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Get to know the artist who made the Second Coming painting in the Washington D.C. Temple

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Get to know the artist who made the Second Coming painting in the Washington D.C. Temple


Most budding artists begin their profession in a spare room at residence, crowding out different household wants. Dan Wilson was no exception — beginning in an upstairs bed room. Over the following few years, he graduated to the lounge after which to a portion of the unfinished basement that finally had 4 partitions and a door. 

“Paint was in all places,” smiled Heather Wilson, Dan Wilson’s spouse of 13 years. “We nonetheless discover paint in random locations all around the home — even within the freezer. I assumed it might all the time be that manner.” 

Wilson started drawing from the time he might decide up a pencil. “I doodled on every part,” he mentioned. “My first sale was in seventh grade to certainly one of my lecturers. She had me draw John Wayne. I couldn’t consider she gave me $20. However I battled being an artist. I studied chiropractic, fireplace science and enterprise, however I all the time felt a tug to return to artwork.”

“Earlier than commencement, Dan was in every single place,” mentioned Heather Wilson. “He couldn’t work out what he needed to do. He thought of being a seminary instructor, then enterprise administration as a result of it was common. I requested, ‘Why not artwork?’ However I by no means thought he would do it full time.” 

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Early inspiration

Born and raised in Salt Lake Metropolis, Wilson graduated from Utah Valley College with a bachelor’s diploma in positive arts. “My best mentors have been Perry Stewart, a UVU artwork professor, and William Whittaker who mentored me after school. I used to be additionally impressed by Danish artist Carl Bloch and French artist William Bouguereau — two artists of the mid-1800s.”

Artist Dan Wilson's spouse Heather Wilson has been the topic of a lot of his work.

Wilson has additionally been impressed by his spouse. “I wouldn’t be capable to give it 100% if she wasn’t behind me,” he mentioned. 

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The Wilsons first met at a health club in Utah. “I didn’t need to be that man who will get her quantity on the health club,” mentioned Dan Wilson. “Then I bumped into her at a dance two months later. The remainder is historical past.” The couple has 4 boys and two ladies ages 2 to 11. 

Dan Wilson’s respect for his spouse is summarized in a submit on his Instagram account, the place he has greater than 41,000 followers:

“I’ve painted Heather so many instances as a result of … she actually is far more lovely in each manner than the day I married her. … She is continually considering of the way to uplift the individuals round her and is all the time attempting to enhance herself. Her testimony of Christ and His gospel makes me need to be a greater Christian, father and husband. … When I’m weak, she is powerful and is the loopy glue that retains us collectively. … She is the explanation I’m a cheerful man. I like you.”

Christ-centric painter

“I initially painted simply to have a profession,” mentioned Wilson. “I did portrait artwork and needed to get into galleries. Then, I painted my first picture of Christ, and two households purchased easy prints. One mom stopped me the following week at church, bought emotional and mentioned, ‘You don’t have any concept how a lot that picture is uplifting us in our residence.’ I assumed, ‘That was actually cool.’”

The subsequent week at the very same spot, one other lady stopped Wilson. “She additionally bought emotional and mentioned: ‘I gave my print to my sister who’s attempting to maintain her household collectively. You don’t have any concept how a lot it means to them and the way a lot it’s serving to.’ She mentioned nearly the very same phrases. The lightbulb went off and I knew I’m presupposed to be portray for a motive and that’s to uplift individuals of their properties with photos of Christ.”

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“When Dan was deciding what he needed to color, he was up and down,” mentioned Heather Wilson. “When he realized he needed to color the Savior, every part simply fell into place.”

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Authentic art work portraying the Savior’s return in His glory accompanied by heralding angels is the main focus within the domed oval-shaped rotunda of the Washington D.C. Temple, as proven in April 2022.

A Igreja de Jesus Cristo dos Santos dos Últimos Dias

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But it surely hasn’t all the time been straightforward. To help his artwork profession, Dan Wilson managed a freight-forwarding enterprise for FedEx and Heather Wilson cleaned homes. “My first yr I made $7,000 from my artwork,” he mentioned. “Heather by no means second-guessed the entire thing.” In 2014, Dan Wilson began portray full time.

“It’s not a traditional 9-to-5 job,” mentioned Heather Wilson. “There’s no paid time without work. His schedule varies. At 6 p.m. he could also be in the course of one thing he can’t depart. Typically he paints till midnight. However he’s a tough employee and takes on the duty of offering for the household. I’m actually impressed how humble and teachable he’s, all the time attempting to raised himself. He always research the work of different artists.”

