Culture
Nicknames, barbecues, unity: What Mbappe can expect from Madrid's dressing room
Real Madrid’s long-awaited signing of Kylian Mbappe has plenty of upside for the reigning Spanish and European champions — but there are some question marks.
One of them is how Mbappe fits into the starting line-up, given his preferred position is on the left wing, which is where Vinicius Junior, last season’s 24-goal top scorer, plays. The other is how the 25-year-old Frenchman will gel with an established dressing room — an aspect the La Liga club looked at in January when they again started to seriously consider signing him.
The Athletic has previously detailed how head coach Carlo Ancelotti plans to use a flexible 4-3-3 system, with Mbappe playing through the middle, Vinicius Jr on the left and Rodrygo on the right. This will become a 4-4-2 in defence, with Mbappe and Vinicius Jr as the front two and Jude Bellingham moving to left midfield.
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That leaves the personality question. Madrid did not want Mbappe to enjoy the degree of power he had at previous club Paris Saint-Germain after renewing his contract there in 2022. They also feared giving him an excessively high salary could raise suspicions among a harmonious group of players. Reports have suggested Mbappe will be paid a signing bonus in the region of €100million ($109m; £84m) then a €15m salary.
This current set of Madrid players is considered one of the most tightly knit of recent years. Sources close to the dressing room — who, like all those cited in this article, asked to remain anonymous to protect relationships — have said the atmosphere is the best they have ever known and recognised they had not felt the same way in previous years.
That was something referred to by the recently retired Toni Kroos when he was asked at an event last week if he would stay in contact with any of his former Madrid team-mates.
“Yes, I have a personal relationship with many of them,” the German midfielder said. “Last season was not only very successful but we also had a top dressing room — I can’t say the same for every team I played for. They are people I want to keep in touch with.”
Mbappe was presented to much fanfare last week (Alvaro Medranda/Quality Sport Images/Getty Images)
There have been signs of that during the players’ summer holidays.
As in 2023, Vinicius Jr invited a selection of his club team-mates to home city Rio de Janeiro after Brazil’s Copa America quarter-finals exit against Uruguay this month. Many could not go because of family commitments or scheduling issues around international tournaments, but Eduardo Camavinga, Ferland Mendy, Eder Militao and Rodrygo went.
The players attended a charity event for the winger’s foundation, the Instituto Vini Jr — into which he has invested €1.3million over the last year to help more than 3,500 children — and enjoyed a few days of rest, parties and playing football against each other. They were joined by people from their entourages and other high-profile figures from the world of sport and elsewhere, such as the Boston Celtics NBA star Jaylen Brown and singers Ozuna, Rauw Alejandro and Ludmilla.
Mbappe was among those invited along with Vinicius Jr’s countryman, friend and now-Madrid team-mate Endrick. But both were due to be officially unveiled at the club’s Santiago Bernabeu home stadium after their respective involvements in the European Championship and the Copa America — Mbappe was unveiled last Tuesday; Endrick will be this Saturday — and needed to deal with the logistics of their new life in Spain.
At his opening press conference, Mbappe confirmed that Vinicius Jr had played a role in him finally joining Madrid. He was asked which players had spoken to him about the club before his arrival from PSG.
“I had all the French players, who always told me and explained to me that it is the best (club) in the world,” Mbappe said. “Also Vinicius, who asked me to come, and told me that we would play together in attack. Thank you to them, because it’s always a good thing that they want me to play with them.”
Mbappe with now-Madrid team-mates Camavinga and Tchouameni in France training (Franck Fife/AFP via Getty Images)
Several players showed public support — whether implicit or explicit — for Mbappe’s signing before it was made official.
When rumours linked Madrid with the move last year, Rodrygo posted a photo of himself partying with Mbappe in the August. And, once the deal was announced, there was a big reaction on social media from the whole squad.
Sources at Valdebebas, Madrid’s training ground, said Mbappe has made a good impression, describing him as “intelligent” and “cheerful”. The club offered him lower terms this time than those in their failed 2022 proposal, although his base salary is among the highest in the squad (and with his signing bonus included he is by far their best-paid player).
