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Who were the 700 people from New Orleans who helped bring bananas to the U.S.?

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Who were the 700 people from New Orleans who helped bring bananas to the U.S.?


Bananas are everywhere — school cafeterias, $9 smoothies, perhaps even rotting on your kitchen counter. They’re a cheap source of fiber and potassium, and it’s no wonder they’re Walmart’s best selling product.

Bella Gamboa, currently a med student in Baltimore, has been casually interested in the history of the banana since high school.

“They are such an omnipresent fruit in the U.S.,” she said. “But the way that we eat them here is also a very particular thing.”

The most ubiquitous variety of banana in the U.S., the Cavendish banana, is a relatively recent invention. It wasn’t popularized until the 1950s, and in much of the world, they still eat other, very different varieties of the fruit which aren’t necessarily yellow, long or skinny.

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Recently, Gamboa was listening to an episode of NPR’s Throughline from 2020, “There Will Be Bananas,” which details the history of the banana in the States. The episode follows Minor Cooper Keith, a businessman who ruthlessly recruited people to lay railroads in Costa Rica in the early 1870s.

He eventually used the railroad to export bananas to the U.S., a business venture that eventually became the United Fruit Company, but before completion, most of the workers he recruited died or ran away once they knew how bad the conditions were. The railroads are the result of thousands of deaths. Even Keith’s own brothers lost their lives working on the project.

A few years into the endeavor, Keith went to New Orleans to recruit more workers, allegedly from prisons.

“He basically calls for volunteers,” said Dan Koeppel, author of the book “Banana: The Fate of the Fruit that Changed the World,” on the podcast. “And he says, anybody who volunteers — helps me build my railroad to completion — is going to get a pardon. Seven hundred prisoners volunteer. But only 25 prisoners survive to get their pardons — 25 out of 700.”

Looking into prisoners’ stories

“I was really intrigued by this detail,” said Gamboa.

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The detail was presented as an aside in the larger story about bananas, but to Gamboa, the historic footnote was “part of this broader trend that’s often sort of at the margins.” The story of bananas, and many other things for that matter, seem to be a story about incarcerated labor.

“Who were these prisoners? What were their stories/fates?” Gamboa asked Curious Louisiana. “How does Louisiana unexpectedly fit into the story of bananas as an American staple food?”

Let’s start with Koeppel. He’s far from the first to repeat this statistic. Many contemporary books and articles about the history of bananas repeat a similar line with minimal variation: “700 prisoners” arrived in Costa Rica to work on the railroads, and only 25 survived. But these sources provide scant details regarding these people or what actually happened to them. Through library archives, old newspaper clippings and interviews with both Koeppel and a historian, Curious Louisiana looked into it.

They weren’t prisoners. At least, not all of them.

According to Eric Seiferth, curator/historian and lead on the current exhibition at The Historic New Orleans Collection titled “Captive State: Louisiana and the Making of Mass Incarceration,” there’s no known original source information documenting 700 prisoners leaving New Orleans for Costa Rica. If that did happen, someone should have definitely noticed.

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“Seven hundred people would be more people than there were spaces to incarcerate in New Orleans,” he said. He doesn’t have exact numbers for the Orleans Parish Prison at the time, but he said when its replacement was built in 1930, the capacity was 400 beds. “It’s hard for me to believe that there were so many people that they had 700 people in the Orleans Parish Prison, when 100 years later, the jail had half that capacity.”

Plus, Seiferth said, the story doesn’t really cohere with incarcerated labor practices or the pardon system at the time. According to him, the early 1870s lines up with the convict lease era in Louisiana where rights to contract out that labor were owned by one guy: Samuel James.

“The city would have no incentive to send away prisoners because they relied on them for their urban workforce,” he said. “That’s who did everything in the city, who took care of the streets and cleaned the markets and cleaned the buildings. All that work was done by people in the workhouses and in the police jails and things like that.”

Plus, Keith also wouldn’t have the authority to grant pardons to anyone — that was and still is under the discretion of the governor.

‘It will be repeated again’

Here’s what we do know: in the 1870s, Minor Cooper Keith was strapped for labor while building the railroad, and he, or someone he was affiliated with, went to New Orleans to do some recruiting.

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According to “Empire of Green and Gold,” a book written by Charles Morrow Wilson, a former publicist for the United Fruit Company, Keith’s uncle, Henry Meiggs placed an ad in New Orleans’ newspapers enticing people with the promise of steady work and $1/day. The book “Bananas: How the United Fruit Company Shaped the World” by Peter Chapman tells a similar story, adding that the wages attracted “many occupants of the city’s jail.”

