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Maine artists remember curator for ‘inventiveness and his love for photography’

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Maine artists remember curator for ‘inventiveness and his love for photography’


Maine’s art community is remembering longtime Portland resident and local photography proponent Stephen Karl Halpert as a lover of life and the arts.

Stephen Halpert in 2009 Press Herald staff photo

A photography curator and the former owner of the iconic art film studio The Movies on Exchange, Halpert died Saturday of complications from pancreatic cancer. He was 91.

Halpert spent more than 50 years as the chair of the English department at the University of New England, where he put on photography exhibitions into his 90s. He also taught at the Portland School of Art and the University of Maine.

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Karl Halpert, his oldest son, said in an interview that his father was “highly intellectual” and “loved the arts.”

“He had an intense interest and appreciation for any kind of art form. He was a lover of beauty,” Halpert said.

Halpert said he “could not have asked for a better dad” and that people were immediately “drawn to him and trusted him.”

A Waterbury, Connecticut, native, Halpert moved to Portland in 1936 and lived in the city the rest of his life. He graduated from Deering High School in 1951 and earned his undergraduate degree from Brown University in 1995, then his master’s at Harvard.

Halpert and his wife of 68 years, Judy, had four children: Karl, Gretchen, Jacob and Kate. He also is survived by grandchildren, great-grandchildren, nieces, nephews, cousins and dear friends, his family said.

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In addition to the exhibitions, Steve and Judy Halpert ran The Movies on Exchange, a space showing art and repertory films, from 1979 through 2009.

“Steve and I enjoyed hosting the Jewish Film Festival at The Movies for many years,” Judy Halpert said. “We especially loved having some of the Israeli actors from the films visiting Portland during the festival.”

Stephen Halpert, shown in 2005, owned The Movies on Exchange Street in Portland. Press Herald staff photo

Kate Lowry, their daughter, said that “Dad believed that things should last for a very long time, maybe even forever.”

“He was incredibly nostalgic, sentimental and respectful of the past,” Lowry said. “This showed in his love of preserving his beloved city of Portland. He (and Judy) were on the board of Greater Portland Landmarks. We have many photographs that Dad took, of buildings in the midst of being torn down, a testament to his nostalgic love for our city.”

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“Dad‘s integrity is what will stick with me the most,” Jacob Halpert said. “It was never about money or status. He would never lie to you, but if he disagreed with you, he would just smile and let you talk.”

Gretchen Halpert said her father was “raised in a family that valued film, photography, music and literature. His father, Harold, was a fine pianist who taught music, literature and Latin. His mother, Florence, loved theater and all the arts, and was a designer.”

Photographer Rose Marasco met Halpert in the late 1970s, when she contributed photos to one of his galleries. He was teaching at what was then known as Westbrook Junior College, which would later become a part of UNE.

A ‘POWERFUL, DYNAMIC FORCE’

When Westbrook didn’t have a photography gallery, Halpert made one himself. He set up shop in the college’s Alexander Hall in the 1960s, something Marasco attributed to Halpert’s “inventiveness and his love for photography.”

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“It wasn’t really a gallery, but he turned it into a gallery, and started having very good exhibitions,” said Marasco, a retired University of Southern Maine photography professor.

Marasco joked that Halpert had to “beg, borrow and steal” photographs at first, but formed a community of artists who would “gladly” contribute their photos to his exhibitions.

Halpert displayed art in open spaces all over the Westbrook Junior College campus through its merger with UNE in 1996, after which he began putting on rotating shows at the university’s gallery.

In 2016, a multimillion-dollar-a-year gift to the UNE gallery from Leonard Lauder and Judy Glickman Lauder – art collectors of Estée Lauder fame – breathed new life into UNE’s photography collection. For the first time, Halpert had a budget to work with, which he used to buy photographs that he displayed in the newly named Stephen K. Halpert Photography Collection.

Hilary Irons, UNE gallery and exhibitions director, said Halpert was a “powerful, dynamic force.”

