Division Series — a game that featured two Japanese starting pitchers — an estimated audience of 12.9 million Japanese viewers tuned in at 9 a.m. on a Saturday, at least 5.4 million more than watched in the U.S. When Ohtani chased 50-50 in September, his exploits often led the national nightly news and daytime “wide” shows, spaces that rarely mention sports. (The business newspaper Nikkei also ran a front-page story above the fold.) And when Rahm Emanuel, the U.S. Ambassador to Japan, spoke of Ohtani during a press conference in Tokyo earlier this season, he told reporters he wanted to speak not as an ambassador but “as a kid from Chicago” who watched Jordan rule the 1990s and transcend basketball.

“This is early on in Ohtani-san’s career,” Emanuel said, “but there’s no doubt that that’s what he has right now.”

The sheer volume of wall-to-wall coverage has even surprised Whiting, who first moved to Tokyo in the 1960s and has authored books on baseball and Japanese culture. Japan has seen this story before, the obsession over conquering baseball heroes in the form of Hideo Nomo, Ichiro Suzuki and Hideki Matsui, who was World Series MVP for the Yankees in 2009. But perhaps not since Nomo in the 1990s, Whiting says, has a Japanese player embodied and lifted the national spirit.

When Nomo debuted for the Dodgers in 1995 — in the middle of a nasty trade dispute between the United States and Japan — Whiting recalled that Asahi Shimbun, one of the nation’s biggest newspapers, ran an editorial stating: “In Hideo Nomo, the Japanese have produced a product that no one is complaining about.” But whereas Nomo, Suzuki and later pitchers like Yu Darvish validated the quality of Japanese baseball, Ohtani has changed the equation: For the first time, Japanese fans can credibly argue that the most talented baseball player of all time is from Japan.

“In the global market, Japanese value and power is (becoming) a little bit weaker, year by year,” said Tomoki Negishi, a baseball marketing executive who worked for Japan’s Pacific League. “So Ohtani-san’s great performance is a beacon.”

Advertisement

To some, he says, Ohtani is “a symbol of Japan in the global market.”

To others?

“He is just a crazy superhero that I’ve never seen before,” Negishi says.


On the morning of October 12, the symbol beamed through a television into a living room in Ōta, a special ward in Tokyo. Masanori Ninomiya, an owner of an English reading company, finished a traditional breakfast of white rice, miso soup and fruit and then turned on the Dodgers and Padres.

Ninomiya, 59, grew up in the city of Oita, obsessing over books about Japanese baseball history. He attended business school at UCLA in the ’90s, as Nomo was breaking through. He is among those in Tokyo who work remotely, which allows him to put the Dodgers on in the background during the work week.

Advertisement

“Everybody will have a breakfast,” he said “And then it’s Ohtani.”

In Japan, all Dodgers games appear on NHK, the country’s free, over-the-air public broadcaster. The audience for NHK often skews older, especially in the mornings. Unlike the United States, where European soccer fans huddle in bars and pubs in the morning, there is less public consumption of Ohtani, outside of major events like the World Baseball Classic. According to Negishi, this is partly due to cultural norms and partly because of the sheer volume of baseball games.

“I’m sure I’m not the only one,” said Chen Liang, director of imports at Mint cards and collectibles. “But there’s a huge percentage of Japanese people who are at work, and they’re in front of their computer, and they’re just clicking on the box score while they look at Excel sheets and things like that.”

Ninomiya was awed by Ohtani when he emerged as a two-way player for the Hokkaido Nippon-Ham Fighters. He followed him when he debuted with the Angels in 2018, when the morning ritual began. But he ascribes the national love affair to the way Ohtani has conducted himself on the MLB stage.

“For example, if there’s garbage on the ground, he tries to pick it up,” Ninomiya said. “We know he’s a superstar — and super rich — but he doesn’t behave like that.”

Advertisement

Ohtani and his representatives have cultivated an image in Japan of a modest, polite baseball star who is deferential to teammates and respectful to elders. The reputation helped Ohtani weather a wave of public scrutiny earlier this year, when his former interpreter, Ippei Mizuhara, was charged with stealing more than $16 million from an Ohtani bank account to cover gambling debts. (Mizuhara later pleaded guilty.) It’s also helped him land a raft of endorsements from companies on both sides of the Pacific and turn his personal life into daily fodder on television. (His wife, Mamiko Tanaka, and his dog, translated to Dekopin in Japanese, are regular characters on the daytime shows.)


