Adam Elliot
Credit: MATT IRWIN
World
Oscar Winner Adam Elliot ‘Strives for Imperfection’ as Sarah Snook-Voiced ‘Memoir of a Snail’ Debuts Teaser (EXCLUSIVE)
“Memoir of a Snail,” directed by Oscar winner Adam Elliot – and voiced by “Succession” star Sarah Snook – has debuted a teaser ahead of its premiere at Annecy.
Australian theatrical release, via Madman, is set for Oct. 17.
In the film, little Grace Puddle is separated from her twin brother Gilbert following their parents’ deaths. Things only get worse from there, she later admits to a garden snail named Sylvia – the only creature interested in her tragic story.
“I gravitate towards the underdog. People who are perceived as different, marginalized. I am not interested in heroes. It’s probably because I am ultimately making films about myself. I really empathize and identify with my characters,” the director told Variety.
“The truth is, they are all based on real people: they just happen to be my family and friends. In [previous film] ‘Mary and Max,’ Max was based on my pen pal, who is still alive. ‘Memoir of a Snail’ has a lot of my mother. We call her a ‘reformed hoarder,’ but she still collects.”
Despite his characters’ “imperfections” and numerous hardships they go through, Elliot – who won Academy Award for 2003 short “Harvie Krumpet” – continues to root for them.
“Someone said to me recently: ‘You really drag your characters through the mud.’ But they’ve had so much bad luck that by the end of each film, when they finally triumph, you are on their side,” he pointed out.
Grace, hiding behind objects cluttering her house, keeps experiencing loss, rejection, sadness and solitude. And yet “Memoir of a Snail” is full of warmth.
“I’ve always loved that quote that without darkness, light has no meaning. There is a bit of this Australian, self-deprecating humor in there as well. I want the audience to laugh, but if I can get them to shed a tear, I really feel like I’ve achieved something. My father was an acrobatic clown and he used to say: ‘Adam, you are not an ‘auteur,’ you are an entertainer. Make them laugh and make them cry’.”
Despite his affection for Ken Loach or Mike Leigh, Elliot is sticking to stop-motion.
“I get asked why I don’t make live-action and it’s really simple: in stop-motion, you have creative control and you can push the boundaries of the art form. You can have a dark moment and a light moment almost simultaneously. In ‘Cousin’ [made in 1998] you find out our character’s parents were killed in a car accident while he is wearing a T-shirt that says: ‘I yodel for Jesus.’ Also, I just can’t help myself: I love peculiar deaths.”
Or older mentors. In the film, Grace finally finds a friend other than her beloved snails: it’s an eccentric lady called Pinky, who encourages her to come out of her shell.
“There is wisdom that can come with age. Now, there is a bigger gap between generations, so what could bring us together? Simple pleasures. Pinky teaches Grace how to be brave, because yes, she is like one of these snails. She’s constantly recoiling from all this trauma.”
“Originally, it was supposed to be a ‘Memoir of a Ladybird,’ but it felt a little bit twee. I love drawing snails and I collected them as a child. When I write my screenplays, I don’t think about all the practicalities. After the 10th draft or so, I went: ‘Oh gee, now I will have to make thousands of these things.’ I never want to see another snail ever again!”
He will continue making films he believes in, however.
“I’ve had offers [from bigger studios] and financially, I should have said yes. But I am a megalomaniac: I prefer to write and direct my own films, and I have my niche. Still, with my next project, I want to be even more ambitious. All my budgets are very low, so there’s always compromise – in ‘Memoir,’ there is very little walking. Or talking, which is why I use voiceover.”
Once again, his film is narrated by a starry cast, from Sarah Snook to Jacki Weaver, Kodi Smit-McPhee and Eric Bana. Previously, he has collaborated with Philip Seymour Hoffman, Geoffrey Rush or Toni Collette.
“Everyone says: ‘Adam, why do you always go for these Academy Award-winning actors?’ Because they are good! Sarah, in many ways, directed me. I am not necessarily striving to have globally recognizable names – I am striving for authenticity. I told Sarah: ‘I just want you to be yourself.’ The investors love stars, but I don’t mention them at the beginning of my films, for example. I don’t want the audience to think about the actors until the end credits.”
