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6 things to know about L.A.'s new Balloon Museum, a place to dive into psychedelic art

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6 things to know about L.A.'s new Balloon Museum, a place to dive into psychedelic art

You won’t find any clowns at the L.A. leg of the traveling Balloon Museum, but there are plenty of other carnival-inspired sights and sounds to be experienced: massive inflated tents, queue lines marked by bright primary colors and concessions fit for the midway.

The award-winning contemporary art museum unveiled its “Let’s Fly” show last week for a limited run at the Arts District’s Ace Mission Studios, which previously housed the fantastical amusement park Luna Luna.

Founded in Rome in 2020, the museum has welcomed more than 4.4 million visitors at its runs in cities across the globe, including Paris, Milan, Madrid, London, New York, Atlanta and Miami, among others. Each iteration is informed by the culture of the city hosting it, with the sole central medium of air.

A cross between the sensory explosion of Meow Wolf and the labyrinthine nature of an IKEA store, the experience features installations from 21 artists with avant-garde interpretations of inflatable and balloon art. On view through March 16, the exhibition is highly immersive and highly Instagrammable. Here are six things to know before you visit.

1. The experience begins even before you enter the building

The Sixth Street Viaduct stands in the background of the outdoor exhibit “D.R.E.A.M.S.” by artist Camila Falsini.

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(Genaro Molina / Los Angeles Times)

The museum opens with a walk through the gardens — more specifically, Camila Falsini’s “D.R.E.A.M.S.,” a series of oversized inflatable shapes, symbols and igloos meant to evoke a dreamlike city inspired by Pop art and the Memphis Group.

The works, created specially for the L.A. “Let’s Fly” exhibition, are striped, spotted, shaped like doughnuts and light up in the night sky like condensed, dirigible versions of Ugo Rondinone’s “Seven Magic Mountains” sculpture.

Just inside, Max Streicher’s “Quadriga” stages massive billowing horses that call to mind wingless Pegasi the way they seem to gallop through the air. And the installations continue all the way through the gift shop, which is situated between a series of photo backdrops and a food court offering concessions like popcorn and cotton candy.

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2. The strongest common thread between the works is not balloons but air

Maristella Burchietti visits the "Ai Data Portal of Los Angeles" exhibit at the Balloon Museum

Maristella Burchietti is immersed in the exhibit “AI Data Portal of Los Angeles” by the Ouchhh collective.

(Genaro Molina / Los Angeles Times)

One might not immediately make the connection between data and air, but Ouchhh collective’s “AI Data Portal of Los Angeles,” an immersive tunnel of LED screens broadcasting an abstract amalgamation of Excel spreadsheets, documents, graphs and other digital ephemera, reimagines the city’s cloud data as thousands of tiny colored beads. The room, which has a dizzying effect, is reminiscent of Yayoi Kusama’s “Infinity Mirror Rooms” at the Broad but looks more like something out of Ant-Man’s quantum universe.

Another exhibit, the museum’s newest work, “Mariposa” by Oakland-based LED artist Christopher Schardt, features a massive flapping butterfly powered by a swinging bench and illuminated by more than 39,000 full-color LEDs. The most balloon-like, airy element of this room is the plush bean bags, on which guests are encouraged to recline and relax.

3. You’ll want to relive your childhood by diving into the massive ball pit

"Hyperstellar," created by Hyperstudio, Quiet Ensemble and Roman Hill, is a massive ball pit

The “Hyperstellar” exhibit, created by Hyperstudio, Quiet Ensemble and Roman Hill, is one of many interactive art spaces.

(Genaro Molina / Los Angeles Times)

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There are many great and memorable exhibits in the museum, but perhaps the pièce de résistance is the massive Olympic pool-sized ball pit that hosts intermittent light shows in which additional balls and spotlights descend from the already bulbous ceiling. If Matthew McConaughey’s “Interstellar” astronaut stumbled upon a planet dominated by palm-sized black balls, it might look something like this.