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“He recognized that a single image, frozen in the timeless space of a photograph, holds the potential for deep introspection,” Irons said. “Steve approached collecting and exhibiting photography at UNE with energy, insight, good humor and an amazing capacity to connect both images and people in his exhibits.  “

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Rangeley Heritage Trust creates Friends of Western Maine Dark Sky

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Rangeley Heritage Trust creates Friends of Western Maine Dark Sky


The ‘Friends of Western Maine Dark Sky’ group meets March 3 at the Rangeley Lakes Heritage Trust office in Rangeley. They discussed the formation of the group as well as the process for designating the town as a dark sky community. (Quentin Blais/Staff Writer)

Looking up at the night sky in northern and rural Maine, it is a sight to behold, almost unique in today’s lit-up world. The Rangeley region is one of the last areas in the Northeast largely untouched by light pollution.

It is also a draw for many tourists and stargazers who come to the region for the clear view of the night sky.

A new group called Friends of the Western Maine Dark Sky hopes that by limiting the amount of light pollution, those views will be preserved for generations to come.

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The group gathered at the Rangeley Lakes Heritage Trust on March 3 to talk about ways to educate the community on the importance of dark skies to the region.

One of their primary efforts is to try to designate Rangeley as an official Dark Sky community.

The designation will require a few steps. First, an application will be submitted to DarkSky International expressing an interest. Then, the town of Rangeley will need to adopt a new lighting ordinance at the June town meeting.

A new state law taking effect in October will require publicly funded outdoor lighting across the state to be dimmed at night to protect wildlife and dark skies. This includes using warm, yellow-toned bulbs, dimming or turning off nonessential lights and shielding lights so they don’t shine upward into the sky.

The town ordinance would create guidelines similar to the state laws on the kinds of lights used in town, as well as restrict some signs, such as LED message boards. Existing boards would be allowed to remain in place.

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“The fact that the existing signage is grandfathered in perhaps bodes well for getting an approval of the town meeting,” said Linda Dexter, Dark Sky community certification coordinator at the Rangeley Lakes Heritage Trust, who is leading the effort. “It’s going to impact businesses in the town … right out of the gate, folks will tend to not vote for it.”

Even if an ordinance passes, change would likely be slow. Most of the group’s efforts will be on community education, such as informing seasonal residents to turn off the lights at their camps while they are gone for the winter. Also, the application may not be approved for up to six months after it is submitted, Dexter said.



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This Classic New England-Style Cottage in Maine Has 200 Feet of Atlantic Ocean Frontage

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This Classic New England-Style Cottage in Maine Has 200 Feet of Atlantic Ocean Frontage


A waterfront home with open ocean views on the coast of Maine came to market Tuesday asking $4 million. 

Built in 1978, the three-bedroom cottage is at the southern point of Cape Elizabeth, less than 10 miles from downtown Portland. The 1.1-acre property on Sunny Bank Road features 200 feet of south-facing water frontage on the wide open Atlantic. 

It is bordered by a rocky sea wall that’s about 28 feet high, according to listing agent Sam Michaud Legacy Properties Sotheby’s International Realty

“The views are like a Monet painting,” he said via email. “The water sparkles and the waves are endless.”

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The 3,364-square-foot home was built in classic New England style, with shingle siding, a single sloped roofline and large windows—complemented by white-washed walls, exposed-beam ceilings and wide-plank flooring on the interiors. 

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The main common area features cathedral ceilings with a step-down between the living and dining room, and a partial wall divides the dining room from the kitchen. There is also a wood-paneled family room off the kitchen, a gym and a covered porch. 

The sellers purchased the property in 2010 for $1.562 million, according to property records accessed through PropertyShark. They could not immediately be reached for comment. 

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“I have received quite a few inquiries since hitting the market two days ago,” Michaud said. “Buyers understand that this is a golden opportunity to own over an acre with 200 feet of bold oceanfront in Cape Elizabeth.”