Inspiration is a course of

Wilson depends closely on the facility and means of inspiration. “If I’m portray the Savior for a temple, I simply need to do Him justice,” he mentioned. “I’m intimidated each time. I spend loads of psychological prep work on the point of paint. I get a father’s blessing. I embrace it in my quick. Then I do the very best portray I can with the Lord’s assist.”

Dan Wilson is fast so as to add inspiration doesn’t come unexpectedly. “I can take it solely thus far after which I get caught the place I simply don’t know what the very best factor for the portray is. It’s then I obtain extra solutions.”

This course of was repeatedly manifest in his largest work to this point: a portray of the Second Coming for the Washington D.C. Temple.

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“This Second Coming piece was a giant slice of humble pie,” mentioned Wilson. “I bumped into a number of issues I didn’t know do. I’ve by no means finished a mural this measurement earlier than with 300-plus angels. It stretched me. After I get overconfident and don’t depend on the Spirit, I make loads of errors I’ve to spend the following day fixing. It’s fairly straightforward to remain grounded while you notice you’re portray stuff you may’t paint by your self. I be taught one thing new every time.”

The Washington D.C. Temple portray

Wilson had accomplished six work for temples for The Church of Jesus Christ of Latter-day Saints when he acquired a name from the Temple Division to do one other: an 8-by-12-foot oil portray for the Washington D.C. Temple. It wanted to be accomplished in time for the temple open home in spring 2022.

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Artist Dan Wilson in his studio in Lehi, Utah, in entrance of his portray of Christ for the Washington D.C. Temple

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“The Temple Division gave me the concept for the portray,” Wilson mentioned, “based mostly on scripture with the Savior coming within the clouds clothed in a crimson gown surrounded by quite a few angels. I produced preliminary sketches with graphite. Once they have been accepted, I used to be requested to do a 1-by-2-foot portray the temple inside designer would use for his or her shade palate. When that was accepted, they let me free.”

Wilson went to work discovering fashions and clothes for them, discovering ideas for the trumpets, after which doing quite a few photoshoots earlier than placing all of it collectively. “I spent a whole lot of hours in Photoshop simply putting the angels in order that they didn’t create a sample and the place the range was not stacked in a single part. I had about 30 fashions, however as you go farther away from Christ the element isn’t as obvious.” 

There have been extra layers of approval for the portray, the final one being a member of the First Presidency of the Church. “The approvals have been comprised of photographic prints,” mentioned Wilson. “That bothered me as a result of a print is totally totally different than wanting on the authentic. I hoped somebody would come to my studio, however they’re so busy.”

It took Wilson an estimated 2,000 hours to color the Washington D.C. Temple portray — a fourth of it in prep. Think about the battle to maintain the exploring fingers of six energetic kids from experimenting along with his oil paints. The Wilsons had succeeded for over a decade.

By then, Wilson had added a spacious artwork studio onto his Lehi, Utah, residence. One morning he entered his studio and was shocked to search out orange paint scribbled on his work. 

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“Effectively, it lastly occurred,” Wilson posted on Instagram. “Now we have gone 11 years of getting youngsters with zero toddler vandalism on a portray. However that streak has ended. These two are bother collectively. Should you see them wandering your neighborhood, name the authorities. They’ll’t be trusted in civilized society.”

“They went to city on the clouds,” mentioned Wilson. “I had forgotten to lock my studio and had left a bunch of orange paint on my palate. I actually wasn’t that upset. It was my fault, and I might paint the clouds again over their creativity. And who is aware of? Their doodles could be the beginning of their future artwork careers.”

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Dan Wilson took an image of his kids's scribbles on his art work earlier than he was capable of clear it off.

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Extra steerage from the Spirit

Wilson’s authentic idea was for 120 angels. To present larger depth to the portray, the quantity grew to greater than 300. “I painted one angel at a time,” he mentioned. “It took one to 3 days per angel. All of them had barely totally different contrasts. The toughest factor about portray 300 angels surrounding Christ is to have them not devour all the eye and to have them return in house evenly and persistently. I used to be actually stressed about it, and I prayed and fasted lots. I put my identify within the temple roll.”

One morning Wilson awoke early and visualized using a particular white glaze to use in variation to make the angels complement and never compete with the picture of the Savior. It gave them a glowing really feel and helped them match completely in atmospheric perspective. 