In fact, “Hyperstellar,” from Hyperstudio with Quiet Ensemble and Roman Hill, is meant to evoke musings about the cosmos, with the surrounding walls wrapped with LED screens broadcasting 360-degree views of exploding water droplets and air bubbles.

4. If you’re light-sensitive, beware of The Ginjos

A person stands among colorful blobs with one or two eyes, in a room with child-like drawings on the walls

“The Ginjos” exhibit by Rub Kandy is one of the more intense spaces in the museum.

(Genaro Molina / Los Angeles Times)

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While there are many rooms inside the museum that appeal to one’s senses of touch, sound and sight (including a dimly lit bubble room with wet, squishy floors), visitors at risk of seizures should avoid “The Ginjos,” an installation filled with strange inflatable creatures that are something like Minions on acid.

Even the museum’s description, which describes Rub Kandy’s creations have “huge eyes that see everything,” is mildly creepy. Add to it pulsing strobe lights and floppy, oversized, mouthless cyclopes and you have all the makings of a nightmare trip. Speaking of trips …

5. Consider visiting the museum a little buzzed

Another “Let’s Fly” exclusive, ENESS’ “Spiritus Sonata,” features hallucinogenic, elephant-balloon hybrids that are straight out of Winnie the Pooh’s psychedelic “Heffalumps and Woozles” scene. Imagine mastodon-like creatures whose noses are wind instruments that inflate the structures and emit sound.

While there were makeshift wine bars intermittently set up throughout the space during the media preview, it’s unclear whether the museum will provide provisions for the general public. But patrons who partake before arriving will definitely have a heightened experience in the trippy rooms.

6. Wear something Instagrammable — there’s a selfie opp by the exit!

In side-by-side boxes, a red bear lifting off its head and a women posing with "I Love Hollywood" background

Maristella Burchietti stands in one the museum’s selfie spots.

(Genaro Molina / Los Angeles Times)

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No modern museum is complete without plenty of social media-ready photo opportunities, and the Balloon Museum saves the best for last.

In the museum’s final corridor — just past a VR headset experience and before the gift shop and food court — are situated eight jewel-toned cubicles staged with props for the perfect minimally decorated but vividly hued Instagram post.

Choose between a massive headless gummy bear, a balloon-filled phone booth, a cloudscape, L.A.-ready angel wings and other poppy backdrops for a one-of-a-kind photo experience. Because if it’s not posted on Instagram, did you even go?

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Lifestyle

N.F.L. Style Will Never Beat N.B.A. Style

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N.F.L. Style Will Never Beat N.B.A. Style

You want to see some real fashion ingenuity? Watch the N.F.L. draft.

I’m not saying it’s all good, but where else are you going to see someone in a double-breasted suit made by a company better known for making yoga pants? Or an Abercrombie & Fitch suit jacket so short that it exposes the belt loops on the pants beneath?

On the whole, the style on display at the N.F.L. draft last night was very overeager senior formal: a lot of suits in colors beyond basic blue. The quarterback Ty Simpson wore a custom suit by the athleisure label Alo, which, I have to say, looked better than I would have envisioned had you said the words “Alo Yoga suit” to me.

I thought it might have been from Suitsupply, but the conspicuous “Alo” pin on his right lapel put that idea to rest. Simpson, smartly, unfastened that beacon before appearing onstage as the 13th pick to the Los Angeles Rams. He had, perhaps, satisfied his contractual obligations by that point.

Earlier in the evening, as the wide receiver Carnell Tate threw up his arms in exaltation after being picked fourth by the Tennessee Titans, his cropped Abercrombie & Fitch jacket revealed a swatch of rib cage. He looked like a mâitre d’ who had just hit the Mega Millions.

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During the N.B.A.’s extended fashion awakening, its draft has become a sandbox for luxury brands to cozy up to would-be endorsers. The Frenchman Victor Wembanyama broke a kind of cashmere ceiling when he wore Louis Vuitton to go first overall in the 2023 N.B.A. draft.

