World
Italian family believes painting found in a dump in 1960s is a Picasso and seeks authentication
MILAN (AP) — An Italian family hopes to prove definitively that a painting discarded from a villa on the island of Capri more than 60 years ago is a Picasso, and has been gathering scientific data to persuade Picasso’s estate administration in Paris to make the definitive call.
The rolled-up canvas of a female figure was discovered in a pile of trash that a junk dealer was hired to discard in the early 1960s, and it hung innocuously in the family living room and then restaurant in Pompei, near Naples, for years until his son decided to investigate.
“My mother called it ugly,” the junk dealer’s son, Andrea Lo Russo, said Thursday. “Here, we are used to landscapes featuring the sea.”
Lo Russo said that his first inkling that the painting may be an important work came when he saw a Picasso in a middle school textbook, but neither his teacher nor his father were persuaded. His curiosity persisted, and in his early 20s, he and his brother drove to Paris and brought the painting to the Picasso Museum.
“They looked, and they said, ‘It is not possible,’” Lo Russo recalled. He said that he declined their invitation to leave the painting for further examination, not wanting to relinquish it.
Over the years, Lo Russo said that his attempts to verify the painting exposed him to fraudsters who tricked him out of money, and even landed him under investigation for suspicion of trafficking in forged art — which was dropped after he produced paperwork showing his attempts to verify the painting’s origin.
After decades of trying to determine the painting’s provenance, Lo Russo believes that a recent battery of tests carried out by the Swiss-based Arcadia Foundation finally offers proof that it’s the work of Picasso.
They include lab tests that show the paints used were consistent with Picasso’s color palette during the period in question, said Luca Marcante, a trained chemist who founded the Arcadia Foundation in 2000 to investigate the provenance of artworks. Most recently, a handwriting expert authenticated the signature on the upper-left hand corner as that of Picasso, Marcante said.
The only entity that can authenticate the painting is the Picasso Administration in Paris. It hasn’t responded to a series of inquires over the years. Marcante said that he’s preparing to share the most recent findings with them.
“You need to understand, they get dozens of inquiries every day from private people believing they have found a Picasso,’’ Marcante said.
Contacted by The Associated Press, the Picasso Administration declined to comment on the case.
Marcante put the value of the painting at 6 million euros ($6.6 million), but said that if fully authenticated, it would soar to 10-12 million euros. After years of hanging casually in the Lo Rosso family home, it’s now in a vault in Milan.
Marcante said that the painting is strikingly similar to a 1949 painting attributed to Picasso called “Tete du femme,’’ which is included in the online Picasso Project curated by the Sam Houston State University in Texas.
Marcante said that there is photographic proof Picasso visited the ruins of Pompeii in 1917, and asserts that he likely also visited nearby Capri, where he may have painted the Lo Russo-owned canvas sometime in the early 1940s, leaving it behind “forgotten in time.”
Marcante is convinced that the found painting isn’t a forgery, because of the differences between the two, including different ceilings, and a missing edge on the seat.
The painting “Tete du femme,” appears to be of Picasso’s one-time lover Dora Maar, given the dark hair and dark eyes, according to Enrique Mallen, the Picasso scholar who runs the online project. He cast doubt on the theory that Picasso would have created two paintings that were so similar.
“From what I know of studying Picasso for 30 years, he would never do an identical copy of his own work,’’ Mallen told The Associated Press. “He was quoted as saying, ‘You can copy anyone expect yourself.’”
The only record of “Tete du femme” was in a 1967 book, where it was listed as being in a private collection in Turin. It has never turned up in other references, Mallen said.
Mallen underlined that his online database, which numbers more than 41,000 Picasso entries, assembles images of paintings, sculptures, drawings and other works attributed to the artist, but doesn’t attest to their authentication — something only the Picasso Administration can do.
Marcante called the “Tete du femme” “a ghost painting, because no one has ever seen it.”
“The only real one is ours, that we have examined in a scientific manner. We are convinced of our work, and of the results science has given us,” Marcante said. “We can touch this painting with our hands. It is real, it is authentic.”
If the painting his father discovered is confirmed to be a Picasso, Lo Russo said that the family is still trying to figure out if they would sell it, caught in a whirlwind of inquiries since news of the painting’s suspected provenance surfaced this week.
“We are confused ourselves,” he said.
World
Wafa Al-Udaini, Palestinian Journalist, Told Story of Gaza That Was Full of Life
Before the answers to life’s questions fit in our pocket, you used to have to turn a dial. If you were lucky, Phil Donahue would be on, ready to guide you toward enlightenment. In a stroke of deluxe good fortune, Dr. Ruth Westheimer might have stopped by to be the enlightenment. He was the search engine. She was a trusted result.