Mbappe made the right noises in his first press conference, saying he would play where Ancelotti asked him to and adding that he was not thinking about taking the No 10 shirt worn by Luka Modric for the past seven seasons, out of respect for the long-serving Croatian midfielder (he’ll wear the No 9).
So there are good signs — and it is worth considering what happened when Bellingham, another big personality, joined Madrid last year.
Initial reports suggested Bellingham and Vinicius Jr did not get on, but that was soon proven wrong. They sometimes took the same car to training and Vinicius Jr celebrated some of his goals by recreating the Englishman’s ‘open arms’ celebration. When Bellingham was interviewed by the club’s official TV channel during Madrid’s La Liga title celebrations in May, he said, “I’m here, with the best player in the world” as he embraced Vinicius Jr.
The Brazilian called Bellingham ‘Belligol’ in that interview, one of several nicknames that is within the squad.
Goalkeeper Thibaut Courtois is 6ft 7in (200cm) so is known as ‘Jirafa’ (Giraffe), Antonio Rudiger is ‘Loco’ (Crazy), David Alaba is ‘Alabama’, Ferland Mendy is ‘General’, Eduardo Camavinga is ‘Pantera’ (Panther), Federico Valverde is ‘Halcon’ (Hawk), ‘Gaucho’ (the cowboy-like horsemen who are a folk symbol in his native Uruguay) or ‘Bombazo’ (Bombshell — because of the power of his shots), while Arda Guler is ‘Abi’ (‘older brother’ in the language of his Turkish homeland). Players use these nicknames regularly on social media, evidence of the positive atmosphere in the dressing room.
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That was helped last term by the mix of youngsters and veterans such as Nacho, Kroos and Joselu — all of whom have left the club this summer. But other experienced players such as the 38-year-old Modric and Lucas Vazquez, 33, remain after they extended their deals for a further year.
Club staff have played an important role in forging that harmony.
Last summer, the influential chief scout Juni Calafat took new arrivals Bellingham and Guler and Brahim Diaz (who was returning from a three-year loan at AC Milan) for dinner at a well-known restaurant in the centre of Madrid. Guler then hosted a barbecue at his home after the crucial La Liga win against Barcelona in April, attended by Brahim, Valverde and staff members.
The players have a great connection with Ancelotti and the other coaches. Carlo’s son and assistant Davide is the key given that, at 35, he is closer in age to the players and speaks several languages.
Carlo and Davide Ancelotti have a good relationship with the players (Charlotte Wilson/Offside/Offside via Getty Images)
They also enjoy a good relationship with doctors, physiotherapists and trainers. That was clear when physiotherapist Jaime Salom insisted on being at the Bernabeu for Militao’s comeback from a serious knee injury against Athletic Bilbao in March, despite the death of his mother that week. Rodrygo dedicated a goal in that game to Salom.
“These kinds of details are usually given privately and often you can’t see them, but they are very important,” a Valdebebas source said at the time.
It all paints a picture of a united dressing room, ready to welcome another star player in Mbappe.
(Top photos: Getty Images)
Culture
Video: The A.I. threat to audiobooks
new video loaded: The A.I. threat to audiobooks
By Alexandra Alter, Léo Hamelin and Laura Salaberry
May 20, 2026
Culture
Kennedy Ryan on ‘Score,’ Her TV Deal, and Finding Purpose
At 53, and after more than a decade in the industry, things are happening for the romance writer Kennedy Ryan that were not on her bingo card.
The most recent: a first look deal with Universal Studio Group that will allow her to develop various projects, including a Peacock adaptation of her breakout 2022 novel “Before I Let Go,” the first book in her Skyland trilogy, which considers love and friendship among three Black women in a community inspired by contemporary Atlanta.
With a TV series in development, Ryan — who published her debut novel in 2014 and subsequently self-published — joins Tia Williams and Alanna Bennett at a table with few other Black romance writers.
“What I am most excited about is the opportunity to identify other authors’ work, especially marginalized authors, and to shepherd those projects from book to screen,” said Ryan, a former journalist. (Kennedy Ryan is a pen name.) “We are seeing an explosion in romance adaptations right now, and I want to see more Black, brown and queer authors.”