MORE: Iranian Strikes on Dubai Put the City’s Roaring Real Estate Market to the Test

There are currently just seven three-bedroom homes available for sale in Cape Elizabeth and fewer than five waterfront properties, according to Sotheby’s and Zillow data. It is also the most expensive listing in the town, with another waterfront property on a tiny lot just south of Portland coming in a close second, according to Zillow. 

Michaud sold the former Cape Elizabeth home of Bette Davis this past summer for $13.4 million, the priciest sale on the cape in at least a decade—and even those views can’t compare. They’re “just magical,” he said. 



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NECEC conservation plan will not protect Maine’s mature forests | Opinion

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NECEC conservation plan will not protect Maine’s mature forests | Opinion


Robert Bryan is a licensed forester from Harpswell and author or co-author of numerous publications on managing forests for wildlife. Paul Larrivee is a licensed forester from New Gloucester who manages both private and public lands, and a former Maine Forest Service forester.

In November 2025, the Department of Environmental Protection (DEP) approved a conservation plan and forest management plan as mitigation for impacts from the NECEC transmission corridor that runs from the Quebec border 53 miles to central Maine.

As professional foresters, we were astonished by the lack of scientific credibility in the definition of “mature forest habitat” that was approved by DEP, and the business-as-usual commercial forestry proposed for over 80% of the conservation area.

The DEP’s approval requires NECEC to establish and protect 50,000 acres to be managed for mature-forest wildlife species and wildlife travel corridors along riparian areas and between mature forest habitats. The conservation plan will establish an area adjacent to the new transmission corridor to be protected under a conservation easement held by the state. Under this plan, 50% of the area will be managed as mature forest habitat.

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Under the forest management plan, a typical even-aged stand will qualify as “mature forest habitat” once 50 feet tall, which is only about 50 years old. These stands will lack large trees that provide wildlife denning and nesting sites, multiple vegetation layers that mature-forest birds use for nesting and feeding habitats and large decaying trees and downed logs that provide habitat for insects, fungi and small mammals, which in turn benefit larger predators.

Another major concern is that contrary to the earlier DEP order, the final approval allows standard sustainable forestry operations on the 84% of the forest located outside the stream buffers and special habitats. These stands may be harvested as soon as they achieve the “mature forest habitat” definition, as long as 50% of the conserved land is maintained as “mature.”

After the mature forest goal is reached, clearcutting or other heavy harvesting could occur on thousands of acres every 10 years. Because the landowner — Weyerhaeuser — owns several hundred thousand acres in the vicinity, any reductions in harvesting within the conservation area can simply be offset by cutting more heavily nearby. As a result, the net
mature-forest benefit of the conservation area will be close to zero.

Third, because some mature stands will be cut before the 50% mature forest goal is reached, it will take 40 years — longer than necessary — to reach the goal.

In the near future the Board of Environmental Protection (BEP) will consider an appeal from environmental organizations of the plan approval. To ensure that ecologically mature forest develops in a manner that meets the intent of the DEP/BEP orders, several things need to change.

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First and most important, to ensure that characteristics of mature forest habitat have time to develop it is critical that the definition include clear requirements for the minimum number of large-diameter (hence more mature) trees, adjusted by forest type. At least half the stocking of an area of mature forest habitat should be in trees at least 10 inches in diameter, and at least 20% of stands beyond the riparian buffers should have half the stocking in trees greater than or equal to 16 inches in diameter.

Current research as well as guidelines for defining ecologically mature forests, such as those in Maine Audubon’s Forestry for Maine Birds, should be followed.

Second, limits should be placed on the size and distribution of clearcut or “shelterwood” harvest patches so that even-aged harvests are similar in size to those created by typical natural forest disturbance patterns. These changes will help ensure that the mature-forest block and connectivity requirements of the orders are met.

Third, because the forest impacts have already occurred, no cutting should be allowed in the few stands that meet or exceed the DEP-approved definition — which needs to be revised as described above — until the 50% or greater mature-forest goal is reached.

If allowed to stand, the definitions and management described in the forest management plan would set a terrible precedent for conserving mature forests in Maine. The BEP should uphold the appeal and establish standards for truly mature forest habitat.

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