Donahue hailed from Cleveland. The windshield glasses, increasingly snowy thatch of hair, marble eyes, occasional pair of suspenders and obvious geniality said “card catalog,” “manager of the ’79 Reds,” “Stage Manager in a Chevy Motors production of ‘Our Town.’” Dr. Ruth was Donahue’s antonym, a step stool to his straight ladder. She kept her hair in a butterscotch helmet, fancied a uniform of jacket-blouse-skirt and came to our aid, via Germany, with a voice of crinkled tissue paper. Not even eight years separated them, yet so boyish was he and so seasoned was she that he read as her grandson. (She maybe reached his armpit.) Together and apart, they were public servants, American utilities.
Donahue was a journalist. His forum was the talk show, but some new strain in which the main attraction bypassed celebrities. People — every kind of them — lined up to witness other people being human, to experience Donahue’s radical conduit of edification, identification, curiosity, shock, wonder, outrage, surprise and dispute, all visible in the show’s televisual jackpot: cutaways to us, reacting, taking it all in, nodding, gasping. When a celebrity made it to the “Donahue” stage — Bill Clinton, say, La Toya Jackson, the Judds — they were expected to be human, too, to be accountable for their own humanity. From 1967 to 1996, for more than 6,000 episodes, he permitted us to be accountable to ourselves.
What Donahue knew was that we — women especially — were eager, desperate, to be understood, to learn and learn and learn. We call his job “host” when, really, the way he did it, running that microphone throughout the audience, racing up, down, around, sticking it here then here then over here, was closer to “switchboard operator.” It was “hot dog vendor at Madison Square Garden.” The man got his steps in. He let us do more of the questioning than he did — he would just edit, interpret, clarify. Egalitarianism ruled. Articulation, too. And anybody who needed the mic usually got it.
The show was about both what was on our mind and what had never once crossed it. Atheism. Naziism. Colorism. Childbirth. Prison. Rapists. AIDS. Chippendales, Chernobyl, Cher. Name a fetish, Phil Donahue tried to get to its bottom, sometimes by trying it himself. (Let us never forget the episode when he made his entrance in a long skirt, blouse and pussy bow for one of the show’s many cross-dressing studies.) Now’s the time to add that “Donahue” was a morning talk show. In Philadelphia, he arrived every weekday at 9 a.m., which meant that, in the summers, I could learn about compulsive shopping or shifting gender roles from the same kitchen TV set as my grandmother.
Sex and sexuality were the show’s prime subjects. There was so much that needed confessing, correction, corroboration, an ear lent. For that, Donahue needed an expert. Many times, the expert was Dr. Ruth, a godsend who didn’t land in this country until she was in her late 20s and didn’t land on television until she was in her 50s. Ruth Westheimer arrived to us from Germany, where she started as Karola Ruth Siegel and strapped in as her life corkscrewed, as it mocked fiction. Her family most likely perished in the Auschwitz death camps after she was whisked to the safety of a Swiss children’s home, where she was expected to clean. The twists include sniper training for one of the military outfits that would become the Israel Defense Forces, maiming by cannonball on her 20th birthday, doing research at a Planned Parenthood in Harlem, single motherhood and three husbands. She earned her doctorate from Columbia University, in education, and spent her postdoc researching human sexuality. And because her timing was perfect, she emerged at the dawn of the 1980s, an affable vector of an era’s craze for gnomic sages (Zelda Rubinstein, Linda Hunt, Yoda), masterpiece branding and the nasty.
Hers was the age of Mapplethorpe and Madonna, of Prince, Skinemax and 2 Live Crew. On her radio and television shows, in a raft of books and a Playgirl column and through her promiscuous approach to talk-show appearances, she aimed to purge sex of shame, to promote sexual literacy. Her feline accent and jolly innuendo pitched, among other stuff, the Honda Prelude, Pepsi, Sling TV and Herbal Essences. (“Hey!” she offers to a young elevator passenger. “This is where we get off.”) The instructions for Dr. Ruth’s Game of Good Sex says it can be played by up to four couples; the board is vulval and includes stops at “Yeast Infection,” “Chauvinism” and “Goose Him.”
On “Donahue,” she is direct, explicit, dispelling, humorous, clear, common-sensical, serious, vivid. A professional therapist. It was Donahue who handled the comedy. On one visit in 1987, a caller needs advice about a husband who cheats because he wants to have sex more often than she does. Dr. Ruth tells Donahue that if the caller wants to keep the marriage, and her husband wants to do it all the time, “then what she should do is to masturbate him. And it’s all right for him to masturbate himself also a few times.” The audience is hear-a-pin-drop rapt or maybe just squirmy. So Donahue reaches into his parochial-school-student war chest and pulls out the joke about the teacher who tells third-grade boys, “Don’t play with yourself, or you’ll go blind.” And Donahue raises his hand like a kid at the back of the classroom and asks, “Can I do it till I need glasses?” Westheimer giggles, maybe noticing the large pair on Donahue’s face. This was that day’s cold open.
