Culture
Ben Shelton slams ‘embarrassing and disrespectful’ interviews by Australian Open broadcasters
MELBOURNE, Australia — Ben Shelton, the 22-year-old American who made the Australian Open semifinals Wednesday with a win over Lorenzo Sonego, added his voice to the chorus of players who have been critical of the broadcasters and on-court interviewers in his post-match news conference.
“I’ve been a little bit shocked this week with how players have been treated by the broadcasters,” Shelton said.
He topped his list of complaints with Tony Jones, the Channel 9 sportscaster, who taunted Serbian fans, called Novak Djokovic names and yelled “kick him out” on air. It was an apparent reference to Djokovic being deported from Australia two years ago over Covid-19 protocols.
Jones apologized on the air, saying that he “overstepped the mark,” after Djokovic called his comments “insulting and offensive.” He had refused to do on-court interviews until he received the apology.
“I don’t think that was just a single event,” Shelton said. “I’ve noticed it with different people, not just myself.”
He mentioned American Learner Tien’s on-court interview, a stilted conversation at 3 a.m. in which an exhausted and dazed Tien, 19, became the object of some mocking when two questions left him a bit speechless after nearly five hours of tennis in the middle of the night. He had just knocked out Daniil Medvedev, the No. 5 seed.
“19 year olds aren’t meant to be that good,” the interviewer, John Fitzgerald, said. Then he asked Tien if he had ever heard of his next opponent, Corentin Moutet.
“I noticed it with Learner Tien in one of his matches,” Shelton said. “I think when he beat Medvedev, his post-match interview. I thought it was kind of embarrassing and disrespectful.”
Shelton then turned to his own experiences. After his fourth-round win over Gael Monfils, the interviewer said to Shelton that Monfils could be his father. Monfils is Black, as is Shelton, who responded, “is that a Black joke?”
He later said he did not think the interviewer meant any malice in the comment, but that it still made him uncomfortable.
“There are some comments that have been made to me in post-match interviews by a couple of different guys. Today on the court, ‘hey, Ben, how does it feel that no matter who you play in your next match, no one is going to be cheering for you?’
“I mean, may be true, but I just don’t think the comment is respectful from a guy I’ve never met before in my life.”
Shelton said he felt the broadcasters and interviewers were not doing a good enough job promoting tennis.
“I feel like broadcasters should be helping us grow our sport and help these athletes who just won matches on the biggest stage enjoy one of their biggest moments. I feel like there’s just been a lot of negativity. I think that’s something that needs to change.”
Tennis Australia was not immediately able to respond to Shelton’s comments.
(Nick Denholm / Getty Images)
Culture
Video: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
new video loaded: ‘Flesh’ by David Szalay Wins 2025 Booker Prize
transcript
transcript
‘Flesh’ by David Szalay Wins 2025 Booker Prize
David Szalay became the first British Hungarian to win the prestigious Booker Prize for his novel “Flesh.”
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“I think fiction can take risks. I think it’s one of the things that it can do. It can take aesthetic risks, formal risks, perhaps even moral risks, which many other forms, narrative forms, can’t quite do to the same extent.” “I think all six of the books in the short list really, you know, not — it’s not saying this is the headline theme, but there is that theme of reaching out, wanting a connection.”
By Shawn Paik
November 11, 2025
Culture
Test Yourself on the Settings Mentioned in These Novels About Road Trips
A strong sense of place can deeply influence a story, and in some cases, the setting can even feel like a character itself. This week’s literary geography quiz highlights the starting points or destinations of five novels about road trips. (Even if you aren’t familiar with the book, most questions offer an additional hint about the location.) To play, just make your selection in the multiple-choice list and the correct answer will be revealed. At the end of the quiz, you’ll find links to the books if you’d like to do further reading.
Culture
This Poem About Monet’s “Water Lilies” Reflects on the Powers and Limits of Art
In the midst of the world’s unrelenting horribleness, it’s important to make room for beauty. True! But also something of a truism, an idea that comes to hand a little too easily to be trusted. The proclamation that art matters — that, in difficult times, it helps — can sound like a shopworn self-care mantra.
So instead of musing on generalities, maybe we should focus our attention on a particular aesthetic experience. Instead of declaring the importance of art, we could look at a painting. Or we could read a poem.
A poem, as it happens, about looking at a painting.
Hayden did not take the act of seeing for granted. His eyesight was so poor that he described himself as “purblind”; as a child he was teased for his thick-framed glasses. Monet’s Giverny paintings, whose blurriness is sometimes ascribed to the painter’s cataracts, may have revealed to the poet not so much a new way of looking as one that he already knew.
Read in isolation, this short poem might seem to celebrate — and to exemplify — an art divorced from politics. Monet’s depiction of his garden, like the garden itself, offers a refuge from the world.
But “Selma” and “Saigon” don’t just represent headlines to be pushed aside on the way to the museum. They point toward the turmoil that preoccupied the poetry of Hayden and many of his contemporaries.
“Monet’s ‘Waterlilies’” was published in a 1970 collection called “Words in the Mourning Time.” The title poem is an anguished response to the assassinations of Robert F. Kennedy and the Rev. Dr. Martin Luther King Jr., and to the deepening quagmire in Vietnam. Another poem in the volume is a long elegy for Malcolm X. Throughout his career (he died in 1980, at 66), Hayden returned frequently to the struggles and tragedies of Black Americans, including his own family.
Born in Detroit in 1913, Hayden, the first Black American to hold the office now known as poet laureate of the United States, was part of a generation of poets — Gwendolyn Brooks, Dudley Randall, Margaret Danner and others — who came of age between the Harlem Renaissance of the 1920s and the Black Arts movement of the ’60s.
A poet of modernist sensibilities and moderate temperament, he didn’t adopt the revolutionary rhetoric of the times, and was criticized by some of his more radical peers for the quietness of his voice and the formality of his diction.
But his contemplative style makes room for passion.
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