Connect with us

California

Six cool California hotels to book now

Published

on

Six cool California hotels to book now


Safe harbour on the Mendocino Coast

Wharf Rock seen from the Seaview Room at Harbor House © Courtesy of Harbor House

Mendocino, about three hours’ drive north of San Francisco, is a small coastal enclave set in outsized nature, a place where world-beating culinary experiences and zero connectivity often fluidly co-exist. Harbor House is the win up here, despite the presence of hotels that are ostensibly more exclusive (The Heritage House) or “cool” (Timber Cove Resort). Its popularity is down to the buildings’ charm – they were lovingly and meticulously restored by owners Edmund Jin and Eva Lu when they bought it – and the excellence of its culinary offering.

The Harbor House dining room
The Harbor House dining room © Matt Morris
Vine peach melon and amazake at Harbor House
Vine peach melon and amazake at Harbor House © Matt Morris

The Inn, which reopened in 2018, is historic, with six rooms in the main house and others in cabins, all cosy and antique-filled, and all unique; one is clad in redwood boiserie, another has a library. The more recent Madrone cottage is modern-architecture heaven. The restaurant has become a northern California beacon; executive chef Matthew Kammerer is a multiple James Beard Award finalist whose tasting menus, which do remarkable things with hyper-local seafood, produce and seaweed, have earned him two Michelin stars. It’s one of those hotels that’s almost legendary on America’s West Coast and inexplicably all but unknown overseas. theharborhouseinn.com, from $550


Carmel’s new hotel belles

It’s always been one of the state’s most beloved beach towns. Monégasque property tycoon Patrice Pastor, who like legions before him has fallen hard for Carmel’s charms, seems to be the person behind quite a few of its new developments; among the flurry of residential and commercial acquisitions his holding company, Esperanza Carmel, has made is the Frank Lloyd Wright-designed Mrs Clinton Walker House. The Carmel Beach Hotel, operated by Mirabel, the hotel-restaurant company owned by local David Fink, has taken over Colonial Terrace at the corner of 13th and San Antonio (a serendipitous location: San Antonio is just a block up from Carmel Beach, and 13th Street is the border below which you’re allowed to take a picnic and a bottle down onto the sand).

Advertisement
Carmel Beach, adjacent to Carmel Beach Hotel
Carmel Beach, adjacent to Carmel Beach Hotel © Bonjwing Lee
26 rooms are spread across Carmel Beach Hotel’s seven buildings
26 rooms are spread across Carmel Beach Hotel’s seven buildings © Bonjwing Lee
A room at Carmel Beach Hotel
A room at Carmel Beach Hotel © Bonjwing Lee

Despite having only 26 rooms spread across its seven one- and two-storey buildings, it’s is a full resort proposition: the spa with its three treatment rooms offers facials, scrubs and seaweed wraps, the gym and fitness studio are similarly full-service. In the restaurant is Justin Cogley, who won Best New Chef laurels from Food & Wine, American’s culinary bible, for his delicious work at Aubergine, the restaurant in Fink’s other hotel, L’Auberge Carmel. If sunrise is when you do the beach, Cogley will have you covered; the Carmel Beach Hotel’s breakfast baskets, loaded with local sweet and savoury treats, are made for easy portability.

The terrace at La Playa
The terrace at La Playa © Chris Mottalini
A Premier Ocean View King room at La Playa
A Premier Ocean View King room at La Playa © Chris Mottalini

La Playa is one of Carmel’s larger hotels, as well as one of its oldest, in operation since 1905. I’ve often steered friends and visitors to its gloriously un-chic bar for the Taylor-and-Burton patina it gives. But the 75 rooms were always a bit too tired to warrant recommendation. Thankfully that’s changed; all of them were just renovated to the tune of $15mn, with an eye to creating a sense of upgrade without straying too far from the hotel’s Spanish-colonial vernacular, or its oceanside heritage. The décor schemes thus skew one way or the other: lush Persian rugs, gleaming mahogany four-posters, corner sofas upholstered in deep green velvet; or else rattan and jaunty blue-and-white beach stripes. Never opulent, but eminently comfortable. The views from the top-floor rooms, over the courtyard to the beach and Point Lobos beyond, merit the higher rates if you can foot them. carmelbeachhotel.com, from $250. laplayahotel.com, from $450


Rustic chic with a maximalist finish in Palm Desert

The Barn Kitchen and central bar at Sparrows Lodge
The Barn Kitchen and central bar at Sparrows Lodge © Johnny Valiant

In mid-April, Coachella will once again kick off deep in the Colorado Desert, with Blur, Grimes, Lana del Rey and Tyler the Creator among the big names. Not that you need a festival to partake of this very beautiful landscape; it’s a good year-rounder (barring perhaps August and September) with many great places to stay, boasting design and ambience to please all palates.

