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‘The Eyedress Tour Bus’ takes its wild ride to San Francisco

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‘The Eyedress Tour Bus’ takes its wild ride to San Francisco


Filipino alternative/indie singer-songwriter Idris Ennolandy Vicuña, also known as Eyedress, performed on March 9. “The Eyedress Tour Bus” made its second stop at August Hall in San Francisco, California. He and his band delivered a show full of rock and funky synth to welcome the crowd onto their version of “The Magic School Bus,” the spoofed graphic used to represent the tour.

Eyedress quickly entranced the eager audience in the intimate space of the San Francisco venue. After his opening song “Can I See You Tonight?”, he asked the crowd who was from the area, saying that he loves the city. Many locals raised their hands with an onset of cheers before he moved on to the next song of his set “Romantic Lover.”

An assortment of fluorescent colors lit up the August Hall stage. The eyes of fans adjusted as the room changed between purple, blue, green and pink for each song. Every hue complemented the song Eyedress performed as smoke steamed off the stage. The pink lights dressed the stage in a relaxed tone during his more soothing songs and the green lights spiked a vibrant energy into the audience for his uptempo songs. After the first two or three songs, he was surprised when he discovered that fans were also watching his show from the balcony area above.

“Holy shit, there’s people up there too!” Eyedress exclaimed.

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To go with Eyedress’s mellow vocals was his musical prowess during instrumental breaks. He stepped away from the microphone for solos during certain songs and ripped away on his electric guitar. Eyedress wore his signature shades for most of his show which even stayed on as he zealously rocked and bobbed his head. Concertgoers matched his energy by also rocking and bobbing with a bit of thrashing.

The easygoing songs that Eyedress performed in his set fostered a groovy atmosphere in the venue. The audience was spellbound by the notes that flowed through his guitar. This welcomed fans to actively sway along in appreciation of his alternative music. This energy with the same sentiment was doubled and even tripled during his songs that picked up the pace.

Eyedress picked up the energy more in his song “Something About You” and told the audience to sing along if they knew it, poking fun at one of his most popular songs. Phones poked out above the sea of fans as they tried to capture the moment of this fan-favorite track. The crowd energetically sang and danced along to the groovy and punky song.

Eyedress continued the lively wave of energy by performing “Teen Mom,” dedicated to his mom and childhood in the 90s. His passion for the song seeped through his mic and instrument as he lovingly sang about his family and nostalgic childhood.

“I wrote this next song for my mom,” Eyedress said.

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The crowd’s pulse remained high when Eyedress played “Jealous,” another one of his most well-known songs. Caught up in the music’s extremities, the audience caught a glimpse of his eyes when his shades came off for a moment. As a classic concert move, the audience was duped into thinking this was his closer when Eyedress and his band returned backstage after the song’s last note. Fans reacted by chanting and rumbling for more. He ultimately stepped back on stage for his final song.

The fast-paced synths, drum tempo and guitar riffs resumed as Eyedress ended with “I Don’t Wanna Be Your Friend.” Several fans rushed near the stage to clash into the fairly-sized mosh pit that formed. He stepped off the stage onto the dance floor which ignited fans around him with excitement. This made way for an organized chaos that Eyedress initiated for this song. Fans jumped around and crowded the musician with some heightened fury when he joined them below. They were passionate about participating in the action shown in how many were drawn to go closer to the stage.

Quickly after joining fans on the dance floor, Eyedress returned up to the stage to use as a platform to hop back into them for a crowd surf this time. Their passion prevailed as they mightily hoisted Eyedress above their heads during his crowd surf.

When the surf subdued at the end of the song, Eyedress thanked his fans for the great show. The crowd departed from the stage still buzzing with excitement and on a new high from the laid back and intensely composed show. Eyedress and his band delivered a memorable performance that gave fans an opportunity to see their favorites played live and leave with a fonder appreciation for his discography as a whole.

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San Francisco, CA

San Francisco Giants Rotation Faces Key Decision This Weekend

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San Francisco Giants Rotation Faces Key Decision This Weekend


The San Francisco Giants will cram four games into three days at home against the Colorado Rockies, thanks to a doubleheader on Saturday.

With that, the Giants face a decision at the back end of that four-game series, according to reporting from NBC Sports Bay Area.

The first three starters are set, but Sunday’s game will likely be “Jordan Hicks’ last start or Alex Cobb’s first,” per the outlet.

Cobb is nearly ready to return from his injury rehab and after a strong start to the season while Hicks has trailed off in terms of performance, putting manager Bob Melvin in a bit of a spot.

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Hicks has been a reliever most of his Major League career, but when the Giants signed him in the offseason they said they would convert him into a starter, something he wanted.

The early returns were promising.

He went 2-0 in his first six starts and kept his ERA under 2.00. Cobb and Robbie Ray started the season on the injured list. Blake Snell hit the IL after the season’s first three weeks. So Hicks’ performance was a great lift.

But the quality of those starts has gradually dropped. He went 2-2 with a 3.99 ERA in May, followed by an 0-2 June in which he had an ERA of 5.24. His three starts in July have been terrible — an 0-3 record and a 8.31 ERA.