The N.F.L. draft has none of that. The brands you see are often not brands at all, but custom tailors that reach the league’s neophytes through a whisper network among players. The draft is also a platform to raise the curtain on longer-term brand deals that better suit these rookies. We may, for instance, never see Simpson in a suit again. Nearly every photo from his time at Alabama shows him in a T-shirt or hoodie. It makes sense for him to sign with Alo.

Football is the most mainstream of American cultural entities. And it’s one that still hasn’t, in spite of the league’s best efforts, taken off overseas. Few players, save some quarterbacks and a tight end who happens to be engaged to a pop star, feel bigger than the game itself. If you’re a new-to-the-league linebacker, you’ll most likely never harness the star power to grab the attention of Armani, but you might have just the right pull for Abercrombie.

The N.F.L. draft is therefore one of the few red carpets where the brands worn by the athletes may also be worn by those watching at home. How many people watching the Oscars will ever own clothes from Louis Vuitton or Chanel? People may comment online about Lady Gaga wearing Matières Fécales to the Grammys, but how many of those fans and viewers could afford to buy clothes from it?



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Yesterday, I published a deep dive into how a newish crop of Japanese designers are soaking up all the attention in men’s fashion right now. This was a piece I was writing in my head long before I sat down and finally started typing. I remember sitting at a fashion show in Paris over a year ago — I believe it was Dior — and being asked by my seatmate if I’d made it over to a showroom in the Marais to check out A.Presse. That Tokyo-based brand is now part of a vanguard of Japanese labels that, on many days, seems to be all anyone in fashion wants to talk about. I spent months talking with designers, store owners and big-time shoppers to make sense of why these brands have kicked up so much buzz and, more than that, what makes their clothes so great. You can read the story here.


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How to have the best Sunday in L.A., according to Tig Notaro

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How to have the best Sunday in L.A., according to Tig Notaro

Thirty years ago, comedian and actor Tig Notaro didn’t have a clear direction in life, so she followed some childhood friends who wanted to get into entertainment to Los Angeles. Secretly wanting to do stand-up, Notaro decided to try her luck at various outlets in town, which became the start of her successful career.

“I stayed on my friends’ couch near the Hollywood Improv on Melrose, and a couple months later, got my own studio apartment in the Miracle Mile area,” Notaro says. “I love all the options for everything in L.A. — the entertainment, the restaurants. I like to stay active. So many people love the hiking options in Los Angeles, and I’m one of them.”

Sunday Funday infobox logo with colorful spot illustrations

In Sunday Funday, L.A. people give us a play-by-play of their ideal Sunday around town. Find ideas and inspiration on where to go, what to eat and how to enjoy life on the weekends.

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Notaro appears in Season 3 of Apple TV’s “The Morning Show” and is a series regular on Paramount+’s “Star Trek: Starfleet Academy,” as she was on “Star Trek: Discovery.” She’s also a touring stand-up comic and hosts “Handsome,” a comedy podcast, with Fortune Feimster and Mae Martin. The trio will be taping a live show May 4 at the Wiltern with the cast of Netflix’s “The Hunting Wives.” The live shows include interviews, but also “incorporate some ridiculous things,” she says. For example, upon hearing that some of the hosts always wanted to learn to tap dance, Notaro “hired a tap instructor to come to our live show in Austin and teach us how to tap dance in front of the audience.”

Notaro lives near Hollywood with her wife, actor Stephanie Allynne, their 9-year-old fraternal twin boys, Max and Finn, and three cats, Fluff, Linus and Skip. When she’s not touring, her ideal Sundays include sampling vegan restaurants, wandering through bookstores or museums, and doing something physically active with the family.

This interview has been lightly edited and condensed for length and clarity.

6 a.m.: Up with the kids

Because we have active children, we still wake up at 6 a.m. or 6:30 a.m. on Sunday, but there’s not as much of a rush to get going. Stephanie and I will often have coffee and chat in the living room together. I love that part of the day. Stephanie may cook breakfast, but Max and Finn are pretty self-sufficient and can make certain little meals for themselves. Max is really starting to take an interest in cooking, so he’d make breakfast for himself. Our family is vegan, but he eats eggs, so he makes himself an egg sandwich with avocado a lot of times.