The comings and goings of Mamiko Tanaka and Ohtani are regular fodder for Japanese morning shows. (Stringer / Getty Images)

“Those are traits that I think Japanese fans love to see in practice on a foreign land,” said Hiroshi Kitamura, an associate professor of history at William & Mary who specializes in U.S.-East Asian relations. “Japanese fans love to see MLB players like (Aaron) Judge, (Fernando) Tatis, (Ronald) Acuna say great things about Ohtani as being the unicorn. But I think they also appreciate seeing Ohtani kind of being Japanese. In that sense, I think Japanese fans see Ohtani as part of them.”


The face of Major League Baseball greeted Foster Griffin each day when he arrived in Tokyo. The billboards. The cardboard likenesses in convenience stores. Ohtani’s voice even features in advertisements on the subway.

Soon after Griffin, a former Kansas City Royals pitcher, moved to Japan to pitch for the Yomiuri Giants, he learned the cultural primacy of televised nightly news.

“And he has his own section of the news,” Griffin said. “They highlight everything he does every day over there. He’s everywhere.”

Advertisement

From an American perspective, it’s hard to conceive of the popularity of Ohtani in Japan. America does not revere any foreign sports in which they are not supreme. The Japanese media, a sprawling apparatus with five commercial television networks and five national daily newspapers, can be impenetrable for non-Japanese speakers. And contrary to hyperbole, not everyone in Japan cares about baseball.

“Culturally, I felt like in recent years, the interest of young kids seemed headed to new sports like soccer,” said Ema Ryan Yamazaki, a Japanese filmmaker raised in Osaka.

The sport, however, remains a cultural unifier, a source of connection at the office or during the morning commute. And Ohtani has transcended demographics, spawning new generations of fans while appealing to retired grandmothers in Tokyo, Fukuoka and Sapporo.


In Japan, Ohtani is the face of countless advertising campaigns. (Tomohiro Ohsumi / Getty Images)

“The school teacher understands a balk and an intentional walk, throughout the entire country,” said Bobby Valentine, the former Mets manager who had two stints in Japan as manager of the Chiba Lotte Marines. “It’s like a port of passage. Baseball allows you to be acceptable in the culture. It’s just one of those things.”

When Ohtani led the country to a World Baseball Classic championship last year, more than 42 percent of Japanese households watched Japan defeat the United States at 8 a.m on a Wednesday. Six of Japan’s seven WBC games drew more than 30 million viewers. Ohtani’s presence — along with starting pitcher Yoshinobu Yamamoto — could help the Japanese World Series audience approach those heights. The numbers are already so striking that MLB continues to target the Japanese market, and will open the 2025 season with the Dodgers facing the Chicago Cubs in Tokyo, a year after the Dodgers opened the season in South Korea against the San Diego Padres. Commissioner Rob Manfred told The Athletic this week that “If you’re going to open (the season) in Tokyo, the only choice was to take the Dodgers again. And the reason it’s the only choice is the audiences that those games deliver are so big that it drives what’s a real broadcast business for us in Japan.”

Advertisement

The first pitch of the World Series will come at 9:08 a.m. on Saturday, airing on both NHK and commercial network Fuji TV. Interest is so high that creators of the wildly popular manga show “One Piece” pushed back a season premiere, to not compete with Ohtani.

“Smart move to move the show on their part,” Yamazaki said. “I would, too.”

As Ninomaya puts it, the only figure in Japan who could conceivably surpass Ohtani in name recognition is the prime minister, and the current one, Shigeru Ishiba, just took office earlier this month.

“Some young people may not know our prime minister,” he said. “But even kids — junior high school students, senior high school students — everybody knows Ohtani.”

Yes, every generation in Japan is ready for breakfast with Ohtani. Even if there is one that appears most charmed.

Advertisement

Earlier this year, Whiting, 82, was talking to his wife, Machiko Kondo, who worked for years as a resettlement officer at the United Nations. For decades, Kondo never expressed any interest in baseball, even as Whiting wrote best-selling books about Japanese baseball history and the meaning of Ichiro, even as he followed games on both sides of the Pacific.

But then came Ohtani.