Instead, he wants them to look into his characters’ eyes. Literally.
“Even though these are blobs of clay, they break the fourth wall and look straight at you. They are asymmetrical and deformed-looking, but they also have this endearing quality.”
Born with a physiological tremor, Elliot has incorporated it into his work.
“When I draw, my lines are wobbly, so my 3D characters are versions of my 2D drawings. A lot of stop-motion has become very slick, but my characters’ psyches are fractured. I always tell my collaborators: ‘Put in the fingerprint, put in the lump. Pretend you’ve had a glass of wine and you are a little bit tipsy.’ It’s all about striving for imperfection.”
An Arenamedia production, “Memoir of a Snail” was produced by Elliot and Liz Kearney, and executive produced by Robert Connolly and Robert Patterson. Anton & Charades handle international sales; the film is distributed by IFC for North America and Wild Bunch for France.
World
Studiocanal Reveals Sales on Multiple Cannes Market Titles, Including ‘The Midnight Library,’ ‘Words of Love,’ ‘Another Day’
Studiocanal has revealed that it has closed sales on multiple films that either premiered at the Cannes Film Festival or are on its development and production slate, including “The Midnight Library.” The company also said it is negotiating presales on the new Paddington animated film.
“The Midnight Library,” starring and produced by Academy Award nominee Florence Pugh, emerged as one of the hottest titles at this year’s Cannes Film Market. After a competitive bidding war between studios, the film sold to Paramount Pictures for North America and numerous foreign territories.
Beyond Paramount’s territories, “The Midnight Library” will be distributed by Scanbox in Scandinavia, Sun Africa Group/MultiChoice in South Africa, and Filmcoopi in Switzerland. Studiocanal will release the film across its territory footprint, including the U.K., France, Germany, Italy, Poland, Benelux, Australia and New Zealand.
Studiocanal also closed deals for Rudi Rosenberg’s Un Certain Regard film “Words of Love,” Volker Schlöndorff’s “Visitation,” Jean-Pierre Jeunet’s “Violette,” Jeanne Herry’s Cannes competition selection “Another Day,” Simon Stone’s “Elsinore,” Jonathan Schey’s “Everybody Wants to F*ck Me,” Danny Boyle’s “Ink” and Fred Cavayé’s “Les Misérables.” Studiocanal will release the films in its territories.
Sales for the films are as follows:
“Elsinore”
Anuvu for airlines, MCF for Ex-Yugoslavia and Bulgaria, Spentzos for Greece, ADS for Hungary, Lev for Israel, Lusomundo for Portugal, Scanbox for Scandinavia, Sun Africa Group/MultiChoice for South Africa, Filmcoopi for Switzerland, and Bir Film for Turkey. It will be released in the U.S. in 2027 by LD Entertainment.
“Everybody Wants to F*Ck Me”
ACME for the Baltics, Prorom for Eastern Europe, Blitz for Ex-Yugoslavia, Myndform for Iceland, Lionsgate for India, Lev for Israel, Imagem for Latin America, Mongol Films for Mongolia, Lusomundo for Portugal, Scanbox for Scandinavia, Sun Africa Group/MultiChoice for South Africa, KTH for South Korea, Filmcoopi for Switzerland, Catchplay for Taiwan, and Svoe Kino for Ukraine.
“Ink”
Echolake for airlines, Cinelibri for Bulgaria, VVS for Canada, AQS for Czech Republic and Slovakia, Karantanja for Ex-Yugoslavia, Spentzos for Greece, Cinetel for Hungary, Myndform for Iceland, MVP for India, Shoval for Israel, Mongol Films for Mongolia, Lusomundo for Portugal, Independenta for Romania, Scanbox for Scandinavia, Sun Africa Group/MultiChoice for South Africa, NK Content for South Korea, Wanda for Spain, Ascot Elite for Switzerland, Fabula Films for Turkey, and UFD for Ukraine.