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9 a.m.: Daily morning walk

After breakfast, we usually have a morning walk around our neighborhood. That’s a daily thing I like to do, regardless of what’s going on. Now that I’m not touring as much, tennis is back on the schedule. So I’d go to Plummer Park in West Hollywood and play for a while, then join the family for lunch.

11:30 a.m.: Hike with a side of chickpea sandwich

I love Trails, a cafe in Griffith Park, where you can eat outdoors. It serves simple food, and has good vegan options. I usually get their chickpea salad sandwich. The food there is great. Afterward, we’d visit Griffith Observatory, where there’s lots to see. There are lots of great trails in the park, so we’d go for an hour hike before leaving.

3 p.m.: Browse the shelves for rock biographies

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Bookstores are fun, so we’d head downtown for the Last Bookstore, which is in a historic building with lots of vintage books. I really love all things plant-based, and I’m a very big music fanatic. So I love to look for vegan books, nutrition books, rock biographies and autobiographies. It’s just fun to browse around the stacks.

If we didn’t go to the bookstore, we’d probably go to LACMA. Our sons are huge fans of art and want to go for each new exhibit. They love Hockney, Basquiat and Picasso, to name a few.

4 p.m.: Cuddle with cuties at a cat cafe

We’d then make a quick stop at [Crumbs & Whiskers], a kitten and cat cafe on Melrose for coffee, snacks and to pet the cats. It’s best to make reservations in advance. There’s cats all around the place that need to be adopted. You can visit and pet them, or find a new roommate. I’d love to take some home, but we already have three.

5:30 p.m. Italian or sushi, but make it vegan

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We’re an early dinner family. One restaurant we like is Pura Vita in West Hollywood. It’s the greatest vegan Italian food, and for non-vegans, nobody ever knows the difference. It’s the first 100% plant-based Italian restaurant in the United States. They make an incredible kale salad and I love the San Gennaro pizza. It’s got cashew mozzarella, tomato sauce, Italian sausage crumble and more.

Then there’s Planta in Marina del Rey. It’s right on the harbor and you can sit outside and look at the boats coming in and out. They have sushi, salads and other plant-based entrees. They’ve got a really great spicy tuna roll that’s made out of watermelon. They are magicians.

Or there’s Crossroads Kitchen in West Hollywood. They play the best classic rock, and the atmosphere is upscale, fine dining. The appetizers that we always get are called Moroccan Cigars, which are vegan meat substitutes fried in a rolled batter. I really like the grilled lion’s mane steak, their mushroom steak with truffle potatoes, or the scallopini Milanese, that has a chicken or tofu option. I get the chicken with arugula on top. I always love to have a decaf espresso with dessert, which is either a brownie sundae or banana pudding.

7:30 p.m.: Comfort watch or word games

After dinner, the kids often like to watch an episode of “Friends,” a show that all ages enjoy, sports or “The Simpsons.” Or we’d play a game where each of us will add a word to a sentence and create a weird or funny long sentence until one of our sons says period. Then they’ll try and remember the whole sentence and repeat it back.

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9:30 p.m.: Bubble bath then bed

The boys usually go to bed at 8:30 p.m. and bedtime for us is 9:30 p.m. Stephanie and I would read or chat. I like to take a bubble bath, if people must know. The best Sundays for me mean finding a good balance of relaxing and being active. I feel very lucky that my family and I can do those things together.

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It Started with a Midnight Swim and a Kiss Under the Stars

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It Started with a Midnight Swim and a Kiss Under the Stars

When Marian Sherry Lurio and Jonathan Buffington Nguyen met at a mutual friend’s wedding at Higgins Lake, Mich., in July 2022, both felt an immediate chemistry. As the evening progressed, they sat on the shore of the lake in Adirondack chairs under the stars, where they had their first kiss before joining others for a midnight plunge.

