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These San Diego Regional Theaters Meet The Moment With Must-See Shows

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These San Diego Regional Theaters Meet The Moment With Must-See Shows


You never need an excuse to escape to sunny San Diego but major premieres at two of the coveted destination’s award-winning theaters are reason enough to drop everything and book a trip now.

3 Summers of Lincoln at La Jolla Playhouse and What the Constitution Means to Me at North Coast Rep are both exceptional shows that are impactful, important and thought-provoking, especially at this time in history. Although they share themes focused on the US government, they are totally different – one’s a musical, the other a play; one is an exploration of the effort to end the Civil War, the other an exploration of the effort to create the Constitution – and each brings something exciting and relevant to the table.

3 Summers of Lincoln at La Jolla Playhouse

It’s impossible to talk about 3 Summers of Lincoln without mentioning Hamilton but they really have little in common other than the fact that they’re both contemporary musicals about a game-changing period in US history. While Hamilton mostly features hip hop and rap, 3 Summers of Lincoln is more traditionally Broadway, filled with anthems, ballads and enough catchy songs to eventually earn it a Tony nomination. If I could find the soundtrack on Spotify, I would have downloaded it as I left the theater.

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The La Jolla Playhouse run is the musical’s world premiere, and you’ll be sucked in from the first notes of its opening number, “Ninety Day War.” Featuring a riveting performance by a soldier played by Evan Ruggiero, a self-described “one-legged tap dancer,” who offers a physical representation of the telegraph that experts believe helped Lincoln win the war, its percussive beat goes right through you and you can’t help sit up straighter, instantly at attention.

The show covers the summers of 1862, 1863 and 1864 as President Lincoln tries to end the war that has been going on for days, months, years – which are regularly displayed on the impressive set, conveying the heaviness of this endless battle and its massive body count. He worries about the soldiers, doubts his decisions and gets more and more frustrated with General McClellan. He also develops a treasured and often volatile relationship with abolitionist Frederick Douglass. Their meetings are electrifying.

It’s so moving to watch Lincoln struggle over whether to issue the Emancipation Proclamation against the warnings of his cabinet. When he finally decides to do the right thing and end slavery, despite the fact that it may cost him a second term, it feels like a miracle.

Every performance in 3 Summers of Lincoln is outstanding, with Ivan Hernandez totally embodying the President (if you saw him on the street, you’d swear Lincoln had come back to life) and Quentin Earl Darrington stealing the spotlight every time he appears on stage as Douglass. Carmen Cusack is a three-dimensional Mary Todd Lincoln, Saycon Sengbloh becomes more than Mary’s trusted friend and dressmaker and John-Andrew Morrison is a stand out as Lincoln’s butler.

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With gorgeous sets, costumes and songs, 3 Summers of Lincoln deserves to follow many of La Jolla Playhouse’s former hits (including Jersey Boys, Come From Away, Redwood) to Broadway.

What the Constitution Means to Me at North Coast Rep

A few miles north, in Solana Beach, North Coast Rep has just extended the San Diego premiere of What the Constitution Means to Me by Heidi Schreck. I had seen the Tony-nominated show on Amazon Prime and loved it but seeing it in person, especially in the intimate North Coast Rep theater, was truly meaningful.

Jacque Wilke stars as the playwright herself, who recreates her real-life experiences as a 15 year old student who paid for college with money she earned by winning Constitutional debate competitions at American Legion halls across the country.

The show is deeply personal, making it a much more natural way to teach people an important thing or two than lecturing them. It’s well-structured, hilarious, heartbreaking, educational and relatable. Wilke is likeable and personable as Heidi and it’s easy to get invested in her stories and history, all of which are tied into the Constitution and its amendments. We suddenly grasp the meaning of this document as she reveals both its brilliance and flaws, using actual recordings of Supreme Court justices involved in their own debates about real cases.

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It quickly becomes clear that women have been underserved by the Constitution, which Heidi argues is a “living document” that can and should evolve over time. One of the highlights of the show is the debate between Heidi and a local student (Em Danque), who each take a side on whether to keep or abolish the Constitution. Every audience member is given a pocket copy of the Constitution to keep and encouraged to cheer for points they agree with and boo when they disagree.

