Crowds form at Height of Land in Roxbury on Monday morning ahead of the eclipse. Derek Davis/Staff Photographer
Getting there was half the battle. Thousands of Mainers and non-Mainers funneled through Maine’s highways over the last two days to make it to the path of totality.
More than 2,600 vehicles had streamed north through the checkpoint in York County by 1 p.m. Sunday as visitors came to see the eclipse, according to the Maine Turnpike Authority.
Even at 11 p.m. Sunday, as traffic dwindled to 422 vehicles, that was still 22% more than the same day last year.
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The steady flow continued Monday morning when a little over 1,800 vehicles had passed through York County by 10 a.m., heading north to towns like Rangeley, Houlton and Jackman. That’s about 40% more than traffic at the same time last year, but less than Labor Day 2023, according to the turnpike authority.
“Our plan was to drive to the path of totality, but we didn’t want to deal with the traffic,” said Jaina Neri, 26, as she enjoyed the view from her lawn chair on Portland’s Western Prom.
The Maine Department of Transportation reported little issue on the roads, however, other than some drivers parking on the side of highways and shoulders – an ill-advised idea, Maine State Police had warned.
On some of Maine’s rural roads, congestion Monday was far from typical.
“Interstate traffic is still moving, but things have started to slow down on roads that head up north and west: Routes 4, 6, 26, 27, 201 … We’ve seen some 30- or 45-minute delays,” Paul Merrill, a spokesperson for Maine DOT, said Monday afternoon before the eclipse’s path had reached the Pine Tree State.
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Merrill said he had not heard of any major crashes being reported.
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Valley, in white, and Greenville play a Class S South quarterfinal basketball game on the first day of Maine Principals’ Association basketball tournament games at the Augusta Civic Center on Wednesday. (Joe Phelan/Staff Photographer)
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AUGUSTA — It’s not the traditional start date, but the newly laid floors, smell of fresh chicken tenders and Maine Principals’ Association labeling on press row left no doubt: Tournament time is here.
Wednesday marked the start of play at the Augusta Civic Center with the first Class S South regional quarterfinal games. Here are four takeaways from the afternoon and evening.
A NEW TOURNEY BEGINNING
For years, Maine’s smallest schools started play on Monday of February break week or the Saturday leading into it. Not so this year, and with Forest Hills in school Wednesday, longtime boys basketball coach Anthony Amero had a sudden realization.
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“I was teaching third-graders on the computer and I realize, ‘Wait, I’ve got to catch a bus to the Civic Center,’” Amero said. “It was different but I’ll tell you what: I think it’s great. Being here for an afternoon game instead of in the morning, our kids were amped. It felt like a championship game coming here.”
There were varying sentiments about the new arrangement as Class S teams came to Augusta. Some called the tournament feel similar, while others were less enthusiastic after having grown accustomed to the old Class D schedule.
A member of Greenville’s state title-winning girls team in 2020, Tiegan Murray has fond memories in Augusta. Even though the start is now a Wednesday and Class D is now S, Murray, now Greenville’s coach, feels the magic is still there.
“Having it not during break is a little weird, but it still feels like tourney time,” Murray said. “We were at school until 11 today, and then we had a pep rally and a little send-off. … I really like what they’ve done with Class S; it’s something we’re excited about.”
Although Forest Hills’ Jaxson Desjardins agreed with Amero, the reaction at Somerset County’s other Class S school, Valley, was different. Boys coach Mike Staples and senior Harry Louis said they preferred the old format, while girls coach Gordon Hartwell and sophomore Liana Hartwell called the Wednesday night game an adjustment.
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“I think having school the same day made it a little bit different, but we just focused all day on being mentally ready to play,” Liana Hartwell said. “Once we got out here, we just stayed focused and played our game.”
Jaxson Desjardins of Forest Hills drives against Temple Academy’s Sam Frank during a Class S South quarterfinal Wednesday at the Augusta Civic Center. Desjardins scored 36 points in a 77-55 win. (Anna Chadwick/Staff Photographer)
A DESJARDINS LEGACY CONTINUES
The Desjardins family keeps cranking out shooters — and as was clear after one of Jaxson Desjardins’ many baskets Wednesday, it can be tough to keep track of them all.
After a Desjardins 3-pointer in the third quarter of the Forest Hills boys’ 77-55 win over Temple Academy, public-address announcer Mike Hopkins inadvertently referred to Jaxson as “Mason.” With the sophomore possessing the same scoring acumen as his older brothers, Hopkins’ miscue was understandable.
“I didn’t hear it, but we were laughing about it in the locker room when (my teammates) told me,” Desjardins said. “It’s really cool. I got to watch them and follow them around, and now that it’s my turn, they’re supporting me.”