Her latest novel, “Score,” is set to publish on Tuesday. It’s the second volume in her Hollywood Renaissance series, after “Reel,” about an actress with a chronic illness who falls for her director on the set of a biopic set during the Harlem Renaissance. The new book follows a screenwriter and a musician, once romantically involved, working on the same movie.
In a recent interview (edited and condensed for clarity), Ryan shared the highs and lows of commercial success; her commitment to happy endings; and her north star. Spoiler: It isn’t what readers think of her books on TikTok.
Your work has been categorized as Black romance, but how do you see yourself as a writer?
I see myself as a romance writer. I think the season that I’m in right now, I’m most interested in Black romance, and that’s what I’ve been writing for the last few years. It doesn’t mean that I won’t write anything else, because I don’t close those doors. But the timeline we’re in is one where I really want to promote Black love, Black art and Black history.
What intrigued you about the period of history you capture in the Hollywood Renaissance series?
I’ve always been fascinated by the Harlem Renaissance and the years immediately following. It felt like a natural era to explore when I was examining overlooked accomplishments by Black creatives. I loved the art as agitation and resistance seen in the lives of people like James Baldwin or Zora Neale Hurston, but also figures like Josephine Baker, Lena Horne and Dorothy Dandridge, who people may not think of as “revolutionary.” The fact that they were even in those spaces was its own act of rebellion.
What about that period feels resonant now?
The series celebrates Black art and Black history and love at a time when I see all three under attack. Our art is being diminished and our history is being erased before our very eyes. I don’t hold back on the relationship between what I see going on in the world and the books I write.
How does this moment in your career feel?
I didn’t get my first book deal until I was in my 40s, so I think this is the best job I’ve ever had. I’m wanting to make the most of it, not just for myself, but for other people, and I think the temptation is to believe that it will all go away because that’s my default.
Why would it all go away?
Part of it is because we — my family, my husband and I — have had some really hard times, especially early in our marriage when my son was diagnosed with autism, my husband lost his job, and we experienced hard times financially. I’ll never forget that.
When I say it could all go away, I mean things change, the industry changes, what people respond to changes, what people buy and want to consume changes. So I don’t assume that what I am doing is always going to be something that people want.
Why are you so firmly committed to defending the “happy ending” in romance novels?
It is integral to the definition of the genre that it ends happily. Some people will say it’s just predictable every one ends happily. I am fine with that, living in a world that is constantly bombarding us with difficulty, with hurt, with challenge.
I write books that are deeply curious about the human condition. In “Score,” the heroine has bipolar disorder, she’s bisexual, there’s all of this intersectionality. For me, there is no safer genre landscape to unpack these issues and these conditions because I know there is guaranteed joy at the end.
You have a pretty active TikTok account. How do you engage with reviews and commentary on the platform about you or the genre?
First of all, I believe that reader spaces are sacred. Sometimes I see authors get embroiled with readers who have criticized them. I never ever comment on critical reviews. I definitely do see the negative. It’s impossible for me not to, but I just kind of ignore it. I let it roll off.
How does this apply to being a very visible Black author in romance?
I am very cognizant of this space that I’m in right now, which is a blessing, and I don’t take it for granted. I see a lot of discourse online where people are like, “Kennedy’s not the only one,” “Why Kennedy?,” “There should be more Black authors.” And I’m like, Oh my God, I know that. I am constantly looking for ways to amplify other Black authors. I want to hold the door open and pull them along.
How do you define success for yourself at this point?
I have a little bit of a mission statement: I want to write stories that will crater in people’s hearts and create transformational moments. Whether it’s television or publishing, am I sticking true to what I feel like is one of the things I was put on this earth to do? I’m a P.K., or preacher’s kid. We’re always thinking about purpose. And for me, how do I fit into this genre? What is my lane? What is my legacy? Which sounds so obnoxious, you know, but legacy is very important to me.
Culture
How Many of These Books and Their Screen Versions Do You Know?
Welcome to Great Adaptations, the Book Review’s regular multiple-choice quiz about printed works that have gone on to find new life as movies, television shows, theatrical productions and more. This week’s challenge highlights the screen adaptations of popular books for middle-grade and young adult readers. Just tap or click your answers to the five questions below. Scroll down after you finish the last question for links to the books and their screen versions.
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