“I’ve written all these baseball books that have gotten national attention, and it doesn’t mean anything to her,” Whiting said. “But now with Ohtani, she’s started asking: ‘Did Ohtani have any home runs?’”

The Athletic‘s Andy McCullough and Sam Blum contributed to this story

(Illustration: Dan Goldfarb / The Athletic; Photos: Jayne Kamin-Oncea / Getty Photos)

Advertisement

Culture

What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

Published

on

What Happens When We Die? This Wallace Stevens Poem Has Thoughts.

Advertisement

Whatever you do, don’t think of a bird.

Now: What kind of bird are you not thinking about? A pigeon? A bald eagle? Something more poetic, like a skylark or a nightingale? In any case, would you say that this bird you aren’t thinking about is real?

Before you answer, read this poem, which is quite literally about not thinking of a bird.

Advertisement

Human consciousness is full of riddles. Neuroscientists, philosophers and dorm-room stoners argue continually about what it is and whether it even exists. For Wallace Stevens, the experience of having a mind was a perpetual source of wonder, puzzlement and delight — perfectly ordinary and utterly transcendent at the same time. He explored the mysteries and pleasures of consciousness in countless poems over the course of his long poetic career. It was arguably his great theme.

Stevens was born in 1879 and published his first book, “Harmonium,” in 1923, making him something of a late bloomer among American modernists. For much of his adult life, he worked as an executive for the Hartford Accident and Indemnity Company, rising to the rank of vice president. He viewed insurance less as a day job to support his poetry than as a parallel vocation. He pursued both activities with quiet diligence, spending his days at the office and composing poems in his head as he walked to and from work.

Advertisement

Wallace Stevens in 1950.

Advertisement

Walter Sanders/The LIFE Picture Collection, via Shutterstock

As a young man, Stevens dreamed of traveling to Europe, though he never crossed the Atlantic. In middle age he made regular trips to Florida, and his poems are frequently infused with ideas of Paris and Rome and memories of Key West. Others partake of the stringent beauty of New England. But the landscapes he explores, wintry or tropical, provincial or cosmopolitan, are above all mental landscapes, created by and in the imagination.

Are those worlds real?

Advertisement

Let’s return to the palm tree and its avian inhabitant, in that tranquil Key West sunset of the mind.

Until then, we find consolation in fangles.

Advertisement

Continue Reading

Culture

Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

Published

on

Wil Wheaton Discusses ‘Stand By Me’ and Narrating ‘The Body’ Audiobook

Advertisement
Advertisement
Advertisement
Advertisement

When the director Rob Reiner cast his leads in the 1986 film “Stand by Me,” he looked for young actors who were as close as possible to the personalities of the four children they’d be playing. There was the wise beyond his years kid from a rough family (River Phoenix), the slightly dim worrywart (Jerry O’Connell), the cutup with a temper (Corey Feldman) and the sensitive, bookish boy.

Advertisement

Wil Wheaton was perfect for that last one, Gordie Lachance, a doe-eyed child who is ignored by his family in favor of his late older brother. Now, 40 years later, he’s traveling the country to attend anniversary screenings of the film, alongside O’Connell and Feldman, which has thrown him back into the turmoil that he felt as an adolescent.

Wheaton has channeled those emotions and his on-set memories into his latest project: narrating a new audiobook version of “The Body,” the 1982 Stephen King novella on which the film was based.

Advertisement

“I like there to be a freshness, a discovery and an immediacy to my narration,” Wheaton said. He recorded “The Body” in his home studio in California. Alex Welsh for The New York Times

A few years ago, Wheaton started to float the idea of returning to the story that gave him his big break — that of a quartet of boys in 1959 Oregon, in their last days before high school, setting out to find a classmate’s dead body. “I’ve been telling the story of ‘Stand By Me’ since I was 12 years old,” he said.

Advertisement

But this time was different. Wheaton, who has narrated dozens of audiobooks, including Andy Weir’s “The Martian” and Ernest Cline’s “Ready Player One,” says he has come to enjoy narration more than screen acting. “I’m safe, I’m in the booth, nobody’s looking at me and I can just tell you a story.”

The fact that he, an older man looking back on his younger years, is narrating a story about an older man looking back on his younger years, is not lost on Wheaton. King’s original story is bathed in nostalgia. Coming to terms with death and loss is one of its primary themes.