“Les Miserables”
Skeye for airlines, ACME for the Baltics, Cinelibri for Bulgaria, TVA for Canada, AQS for Czech Republic and Slovakia, Karantanja for Ex-Yugoslavia, Pathé Touch for French-speaking Africa, Spentzos for Greece, ADS for Hungary, Synapse for Latin America, GSC for Malaysia, Italia for the Middle East, Lusomundo for Portugal, Independenta for Romania, Shaw for Singapore, Scene & Sound for South Korea, Beta Fiction for Spain, DCM for Switzerland, Bir Film for Turkey, and Ad Astra for Ukraine.
“Words of Love”
Cineart for Benelux, Beta for Bulgaria, Immina for Canada, Pandora for Germany and Austria, Danaos for Greece, New Cinema for Israel, Teodora for Italy, Angel Films for Scandinavia, Atalante for Spain, Frenetic for Switzerland, and Mars for Turkey.
“Visitation”
Moving Story for Australia and New Zealand, Artifilm for Benelux, Beta for Bulgaria, Karantanija for Ex-Yugoslavia, Spentzos for Greece, Lev for Israel, Cetera for Japan, Alambique for Portugal, Scanbox for Scandinavia, A Contracorriente for Spain, and Filmcoopi for Switzerland.
“Violette”
Skeye for airlines, ACME for the Baltics, Cinelibri for Bulgaria, VVS for Canada, Blue Media for China, MCF for Ex-Yugoslavia, Spentzos for Greece, Vertigo for Hungary, Lev for Israel, Lucky Red for Italy, Lusomundo for Portugal, Bad Unicorn for Romania, Scanbox for Scandinavia, Shaw for Singapore, Beta Fiction for Spain, Frenetic for Switzerland, Bir for Turkey, and Arthouse for Ukraine.
“Another Day”
MCF for Ex-Yugoslavia and Bulgaria, Spentzos for Greece, Europictures for Italy, Scanbox for Scandinavia, Shaw for Singapore, Frenetic for Switzerland, Lusomundo for Portugal, and Mars for Turkey.
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Three men face potential charges after a 21-year-old woman died when rope-jumping instructors allegedly launched her from a bridge without attaching the safety ropes meant to stop her fall, authorities said.
Maria Eduarda Rodrigues de Freitas, a 21-year-old student, died Saturday during a rope-jumping event at an abandoned bridge about 90 miles northwest of São Paulo, Brazil.
Police investigator Andrea Levy told reporters Monday that the three instructors involved in the jump acknowledged that Rodrigues de Freitas was not connected to any safety equipment before she was launched from the bridge.
“They do not remember whether they forgot to attach [the ropes], or who was supposed to do it, or who failed to check. But the fact is the ropes were not attached to her,” Levy said.
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The Ponte do Esqueleto, or “Skeleton Bridge,” is located in São Paulo, Brazil. (Google Maps)
The three instructors were arrested following the incident and could face criminal charges, The Associated Press reported.
Brazilian authorities said the three instructors were arrested on suspicion of homicide with “eventual intent,” a legal concept under Brazilian law that generally applies when a person is deemed to have accepted the risk that a death could occur. According to Brazilian outlet G1, citing investigators, the instructors were booked on the charge at the scene.
Investigators said Rodrigues de Freitas requested to be launched from the bridge “airplane style,” with two instructors lifting her above their shoulders while she stretched out her arms.
CARNIVAL RIDE PASSENGERS LEFT DANGLING IN CARRIAGE AFTER MALFUNCTION AT HIGH SCHOOL EVENT: VIDEO
Video shared online appears to show two helmeted men tossing the young woman from the abandoned bridge moments before the fatal fall. The instructors appear to be wearing harnesses connected to safety lines.
Authorities said Rodrigues de Freitas fell approximately 130 feet.
Bungee jumping elastic is pictured here. (Giovanni Mereghetti/Education Images/Universal Images Group via Getty Images)
Brazilian media reported that Rodrigues de Freitas had purchased a guided hiking excursion that included the rope jump from the abandoned bridge.