A guest room at Sparrows Lodge
A guest room at Sparrows Lodge © Johnny Valiant
A guest bathroom at Sparrows Lodge
A guest bathroom at Sparrows Lodge © Johnny Valiant

The one the Angelenos are buzzing to see, Hotel Wren 29 Palms, is opening in spring. In the meantime you can’t go wrong at Sparrows Lodge, which has been around since long before anyone had the idea for Coachella; MGM Studios actor Don Castle built it in the 1950s and it’s been operating as a hotel for decades. The supremely cool Parisian DJ Claire-Marie Rutledge gave it a style refresh in 2022, and now it’s often booked close to solid, especially at weekends.

The spa entrance beyond the olive grove at Sands Hotel & Spa
The spa entrance beyond the olive grove at Sands Hotel & Spa © Jaime Kowal
The Pink Cabana at Sands Hotel & Spa
The Pink Cabana at Sands Hotel & Spa © Jaime Kowal

All the rough timber walls, exposed beam ceilings, and poured concrete floors combine rusticity with Rutledge’s nods to the area’s apex of 1950s and 1960s style, from the pottery to the beaten-up leather butterfly chairs and the saddle blankets at the foot of your bed. That there are works by the likes of Alex Katz, Ed Ruscha and John Baldessari hanging here and there doesn’t hurt. If you’re after just a dose of old Palm Desert glamour, a dinner at The Pink Cabana at the Sands Hotel & Spa will deliver: Mediterranean-Moroccan food in a space created by LA’s king of maximalism, Martyn Lawrence-Bullard. sparrowslodge.com, from $249; sandshotelandspa.com, from $154


Malibu’s most loved

Malibu Beach Inn
Malibu Beach Inn © Malibu Beach Inn

How Malibu has changed in 20 years. Gone are the $3 tacos and feral surfers, replaced by $10 valet tips and premium nigiri at Nobu Malibu. The Malibu Pier – once home to the storied hippie-Hollywood hangout Alice’s Restaurant – is now dominated by a fancy retail outpost of One Gun Ranch, co-owned by a different Alice, the English one called Bamford.

The terrace at Malibu Beach Inn
The terrace at Malibu Beach Inn © Malibu Beach Inn
The King Pier View room at Malibu Beach Inn
The King Pier View room at Malibu Beach Inn © Malibu Beach Inn

Praise, then, for the Malibu Beach Inn (opened 1989), which notwithstanding a 2007 “luxury” upgrade still quietly evinces the spirit of the place. The 47 rooms and suites are all raw wood, ocean hues, generous fireplaces, sliding glass doors, few lofty airs, and the shore 10 paces away. The Inn’s restaurant, Carbon Beach Club, is an actual beach club, with loungers and umbrellas in the sand. The discreet spa, CURE, does it all, from morning movement classes to IV infusions and PRP, via the usual body and face treatments. And the location is easy walking distance to all the New ‘Bu bells, whistles and attractions. malibubeachinn.com, from $660


Old-school ranching in the Santa Ynez Valley

The Lane at Alisal Ranch
The Lane at Alisal Ranch © Teal Thomsen

Working-ranch stays tend to be more associated with the Rockies – Colorado, Montana, Wyoming – than they are with southern California. But Alisal has been operating on 10,500 acres in the gorgeous rolling hills north-west of Santa Barbara since 1946, when it opened to just 30 guests for the summer. It’s evolved since, most notably in the accommodations, which in earlier years were fairly spartan; today they’re cosy and rustic-chic, but operate roughly along the same configurations, with houses for larger groups (Jackson House – named for Pete Jackson, the owner who opened parts of Alisal to the public – sleeps 12; Turner House, 10) and studios and cottages for smaller families and couples.

The Santa Barbara landscape around Alisal Ranch
The Santa Barbara landscape around Alisal Ranch © Teal Thomsen
A sitting area in one of Alisal’s accommodations
A sitting area in one of Alisal’s accommodations © Victoria Pearson
The ranch is set in 10,500 acres of southern California
The ranch is set in 10,500 acres of southern California © Teal Thomsen
The Turner House at Alisal Ranch, named for interior designer Nathan Turner who designed it
The Turner House at Alisal Ranch, named for interior designer Nathan Turner who designed it © Victoria Pearson

There’s a golf course and three tennis courts, as well as a spa and a handful of only-at-Alisal wellness experiences – in April, globally recognised equine-therapy expert Devon Combs will lead a women-only healing-with-horses retreat (from $3,600). But the place is perhaps still best experienced in the salutary simplicity of the original offering: days spent outdoors, hiking or in the saddle, learning about sustainable ranching practices and local wildlife, eating clean, delicious food, and constellation-spotting at night (the skies are exceptionally clear here). alisalranch.com, from $613 for two, full board



Source link

Advertisement

California

Top California governor candidates debate in San Francisco as field narrows

Published

on

Top California governor candidates debate in San Francisco as field narrows


Six of the top-polling candidates in California’s race for governor faced off at a debate in San Francisco Wednesday night.

This marked the first debate since former East Bay Congressman Eric Swalwell dropped out of the race for governor and resigned from his seat. Despite Swalwell’s exit as well as the departure of Betty Yee from the race, no clear Democratic frontrunner has emerged.

The debate was hosted by Nexstar/KRON in San Francisco.