But there are no citations for where these books got that information from, and a library associate at the New Orleans Public Library was unable to turn up the advertisement or any advertisement placed by Meiggs. A search in the Times-Picayune archives yielded an 1872 ad recruiting people to work on the railroad in Costa Rica but for $.80 per day. It was not placed by Keith or his uncle.

Either way, people went. Probably because the promise of a job and pay were better than whatever their lives looked like at home. Working on the railroad was hard and dangerous. Most people didn’t make it back, and their stories seem to be lost to history.

New Orleans comes into play

As for how New Orleans fits into the larger story of bananas, that part of the question is much more straightforward — a matter purely of geography. According to Koeppel, it was key to bringing bananas into the U.S. because it was centrally located. The company that eventually merged with Keith’s venture to become the United Fruit Company was the Boston Fruit Company.

“That gives you an idea of where they were shipping bananas before: Boston, New York, Port of New Jersey,” said Koeppel. “That’s great for urban demand in the most populated parts of the country, but if you’re trying to get to Chicago, St. Louis, other Midwestern cities, then you need to be a little closer.”

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New Orleans was that closer port to help distribute bananas beyond New England and to the rest of the U.S., and workers from New Orleans lost their lives laying the tracks that made exporting bananas from Costa Rica possible.

Today, incarcerated labor is still embedded in the nation’s supply chain. 

“In prisons across Louisiana today,” Seiferth said, “everybody’s forced to labor, and they’re not really paid.”



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‘Sinners’ shines light on blues legends from Louisiana. See who, how they contributed.

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‘Sinners’ shines light on blues legends from Louisiana. See who, how they contributed.


Hopefully Ryan Coogler has a U-Haul on standby. The 39-year-old movie director may need a moving van March 15 to bring the Oscars home for his horror film, “Sinners.”

The movie, which grossed $369 million in worldwide box office receipts, is up for a record 16 Academy Awards, including Best Picture, Best Director, Best Actor and Best Original Song.







83rd Golden Globes - Show

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This image released by CBS Broadcasting shows Ryan Coogler, center, accepting the award for cinematic and box office achievement for “Sinners” during the 83rd Golden Globes on Sunday, Jan. 11, 2026, at the Beverly Hilton in Beverly Hills, Calif. 




“Sinners” is already a winner for putting the spotlight on the blues and at least three Louisiana musicians who shaped the sound. Much of the vampire thriller is set in Southern juke joints of the 1930s, makeshift dancehalls that shook with sounds that poured the foundation for rock ‘n’ roll, soul, R&B, rap, country and more.

Coogler illustrates that past and future in a scene with the original song, “I Lied to You.” The 1930s scene drifts to visions of the coming decades of rock, rap, break dancing and funk.

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Buddy Guy uses a drum stick to play a Jimi Hendrix tune at the New Orleans Jazz & Heritage Festival on May 4, 2023.



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Buddy Guy, an 89-year-old native of Pointe Coupee Parish, appears briefly in the movie as an aging version of the character Sammie “Preacher Boy” Moore. Born in 1936 in Lettsworth, Guy was a product of this “Sinners” era with skills that heavily influenced Jimi Hendrix, Eric Clapton, Stevie Ray Vaughan and others considered guitar gods.

A Grammy Lifetime Achievement Award winner and Kennedy Center honoree, Guy is still going strong with a tour of Australia set for April.

Fellow blues senior and Homer native Bobby Rush has also enjoyed “Sinners” notoriety, along with the late harmonica legend Little Walter of Marksville. Rush, 92, wasn’t seen in the movie, but his harmonica was used for the character “Delta Slim.”







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Bluesman Bobby Rush, 92, right, performs with Kenny Wayne Shepherd in the Blues Tent during the New Orleans Jazz and Heritage Festival at the Fair Grounds Race Course in New Orleans, Saturday, May 3, 2025. (Staff photo by Scott Threlkeld, The Times-Picayune)




Guy and actor Miles Caton performed the Little Walter original, “Juke.” The song has more than 2.2 million streams on Spotify and nearly 750,000 plays on YouTube.

Like Guy, Rush is not resting in his senior years. Between now and end of May, Rush has gigs stretching from the French Quarter Festival in New Orleans to the Ribs & Blues Festival in the Netherlands.

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Similar to Guy, Little Walter, born Marion Walter Jacobs in 1930, left Louisiana for Chicago, where he recorded “Juke,” “My Babe” and more groundbreaking harmonica blues. Renowned as an alcoholic with a short fuse and numerous fight injuries, Walter only lived to the age of 37.







Behind-the-scenes of

Art director Tim Davis helped create the church in “Sinners,” and fans have analyzed its design. Miles Caton plays preacher boy Sammie in the film. 

