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House leaves Washington without approving radiation exposure compensation act

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House leaves Washington without approving radiation exposure compensation act


With the House not set to return to Washington until next week, the clock has run out on time to extend and expand the Radiation Exposure Compensation Act.

“It is sitting in the House, the House needs to act,” said Sen. Josh Hawley, R-Mo., in an interview with Spectrum News. “If the House doesn’t act, it’s going to be on the House. They’re going to have to explain to the American people why they don’t want to help our veterans, they don’t want to help folks exposed to radiation — they’re going to deny compensation to people who are dependent on it all their lives. I mean, this is crazy.” 


What You Need To Know

  • The Radiation Exposure Compensation Act will sunset at the end of the week after the House failed to vote on the Senate bill to expand and extend the program
  • According to the Justice Department, which facilitates the claim program, the 1992 law has helped over 41,000 individuals access approximately $2.6 billion in funds to help pay for their medical bills for treating cancer and other illnesses traced to exposure to radiation waste
  • Sen. Josh Hawley, R-Mo., says he is not giving on the bill, saying “I will not stop until this is made right”
  • We reached out to Speaker Mike Johnson’s team for comment, but our inquiries went unanswered

Hawley, who has been leading the charge for RECA expansion in the Senate alongside Sen. Ben Ray Luján, D-N.M., has expressed frustration over recent weeks by the lack of commitment from House leadership to bring up the bill for a vote, considering it passed the Senate by an overwhelming bipartisan measure not once, but twice. 

Under the proposed RECA expansion, coverage would be included for uranium miners and individuals who were “downwinders” from the testing and mining sites, including New Mexico, Idaho, Montana, Guam, Colorado, Tennessee, Kentucky and Alaska. In Missouri, it would cover people tied to almost two dozen ZIP codes who may have been sickened by contamination from uranium enrichment in the St. Louis dating back to the Manhattan Project. The bill would cost $50 billion over five years and add as many as 600,000 new claimants. 

The U.S. Army Corps of Engineers confirmed Wednesday that work to remediate a small portion of a contaminated waterway where nuclear waste was dumped in North St. Louis County resulted in removing more than 7,000 cubic yards of soil–enough to fill eight Olympic-sized swimming pools. The entire Coldwater Creek corridor may not be fully remediated until the late 2030s.

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According to the Department of Justice, which facilitates the claim program, the 1992 law has helped over 41,000 individuals access approximately $2.6 billion in funds to help pay for their medical bills for treating cancer and other illnesses traced to exposure to radiation waste.

Claims need to be postmarked by June 10 to be considered to receive compensation.

“If you’ve been poisoned by the federal government, if the government has exposed you to nuclear radiation, and that is so many people in Missouri, the government ought to make it right. They ought to help at the least with your medical bills — pay em. And that’s what my bill would do,” said Hawley.

“The state of Missouri has been lied to for 50 and 60 years. They’ve told us — the federal government — there was no radiation exposure in Missouri. That was a lie. They said it’s all cleaned up. That was a lie. They said we couldn’t get sick because of it. That was a lie. Now our schools are closed, we’ve got the highest rates of breast cancer in the nation, some of the highest rates of childhood cancers and other diseases associated with radiation. This needs to be fixed. It should have been fixed 50 years ago.”

“We shouldn’t have to beg for people to be taken care of because they were exposed to radioactive waste,” Rep. Cori Bush, D-Mo. said bluntly Wednesday. “World War II is still killing people right now.”

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Bush and other advocates are claiming a small victory in that a bill that would have only extended the existing program did not make it to the floor. They believe an extension would have killed momentum for expansion. 

But past experience with other pieces of legislation may not back that theory up. 

“History has shown that there’s been a number of things, such as the assault weapons ban and, others — such as the Patriot Act — that become much more difficult to reauthorize if you don’t give them the automatic extension,” said Todd Belt, a professor and Political Management program director at the George Washington University, 

“Generally, when the government has done something that has caused harm to people, you think of the burn pits legislation that was recently passed, you usually get real big bipartisan support for it. So it’s somewhat unusual that you would see some recalcitrance from the House to move on this Senate bill.” 

Advocates for expansion traveled to a political event featuring House Speaker Mike Johnson in Peoria, Illinois last weekend hoping to land a meeting in Washington this week. Once it became clear that no legislation was going to move in time to beat Friday’s deadline, those plans changed and they will instead be back at the Capitol next week.

