World
Italian family believes painting found in a dump in 1960s is a Picasso and seeks authentication
MILAN (AP) — An Italian family hopes to prove definitively that a painting discarded from a villa on the island of Capri more than 60 years ago is a Picasso, and has been gathering scientific data to persuade Picasso’s estate administration in Paris to make the definitive call.
The rolled-up canvas of a female figure was discovered in a pile of trash that a junk dealer was hired to discard in the early 1960s, and it hung innocuously in the family living room and then restaurant in Pompei, near Naples, for years until his son decided to investigate.
“My mother called it ugly,” the junk dealer’s son, Andrea Lo Russo, said Thursday. “Here, we are used to landscapes featuring the sea.”
Lo Russo said that his first inkling that the painting may be an important work came when he saw a Picasso in a middle school textbook, but neither his teacher nor his father were persuaded. His curiosity persisted, and in his early 20s, he and his brother drove to Paris and brought the painting to the Picasso Museum.
“They looked, and they said, ‘It is not possible,’” Lo Russo recalled. He said that he declined their invitation to leave the painting for further examination, not wanting to relinquish it.
Over the years, Lo Russo said that his attempts to verify the painting exposed him to fraudsters who tricked him out of money, and even landed him under investigation for suspicion of trafficking in forged art — which was dropped after he produced paperwork showing his attempts to verify the painting’s origin.
After decades of trying to determine the painting’s provenance, Lo Russo believes that a recent battery of tests carried out by the Swiss-based Arcadia Foundation finally offers proof that it’s the work of Picasso.
They include lab tests that show the paints used were consistent with Picasso’s color palette during the period in question, said Luca Marcante, a trained chemist who founded the Arcadia Foundation in 2000 to investigate the provenance of artworks. Most recently, a handwriting expert authenticated the signature on the upper-left hand corner as that of Picasso, Marcante said.
The only entity that can authenticate the painting is the Picasso Administration in Paris. It hasn’t responded to a series of inquires over the years. Marcante said that he’s preparing to share the most recent findings with them.
“You need to understand, they get dozens of inquiries every day from private people believing they have found a Picasso,’’ Marcante said.
Contacted by The Associated Press, the Picasso Administration declined to comment on the case.
Marcante put the value of the painting at 6 million euros ($6.6 million), but said that if fully authenticated, it would soar to 10-12 million euros. After years of hanging casually in the Lo Rosso family home, it’s now in a vault in Milan.
Marcante said that the painting is strikingly similar to a 1949 painting attributed to Picasso called “Tete du femme,’’ which is included in the online Picasso Project curated by the Sam Houston State University in Texas.
Marcante said that there is photographic proof Picasso visited the ruins of Pompeii in 1917, and asserts that he likely also visited nearby Capri, where he may have painted the Lo Russo-owned canvas sometime in the early 1940s, leaving it behind “forgotten in time.”
Marcante is convinced that the found painting isn’t a forgery, because of the differences between the two, including different ceilings, and a missing edge on the seat.
The painting “Tete du femme,” appears to be of Picasso’s one-time lover Dora Maar, given the dark hair and dark eyes, according to Enrique Mallen, the Picasso scholar who runs the online project. He cast doubt on the theory that Picasso would have created two paintings that were so similar.
“From what I know of studying Picasso for 30 years, he would never do an identical copy of his own work,’’ Mallen told The Associated Press. “He was quoted as saying, ‘You can copy anyone expect yourself.’”
The only record of “Tete du femme” was in a 1967 book, where it was listed as being in a private collection in Turin. It has never turned up in other references, Mallen said.
Mallen underlined that his online database, which numbers more than 41,000 Picasso entries, assembles images of paintings, sculptures, drawings and other works attributed to the artist, but doesn’t attest to their authentication — something only the Picasso Administration can do.
Marcante called the “Tete du femme” “a ghost painting, because no one has ever seen it.”
“The only real one is ours, that we have examined in a scientific manner. We are convinced of our work, and of the results science has given us,” Marcante said. “We can touch this painting with our hands. It is real, it is authentic.”
If the painting his father discovered is confirmed to be a Picasso, Lo Russo said that the family is still trying to figure out if they would sell it, caught in a whirlwind of inquiries since news of the painting’s suspected provenance surfaced this week.
“We are confused ourselves,” he said.
World
Dakota Johnson Joins Lily Allen to Play ‘Madeline’ on ‘SNL’
Star Dakota Johnson made a surprise appearance on “Saturday Night Live” this week, playing the mysterious “Madeline” during Lily Allen‘s performance of that track. The song was Allen’s second of the night.
