NEW YORK (AP) — In a darkened resort room in New York’s Soho neighborhood, Brendan Fraser kindly greets a reporter with an open plastic bag in his hand. “Would you want a gummy bear?”

Fraser, the 54-year-old actor, is in some ways an especially acquainted face to come across. Right here is the as soon as ubiquitous ’90s presence and motion star of “The Mummy” and “George of the Jungle,” whose heat, earnest disposition has made him beloved, nonetheless, a few years later.

However Fraser, little seen on the large display screen for a lot of the final decade, can also be not fairly as you would possibly keep in mind him. His voice is softer. He’s extra delicate, nearly intensely so. He appears to bear some bruises from an up-and-down life. If Fraser appears each as he was as soon as was but additionally somebody markedly completely different, that’s acceptable. In Darren Aronofsky’s “The Whale,” he provides a efficiency in contrast to any he’s given earlier than. And it could effectively win him an Academy Award.

Fraser’s efficiency been hailed as his comeback — a phrase, he says, that “doesn’t harm my emotions.” But it surely’s not the one he’d select.

“If something, this can be a reintroduction greater than a comeback,” Fraser says. “It’s a chance to reintroduce myself to an business, who I don’t consider forgot me as is being perpetrated. I’ve simply by no means been that far-off.”

Fraser may be very shut at hand, certainly, in “The Whale.” Within the adaptation of Samuel D. Hunter’s play, which A24 releases in theaters Friday, Fraser is in nearly each scene. He performs a reclusive, overweight English trainer named Charlie whose overeating stems from previous trauma. As well being woes shrink the time he has left, the 600-pound Charlie struggles to reacquaint himself to his estranged daughter (Sadie Sink).

Fraser’s efficiency, broadly celebrated for the reason that movie’s Venice Movie Competition premiere, has two Oscar-friendly traits going it for: A comeback narrative and a bodily metamorphosis. For the position, Fraser wore a large physique swimsuit and prosthetics crafted by make-up artist Adrian Morot that required hours in make-up every morning.

However no matter all of the position’s transformation trappings, Fraser’s efficiency resides in his unhappy, soulful eyes and compassionate interactions with the characters that come out and in of his dwelling. (Hong Chau performs a pal and nurse.) It provides as much as Fraser’s most empathetic efficiency, one which has returned him to the highlight after years making shortly forgotten movies like “Hair Brained” (2013) and the straight-to-DVD “Breakout” (2013). On phases now from London to Toronto, standing ovations have trailed Fraser — a number one man reborn — wherever he goes.

For Fraser, who spent a lot of his earlier heyday in Hollywood swinging on vines and racing via pyramids, enjoying Charlie in “The Whale” has a cosmic symmetry. He might establish with him, Fraser says, “in ways in which would possibly shock you.” When he was in his late 20s attempting to be as match as he could possibly be for “George of the Jungle,” Fraser encountered his personal body-image points.

“All I knew is that I by no means felt prefer it was sufficient. I questioned myself. I felt scrutinized, judged, objectified, usually humiliated,” Fraser says. “It did play with my head. It did play with my confidence.”

Some have questioned whether or not Fraser’s position in “The Whale” must have gone to somebody who was authentically heavy. However Fraser, who collaborated with the Weight problems Motion Coalition in constructing the efficiency, says he intimately understands a distinct type of appearance-based judgement.

“The time period was ‘himbo,’” he says. “I wasn’t certain if I appreciated it or not. I do know that’s bimbo, which is a derogatory time period, besides it’s a dude. It simply left me with a sense of profound insecurity. What do I’ve to do to please you?”

“It didn’t matter, actually, as a result of life took over. I did different issues. I now arrive at a spot the place I see the flip facet of the coin.”

After seeing the play 10 years in the past at Playwrights Horizon, Aronofsky, the director of “Pi,” “Requiem for a Dream” and “Black Swan,” spent years considering completely different actors who might play the protagonist of “The Whale” with none success. Then he had Fraser are available in and browse for the half.