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A closeup of angels within the background of Dan Wilson's portray for the Washington D.C. Temple.

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“Such a particular revelation is an affidavit to me that God is within the very particulars of our work,” he mentioned. “That simply doesn’t apply to me as a Christian artist engaged on temple work, nevertheless it applies to anybody in any profession. God is within the particulars of our work and He can reply particular questions to assist us be higher suppliers, higher workers, higher employers, higher husbands or wives, or wherever we’d like assist. If we’re particular with Him, He’ll be particular with us.”

The originals of Wilson’s temple work will likely be displayed in a particular temple with giclée prints (high-resolution, pigment-based prints on canvas) going to different temples. “Over the following three years, I’ve extra to do,” he mentioned. “I’ve began certainly one of Adam and Eve within the Backyard. Then I’m going to do Abish elevating the Lamanite queen and Moses with the brazen serpent.”

In his spare time, Wilson conducts portraiture workshops in his studio. He tells aspiring artists to concentrate on their drawing. “Simply draw, draw, draw,” he mentioned. “If you wish to do Christian artwork on prime of your coaching and your basis of drawing, it should assist your profession in case you are spiritually the place you should be so you may get steerage from the Spirit.”





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Washington, D.C

Las Vegas Joins with Atlantic City, Los Angeles, San Francisco, Washington DC, Biloxi, and New York as Trump Slump Devastates Tourism, Wrecks Casino Profits, and Guts Hotel Jobs, Here is a Very Alarming Report – Travel And Tour World

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Las Vegas Joins with Atlantic City, Los Angeles, San Francisco, Washington DC, Biloxi, and New York as Trump Slump Devastates Tourism, Wrecks Casino Profits, and Guts Hotel Jobs, Here is a Very Alarming Report – Travel And Tour World


Monday, June 9, 2025

Las Vegas, once the unstoppable heartbeat of American entertainment, is now staggering—joining Los Angeles, San Francisco, Washington D.C., and New York City in a brutal decline. The latest data paints a grim picture: the Trump Slump is no longer a whispered concern. It’s a full-blown crisis. Tourism numbers are crashing. Casino profits are being wrecked. Hotel jobs are getting gutted at an alarming pace.

This isn’t just another market hiccup. It’s a seismic shift, and it’s hitting fast and hard. Las Vegas, which once danced in neon glory, is now blinking under pressure. Meanwhile, Los Angeles is losing footfall, San Francisco is watching its hotels go half-empty, Washington D.C. is suffering from thinning tour groups, and New York City is bleeding international traffic. These powerhouse cities are buckling.

What makes this even more shocking is the synchronized collapse across multiple major metros. One would expect Las Vegas to hold the line with its casino cash flow, or New York to hold strong with its global pull. But no. The slump is spreading like wildfire.

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The Trump Slump is doing more than just bruising egos—it’s ripping through revenue streams. Tourism boards are scrambling. Hotels are slashing staff. Casinos are falling eerily quiet.

A new report confirms it all, and the findings are deeply unsettling. How bad is it really? Why now? And who’s next?

This isn’t just a downturn. This is a devastating reckoning. And what happens next could change the U.S. travel industry forever.

America’s Casino Cities Face Rough Odds as Travel and Tourism Get Hard Hit in 2025

America’s legendary casino cities are facing a losing streak in 2025. Travel and tourism, the lifeblood of these destinations, have taken a hard hit—and the cracks are beginning to show across Las Vegas, Atlantic City, Reno, Biloxi, Tunica, Lake Charles, New Orleans, Detroit, Black Hawk, and Philadelphia.

Las Vegas, the crown jewel of casino tourism, is seeing a dramatic slowdown. Packed casino floors and glittering lights are dimming under the pressure of fewer flights, rising costs, and global uncertainty. Hotel rooms sit empty as travel demand weakens, and the Strip’s once-pulsing energy feels noticeably slower.

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Atlantic City isn’t faring much better. The East Coast casino hub has seen a dip in visitors as inflation curbs spending and entertainment budgets shrink. Its iconic boardwalk and historic casinos like Borgata and Tropicana now face quieter seasons, with tourism getting hard hit.

Reno, known as the “Biggest Little City in the World,” is also showing signs of stress. Casino traffic has dropped, and fewer Californians are making weekend gambling trips. In Biloxi and Tunica, two Mississippi casino cities that once thrived on Gulf Coast and Memphis-area travel, hotels and gaming floors are operating well below capacity.