Two days after appearing on stage at the Academy Awards as part of a tribute to Reiner — who was murdered in 2025 alongside his wife, Michele — Wheaton got on the phone to talk about recording the audiobook, reliving his favorite scenes from the film and reexamining a quintessential story of childhood loss through the lens of his own.

Advertisement

This interview has been edited and condensed.

“I felt really close to him, and my memory of him.”

Advertisement

Wheaton on channeling a co-star’s performance.

There’s this wonderful scene in “Stand By Me.” Gordie and Chris are walking down the tracks talking about junior high. Chris is telling Gordie, “I wish to hell I was your dad, because I care about you, and he obviously doesn’t.”

Advertisement

It’s just so honest and direct, in a way that kids talk to each other that adults don’t. And I think that one of the reasons that really sticks with people, and that piece really lands on a lot of audiences, and has for 40 years, is, just too many people have been Gordie in that scene.

That scene is virtually word for word taken from the text of the book. And when I was narrating that, I made a deliberate choice to do my best to recreate what River did in that scene.

“The Body” Read by Wil Wheaton

Advertisement

“You’re just a kid,

Gordie–”

Advertisement

“I wish to fuck

I was your father!”

he said angrily.

“You wouldn’t go around

talking about takin those stupid shop courses

Advertisement

if I was!

It’s like

God gave you something,

all those stories

you can make up,

Advertisement

and He said:

This is what we got for you, kid.

Try not to lose it.

But kids lose everything

unless somebody looks out for them

Advertisement

and if your folks

are too fucked up to do it

then maybe I ought to.”

I watched that scene a couple of times because I really wanted — I don’t know why it was so important to me to — well, I know: because I loved him, and I miss him. And I wanted to bring him into this as best as I could, right?

Advertisement

So I was reading that scene, and the words are identical to the script. And I had this very powerful flashback to being on the train tracks that day in Cottage Grove, Oregon. And I could see River standing next to them. They’re shooting my side of the scene and there’s River, right next to the camera, doing his off-camera dialogue, and there’s the sound guy, and there’s the boom operator. There’s my key light.

I could hear and feel it. It was the weirdest thing. It’s like I was right back there.

Advertisement

I was able to really take in the emotional memory of being Gordie in all of those scenes. So when I was narrating him and I’m me and I’m old with all of this experience, I just drew on what I remembered from being that little boy and what I remember of those friendships and what they meant to me and what they mean to me today.

“Rob gave me a gift. Rob gave me a career.”

Advertisement

Wheaton recalls the “Stand By Me” director’s way with kids on set, as well as his recent Oscars tribute.

Rob really encouraged us to be kids.

Jerry tells the most amazing story about that scene, where we were all sitting around, and doing our bit, and he improvised. He was just goofing around — we were just playing — and he said something about spitting water at the fat kid.

Advertisement

We get to the end of the scene, and he hears Rob. Rob comes around from behind the thing, and he goes, “Jerry!” And Jerry thinks, “Oh no, I’m in trouble. I’m in trouble because I improvised, and I’m not supposed to improvise.”

The context for Jerry is that he had been told by the adults in his life, “Sit on your hands and shut up. Stop trying to be a cutup. Stop trying to be funny. Stop disrupting people. Just be quiet.” And Jerry thinks, “Oh my God. I didn’t shut up. I’m in trouble. I’m gonna get fired.”

Advertisement

Rob leans in to all of us, and Rob says, “Hey, guys, do you see that? More of that. Do that!”

Rob Reiner in 1985, directing the child actors of “Stand By Me,” including Wil Wheaton, at left. Columbia/Kobal, via Shutterstock

Advertisement

The whole time when you’re a kid actor, you’re just around all these adults who are constantly telling you to grow up. They’re mad that you’re being a kid. Rob just created an environment where not only was it supported that we would be kids — and have fun, and follow those kid instincts and do what was natural — it was expected. It was encouraged. We were supposed to do it.

“The Body” Read by Wil Wheaton

Advertisement

They chanted together:

“I don’t shut up,

I grow up.

And when I look at you

Advertisement

I throw up.”

“Then your mother goes around the corner

and licks it up,”

I said,

Advertisement

and hauled ass out of there,

giving them the finger over my shoulder as I went.

I never had any friends later on

like the ones I had when I was twelve.

Jesus,

Advertisement

did you?