At every performance, one audience member is chosen to pick the winner of the debate. At mine (and 85% of the performances, according to the stage manager) , she opted to keep the Constitution with the caveat that it needed more amendments to protect rights for all. Or, to quote President Lincoln himself, “The people – the people – are the rightful masters of both congresses, and courts – not to overthrow the constitution, but to overthrow the men who pervert it.”

The audiences of both What the Constitution Means to Me and 3 Summers of Lincoln were totally engaged and vocal, applauding wildly when specific lines hit home, reinforcing the plays’ messages that we, the people, have to participate if we want to influence the outcome of elections, wars, bills, the future of democracy. We can’t just be spectators.





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San Diego Zoo Safari Park’s Elephant Valley: Get closer to elephants

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San Diego Zoo Safari Park’s Elephant Valley: Get closer to elephants


San Diego — Before we see elephants at Elephant Valley in the San Diego Zoo Safari Park, we come face to face with destruction, only the wreckage is beautiful. A long, winding path takes guests around and under felled trees. Aged gray tree hunks form arches, for instance, over bridges that tower over clay-colored paths with hoof prints.

The design is meant to reorient us, to take us on a trail walked not by humans but traversed and carved by elephants, a creature still misunderstood, vilified and hunted for its cataclysmic-like ability to reshape land, and sometimes communities.

“It starts,” says Kristi Burtis, vice president of wildlife care for the Safari Park, “by telling the story that elephants are ecosystem engineers.”

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Elephant Valley will open March 5 as the newest experience at the Escondido park, its aim to bring guests closer than ever to the zoo’s eight elephants, which range in age from 7 to 36, while more heavily focusing on conservation. The centerpiece of the 13-acre-plus parkland is a curved bridge overlooking a savanna, allowing elephants to walk under guests. But there are also nooks such as a cave that, while not previewed at a recent media event, will allow visitors to view elephants on their level.

In a shift from, say, the Safari Park’s popular tram tour, there are no fences and visible enclosures. Captive elephants remain a sometimes controversial topic, and the zoo’s herd is a mix of rescues and births, but the goal was to create a space where humans are at once removed and don’t impede on the relative free-roaming ability of the animals by keeping guests largely elevated. As an example of just how close people can get to the herd, there was a moment of levity at the event when one of the elephants began flinging what was believed to be a mixture of dirt and feces up onto the bridge.

“Our guests are going to be able to see the hairs on an elephant,” Burtis says. “They can see their eyes. They can see the eyelashes. They can see how muscular their trunks are. It’s really going to be a different experience.”

Elephant Valley, complete with a multistory lodge with open-air restaurants and bars, boasts a natural design that isn’t influenced by the elephant’s African home so much as it is in conversation with it. The goal isn’t to displace us, but to import communal artistry — Kenyan wood and beadwork can be found in the pathways, resting spaces and more — as a show of admiration rather than imitation.

“We’re not going to pretend that we’re taking people to Africa,” says Fri Forjindam, now a creative executive with Universal’s theme parks but previously a lead designer on Elephant Valley via her role as a chief development officer at Mycotoo, a Pasadena-based experiential design firm.

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“That is a slippery slope of theming that can go wrong really fast,” she adds. “How do we recognize where we are right now, which is near San Diego? How do we populate this plane with plants that are indigenous to the region? The story of coexistence is important. We’re not extracting from Africa, we’re learning. We’re not extracting from elephants, we’re sharing information.”

But designing a space that is elephant-first yet also built for humans presented multiple challenges, especially when the collaborating teams were aiming to construct multiple narratives around the animals. Since meetings about Elephant Valley began around 2019, the staff worked to touch on themes related to migration and conservation. And there was also a desire to personalize the elephants.

“Where can we also highlight each of the elephants by name, so they aren’t just this huge herd of random gray creatures?” Forjindam says. “You see that in the lodge.”

That lodge, the Mkutano House — a phrase that means “gathering” in Swahili — should provide opportunities for guests to linger, although zoo representatives say reservations are recommended for those who wish to dine in the space (there will also be a walk-up, to-go window). Menus have yet to be released, but the ground floor of the structure, boasting hut-like roofing designed to blend into the environment, features close views of the elephant grazing pool as well as an indoor space with a centerpiece tree beneath constellation-like lighting to mimic sunrises and sunsets.