During the performance, Johnson was mostly hidden behind a screen through the song, as Allen sang about the mistress. But Johnson performed the spoken word portion of the song, which appears on Allen’s album “West End Girl.” In the track, Allen notes that she and her signficant other “had an arrangement: Be discreet and don’t be blatant. And there had to be payment. It had to be with strangers. But you’re not a stranger, Madeline.”
Later in the song, “Madeline” explains her side of the story via texts to Allen: “I hate that you’re in so much pain right now. I really don’t wanna be the cause of any upset. He told me that you were aware this was going on and that he had your full consent. If he’s lying about that, then please let me know. Because I have my own feelings about dishonesty. Lies are not something that I wanna get caught up in. You can reach out to me any time, by the way. If you need any more details or you just need to vent or anything. Love and light, Madeline.”
After reading those lines, Johnson came out from behind the curtain and walked up to Allen — and gave her a quick kiss.
“Madeline” is one of the standout tracks from Allen’s new album “West End Girl,” and has led to much speculation over who the mysterious pseudonym is (or might be a composite of). At least one person has told the press that she is “Madeline,” although Allen has said that it’s actually a composite of several women.
For her first “SNL” number, Allen performed “Sleepwalking” from “West End Girl,” in a bedroom set under a neon sign. Given the saucy lyrics, Allen did have to censor herself, omitting the lyric, “Why aren’t we fucking, baby?” (She did the same thing with “Madeline,” avoiding part of the line “I’m not convinced that he didn’t fuck you in our house.”)
Allen appeared on “Saturday Night Live” to promote “West End Girl,” which has been met with wide acclaim for its brutal honesty and craftsmanship. The album addresses her split from “Stranger Things” star David Harbour, without ever mentioning him by name. (As characterized through scathing lyrics on songs such as “Pussy Palace,” “Sleepwalking” and “Madeline.”)
In his Variety review, Chris Willman called “West End Girl” a contender for album of the year. He wrote of “savoring every confessional line and wondering what the hell she was going to tell us in the next one to top it. It’s the pleasure of listening to a master storyteller who makes your jaw drop by seeming to have spilled all the tea almost at the outset, and then the tea just keeps on coming. Not since Boston in 1773, maybe, has anyone dumped it this massively, or this fulfillingly.”
“West End Girl” repped Allen’s first album release since 2018. Allen has announced a tour next March to support the album, which marks Allen’s first time touring since 2019.
This is Allen’s second time on “Saturday Night Live,” following an appearance on the Feb. 3, 2007 episode hosted by Drew Barrymore. During that episode, Allen performed the tracks “Smile” and “LDN” from her debut album “Alright, Still.”
World
Australian authorities: Bondi Beach shooting was ‘terrorism … designed to target Sydney’s Jewish community’
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A mass shooting during a Hanukkah celebration at Bondi Beach in Sydney, Australia, on Sunday evening left at least 12 people dead and 29 people hospitalized, authorities say.
The annual celebration, known as “Chanukah By The Sea,” was scheduled to kick off at 5 p.m. to celebrate the first day of the Jewish holiday by lighting the first candle on the Menorah. Police say the attack “targeted” the Jewish community and is being investigated as an act of terrorism.
The New South Wales Police Force (NSWPF) said officers responded to reports of shots fired at about 6:45 p.m. on Sunday. Police say there were at least two gunmen involved in the attack, and they are investigating the possibility of a third. Twelve people were killed in the shooting, including one of the two suspected gunmen, police said. The second alleged shooter is in critical condition.
At least 29 others were hospitalized after the shooting, including two police officers, the agency confirmed. The shooting is the worst attack against Jews since the Oct. 7, 2023, Hamas terror attacks.
ANTISEMITIC ATTACKERS VIOLENTLY TARGET SYNAGOGUE, ISRAELI RESTAURANT IN AUSTRALIA
An investigation is underway after a deadly attack on a Hanukkah event at Bondi Beach in Sydney, Australia, on Sunday. (David Gray/AFP via Getty Images)
Police added that they found evidence of multiple improvised explosive devices in a vehicle near the scene of the attack.
“We have our rescue bomb disposal unit there at the moment working on that,” he said.
Israeli President Isaac Herzog acknowledged the attack while speaking at an event in Jerusalem recognizing immigrants’ extraordinary achievements on Sunday.