Desjardins scored 36 points, hardly unusual for an underclassman who’s already reached 1,000 for his career. His success follows that of Parker, a 2,085-point scorer who graduated in 2021, and Mason, a 2023 graduate who finished with 1,682.
Like his brothers, Jaxson Desjardins is a premier shooter. The family has a shooting machine set up in its home, and the brothers put it to good use.
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“Five hundred shots per night, that’s the goal,” said Desjardins, who hit five 3-pointers Wednesday. “You’ve just got to keep practicing at it — working at it as much as you can.”
VALLEY BOYS, GIRLS AS GOOD AS ADVERTISED
The Valley boys and girls entered the tournament as heavy favorites to win regional and state championships. They showed why, the boys beating Greenville 70-16 and the girls topping Rangeley 82-13.
The Valley boys (17-2) forced the Lakers into 27 turnovers, taking a 41-2 lead into halftime. The Cavaliers held Greenville without a point from the 3:33 mark of the first quarter to the 4:47 mark of the third.
“We are defensive-driven; our offense runs on our defense, and if we get stagnant defensively, we get stagnant offensively,” Staples said. “I preach to them constantly that we’ve got to get out there, shut them down, and that will drive our offense, and it does.”
What the Valley girls (18-1) did might have been even more impressive. The Cavaliers forced 37 turnovers and recorded 30 steals — 12 by Liana Hartwell — and led 53-1 at one point to cruise to the semis.
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RANGELEY’S MOMENTOUS RETURN
Despite the loss, just being here was a huge occasion for the Rangeley girls. Formerly a powerhouse in girls basketball, the Lakers went three years without a team from 2022-25 before finally returning to the court this winter.
At the start of the year, Rangeley coach Chip Smith said, the Lakers were expected to be the one team in the nine-team class that didn’t make the tournament. Rangeley beat those odds, and now, reaching this stage can be a building block.
“For us to be back here where Rangeley lore has been, it’s huge for us,” Smith said. “I told the girls to cherish it because not everyone gets this opportunity. We got here, and next year our goal is to be back here and win a game.”
Sometimes, history seems distant and dry, like black and white photos in a textbook.
But sometimes history feels vibrant, relatable and connected to the present. This year, as we celebrate the 250th anniversary of the country’s founding, is shaping up to be one of those times.
In Maine, museums, historical societies and other institutions are planning exhibits, lectures and events all year long. Mainers will be able to read a 1776 copy of the Declaration of Independence as it tours all 16 counties. There will be exhibits exploring the lives of real Mainers during the Revolution, Maine’s contributions to American art, Wabanaki Nations’ place in the American narrative and how the country’s birthday has been celebrated and thought of in the past.
Maine Historical Society’s early copy of the Delcaration of Independence will be part of an exhibit opening in March, then will travel to all 16 counties in Maine to celebrate the 250th anniversary of the United States.(Brianna Soukup/Staff Photographer)
“I think that any anniversary we commemorate allows us to take stock of where we have been and where we are,” said Libby Bischof, professor of history at the University of Southern Maine and executive director of the Osher Map Library and Smith Center for Cartographic Education in Portland. “It’s important to ask how the Revolution has been remembered, and how that memory has changed over time.”
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Below is a list of some of the Maine museums and historical societies that have announced 250th anniversary events for 2026 so far, with dates, details and links for each. More organizations will likely announce events later in the year.
“Founding Memories: America at 250” now through June.
This exhibition uses maps, textbooks, posters and objects from the 1770s through the 1970s to look at the different and changing meanings the Revolution has had for Americans over the years. There’s a section on the Revolution in Maine, including maps of the town of Falmouth (now Portland) when it was burnt and destroyed by the British in October of 1775. There are maps and information on the disastrous defeat of American vessels during the Penobscot Expedition and of Benedict Arnold’s march through Maine, part of a failed attempt to capture Quebec City.
John Fielding, North America including the United States and their Boundaries, Agreeable to the Peace of 1783. The map is on view now at the Osher Map Library in Portland. (Smith Collection. Courtesy of the Osher Map Library and Smith Center for Cartographic Education, University of Southern Maine. )
There are also war posters for World War I and World War II that used Revolutionary War images to bolster a patriotic spirit and induce enlistments. There’s a section on how Americans viewed and celebrated the country’s centennial and bicentennial, including the “Freedom Train,” which traveled the country with patriotic exhibits in 1976.
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“Maine: A Force Within American Art (1890-2026)” now through Jan. 3, 2027.