The candidates at this debate included four Democrats: former Congresswoman Katie Porter, former California State Attorney General Xavier Beccera, San Jose Mayor Matt Mahan, and billionaire philanthropist Tom Steyer. The two Republicans at this debate included former Fox News commentator Steve Hilton and Riverside County Sheriff Chad Bianco.

Advertisement

All candidates are trying to make an impression ahead of the June 2 primary. Ballots will be mailed out to California voters in early May.

Political analyst Larry Gerston examines the first California governor’s race debate since Eric Swalwell dropped out, hosted by Nexstar/KRON in San Francisco.



Source link

Advertisement
Continue Reading

California

Federal appeals court blocks California law requiring federal agents to wear identification

Published

on

Federal appeals court blocks California law requiring federal agents to wear identification


LOS ANGELES — An appeals court has blocked a California law passed in 2025 requiring federal immigration agents to wear a badge or some form of identification.

The Trump administration filed a lawsuit in November challenging the law, arguing that it would threaten the safety of officers who are facing harassment, doxing, and violence and that it violated the constitution because the state is directly regulating the federal government.

A three-judge panel of the 9th U.S. Circuit Court of Appeals issued an injunction pending appeal Wednesday. It had already granted a temporary administrative injunction to block the implementation of the law.

At a hearing March 3, Justice Department lawyers argued that the California law sought to regulate the federal government, violating the Supremacy Clause of the Constitution.

The appeals court agreed unanimously, saying the law “attempts to directly regulate the United States in its performance of governmental functions,” in an opinion written by Judge Mark J. Bennett. The panel was composed of two Trump appointees, Bennett and Daniel P. Collins, and Obama appointee Jacqueline H. Nguyen.

California lawyers argued that the law applied equally to all law enforcement officers without discriminating against the U.S. government, and that states could apply “generally applicable” laws federal agents. They also argued that the law was important to address public safety concerns.

Advertisement

People are more likely to attack officers in self-defense if there’s no visible identification letting the public know they are law enforcement, California lawyers said in a brief opposing the injunction.

“This confusion has resulted in federal law enforcement officials being mistaken for criminals and vice versa, creating serious risk of harm to peace officers and members of the public,” they wrote.

The appeals court judges said they did not consider the public safety factors because the federal government has demonstrate its constitutional rights would be violated by the legislation, and “all citizens have a stake in upholding the Constitution,” it ruled, quoting previous case law.

First Assistant U.S. Attorney Bill Essayli called it a “huge legal victory” in a post on X.

The California Attorney General’s office did not immediately respond to a request for comment.

Advertisement

The initial lawsuit also addressed another California measure signed into law last year that would have banned most law enforcement officers from wearing masks, neck gaiters, and other facial coverings. It was blocked by a federal judge in February.

The legislation did not apply to state law enforcement and made exceptions for undercover agents, protective equipment like N95 respirators or tactical gear, and other situations where not wearing a mask would jeopardize the operation.



Source link

Continue Reading

California

California Islamic calligraphy artist preserves ancient tradition during Arab American Heritage Month

Published

on

California Islamic calligraphy artist preserves ancient tradition during Arab American Heritage Month


As Arab American Heritage Month is celebrated, one Northern California artist is keeping the centuries-old tradition of Islamic calligraphy alive, one carefully measured stroke at a time.

Sehar Shahzad is a student calligrapher. Before starting any project, Shahzad said “one of the first things that calligraphers learn is how to cut their pens.” 

Her tools must be in pristine condition.

“Your instruments are just as important as anything else in this art,” she said.

Advertisement

Shahzad said that as a young girl growing up in Toronto, she took up Islamic calligraphy while reflecting on her religion.

“It’s not like I’d never seen it before, but it was my first time kind of trying it,” she said. “And there’s no other way to say it except that I just fell in love with it.”

Now married with three children, Islamic calligraphy is very much part of her life.

“I remember thinking that this isn’t something that I just want to learn for fun,” she said. “I really want to be able to master it.”

Shahzad said that every angle and curve follows strict geometric rules and is measured with dots.

Advertisement

“For example, this letter here was just a little bit too long, so we use these nuqtas to help us guide and understand how long that letter should be,” she said.

Like the Arabic language, Islamic calligraphy is read from right to left. Its bold simplicity requires precision and a deep understanding of proportion.

“When you’re creating a composition, it’s not only about the letter itself,” Shahzad said. “It’s about composition as a whole and making sure that everything balances together.”

Even though she’s still mastering her form, Shahzad’s work is featured in the prayer room of a Muslim cemetery in Napa and in the domes of mosques in San Jose, Hayward, and San Francisco.

Still, she considers her work on paper the most special.

Advertisement

“A form of meditation, a form of worship, requires focus, requires discipline, really brings me to a different space,” Shahzad said. “And I think that’s what I love most.”

Proving that in this fast-paced world, this millennia-long tradition is far from disappearing.

Shahzad’s work will be featured at the upcoming Light Upon Light art exhibit at the Tarbiya Institute in Roseville from April 24-26.



Source link

Continue Reading
Advertisement

Trending