World
Jon Batiste's 'Beethoven Blues' transforms classical works into unique blues and gospel renditions
NEW YORK (AP) — When Grammy-award winner Jon Batiste was a kid, say, 9 or 10 years old, he moved between musical worlds — participating in local, classical piano competitions by day, then “gigging in night haunts in the heart of New Orleans.”
Free from the rigidity of genre, but also a dedicated student of it, his tastes wove into one another. He’d find himself transforming canonized classical works into blues or gospel songs, injecting them with the style-agnostic soulfulness he’s become known for. On Nov. 15, Batiste will release his first ever album of solo piano work, a collection of similar compositions.
Titled “Beethoven Blues (Batiste Piano Series, Vol. 1),” across 11 tracks, Batiste collaborates, in a way, with Beethoven, reimagining the German pianist’s instantly recognizable works into something fluid, extending across musical histories. Kicking off with the lead single “Für Elise-Batiste,” with its simple intro known the world over as one of the first pieces of music beginners learn on piano, he morphs the song into ebullient blues.
“My private practice has always been kind of in reverence to, of course, but also to demystify the mythology around these composers,” he told The Associated Press in an interview ahead of Wednesday’s album release announcement.
The album was written through a process called “spontaneous composition,” which he views as a lost art in classical music. It’s extemporization; Batiste sits at the piano and interpolates Beethoven’s masterpieces to make them his own.
“The approach is to think about, if I were both in conversation with Beethoven, but also if Beethoven himself were here today, and he was sitting at the piano, what would the approach be?” he explained. “And blending both, you know, my approach to artistry and creativity and what my imagined approach of how a contemporary Beethoven would approach these works.”
There is a division, he said, in a popular understanding of music where “pristine and preserved and European” genres are viewed as more valuable than “something that’s Black and sweaty and improvisational.” This album, like most of his work, disrupts the assumption.
Contrary to what many might think, Batiste said that Beethoven’s rhythms are African. “On a basic technical level, he’s doing the thing that African music ingenuity brought to the world, which is he’s playing in both a two meter and a three meter at once, almost all the time. He’s playing in two different time signatures at once, almost exclusively,” he said.
Batiste performs during the Bonnaroo Music & Arts Festival this year. (Photo by Amy Harris/Invision/AP, File)
“When you hear a drum circle, you know, the African diasporic tradition of playing in time together, you’re hearing multiple different meters happening at once,” he continued. “In general, he’s layering all of the practice of classical music and symphonic music with this deeply African rhythmic practice, so it’s sophisticated.”
“Beethoven Blues” honors that complexity. “I’m deeply repelled by the classism and the culture system that we’ve set up that degrades some and elevates others. And ultimately the main thing that I’m drawn in by is how excellence transcends race,” he said.
When these songs are performed live, given their spontaneous nature, they will never sound exactly like they do on record, and no two sets will be the same. “If you were to come and see me perform these works 10 times in a row, you’d hear not only a new version of Beethoven, but you would also get a completely new concert of Beethoven,” he said.
“Beethoven Blues” is the first in a piano series — just how many will there be, and over what time frame, and what they will look like? Well, he’s keeping his options open.
“The themes of the piano series are going to be based on, you know, whatever is timely for me in that moment of my development, whatever I’m exploring in terms of my artistry. It could be another series based on a composer,” he said.
“Or it could be something completely different.”
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US President Donald Trump has doubled down on his comments on Italian Prime Minister Giorgia Meloni, saying she asked him “over and over” for a photo when the pair met at the G7 summit in France earlier this week.
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Following the summit, Trump told an Italian journalist that he “felt sorry for Meloni” after she “begged me to take a picture with her”.
Meloni hit back in a video posted to social media, branding Trump’s claims as “completely made up” and insisting that neither she nor Italy begs anyone for anything.
The once close pair’s relationship has grown increasingly fractious in recent months, particularly since Rome refused to provide the US support for its operations in Iran and after Meloni defended Pope Leo XIV, who was criticised by the Trump administration over his remarks on the war and the US’s immigration policies.
