Movie Reviews
Short Film Review: Wooden Toilet (2023) by Zuni Rinpoche
“You separated from us”
Winner of Best LGBTQ Short Film’ at the International Kolkata Short Film Festival this year, “Wooden Toilet” had an extensive festival run before premiering in its country of production, Bhutan.
The 11-minutes short begins with a rather impressive sequence, of a procession of people dressed in white through the mountains, with an exception of one woman who is eventually revealed to be the one whose husband’s funeral the group of people were attending. The sudden laughter of a man breaks the ritualistic approach, and we find out that there is something unusual about this man, who is later on trying to explain it to the aforementioned woman. The back story of another man, where he is trying to reveal something to his father but is instead met with anger and scorn, highlights, to a point at least, what the issue with the two men is. One of the final scenes makes it rather clear, while the last scene connects the short with its title.
The first thing one would notice about “Wooden Toilet” is its impressive visuals. Starting with the initial procession, the close ups that emit a sense of horror, the hanging ropes and the red bedroom are all truly memorable, with Zuni Rinpoche implementing symbolism in order to make his comments. The symbolisms, however, are somewhat difficult to understand what they are about, although the comment about the racism and lack of understanding queer people have to face is made quite clear.
The non-linear approach, which also includes much surrealism, apart from the aforementioned symbolism, adds much to the narrative, particularly through the implementation of the aforementioned scenes. One could say, that on a number of levels, the film could be described as experimental, although there is also a basis in terms of story, that does not allow it to go fully towards that direction.
All in all, “Wooden Toilet” is an intriguing short by Zuni Rinpoche, who would definitely benefit from a longer duration, that would allow the director to unfold his story and his symbolisms in more eloquent fashion. Still, the film deserves a watch for its visuals and the overall approach to the queer concept.
Movie Reviews
Mana Shankara Vara Prasad Garu Review: USA Premiere Report
U.S. Premiere Report:
#MSG Review: Free Flowing Chiru Fun
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It’s an easy, fun festive watch with a better first half that presents Chiru in a free-flowing, at-ease with subtle humor. On the flip side, much-anticipated Chiru-Venky track is okay, which could have elevated the second half.
#AnilRavipudi gets the credit for presenting Chiru in his best, most likable form, something that was missing from his comeback.
With a simple story, fun moments and songs, this has enough to become a commercial success this #Sankranthi
Rating: 2.5/5
First Half Report:
#MSG Decent Fun 1st Half!
Chiru’s restrained body language and acting working well, paired with consistent subtle humor along with the songs and the father’s emotion which works to an extent, though the kids’ track feels a bit melodramatic – all come together to make the first half a decent fun, easy watch.
– Mana Shankara Vara Prasad Garu show starts with Anil Ravipudi-style comedy, with his signature backdrop, a gang, and silly gags, followed by a Megastar fight and a song. Stay tuned for the report.
U.S. Premiere begins at 10.30 AM EST (9 PM IST). Stay tuned Mana Shankara Vara Prasad Garu review, report.
Cast: Megastar Chiranjeevi, Venkatesh Daggubati, Nayanthara, Catherine Tresa
Writer & Director – Anil Ravipudi
Producers – Sahu Garapati and Sushmita Konidela
Presents – Smt.Archana
Banners – Shine Screens and Gold Box Entertainments
Music Director – Bheems Ceciroleo
Cinematographer – Sameer Reddy
Production Designer – A S Prakash
Editor – Tammiraju
Co-Writers – S Krishna, G AdiNarayana
Line Producer – Naveen Garapati
U.S. Distributor: Sarigama Cinemas
Mana Shankara Vara Prasad Garu Movie Review by M9
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1986 Movie Reviews – Black Moon Rising | The Nerdy
Welcome to an exciting year-long project here at The Nerdy. 1986 was an exciting year for films giving us a lot of films that would go on to be beloved favorites and cult classics. It was also the start to a major shift in cultural and societal norms, and some of those still reverberate to this day.
We’re going to pick and choose which movies we hit, but right now the list stands at nearly four dozen.
Yes, we’re insane, but 1986 was that great of a year for film.
The articles will come out – in most cases – on the same day the films hit theaters in 1986 so that it is their true 40th anniversary. All films are also watched again for the purposes of these reviews and are not being done from memory. In some cases, it truly will be the first time we’ve seen them.
This time around, it’s Jan. 10, 1986, and we’re off to see Black Moon Rising.
Black Moon Rising
What was the obsession in the 1980s with super vehicles?
Sam Quint (Tommy Lee Jones) is hired to steal a computer tape with evidence against a company on it. While being pursued, he tucks it in the parachute of a prototype vehicle called the Black Moon. While trying to retrieve it, the car is stolen by Nina (Linda Hamilton), a car thief working for a car theft ring. Both of them want out of their lives, and it looks like the Black Moon could be their ticket out.
Blue Thunder in the movies, Airwolf and Knight Rider on TV, the 1980s loved an impractical ‘super’ vehicle. In this case, the car plays a very minor role up until the final action set piece, and the story is far more about the characters and their motivations.
The movie is silly as you would expect it to be, but it is never a bad watch. It’s just not anything particularly memorable.
1986 Movie Reviews will continue on Jan. 17, 2026, with The Adventures of the American Rabbit, The Adventures of Mark Twain, The Clan of the Cave Bear, Iron Eagle, The Longshot, and Troll.
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