The two learned that the following weekend Ms. Lurio planned to attend a wedding in Philadelphia, where Mr. Nguyen lives, and before they had even exchanged numbers, they already had a first date on the books.

“I have a vivid memory of after we first met,” Mr. Nguyen said, “just feeling like I really better not screw this up.”

Before long, they were commuting between Philadelphia and New York City, where Ms. Lurio lives, spending weekends and the odd remote work days in one another’s apartments in Philadelphia and Manhattan. Within the first six months of dating, Mr. Nguyen joined Ms. Lurio’s family for Thanksgiving in Villanova, Pa., and, the following month, she met his family in Beavercreek, Ohio, at a surprise birthday party for Mr. Nguyen’s mother.

Ms. Lurio, 32, who grew up in Merion Station outside Philadelphia, works in investor relations administration at Flexpoint Ford, a private equity firm. She graduated from Dartmouth College with a bachelor’s degree in history and psychology.

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Mr. Nguyen, also 32, was born in Knoxville, Tenn., and raised in Beavercreek, Ohio, from the age of 7. He graduated from Haverford College with a bachelor’s degree in political science and is now a director at Doyle Real Estate Advisors in Philadelphia.

Their long-distance relationship continued for the next few years. There were dates in Manhattan, vacations and beach trips to the Jersey Shore. They attended sporting events and discovered their shared appreciation of the 2003 film, “Love Actually.”

One evening, Mr. Nguyen recalled looking around Ms. Lurio’s small New York studio — strewed with clothes and the takeout meal they had ordered — and feeling “so comfortable and safe.” “I knew that this was something different than just sort of a fling,” he said.

It was an open question when they would move in together. In 2024, Ms. Lurio began the process of moving into Mr. Nguyen’s home in Philadelphia — even bringing her cat, Scott — but her plans changed midway when an opportunity arose to expand her role with her current employer.

Mr. Nguyen was on board with her decision. “It almost feels like stolen valor to call it ‘long distance,’ because it’s so easy from Philadelphia to New York,” Mr. Nguyen said. “The joke is, it’s easier to get to Philly from New York than to get to some parts of Brooklyn from Manhattan, right?”

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In January 2025, Mr. Nguyen visited Ms. Lurio in New York with more up his sleeve than spending the weekend. Together they had discussed marriage and bespoke rings, but when Mr. Nguyen left Ms. Lurio and an unfinished cheese plate at the bar of the Chelsea Hotel that Friday evening, she had no idea what was coming next.

“I remember texting Jonathan,” Ms. Lurio said, bewildered: “‘You didn’t go toward the bathroom!’” When a Lobby Bar server came and asked her to come outside, Ms. Lurio still didn’t realize what was happening until she was standing in the hallway, where Mr. Nguyen stood recreating a key moment from the film “Love Actually,” in which one character silently professes his love for another in writing by flashing a series of cue cards. There, in the storied Chelsea Hotel hallway still festooned with Christmas decorations, Mr. Nguyen shared his last card that said, “Will you marry me?”

They wed on April 11 in front of 200 guests at the Pump House, a covered space on the banks of Philadelphia’s Schuylkill River. Mr. Nguyen’s sister, the Rev. Elizabeth Nguyen, who is ordained through the Unitarian Universalist Association, officiated.

Although formal attire was suggested, Ms. Lurio said that the ceremony was “pretty casual.” She and Jonathan got ready together, and their families served as their wedding parties.

“I said I wanted a five-minute wedding,” Ms. Lurio recalled, though the ceremony ended up lasting a little longer than that. During the ceremony, Ms. Nguyen read a homily and jokingly added that guests should not ask the bride and groom about their living arrangements, which will remain separate for the foreseeable future.

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While watching Ms. Lurio walk down the aisle, flanked by her parents, Mr. Nguyen said he remembered feeling at once grounded in the moment and also a sense of dazed joy: “Like, is this real? I felt very lucky in that moment — and also just excited for the party to start!”

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