This exhibit focuses on artists from Maine or with ties to Maine who had a huge impact on American art, especially in the last 130 years or so. These include Marsden Hartley, John Marin, George Bellows, and Charles Demuth. It highlights Maine institutions that have helped shape the national art scene, including the Skowhegan School of Painting and Sculpture, Haystack Mountain School of Crafts, Maine Media and Indigo Arts Alliance. The exhibit also explores Maine artistic centers, like Ogunquit, Monhegan and Slab City Road in Lincolnville.
George Bellows (1882-1925), Beating Out to Sea, 1913, Oil on plywood panel, 14 5/8 x 18 7/8 inches, Museum purchase, 1945.567. (Photo by Alan LaVallee.)
Museums of the Bethel Historical Society
“Independence 250” Now through November
“Independence 250” is a project innitiated by the Museums of the Bethel Historical Society with partner organizations all over western Maine, and includes a dozen or more lectures and other events. On Saturday, historical society director Will Chapman will give a talk at the Mason House Museums in Bethel about how the U.S. Centennial of 1876 and Bicentennial of 1976 were celebrated in the Bethel area. On March 21, author and former Press Herald reporter Colin Woodard will give a talk at Gould Academy in Bethel about “the American experiment,” among other topics.
A Revolutionary-era maritime flag with 13 stars, circa 1779, will be part of Maine Historical Society’s exhibit this year marking the country’s 250th anniversary. (Collections of Maine Historical Society)
“Pathways to Freedom: Maine Stories of the American Revolution” March 13 – Dec. 31
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This exhibit will focus on six residents of the district of Maine who lived through the Revolution: Mali Agat, a Wabanaki “doctress” and artist; William Bayley of Portland, who served in the Continental Army; Prince Dunsick, a formerly enslaved person who enlised in the Massachusetts Regiment; Peleg Wadsworth, grandfather of poet Henry Wadsworth Longfellow and a leader of the Penoboscot Expedition; Francis Waldo, a Loyalist and member of the affluent Waldo family; Hannah Watts Weston, a pregnant, 17-year-old woman who carried 30-40 pounds of powder, lead and pewter some 16 miles to Machias, to support the Patriot cause.
Since the historical society could not find images of these people, Penobscot artist Shannon Sockalexis created life-sized illustrations, based on research about each person or their relatives. The exhibit includes other artifacts, including a Revoloutionary-era martime flag with 13 stars, and a 250-year-old copy of the Declaration of Indpendence known as a Dunlap Broadside. The document is one of 26 known to have survived from an early printing in Philadelphia on July 4, 1776. In July, the document will begin a free tour of locations in all 16 Maine counties, which will end in October.
Illustrations of the people who are the focus of Maine Historical Society’s “Pathways to Freedom” exhibit. (Illustration by Shannon Sockalexis (Penobscot)/Maine Historical Society.)
Abbe Museum, Bar Harbor
“In the Shadow of the Eagle” May 26 – Oct. 30
This contemporary art exhibit “aims to share a greater understanding of Wabanaki Nations’ place within our ongoing national narrative,” according to the museum website. The title comes from a book by co-curator Donna Loring (Penobscot Nation) about her time spent as a Tribal Representative for Maine. Themes include military service, treaties and self-governance, and the exhibit features new art from Wabanaki artists, along with historical and loaned items as well.
“American Conversations” April 10 – Nov. 15 and “Looking for America” April 10 – July 19
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“American Conversations” explores the concept of America with pairs of paintings meant to start conversations from a range of artists, including Marsden Hartley, Lynne Drexler and Lois Dodd, who all worked in Maine. “Looking for America” weaves the work of multidisciplinary artist Hank Willis Thomas with the work of eleven artists who have collaborated with his studio. Thomas is known for using art to examine history, identity and popular culture in the United States.
Hank Willis Thomas, “Freedom Ride (Red, White and Blue),” 2017, screen print on retroreflective vinyl, mounted on Dibond. (Image courtesy the artist).
“Remembering the Revolution” June 27-Sept. 5
This scheduled exhibit will focus on local people involved in the Revolution, including Benjamin Simpson, who took part in the Boston Tea Party and served in the Continental Army, and Captain Jabez Lane of Buxton, who fought in campaigns from Boston to New York. The exhibit also will look at how the view of the Revolution was shaped over the years, including how the 1876 Centennial helped reinforce national unity after the Civil War and how the 1976 Bicentennial focused on similar themes, in the wake of the Vietnam War and Watergate, according to the museum.
Maine lawmakers are considering shoring up a legal remedy for people who are erroneously detained, in response to numerous such occurrences during President Donald Trump’s second term so far. “The simple concept we propose is that there should be consequences for bad behavior,” Senate Assistant Majority Leader Jill Duson (D-Cumberland) told the Judiciary Committee when […]
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