NBC Sports Bay Area reported that the Giants would give Hicks one more start before a discussion about his role. But his last start on Tuesday — in which he gave up four earned runs and was unable to get out of the fourth inning — may have given them cause to reconsider.

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Whether Hicks starts on Sunday may depend entirely upon Cobb’s readiness.

San Francisco had hoped Cobb would return earlier than this. He had offseason hip surgery and was expected to miss a portion of the regular season. But while doing rehab work for the hip he felt mild shoulder irritation before throwing a bullpen session on April 16. That landed him on the 60-day injured list four days later and took him out of the mix until at least late May.

He wasn’t ready to make a rehab start until June 30.

In his last rehab start this past weekend he was sharp, tossing five innings and not allowing a run. More importantly, he threw 60 pitches.

A return to the rotation would give the Giants another veteran arm as they try to stay in the playoff race and allow them to move Hicks to the bullpen.

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As for the rest of the series, the Giants will start Kyle Harrison on Friday, followed by Blake Snell in Game 1 of Saturday’s doubleheader and rookie Hayden Birdsong in Game 2.  



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San Francisco slashes homeless outreach team budget

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San Francisco slashes homeless outreach team budget


In March, the most recent month of immediately available data, HEART responded to 1,303 incidents, or 98% of calls the team received. But of those incidents, 700 were considered settled because the person was “gone on arrival,” and 125 were referred to the police, the Department of Public Works, the Emergency Medical Services Agency or another street team run by the city.

According to the March data, HEART placed one person in a shelter, referred four to an emergency shelter and placed two in a triage center. The team also resolved 210 American Disability Act violations, meaning encampments were moved to make space for pedestrians.

In a statement, the Department of Emergency Management and Department of Homelessness and Supportive Housing said HEART completed more than 1,000 needs assessments and connected over 700 people to “benefits including shelter” with a team of 24 people.



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Down and Out in San Francisco

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Down and Out in San Francisco


Image by Joshua Earle.

For many residents of the United States, especially those in its cities and larger suburbs, the fact of homelessness is quite well established. Camps made up of lean-tos, tents, small fire pits and people exist in parks, woods, along city streets and under freeway bridges around the nation. The reaction to these settlements by residents with houses and local authorities ranges from acceptance and providing services to the unhoused to vigilante and police attacks on the encampments. Despite the differences in these responses, both represent an acceptance of an essential fact: most people living outside because they can’t afford to live inside do so because of the capitalist economy.

Those who support the vigilantes and the police attacks on the unhoused are, in essence, rejecting the humanity of those being attacked and “swept” up (to use a popular euphemism). Whether they acknowledge this truth or not, their actions reveal an understanding that only people with houses matter when all is said and done. Meanwhile, those who work through churches, social services and other organizations that assist the unhoused prove a certain belief that modern capitalism is irredeemable.

J. Malcolm Garcia worked in an organization helping the unhoused during the 1990s. The agency was in San Francisco. I lived in the San Francisco Bay Area from the late 1970s until the mid-1980s. Of the seven or eight years I lived there, I spent a few of them on the streets. Even then, there were several hundred, if not thousands, of unhoused folks making do, keeping away from the cops, hitting the free meals and sleeping where they could. By 1984—after almost four years of neoliberal Reaganomics—those numbers had increased dramatically. So had a certain sense of desperation as funding was taken away from government agencies and non-profits that served the poor—housed and unhoused. I was lucky. I got out. Some of my friends did not.

Since his work in the social services world of San Francisco, Mr. Garcia has gone on to become one of the world’s most unique and honest journalists. His articles focus on those whose lives have been disrupted, even overturned, by US capitalism and its wars. Several collections of his work have been published and received plaudits and awards. This summer, Seven Stories published his first novel, titled Out of the Rain.

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Like his journalism, this novel is about people. Based on his experiences as a social worker in an agency that worked with those without houses, Garcia tells his story with a collection of profiles. From the chronic and amiable alcoholic Walter to the tragic life of a crack addict named Varneeta, the author weaves a profound tale of humanity. Lives that most of his readers can only imagine, if even that, are chronicled in bits and pieces. People in recovery struggling with the urge to go to the liquor store instead of work; men fighting off urges to take advantage of vulnerable women they interact with at the shelter and men that give in to those urges; recovering alcoholics and drug users living lives of loneliness because their previous friends are still using and are nothing but a temptation. Informing it all is the primary protagonist Tom who directs the shelter and center that serves as the focal point for the novel’s characters. His job is one that requires compassion, but demands a certain ruthlessness. That ruthlessness is most often related to the other primary informant of the tale: a national and local economy that cuts funding for services to the poor in favor of profits for the rich. For anyone who has been to San Francisco since Reagan took over the country they must certainly agree that it is the rich who matter the most there.

This is a very human story. It is also very honest. Despite the occasionally unbearable misfortunes that happen to different characters at points in the narrative, a certain hopeful spirit remains the novel’s essence. At the novel’s end, Tom has moved on from his role at the shelter and center to a new job helping refugees. His burnout from caring too much while wrestling with politicians and funders who don’t really like the grimness and squalor of lives lived in the street has won out. This novel is his reminder to the reader as to why we need to care.



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