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Yet the blues of Walter, Rush and Guy live on, thanks to “Sinners,” introducing a new generation to the foundation of American music.

Herman Fuselier is executive director of the St. Landry Parish Tourist Commission. A longtime journalist covering Louisiana music and culture, he lives in Opelousas. His “Zydeco Stomp” show airs at noon Saturdays on KRVS Public Media.



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Louisiana State Police provide update on officer-involved shooting in Gonzales

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Louisiana State Police provide update on officer-involved shooting in Gonzales


Louisiana State Police released updated information regarding an officer-involved shooting March 5 in Ascension Parish.

According to an LSP news release, the preliminary investigation found that a Gonzales Police Department officer conducted a traffic stop at around 10:45 p.m. near the intersection of South John Street and Orice Roth Road.

In the release, LSP identified the driver of the vehicle as 21-year-old Anthony Talbert of Baton Rouge, who was accompanied by a female passenger.

During the stop, Talbert allegedly reached toward a firearm that was inside the vehicle, per the release.

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The officer responded by discharging a department-issued firearm one time, which grazed both Talbert and the unidentified female, the release continued.

According to police, Talbert then fled the scene, exceeding 100 miles per hour and disregarding multiple traffic controls.

Troopers reported Talbert was taken into custody following a short pursuit.

He was booked into the Ascension Parish Jail on charges of aggravated flight, reckless operation, obstruction of justice and possession of a firearm in the commission of a felony, police said in the release.

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Per troopers, the female was transported to a hospital and was treated for minor injuries.

LSP’s initial news release reported no officers were injured.

According to police, the investigation remained active and further information would be released as available.

Michael Tortorich is a journalist for the USA Today Network in Louisiana.

Gonzales Weekly Citizen and Donaldsonville Chief, part of the USA Today Network of Louisiana, cover Ascension Parish and the greater Baton Rouge area. Follow at facebook.com/WeeklyCitizen and facebook.com/DonaldsonvilleChief.

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Should Shreveport homeowners buy earthquake insurance in Louisiana?

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Should Shreveport homeowners buy earthquake insurance in Louisiana?


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  • A 4.9 magnitude earthquake, the strongest in Louisiana’s onshore history, struck near Shreveport.
  • Standard homeowner’s insurance policies typically do not cover earthquake damage.
  • Property owners can purchase add-on earthquake coverage, which is generally inexpensive in low-risk areas like Louisiana.
  • Despite the low cost, the deductible for earthquake insurance is usually high.

Thursday’s earthquake that shook furniture and rattled pipes in the Shreveport region may have some property owners wondering whether they should consider buying insurance to cover them from potential stronger movement in the future.

The 4.9 magnitude earthquake that struck just north of Coushatta at 5:30 a.m. March 5 was the strongest onshore event in Louisiana history.

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No structural damage has been reported from Thursday’s earthquake so far, but the strength of the movement may have been enough to raise concern.

“If people are concerned they should call their insurance agent and explore pricing and options,” Louisiana Insurance Commissioner Tim Temple said in an interview with USA Today Network.

“It’s not an issue that has come up often in Louisiana, but if coverage can alleviate anxiety and risk it’s absolutely something homeowners and property owners should consult their agent about,” he said.

Earth movement or subsidence insurance is generally excluded from homeowners’ policies, as is flood insurance, but property owners can secure the coverage through their insurers as an add-on, called an endorsement.

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Eugene Montgomery, owner of Community Financial Insurance Center in northern Louisiana, said a subsidence endorsement to cover earthquake damage would generally be inexpensive in Louisiana because of the low risk.

“The coverage itself is inexpensive, but the deductible would be high,” Montgomery told USA Today Network.

That’s the case for one Shreveport homeowner who asked not to be identified. The homeowner secured a subsidence endorsement following Thursday’s earthquake that cost $120 per year after discounts with a 10% deductible.

Republican state Sen. Adam Bass, who also operates an Allstate agency in Bossier, said most people won’t buy an add-on that’s not required by their mortgage holders no matter how inexpensive it is.

Bass said he hasn’t had any inquiries about earth movement insurance during his career.

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But Montgomery said he remembers a temporary spike in those policies in 1990 when climatologist Iben Brown predicted a major earthquake would strike the New Madrid Fault in Missouri on Dec. 3 of that year, a forecast that flopped.

“It really created a little bit of a panic,” Montgomery said. “Everybody wanted insurance for a short period of time.”

Montgomery doesn’t expect a similar run on earthquake after Thursday’s event, but said he won’t be surprised if some level of interest increases.

“When people can actually feel the earth moving it gets their attention,” he said.

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Greg Hilburn covers state politics for the USA TODAY Network of Louisiana. Follow him on Twitter @GregHilburn1.



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