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Johnson’s staff did not respond to new questions about the possibility of a vote on the expansion bill this week.

Hawley said the fight is far from over.

“If it takes as long as I’m in the Senate, I will not stop until this is made right.”

Spectrum News’ Angi Gonzalez contributed to this report.



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New AAPI-led Jaemi Theatre Company launches in DC

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New AAPI-led Jaemi Theatre Company launches in DC


Jaemi Theatre Company, a new AAPI-led theater company based in Washington, DC, officially launches this spring with its inaugural project, BAAL, a staged reading at the 2026 Atlas INTERSECTIONS Festival on Friday, March 6, at 7:30 PM at the Atlas Performing Arts Center.

Jaemi Theatre Company co-founder and playwright Youri Kim

Founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh, Jaemi Theatre was born out of a recognition that DC, one of the largest theater markets in the United States, had no company dedicated to centering Asian stories or led by Asian artists. The name “Jaemi” comes from a Korean word meaning “fun,” and in its Sino-Korean form, 在美, means both “to live in America” and “to live in beauty.”

“I kept hearing from companies that it was hard to find Asian actors, and I heard it so often that I started to believe it myself,” said Youri Kim. “But through building community with other AAPI theater artists in the area, I realized the talent was always here. What was missing was the infrastructure to connect us. Jaemi is that infrastructure.”

BAAL, an original work written by Youri Kim (not to be confused with Bertolt Brecht’s 1918 play of the same name), is a body horror drama set in a dystopian city where the air is toxic and birth is outlawed. In the city of Baal, citizens are forced into an impossible choice: terminate or sacrifice a family member. The play uses the language of biological mutation and bodily control to examine how systems of power decide who gets to exist and on what terms, questions that resonate deeply within AAPI and immigrant communities navigating structures that seek to define, contain, and assimilate them. The staged reading features a cast of seven and an original sound design.

BAAL plays as a staged reading Friday, March 6, 2026, at 7:30 PM in Lab Theatre II at the Atlas Performing Arts Center (1333 H St NE, Washington, DC). Tickets ($29.75) are available online.

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Looking ahead, Jaemi Theatre plans to host a founding party and fundraiser this fall, and will launch an Asian Writer Play Submission program in the second half of 2026. The program will pair playwrights from selected Asian countries with Asian playwrights based in DC for a workshop development process, building a pipeline that connects diasporic voices across borders.

For more information, visit yourikimdirector.com or follow @jaemitheatre on Instagram.

About Jaemi Theatre Company
Jaemi Theatre is a newly formed AAPI-led performance initiative based in Washington, DC, co-founded by Artistic Director Youri Kim and Artistic Associate Juyoung Koh. “Jaemi” is Korean for “fun” and, in its Sino-Korean form, means “to live in America” and “to live in beauty.” The company creates interdisciplinary performance rooted in diasporic imagination and radical storytelling. Jaemi is a home for the unfinished and the unassimilated, where performance holds contradiction without needing to resolve it.





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San Francisco Ballet cancels upcoming performances at Kennedy Center

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San Francisco Ballet cancels upcoming performances at Kennedy Center


Sunday, March 1, 2026 6:36AM

SF Ballet cancels upcoming performances at Kennedy Center

SAN FRANCISCO (KGO) — The San Francisco Ballet board has voted to cancel its upcoming performances at the Kennedy Center.

The company is scheduled for a four-day run in Washington D.C. in May.

Petition urges SF Ballet to cancel Kennedy Center tour stop as company opens 2026 season

Last year, Pres. Donald Trump overhauled the Kennedy Center’s board, including naming himself the chairman.

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That led several artists to cancel scheduled performances.

A statement from SF Ballet says the group “looks forward to performing for Washington, D.C. audiences in the future.”

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97-year-old World War II veteran honored virtually at home

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97-year-old World War II veteran honored virtually at home


At 97, Veteran Harley Wero wasn’t up for a trip to the nation’s capital, so volunteers from the Western North Dakota honor flight brought the trip to him. Wero, his wife Muriel and their daughter Jennifer got to experience Washington, DC, without ever leaving their home.

Web Editor : Sydney Ross

Posted 2026-02-28T15:57:08-0500 – Updated 2026-02-28T15:59:05-0500



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