When we were at the Oscars, I looked at Jerry. And we looked at this remarkable assemblage of the most amazingly talented, beautiful artists and storytellers. We looked around, and Jerry leans down, and he said, “We all got our start with Rob Reiner. He trusted every single one of us.”

Advertisement

Jerry O’Connell and Wheaton joined more than a dozen actors from Reiner’s films to honor the slain director at the Academy Awards on March 15, 2026. Kevin Winter/Getty Images

And to stand there for him, when I really thought that I would be standing with him to talk about this stuff — it was a lot.

Advertisement

“I was really really really excited — like jumping up and down.”

The scene Wheaton was most looking forward to narrating: the tale of Lard Ass Hogan.

Advertisement

I was so excited to narrate it. It’s a great story! It’s a funny story. It’s such a lovely break — it’s an emotional and tonal shift from what’s happening in the movie.

I know this as a writer: You work to increase and release tension throughout a narrative, and Stephen King uses humor really effectively to release that tension. But it also raises the stakes, because we have these moments of joy and these moments of things being very silly in the midst of a lot of intensity. ​​

That’s why the story of Lard Ass Hogan is so fun for me to tell. Because in the middle of that, we stop to do something that’s very, very fun, and very silly and very celebratory.

Advertisement

“The Body” Read by Wil Wheaton

“Will you shut up

Advertisement

and let him tell it?”

Teddy hollered.

Vern blinked.

“Sure.

Advertisement

Yeah.

Okay.”

“Go on, Gordie,”

Chris said.

Advertisement

“It’s not really much—”

“Naw,

we don’t expect much

Advertisement

from a wet end like you,”

Teddy said,

“but tell it anyway.”

I cleared my throat.

Advertisement

“So anyway.

It’s Pioneer Days,

and on the last night

they have these three big events.

There’s an egg-roll for the little kids

Advertisement

and a sack-race for kids that are like eight or nine,

and then there’s the pie-eating contest.

And the main guy of the story

is this fat kid nobody likes

named Davie Hogan.”

Advertisement

When I narrate this story — whenever there is a moment of levity or humor, whenever there are those brief little moments that are the seasoning of the meal that makes it all so real and relatable — yes, it was very important to me to capture those moments.

I’m shifting in my chair, so I can feel each of those characters. It’s something that doesn’t exist in live action. It doesn’t exist in any other media.

Advertisement

“I feel the loss.”

Wheaton remembers River Phoenix.

Advertisement

The novella “The Body” is very much about Gordie remembering Chris. It’s darker, and it’s more painful, than the movie is.

I’ve been watching the movie on this tour and seeing River a lot. I remember him as a 14- and 15-year-old kid who just seemed so much older, and so much more experienced and so much wiser than me, and I’m only a year younger than him.

What hurts me now, and what I really felt when I was narrating this, is knowing what River was going through then. We didn’t know. I still don’t know the extent of how he was mistreated, but I know that he was. I know that adults failed him. That he should have been protected in every way that matters. And he just wasn’t.

Advertisement

And I, like Gordie, remember a boy who was loving. So loving, and generous and cared deeply about everyone around him, all the time. Who deserved to live a full life. Who had so much to offer the world. And it’s so unfair that he’s gone and taken from us. I had to go through a decades-long grieving process to come to terms with him dying.

“The Body” Read by Wil Wheaton

Advertisement

Near the end

of 1971,

Chris

went into a Chicken Delight

Advertisement

in Portland

to get a three-piece Snack Bucket.

Just ahead of him,

two men started arguing

about which one had been first in line.

Advertisement

One of them pulled a knife.

Chris,

who had always been the best of us

at making peace,

stepped between them

Advertisement

and was stabbed in the throat.

The man with the knife had spent time in four different institutions;

he had been released from Shawshank State Prison

only the week before.

Chris died almost instantly.

Advertisement

It is a privilege that I was allowed to tell this story. I get to tell Gordie Lachance’s story as originally imagined by Stephen King, with all of the experience of having lived my whole adult life with the memory of spending three months in Gordie Lachance’s skin.

Continue Reading

Culture

Do You Know the Comics That Inspired These TV Adventures?

Published

on

Do You Know the Comics That Inspired These TV Adventures?

Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights offbeat television shows that began as comic books. Just tap or click your answers to the five questions below. And scroll down after you finish the last question for links to the comics and their screen versions.

Continue Reading

Trending