“Italian Prime Minister Giorgia Meloni asked, over and over, for a picture with me during the G-7 meeting in France,” Trump wrote on his Truth Social account on Saturday. “She is doing poorly in Italy with her level of popularity, possibly because she turned down the United States of America, a Country that truly loves and protects Italy, when it came to denying Iran from obtaining or developing a Nuclear Weapon”.
“Now, after the United States defeated Iran militarily, she wants to be friends again in order to get her “numbers up.” No thanks!!!” Trump added.
World
‘X-Men’ Star Famke Janssen Says Marvel ‘Made a Mistake’ By Not Asking Her to Return as Jean Grey in ‘Avengers: Doomsday’
Famke Janssen said during a recent conversation with Nerdtropolis at Spacecon 2026 that Marvel “made a mistake” by not bringing her back as Jean Grey for December’s “Avengers: Doomsday.”
“I am so bad at keeping secrets that I always say to everyone I’m the worst actor in the world. It’s all on my face. You right away will read it,” Janssen said. “I think they made a mistake, but hey, who am I? I’m just a little me who thinks that.”
Janssen first appeared as the telepath Jean Grey, aka Phoenix, in 2000’s “X-Men,” and then reprised the role for 2003’s “X2: X-Men United” and 2006’s “X-Men: The Last Stand.” She also briefly appeared as Grey in 2013’s “The Wolverine” and 2014’s “X-Men: Days of Future Past.”
Janssen’s absence from “Doomsday” is notable, considering Marvel is bringing back many of her “X-Men” co-stars for the film. Patrick Stewart (Charles Xavier), Ian McKellen (Magneto), James Marsden (Cyclops), Kelsey Grammer (Beast), Alan Cumming (Nightcrawler) and Rebecca Romijn (Mystique) are all set to return.
In an October 2025 interview with Entertainment Weekly, Janssen said in every interview she does, she’s asked about the future of Jean Grey in the MCU.
“It’s interesting,” Janssen said. “I didn’t realize that was such a big part. Every interview I do, that will come up, and of everything I say, that is going to be the only thing that’s gonna be printed.”
“I should be flattered, I suppose, that this character has resonated with people,” she added. “It’s been so long, but it’s nice that people are still talking about her. I’m sure every single time there’s a new movie that they’re doing, like [is it] ‘Doomsday?’ … it’ll come up again.”
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Authorities are responding after two passenger trains crashed into each other Friday near Bedford, England, killing at least one person and injuring nearly 90 others.
The East of England Ambulance Service said it was called to a collision involving two trains at Elstow, near Bedford, at about 5:15 p.m. local time and quickly declared a “major incident.”
One person died at the scene, 11 people suffered very serious injuries, 22 were seriously injured and 56 people had minor injuries, officials said.
Bedford is roughly 60 miles north of London.
2 TRAINS COLLIDE IN DENMARK, LEAVING 5 PEOPLE CRITICALLY INJURED
Two passenger trains collided Friday in the United Kingdom. (Fox News)
All the patients with the most serious injuries have been taken from the scene to hospital.
The ambulance service said it sent numerous resources to the scene, including more than 20 ambulances, specialist hazardous area response teams and six air ambulances.
MULTIPLE STABBED IN UK TRAIN ATTACK NEAR CAMBRIDGE AS POLICE ARREST 2 SUSPECTS
Emergency crews were pictured working near the scene. (Fox News)
“Our thoughts are with everyone affected, and we thank all emergency service colleagues for their swift response,” the ambulance service wrote in a statement.
The Bedfordshire Fire and Rescue Service confirmed its crews were also responding.
“Please avoid the area,” fire officials wrote in a statement on X.
Sources told The Telegraph the train driver was on the phone with maintenance staff discussing a safety issue at the time of the crash.
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This is a developing story. Please check back for updates.
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