They were children of salesmen, these two; his father was in the furniture business, hers sold what people in the garment industry call notions. They inherited a salesman’s facility for people and packaging. When a “Donahue” audience member asks Westheimer whether her own husband believes she practices what she preaches, she says this is why she never brings him anywhere. “He would tell you and Phil: ‘Do not listen to her. It’s all talk,’” which cracks the audience up.
But consider what she talked about — and consider how she said it. My favorite Dr. Ruth word was “pleasure.” From a German mouth, the word conveys what it lacks with an American tongue: sensual unfurling. She vowed to speak about sex to mass audiences using the proper terminology. Damn the euphemisms. People waited as long as a year and a half for tickets to “Donahue” so they could damn them, too. But of everything Westheimer pitched, of all the terms she precisely used, pleasure was her most cogent product, a gift she believed we could give to others, a gift she swore we owed ourselves.
I miss the talk show that Donahue reinvented. I miss the way Dr. Ruth talked about sex. It’s fitting somehow that this antidogmatic-yet-priestly Irish Catholic man would, on occasion, join forces with a carnal, lucky-to-be-alive Jew to urge the exploration of our bodies while demonstrating respect, civility, reciprocation. They believed in us, that we were all interesting, that we could be trustworthy panelists in the discourse of being alive. Trauma, triviality, tubal ligation: Let’s talk about it! Fear doesn’t seem to have occurred to them. Or if it did, it was never a deterrent. Boldly they went. — And with her encouragement, boldly we came.
Wesley Morris is a critic at large for The New York Times and a staff writer for the magazine.
World
Projectile from Yemen strikes near Tel Aviv, injuring more than a dozen: officials
A projectile launched into Israel from Yemen overnight into Saturday struck Tel Aviv, resulting in mild injuries to 16 people, according to Israeli officials.
Israel’s military said after sirens sounded in central Israel that the projectile landed in Tel Aviv’s southern Jaffa area following failed attempts to intercept.
“Following the sirens that sounded a short while ago in central Israel, one projectile launched from Yemen was identified and unsuccessful interception attempts were made,” the military said on Telegram.
ISRAELI AIRSTRIKES TARGET YEMEN’S HOUTHI-CONTROLLED CAPITAL OF SANAA, PORT CITY OF HODEIDA
Iranian-backed Houthi rebels have repeatedly launched missile attacks from Yemen against Israel since the war in Gaza began in October of last year, but the incident overnight represents a rare instance in which Israel failed to intercept.
Israel has retaliated by striking multiple targets in areas in Yemen controlled by the Houthis.
HAMAS’ GAZA DEATH TOLL QUESTIONED AS NEW REPORT SAYS ITS LED TO ‘WIDESPREAD INACCURACIES AND DISTORTION’
“A short time ago, reports were received of a weapon falling in one of the settlements within the Tel Aviv district,” Israeli police said Saturday.
On Thursday, the Israeli military said it intercepted a missile launched from Yemen, with shrapnel resulting in extensive damage to a school near Tel Aviv.
World
Scholz confirms 5 dead at Magdeburg Christmas market attack
A 50-year-old man was arrested at the scene of the attack in Magdeburg on Friday evening, but as of Saturday, the reason behind his actions remained unclear.
At least five people, including a toddler, have been killed and dozens injured after a car ploughed into a crowd at a busy outdoor Christmas market in Magdeburg, a city in eastern Germany.
Authorities are describing the incident as a “deliberate attack.”
German Chancellor Olaf Scholz and Federal Interior Minister Nancy Faeser are at the scene of the attack in Magdeburg. Faeser has confirmed that federal police are actively supporting the investigation into the tragedy.
-
Politics1 week ago
Canadian premier threatens to cut off energy imports to US if Trump imposes tariff on country
-
Technology1 week ago
Inside the launch — and future — of ChatGPT
-
Technology1 week ago
OpenAI cofounder Ilya Sutskever says the way AI is built is about to change
-
Politics1 week ago
U.S. Supreme Court will decide if oil industry may sue to block California's zero-emissions goal
-
Technology1 week ago
Meta asks the US government to block OpenAI’s switch to a for-profit
-
Politics1 week ago
Conservative group debuts major ad buy in key senators' states as 'soft appeal' for Hegseth, Gabbard, Patel
-
Business6 days ago
Freddie Freeman's World Series walk-off grand slam baseball sells at auction for $1.56 million
-
Technology6 days ago
Meta’s Instagram boss: who posted something matters more in the AI age