Meanwhile, Lake Charles and New Orleans in Louisiana are feeling the pain too. As fewer visitors flock to resorts like Golden Nugget or Harrah’s New Orleans, the tourism slump deepens. Detroit’s casino industry, including MGM Grand and MotorCity Casino, faces shrinking foot traffic, and its downtown economy feels the impact.

Even in scenic casino towns like Black Hawk and Central City in Colorado, where travelers used to combine mountain views with gambling getaways, the slowdown is undeniable. Philadelphia, a rising urban gambling hotspot, is now scrambling to recover from sharp tourism drops that have hit its casino revenue hard.

From coast to coast, casino cities are facing a reckoning. Travel is down. Tourism is hard hit. And the once-booming casino sector is suddenly rolling the dice on recovery.

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Las Vegas Faces Economic Crossroads as Tourism Slump Guts Casino Jobs and Hotel Revenue

Las Vegas, long celebrated as the mecca of nonstop excitement, is now facing a painful tourism reality. Visitor numbers have dropped sharply. The buzz of casino floors is fading. And behind the curtain of neon lights, the people powering the city—its dealers, hotel workers, and hospitality staff—are feeling the sharp edge of this downturn.

In April 2025, Las Vegas reported a 5.1% year-over-year drop in tourist visits. That decline may appear small, but in a city that lives and breathes on consistent high-volume foot traffic, the impact is severe. Every percentage point lost ripples across hotel corridors, casino pits, and service jobs that depend on steady crowds.

Casino Tables Go Quiet as Layoffs Begin

Some of the Strip’s largest resorts have quietly begun trimming their workforce. Casino dealers—often the frontline ambassadors of Las Vegas nightlife—are being laid off in clusters. With fewer players occupying tables, their positions have become increasingly expendable. Fontainebleau and Resorts World are among the first properties to cut staff in response to the declining traffic.

Thousands of hospitality jobs have been lost over the past year. As demand slumps, casinos are seeking leaner operations. Automation is one of their go-to solutions. More venues are turning to electronic table games and digital betting interfaces, which reduce the need for trained dealers. The charm of human interaction is giving way to LED screens and self-serve terminals.

Economic Strain Spreads Across the Strip

The numbers paint a stark picture. The Las Vegas metro area ended 2024 with an unemployment rate of 5.9%—the highest among all major U.S. metro regions. This isn’t just a local hiccup. It’s a structural problem gripping the city’s core economic driver: tourism.

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Travelers are simply not spending the way they used to. Rising airfares, shrinking discretionary budgets, and global economic uncertainties are all taking a toll. International tourism, once a key pillar of Las Vegas’ diverse visitor base, continues to shrink due to lingering geopolitical tensions and costly long-haul flights.

Hotel occupancy dropped 1% overall in April, with downtown hotels experiencing a steeper 2.6% decline. This erosion in guest volume compounds losses for restaurants, entertainment venues, and local attractions that thrive on tourist dollars.

Wages Flatline While Cost of Living Soars

Even those lucky enough to keep their jobs face an uphill battle. In 2024, the average hourly wage for casino dealers in Nevada stood at $19.96. That’s barely above the national average of $19.25. For a state that is globally synonymous with casino culture, this wage stagnation is glaring. Nevada doesn’t even rank among the top five states for dealer pay, highlighting a growing mismatch between brand power and worker compensation.

Meanwhile, Las Vegas’ cost of living continues to climb. Rent, gas, and grocery prices have surged, putting added pressure on workers in an already stressed sector. Fewer benefits, reduced shifts, and limited job security are becoming the norm.

The Dealer Pipeline Dries Up

The fallout extends to training institutions. Once booming with hopefuls ready to learn the ropes of blackjack, poker, and roulette dealing, dealer schools are now seeing enrollment nosedive. Many who would once relocate to Las Vegas in search of quick career starts are reconsidering. The opportunity promise is dimming. The dream of quick tips and high-stakes tables is now shadowed by uncertainty.

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Without a fresh talent pipeline, even a future rebound could be hindered. The infrastructure of skill development is faltering just as demand for adaptability rises.

Industry Adapts, But at What Cost?

Casino operators are reacting—but not always in ways that safeguard livelihoods. Budget tightening is rampant. Shareholder reports show weakened earnings across several properties, and cost-cutting is the prevailing strategy. Capital expenditures are shifting toward automation and digital engagement. Unfortunately, that often means less human capital and more machines.