Throughout there are animal wood carvings and beadwork, the latter often hung from sculptures made of tree branches. The ceiling, outfitted with colorful, cloth tapestries designed to move with the wind, aims to create less friction between indoor and outdoor environments.

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There are, of course, research and educational goals of the space as well. The Safari Park works, for instance, with the Northern Rangelands Trust and Loisaba Conservancy in Kenya, with an emphasis on studying human-elephant conflict and finding no-kill resolutions. Nonprofits and conservation groups estimate that there are today around 415,000 elephants in Africa, and the African savanna elephant is listed as endangered by the International Union for Conservation of Nature.

Studies of the zoo’s young elephants is shared with the Reteti Elephant Sanctuary in the hopes of delivering care to elephant youth to prevent orphanage. Additionally, the Safari Park has done extensive examination into the endotheliotropic herpes virus. “The data that we collect from elephants here, you can’t simply get from elephants in the wild,” Burtis says.

One of the two entrances to Elephant Valley is outfitted with bee boxes; bees are known to be a natural elephant deterrent and can help in preventing the animals from disrupting crops or communities. To encourage more natural behavior, the plane is outfitted with timed feeders in an attempt to encourage movement throughout the acreage and establish a level of real-life unpredictability in hunting for resources. Water areas have been redesigned with ramps and steps to make it easier for the elephants to navigate.

With Elephant Valley, Forjindam says the goal was to allow visitors to “observe safely in luxury — whatever that is — but not from a position of power, more as a cohabitor of the Earth, with as much natural elements as possible. It’s not to impose dominance. Ultimately, it needed to feel natural. It couldn’t feel like a man-made structure, which is an antiquated approach to any sort of safari experience where animals are the product, a prize. In this experience, this is the elephant’s home.”

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And the resulting feel of Elephant Valley is that we, the paying customers, are simply their house guests.



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Man fatally struck by hit-and-run vehicle in San Diego

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Man fatally struck by hit-and-run vehicle in San Diego


A man in the Mission Bay Park community of San Diego was fatally struck Sunday morning by a hit-and run vehicle, authorities said.

The victim was also struck by a second vehicle and that motorist stayed at the scene to cooperate with officers, the San Diego Police Department reported.

The initial crash occurred at about 2:20 a.m. Sunday in the area of West Mission Bay and Sea World drives.

The pedestrian was in the southbound lanes of the 2000 block of West Mission Bay Drive when he was struck by a silver vehicle also in the southbound lanes. That vehicle fled the scene, continuing southbound, police said.

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A 28-year-old man driving his vehicle southbound ran over the downed pedestrian.

“That driver remained at the scene and is not DUI,” according to a police statement. “The pedestrian was pronounced deceased at the scene.”

Anyone with information regarding the initial crash was urged to call Crime Stoppers at 888-580-8477.



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Here are the 9 San Diego County communities that set or tied heat records

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Here are the 9 San Diego County communities that set or tied heat records


San Diego County is known for having wet, cold weather in February. But it had numerous hot spells this year. And when the month ended on Saturday a high pressure system produced heat that broke or tied temperature records in nine communities from the desert to the sea, the National Weather Service said.

The most notable temperature occurred in Borrego Springs, which reached 99, five degrees higher than the previous record for Feb. 28, set in 1986. The 99 reading is also the highest temperature ever recorded in Borrego in February.

Escondido reached 95, tying a record set in 1901.

El Cajon reached 92, three degrees higher than the record set in 2009.

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Ramona topped out at 88, five degrees higher than the record set in 2009.

Alpine hit 88, four degrees higher the record set in 1986.

Campo reached 87, four degrees higher than the record set in 1999.

Vista hit 86, four degrees higher than the record set in 2020.

Chula Vista reached 84, one degree higher than the record set in 2020.

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Lake Cuyamaca rose to 76, four degrees higher than the record set in 1986.

Forecasters say the weather is not likely to broadly produce new highs on Sunday. Cooler air is moving to the coast, and on Monday, San Diego’s high will only reach 67, a degree above normal.

 



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