“At these very moments, our sisters and brothers in Sydney, Australia, have been attacked by vile terrorists in a very cruel attack on Jews who went to light the first candle of Chanukah on Bondi Beach,” Herzog said. “Our hearts go out to them. The heart of the entire nation of Israel misses a beat at this very moment, as we pray for the recovery of the wounded, we pray for them and we pray for those who lost their lives.”
AUSTRALIA’S JEWISH COMMUNITY ALARMED BY RISING ANTISEMITISM: ‘FEAR AND ANXIETY’
A health worker moves a stretcher after a shooting incident at Bondi Beach in Sydney, Australia, on Dec. 14, 2025. (Saeed Khan/AFP via Getty Images)
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Herzog also called on the Australian government to “seek action and fight against the enormous wave of antisemitism which is plaguing Australian society.”
World
In Khartoum, exhumation of makeshift graves reawakens families’ grief
Khartoum, Sudan – Iman Abdel-Azim had to bury her brother in the courtyard of her home in Khartoum North when he died as fighting between the Sudanese military and the paramilitary Rapid Support Forces raged around them.
Her brother died of cholera in September last year, unable to access medical care.
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Her neighbours had to help her bury him because it was impossible to access cemeteries during the fighting. She was not the only resident of the capital region’s three cities – Khartoum, Khartoum North and Omdurman – who had to do this.
After Khartoum State announced at the beginning of December a major effort to exhume the remains of people buried in this makeshift manner and move them to cemeteries, Abdel-Azim feels her grief has been renewed as she relives the pain of losing a loved one.
Organised campaign
State and local committees were formed to implement the exhumations. They are made up of representatives from forensic medicine, Civil Defence, the Sudanese Red Crescent, and neighbourhood management and services committees.
Ahmed Abdel Rahman, executive director of Khartoum North, told Al Jazeera that the campaign aims to alleviate the psychological burden on families and improve the health and humanitarian situation in the capital region.
According to Abdel Rahman, the campaign is being overseen by the High Committee for Collecting the Remains of Those Who Died During the Battle of Dignity.
The process will unfold in stages, the first of which is identifying makeshift burial sites.
After that, families are notified and allowed to nominate a representative to be involved in every step, from exhumation to burial.
Forensic medicine specialists will supervise the exhumations and reburials in cemeteries with full documentation of the remains.
The process of transferring these remains began as early as when the Sudanese army took control of Khartoum State, Hisham Zain al-Abidin, director of the Forensic Medicine Authority in Khartoum State, explained to Al Jazeera.
He affirmed that by the first quarter of 2026, Khartoum and its seven districts would be free of any makeshift graves.
However, he added, the field teams responsible for the exhumations and reburials are facing a number of challenges, including a shortage of body bags, “which could affect the work being carried out as required”.
Sabotage
According to Zain al-Abidin, the Rapid Support Forces sabotaged the DNA units used to preserve samples from several buried bodies, which has made it difficult to identify many victims.
He said teams are numbering and documenting the burials of unidentified bodies, then burying them in graves specifically for unidentified individuals.
He called on stakeholders, organisations and citizens for help in preparing the graves and stressed that the work ahead is extensive and requires concerted efforts between the government and citizens.
For her part, Shireen Al-Tayeb Nour Al-Daem, vice president of the Steering and Services Committee in the Shambat neighbourhood of North Khartoum, told Al Jazeera that the committee had surveyed graves in homes, mosques and public squares in several neighbourhoods as a preliminary step before the arrival of medical teams and the commencement of exhumations and transfers of bodies.
Nour Al-Daem said the committee informs victims’ families to attend and follow up on the official procedures with the legal and medical teams until the transfers and burials are completed.
The committee is working on identifying and surveying the locations of makeshift graves, collecting data and communicating with families, Nour Al-Daem said, urging citizens to report the locations of makeshift graves so field teams can access them.
When teams arrive to undertake the exhumations and reburials, the committee will also undertake the logistics and support for those teams. This includes coordinating between the field teams and the families of the deceased to ensure the presence of the family or a representative.
If no relatives of the deceased are present, she added, the High Committee has instructed that the exhumation be halted.
She indicated that the country needs further efforts to complete reconstruction and rebuilding and what the committees are doing “paves the way for a safe environment for the return of citizens” despite the difficulty of people experiencing a second farewell to their loved ones.
The streets of Khartoum are also filled with bodies that have not yet been buried, some of which have decomposed, representing a challenge to identify them and dangers to public health.
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