Some properties are opting to scale back live entertainment or reduce gaming floor hours. These subtle shifts further discourage extended visitor stays and lower ancillary spending on food, shows, and nightlife.

What This Means for the Future of Las Vegas

The Las Vegas tourism ecosystem is at a tipping point. The convergence of economic pressure, automation, and waning visitor demand could trigger long-term structural changes. The danger isn’t just in job losses—it’s in eroding the unique human experience that made the city iconic.

The Strip, once a symbol of limitless energy, now reflects something more sobering: vulnerability. Without decisive strategic shifts, including improved wages, targeted tourism incentives, and greater international outreach, the industry may struggle to rebound fully.

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Travel authorities, city planners, and hospitality leaders must act swiftly. Investment in infrastructure, diversified tourism products, and fair employment practices are no longer optional—they’re essential for survival.

The world is watching what Las Vegas does next. Will it reinvent itself again, as it has many times before? Or will it fade into a high-tech but soulless shell of its former self?

For now, the cards are still in the air.

Tags: casino jobs, clark county, dealer schools, Downtown Las Vegas, fontainebleau, Las Vegas, Nevada, Nevada casinos, Resorts World, The Strip, Travel Economy, travel inflation, travel layoffs, U.S. metro unemployment, U.S. tourism trends



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PHOTOS: WorldPride celebrations in the District – WTOP News

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PHOTOS: WorldPride celebrations in the District – WTOP News


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Pause on student visas causes concern among some DC education programs

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Pause on student visas causes concern among some DC education programs


A Washington, D.C.-based nonprofit is among the many organizations facing uncertainty as the Trump administration places a temporary pause on new student visa interviews, leaving international students — some just days away from beginning summer internships in the capital — in limbo.

Last week, the U.S. State Department halted visa interviews for prospective international students, citing potential changes in social media vetting procedures. 

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While the administration frames the pause as a matter of national security, education leaders and students warn of significant and far-reaching consequences.

Local perspective:

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One of the affected organizations is The Fund for American Studies (TFAS), a non-profit that has operated since 1967. Each summer, TFAS brings together around 300 students for internship programs in areas ranging from Capitol Hill and Fortune 500 companies to journalism and public policy. 

Many of the participants are international students, selected through a competitive process for their academic excellence and leadership potential. These students also complete coursework through George Mason University.

Now, dozens of those selected international students may not be able to attend.

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“It’s disappointing,” said TFAS Chief Operating Officer Steve Slattery. “They’re telling us that they don’t know if they’re going to be able to come here because they need this interview at the embassy. Usually that’s the last hurdle, and often times there was a backlog for these interviews, so yes, there’s anxiety.”

The backstory:

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The Trump administration has ordered U.S. embassies worldwide to pause issuing new student visa interview appointments. The White House is reportedly considering expanding social media screening for applicants. However, no clear guidelines have been issued regarding the criteria for approval or the length of the delay.

“As far as I know, they’re vetted pretty vigorously,” Slattery added. “We vet them through our process. Embassies do their own interviews and scrutiny of applicants.”

Mark Vodianyi, a TFAS alumnus and international student from Ukraine currently studying at Georgetown University, says while he is not personally impacted by the pause, he’s concerned about its broader implications.

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“Lots of the TFAS alum, they go home and advocate for democracy and civil liberties,” Vodianyi said.

He also emphasized the long-term consequences of limiting access for international students.

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“I’m thinking long term, the U.S. is losing a lot in this. International students contribute a lot to the U.S. economy — they support thousands of jobs nationwide.”

What they’re saying:

While the administration insists the move is rooted in national security interests, some of its own officials have made controversial remarks.

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Linda McMahon, U.S. secretary of education, stated that, “The president certainly had great concerns that there are foreign students — not everyone — but there are foreign students who come to the country I do believe will help create this unrest.”

TFAS and other educational organizations argue that existing screening processes are already thorough and should not prevent forward progress.

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“If they want to screen these students — which they already do — but if they want to do that more tightly, that’s fine,” said Slattery. “But we just want the process to move forward.”

What’s next:

Though the pause has been described as temporary, the State Department has not announced a timeline for resuming visa interviews. Applicants are advised to monitor their local U.S. embassy or consulate websites for updates.

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The impact of international students on American society is substantial. From founding major tech companies like Google, Yahoo, and YouTube, to contributing across the healthcare and research sectors, the role of these students extends well beyond academia. And that’s why, for many, this story hits home.

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