ORLANDO RIDE MAINTENANCE TECH ALLEGES SAFETY ISSUES WERE IGNORED BEFORE TEEN FELL TO HIS DEATH IN 2022: SUIT
Rope jumping is an extreme sport that differs from traditional bungee jumping. Instead of elastic cords that create a vertical bounce, rope jumping uses low-stretch climbing ropes designed to transform a fall into a pendulum-like swing.
The City of Limeira identified Rodrigues de Freitas as a resident of Jandira and issued a statement expressing condolences to her family.
“At this moment of pain, the City of Limeira stands in solidarity with the young woman’s family, friends and loved ones,” municipal officials said in a statement Saturday.
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The city said it would cooperate with authorities investigating the incident.
Rodrigues de Freitas was buried Sunday.
Local police are investigating the incident as a homicide. (Facebook/@Comsoc Limeira)
Levy told Brazilian television program “Jornal Nacional” that investigators were examining whether the group conducting the jump was authorized to operate at the site. According to G1, Levy said investigators believe a failure to verify the placement of the safety rope contributed to the fatality.
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In a statement cited by G1, attorneys for the three instructors said their clients had experience conducting the activity and that the incident was the first fatality during their years of operation.
Authorities continue to investigate the circumstances surrounding the apparent safety failure, including who was responsible for ensuring participants were properly secured before jumping.
The Associated Press contributed to this report.
Hebron’s mayor warns unilateral changes breach agreements, posing significant consequences for the region’s stability.
Published On 16 Jun 2026
Israel has seized planning and construction powers at the Ibrahimi Mosque in the occupied West Bank from Palestinian authorities, scrapping parts of an agreement in place since the 1990s, Finance Minister Bezalel Smotrich said on Tuesday.
Under the 1997 Hebron Agreement, Palestinians controlled planning and construction in the entire city of Hebron, including the Jewish Tomb of the Patriarchs and the adjoining Ibrahimi Mosque.
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“Yesterday we cancelled the Hebron agreements,” Smotrich said at an inauguration ceremony for the Doran settlement in the southern Mount Hebron area.
While the decision was made on Monday night by Israel’s Higher Planning Council, Israel’s Foreign Ministry said in a tweet that “contrary to the finance minister’s statements, the Hebron Agreement was not canceled”.
It added that a cabinet decision made months ago had addressed planning and construction authority in the Jewish settlement and at Jewish heritage sites only, citing what it called a complete lack of cooperation from the Hebron municipality.
“Beyond that, no change has occurred,” it said.
The Palestinian Authority, meanwhile, condemned Smotrich’s announcement as unlawful.
“Such unilateral measures are unacceptable and constitute a violation of the agreements signed by the Israeli side, as well as international law,” the office of President Mahmoud Abbas said in a statement, calling on the international community and the United States in particular to intervene immediately to stop “this most dangerous step”.
Hebron Mayor Yusuf al-Jabari said the agreements constitute “a political framework governing Hebron’s administrative, security and service arrangements”, and that any unilateral modification outside existing international understandings amounted to “a serious breach” with far-reaching consequences.
The Hebron Agreement, signed by Prime Minister Benjamin Netanyahu and former PLO chairman Yasser Arafat, divided the city into two sectors.
Israel retained security control over H2,which includes the Jewish settlement and the Ibrahimi Mosque, also known as the Cave of the Patriarchs, while civil powers, including planning and construction, remained with the Palestinian municipality.
The mosque has long been a focal point for settlers, who took control of half the site following the original protocol. In 2017, Palestine inscribed Hebron’s Old City and the Ibrahimi Mosque on the World Heritage and World Heritage in Danger lists maintained by the United Nations Educational, Scientific and Cultural Organization (UNESCO).
“After the government promised victory and failed on all fronts, Smotrich the pyromaniac is trying to set the West Bank on fire,” said Israeli peace group Peace Now, adding that the move was politically motivated.
“This is a dangerous and irresponsible step of a failed politician who is ready to harm Israel’s interests and security in order to gather a few votes from the extreme right,” it said.
Palestinians say the move is the latest in a series of steps towards Israel’s de facto annexation of the West Bank.
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