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Coby Bryant ‘Embracing’ Safety Position With Seattle Seahawks After Move From CB

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Coby Bryant ‘Embracing’ Safety Position With Seattle Seahawks After Move From CB


At various points throughout the 2024 offseason, defensive back Coby Bryant’s current and future status with the Seattle Seahawks has been a question mark.

The former slot cornerback, now primarily playing safety for the Seahawks, recorded 70 tackles, four tackles for loss, two sacks, four forced fumbles and four pass deflections as a rookie in 2022. Battling injuries and added depth at corner last season, Bryant saw action in just nine games as a sophomore and finished with 18 tackles and one forced fumble.

With the team adding even more depth at cornerback entering 2024, Bryant would need to make an impact from a new spot, and that’s precisely what he did in the team’s preseason-opening victory over the Los Angeles Chargers.

Bryant didn’t have any tackles in 19 defensive snaps, but he secured one interception early in the second quarter off a tipped ball from a punishing hit by K’Von Wallace on Chargers tight end Hayden Hurst and nearly had another later in the game. He was Seattle’s fourth highest-graded defensive player in the game, per Pro Football Focus, with an 86.4 overall grade.

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“I take preseason serious, whatever the case may be,” Bryant said postgame. “I just love football and competing.”

Bryant isn’t a player who stands out solely on his athleticism. As he displayed Saturday, Bryant is a smart football player — always managing to be in the right place at the right time. That trait was apparent in his rookie season when he tied for second in the NFL in forced fumbles.

That’s an element of Bryant’s game that can’t be taught, and it may be enough to extend his career in Seattle. So far, he’s adapting well to not only a position change but also the innovative scheme head coach Mike Macdonald is implementing.

“Mike challenges us extremely hard in practice, and then versus when it’s in a game, it’s a lot easier. I feel like that kind of helps us when we go out there,” Bryant said. “As a team, you definitely want to have that dog mentality, no matter what it is, special teams, offense, defense, that’s the mentality you want to have.”

Bryant has to be the favorite to backup Julian Love at free safety on Seattle’s 53-man roster. Macdonald likes to run three-safety packages, and he could be especially useful if the team gets into any dime, quarter or dollar sets (six-to-eight defensive backs). At the very least, Bryant displayed his value as a serviceable fill-in in a pinch.

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“I’m embracing it pretty well,” Bryant said of the move to safety. “Each week I’m growing. I set myself with goals to attack each week, what I need to work on, what I’m improving on, so just the little things.”

Interestingly, former Seahawks head coach Pete Carroll appeared to be experimenting with Bryant at free safety last year in the preseason, as well. Bryant played 103 snaps there in the 2023 preseason, per PFF, which was more than he lined up at corner during that span. He then only played one snap at free safety during the regular season.

Second-year safety Jerrick Reed II is also expected to fit in somewhere once he returns from injury (torn ACL in Week 10 last season), but that may be after the start of the regular season. The Seahawks would have time to evaluate their depth at that position or elsewhere to reshuffle the roster upon Reed’s return.

Seattle Seahawks cornerback Coby Bryant (8) celebrates with fans in the second half against the Tampa Bay Buccaneers.

Nov 13, 2022; Munich, Germany; Seattle Seahawks cornerback Coby Bryant (8) celebrates with fans in the second half against the Tampa Bay Buccaneers during an NFL International Series game at Allianz Arena. / Kirby Lee-USA TODAY Sports

With a few more quality preseason outings against the Tennessee Titans and Cleveland Browns, Bryant will have fully flipped the narrative from being potentially the odd man out of Seattle’s cornerback room to becoming a contributing safety. If Bryant continues creating turnovers, the coaching staff won’t have a choice but to keep him around and supply him with opportunities.

Seattle’s next preseason game will be on the road against the Titans at 4 p.m. PDT on Saturday, Aug. 17, preceded by a joint practice with Tennessee in Nashville. Following an encouraging first outing as a team, Bryant is glad he and his defensive teammates get to hit someone else for a change.

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The Seahawks allowed just 71 total yards in the first half against Los Angeles and didn’t surrender a first down for the game’s first six drives. That defensive effort allowed Seattle to nearly double the Chargers’ time of possession.

“We get tired of scrimmaging each other each and every day,” Bryant said. “Obviously, we learn each other. But just to go against someone else and execute the way we did, it shows something.”



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Seattle, WA

Charles R. Cross, Kurt Cobain Biographer and Revered Chronicler of Seattle Music Scene, Dies at 67

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Charles R. Cross, Kurt Cobain Biographer and Revered Chronicler of Seattle Music Scene, Dies at 67


Charles R. Cross, an instrumental figure in the Seattle music scene who wrote the definitive 2001 biography of Kurt Cobain, “Heavier than Heaven,” has died at age 67, his family confirmed on Sunday night.

“We are sorry to share that Charles Cross has passed. He died peacefully of natural causes in his sleep on August 9, 2024.  We are all grief-stricken and trying to get through this difficult process of dealing with the next steps,” his family said in a statement shared with the media.

Nancy Wilson of Heart wrote on Facebook, “Whadda one-of-a-kind guy. His passion and purpose was to make it his life’s work to celebrate and chronicle the beautiful global renaissance that started with our local Seattle music scene.”