“It wasn’t like I went into this with a calculation: Oh, a forgotten American-Canadian treasure,” says Aronofsky. “He was the fitting man for the fitting position on the proper time. If something, I used to be questioning would folks assume it was a foolish selection or one thing. There wasn’t any cool issue that I might see.”

Aronofsky as an alternative trusted his intestine and an previous axiom: “As soon as a film star, at all times a film star.” Plus, Fraser was hungry. He wished the half desperately and was able to put in all of the work, on a regular basis within the make-up chair. Nonetheless, Aronofsky would later marvel, watching a clip reel of Fraser at an awards ceremony, on the juxtaposition of “The Whale” with films like “Encino Man,” “Bedazzled” and “Airheads.”

“He performs this sort of very current, truthful, harmless goofus type of man,” says Aronofsky. “Then you definately intercut it with ‘The Whale.’ It was type of jaw-dropping to me that this was one human being. There’s a spot in between of lots of years.”

Fraser by no means stopped working, however his film star days principally dried up within the years after his 2008 movies “The Mummy: Tomb of the Dragon Emperor” and the 3-D “Journey to the Middle of the Earth.” Round that point, he and his spouse, Afton Smith, with whom he has three sons, divorced.

“I took some private time. It was essential,” says Fraser. “Principally connecting with my life as a father. It gave me an appreciation for my capability to like. What I discovered informs the latter half of my skilled life now.”

“Now I do know my goal. Take all the things I’ve discovered. Personal it. And, if doable, let if gasoline the work that comes earlier than me,” provides Fraser. “It’s a pleasant thought, however what work will come earlier than me?”

At a Beverly Hills, California, luncheon in 2003, Fraser was groped by Hollywood International Press Affiliation member Philip Berk, Fraser mentioned in 2018. (Berk disputed Fraser’s account.) The expertise, Fraser advised GQ, made him really feel like “one thing had been taken away from me” and “made me retreat.”

Final month, Fraser introduced he received’t attend the Golden Globes in January, whether or not he’s nominated or not. “My mom didn’t increase a hypocrite,” Fraser mentioned. Nonetheless, the character of awards campaigns will doubtless maintain Fraser within the public eye via the Oscars in March. Is he in any respect trepidations about being again within the highlight?

“I feel it’s going to be for the remainder of my profession,” Fraser replies. “No. I’ve an obligation to do that. I really feel responsibility certain to, as politely as a I can, to make use of that informal prejudice to explain this character, to remind them that there’s a greater approach of doing that. Weight problems is the final area of accepted, informal bigotry that we nonetheless abide.”

Throughout capturing on a sound stage in Newburgh, New York, Chau was usually impressed by how Fraser labored steadily with 100 kilos of cumbersome prosthetics on him and crew members buzzing round him earlier than each take.

“I simply thought Brendan was such an angel and so gracious in the best way he managed that and compartmentalized all that was occurring round him,” says Chau. “I naturally felt like caring for him on set. Ensuring his water bottle was someplace shut by. Holding his hand and ensuring he obtained up off the sofa OK.”

Little in regards to the movie, or Fraser’s journey with it, was inevitable. His first assembly with Aronofsky was in February 2020. The pandemic practically led to the manufacturing’s cancellation.

“I gave it all the things I had daily,” he says. “We lived underneath existential risk of COVID. An actor’s job is to method all the things prefer it’s the primary time. I did but additionally as if it may be the final time.”

As a substitute, Fraser’s efficiency opened a whole new chapter for him as an actor. He just lately shot a supporting position in Martin Scorsese’s upcoming “Killers of the Flower Moon.” Pondering what comes subsequent, although, should wait till one other day. When the time for the interview is thru, Fraser stands up and graciously pulls a bag out of his pocket.

“Gummy bear for the highway?” Fraser asks. “I like to recommend pineapple.”

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Observe AP Movie Author Jake Coyle on Twitter at: http://twitter.com/jakecoyleAP