She noted on Facebook that Cross was “never salacious, never invasive” in his 2012 biography, “Kicking & Dreaming: A Story of Heart, Soul, and Rock & Roll.” Cross also wrote biographies of another Seattle icon, Jimi Hendrix, as well as Led Zeppelin.

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Cross served as editor of the influential Seattle music monthly “The Rocket,” from 1986 through 2000, just as bands like Nirvana, Soundgarden and Mudhoney were poised to explode on the national stage.

As he said in a recent video about the digitization of all 300 issues of “The Rocket,” When you look back on the history of the paper, we’re the first people to cover Nirvana, Soundgarden, Alice in Chains, Pearl Jam.” He also mentioned that Cobain — in a now-famous listing looking for a drummer— was one of the many musicians who advertised in the magazine’s classified ads.

On a personal note, he was also a friend and mentor of mine, who gave me one of my entertainment journalism gigs at The Rocket. I last spoke with him on the phone a year ago when he generously shared his insight for TheWrap’s story about suicide prevention in Hollywood. As an expert on the Seattle music scene, he was also, sadly, an authority on the subject, and frequently gave lectures on suicide prevention.

Served as editor of the University of Washington’s Daily in 1979, where he worked with future “Rocket” editor and collaborator John Keister of “Almost Live!” fame.

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He also founded the Bruce Springsteen fanzine “Backstreets,” selections of which were published in 1989 as “Springsteen: the Man and His Music.”

The Seattle music community mourned Cross’ unexpected death. No Depression co-founder Grant Alden recalled how. Cross gave him a “ringside seat to the grunge circus” and how his industry connections helped Alden create the roots music journal. He also noted Cross’ generosity after selling “The Rocket.”

“Some years later a check arrived. I was no longer desperately broke and in debt because ND actually took off, but it was still a welcome kindness. He didn’t have to do that. I know how capitalism works,” wrote Alden.

Pacific Northwest Archives founder Karl Braun wrote on Facebook, “[He] probably knew more about Seattle music than anyone on earth … he was in progress on his memoir/autobiography which he told me would have many additional stories that had not made their way into any of his previous works.”

Cross had previously described the book as “a little bit about my life and a little bit about Seattle music history.”

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He also wrote for The Seattle Times, Rolling Stone, Spin, Esquire, Playboy, the Los Angeles Times and the Seattle Post-Intelligencer.

He is survived by his son, Ashland.

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Puyallup Little League coach joins “Seattle Sports Live” from Williamsport

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Puyallup Little League coach joins “Seattle Sports Live” from Williamsport


South Hill Little League from Puyallup advanced to the Little League World Series and begins play this Friday in Williamsport, Penn. Coach Derek Jennings joined Fox 13 Sports Director Aaron Levine on “Seattle Sports Live” Sunday night to talk about reaching the LLWS and expectations for the upcoming tournament.



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Social Media Users Debate Using the Term ‘Un-Alived’ on Kurt Cobain Placard at Seattle Museum

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Social Media Users Debate Using the Term ‘Un-Alived’ on Kurt Cobain Placard at Seattle Museum


An exhibition at Seattle’s Museum of Pop Culture has sparked a heated conversation about the real-life use of the slang term “un-alived,” which was spotted on a MoPOP placard that says Nirvana frontman Kurt Cobain “un-alived himself at 27.”

Cobain died by suicide at age 27, on April 8, 1994. The Seattle museum shared this fact on an information card about the “27 Club” (a grouping of artists who all tragically passed away at the young age of 27), various patrons have reported.

But in place of “died by suicide,” MoPOP printed the internet slang “un-alived,” with the exhibition placard reading, “Kurt Cobain un-alived himself at 27.” The museum additionally put up a placard about the social context of the term’s usage in the digital age, also noting that “the Guest Curator has chosen to utilize the term as a gesture of respect towards those who have tragically lost their lives due to mental health struggles.”

On Saturday (Aug. 10), Stereogum pointed out many on social media were likening saying the word “un-alived” in real-life discussions regarding mental health — rather than using it only to circumvent censorship from algorithms on internet platforms like TikTok — to the dystopian world of George Orwell’s 1984, despite the museum’s explanation.

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Orwell wrote of “Newspeak,” a simplified, government-directed language intended to limit critical thinking, in the novel. One element of the fictional Newspeak grammar included tagging the simple prefix “un” onto words, instead of developing an expanded vocabulary.

“this is what george orwell was warning us about with 1984,” read one comment on X (formerly Twitter) posted Friday about the museum exhibit material using the word “un-alived.”

“That moment when it wasn’t the government but youtube and social media which caused newspeak from 1984 to become a real thing lmfao,” another person on X added. “And people still say that ‘these are private companies, they don’t have to allow speech they don’t want!’ Yes they do, they are the town square now.”

Meanwhile, another user on the platform offered a different perspective: “It’s MOPop who cares. Their exhibits talk in internet lingo all the time because it’s about pop culture. It’s basically a glorified collection showcase. Twitter people saw the word ‘museum’ and lost their s—.”

Meanwhile, someone else quipped, “This will help them [the museum] go viral on tiktok.”

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By Sunday evening, the conversation thread had a new reply with an updated photo — one that showed the wording on the placard has apparently been changed, with “un-alived” being edited to “died by suicide.”





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